There's no top prize at the Sundance Film Festival, given there's a Grand Jury Prize for all four major categories, plus Audience Awards for each and various special jury mentions. But if you're as U.S.-centric as the rest of us, and want to keep an eye on the film most likely to be the Next Big Thing coming out of the festival, the big winner at last night's ceremony was Like Crazy, Drake Doremus's tender and improvised romance starring Felicity Jones and Anton Yelchin that won the Grand Jury Prize for U.S. Dramatic feature. Jones also picked up a Special Jury Prize for her performance in the film, which was picked up for distribution by Paramount early in the festival.
Martha Marcy May Marlene, the film many expected to pick up the U.S. Dramatic prize, was rewarded with the Directing Award in the category for helmet Sean Durkin. Another strong contender was Pariah, which won the Cinematography award for Bradford Young; there was also a second Special Jury Prize given to Another Earth, recipient of the Alfred P. Sloan Award given to films with a scientific bent.
The full list of winners is available below; when I've seen the films and reviewed them, the title links to my review or video blog. I'll have a full wrap-up of the festival and discussion of which films are the most worth your time later on today.
2011 Sundance Film Festival Award Winners:
The Grand Jury Prize: Documentary was presented to How to Die in Oregon ,directed by Peter D. Richardson. In 1994 Oregon became the first state to legalize physician-assisted suicide. How to Die in Oregon gently enters the lives of terminally ill Oregonians to illuminate the power of death with dignity.
The Grand Jury Prize: Dramatic was presented to Like Crazy, directed by Drake Doremus; written by Drake Doremus and Ben York Jones. A young American guy and a young British girl meet in college and fall in love. Their love is tested when she is required to leave the country and they must face the challenges of a long-distance relationship.
The World Cinema Jury Prize: Documentary was presented to Hell and Back Again, directed by Danfung Dennis. Told through the eyes of one Marine from the start of his 2009 Afghanistan tour to his distressing return and rehabilitation in the U.S., we witness what modern "unconventional" warfare really means to the men who are fighting it. U.S.A./United Kingdom
The World Cinema Jury Prize: Dramatic was presented to Happy, Happy (Sykt Lykkelig), directed by Anne Sewitsky; written by Ragnhild Tronvoll. A perfect housewife, who just happens to be sex-starved, struggles to keep her emotions in check when an attractive family moves in next door. Norway
The Audience Award: Documentary was presented to Buck, directed by Cindy Meehl, for her story about the power of non-violence and master horse trainer Buck Brannaman, who uses principles of respect and trust to tame horses and inspire their human counterparts.
The Audience Award: Dramatic was presented to Circumstance, directed and written by Maryam Keshavarz, in which a wealthy Iranian family struggles to contain a teenager's growing sexual rebellion and her brother's dangerous obsession.
The World Cinema Audience Award: Documentary was presented to Senna, directed by Asif Kapadia; written by Manish Pandey, about legendary racing driver and Brazilian hero Ayrton Senna, taking us on the ultimate journey of what it means to become the greatest when faced with the constant possibility of death. United Kingdom
The World Cinema Audience Award: Dramatic was presented to Kinyarwanda, directed and written by Alrick Brown, which tells the story of Rwandans who crossed the lines of hatred during the 1994 genocide, turning mosques into places of refuge for Muslims and Christians, Hutus and Tutsis. U.S.A./Rwanda
The Best of NEXT!: Audience Award was presented to to.get.her, directed and written by Erica Dunton about five girls who come together for one fateful night where anything goes. They all had secrets, but their friendship was the only thing they knew to be true.
The Directing Award: Documentary was presented to Resurrect Dead: The Mystery of the Toynbee Tiles, directed by Jon Foy. An urban mystery unfurls as one man pieces together the surreal meaning of hundreds of cryptic tiled messages that have been appearing in city streets across the U.S. and South America.
The Directing Award: Dramatic was presented to Martha Marcy May Marlene, directed and written by Sean Durkin. Haunted by painful memories and increasing paranoia, a damaged woman struggles to re-assimilate with her family after fleeing an abusive cult.
