This Is 40's Judd Apatow On Taking Stock And Making Life Work Better
So do you find yourself waiting for those bits of inspiration to hit you and then you just start developing them?
Usually what happens is, like right now a movie comes out Ė December 21st Ė Iím not going away during the Christmas break, and Iíll just be hanging out with the family and my brain will just start regenerating and hopefully something will just pop into my head [laughs]. Thatís how itís happened before. If you force it you get too anxious about it. And if it doesnít itís fine because Iím working hard on Girls and Iím producing Anchorman 2, so I donít need to have it for a while.
So youíre waiting for the project to find you.
Yeah. I mean, Iíll take time to gaze at a notepad and see what my hand writes down. But Iíll know it when it happens.
And just knowing how much you like to work with the same group of actors, how much influence does that have on the projects you develop?
Sometimes. Sometimes Iím thinking about what I should do next, and part of it is, ďWho would it be fun to hang out with for two years? Oh, I havenít worked with him in a while, I wonderÖĒ And sometimes I think about them, sometimes an idea just pops in your head, ďOh, that would be fun.Ē I didnít plan on making Knocked Up with Seth [Rogen]. We were just talking, and I did think Seth could carry a movie, but we were working on Superbad and then one day he said he wanted to do this science-fiction comedy, and I said, ďWell, you donít really need to do that. Youíre kind of funny just standing there, you donít need science-fiction. You be funny just getting a girl pregnant. Just how that would go down would be funny.Ē And then I thought, ďthat would be a good idea!Ē And that was it! [laughs]
To talk a bit more specifically about This is 40, I wanted to ask about casting Albert Brooks and John Lithgow as Paul Rudd and Leslie Mannís parents. In Knocked Up you cast Harold Ramis to play Seth Rogenís dad, which I thought was an ingenious bit of family casting Ė I donít think you could have done any better with that. And the same goes for this movie with Brooks and Lithgow, who are both fantastic. Iím curious how you picked them for their parts and how you went to them about the movie.
I wrote Albertís part for Albert. I spent a long time in a room alone trying to think of, conceive of a way to use him well, and then I had lunch with him and told him about it and left him the script and he liked it. I had met him in the early 90s and had dinner with him a couple times with Garry Shandling and knew he was a great guy. So that was simple.
It was more difficult with John Lithgow because the character as written in the script doesnít have a lot of dialogue, but he has a strong presence. And the whole movie is driven by his ghost in a lot of ways. We end up seeing why Debbie acts the way that she acts Ė because she has this dad who started a new family when she was a kid and didnít pay much attention to her. So it makes her needier with her husband and more controlling of their world. But it was hard for actors to understand what the part was going to be like in the movie.
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