The World Cinema Directing Award: Documentary was presented to Project Nim, directed by James Marsh, who explores the story of Nim, the chimpanzee who was taught to communicate with language as he was raised and nurtured like a human child.United Kingdom
The World Cinema Directing Award: Dramatic was presented to Tyrannosaur, directed and written by Paddy Considine. For a man plagued by self-destructive violence and rage, a chance of redemption appears in the form of Hannah, a Christian charity shop worker with a devastating secret of her own. United Kingdom
The Waldo Salt Screenwriting Award was presented to Another Happy Day, directed and written by Sam Levinson, about a pair of reckless siblings who are dragged into a chaotic family wedding by their overwrought mother.
The World Cinema Screenwriting Award was presented to Restoration, directed by Yossi Madmony; written by Erez Kav-El, about an antique furniture restorer, who, aided by a young and mysterious apprentice, struggles to keep his workshop alive, while his relationship with his own estranged son, who is trying to close down the shop, begins to disintegrate. Israel
The Documentary Editing Award Matthew Hamachek and Marshall Curry for A Tree Falls, and directed by Marshall Curry. The Earth Liberation Front is a radical environmental group that the FBI calls America's “number one domestic terrorist threat.” Daniel McGowan, an ELF member, faces life in prison for two multi-million dollar arsons against Oregon timber companies.
The World Cinema Documentary Editing Award was presented to The Black Power Mixtape 1967-1975, edited by Göran Hugo Olsson and Hanna Lejonqvist and directed by Göran Hugo Olsson. From 1967 to 1975, Swedish journalists chronicled the Black Power movement in America. Combining that 16mm footage, undiscovered until now, with contemporary audio interviews, this film illuminates the people and culture that fueled change and brings the movement to life anew.Sweden/U.S.A.
The Excellence in Cinematography Award: Documentary was presented to The Redemption of General Butt Naked, directed by Eric Strauss and Daniele Anastasion; cinematographers: Eric Strauss, Ryan Hill and Peter Hutchens. A brutal warlord who murdered thousands during Liberia's horrific 14-year civil war renounces his violent past and reinvents himself as an Evangelist, facing those he once terrorized.
The Excellence in Cinematography Award: Dramatic was presented to Pariah, directed and written by Dee Rees; cinematographer: Bradford Young. When forced to choose between losing her best friend or destroying her family, a Brooklyn teenager juggles conflicting identities and endures heartbreak in a desperate search for sexual expression.
The World Cinema Cinematography Award: Documentary was presented to Hell and Back Again, directed by Danfung Dennis; cinematographer: Danfung Dennis. Told through the eyes of one Marine from the start of his 2009 Afghanistan tour to his distressing return and rehabilitation in the U.S., we witness what modern "unconventional" warfare really means to the men who are fighting it. U.S.A./United Kingdom
The World Cinema Cinematography Award: Dramatic was presented to All Your Dead Ones, directed by Carlos Moreno; written by Alonso Torres and Carlos Moreno; cinematographer: Diego F. Jimenez. One morning, a peasant wakes to find a pile of bodies in the middle of his crops. When he goes to the authorities, he quickly realizes that the dead ones are a problem nobody wants to deal with. Colombia
Two World Cinema Special Jury Prizes: Dramatic for Breakout Performances were presented to Olivia Colman and Peter Mullan for their roles in Tyrannosaur, directed and written by Paddy Considine.For a man plagued by self-destructive violence and rage, a chance of redemption appears in the form of Hannah, a Christian charity shop worker with a devastating secret of her own. United Kingdom
A World Cinema Special Jury Prize: Documentary was presented to Position Among the Stars (Stand van de Sterren) directed by Leonard Retel Helmrich, for his expose of the effects of globalization on Indonesia's rapidly changing society as it ripples into the life of a poor Christian woman living in the slums of Jakarta with her Muslim sons and teenage granddaughter. The Netherlands
A Special Jury Prize: Documentary was presented to BEING ELMO: A Puppeteer’s Journey, directed by Constance Marks, an inspirational film that crosses cultures and generations
A Special Jury Prize: Dramatic was presented to Another Earth directed by Mike Cahill; written by Mike Cahill and Brit Marling. On the eve of the discovery of a duplicate Earth, a horrible tragedy irrevocably alters the lives of two strangers, who begin an unlikely love affair.
A Special Jury Prize: Dramatic was presented to Felicity Jones for her role in Like Crazy, directed by Drake Doremus; written by Drake Doremus and Ben York Jones. A young American guy and a young British girl meet in college and fall in love. Their love is tested when she is required to leave the country and they must face the challenges of a long-distance relationship.