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Sicko Spurs Audiences Into Action
Long time readers of this site no doubt know that I live in Texas. As everyone knows there’s no more conservative state in the Union than here. And I don’t just live in Texas; I live in the Dallas/Fort Worth metroplex. Dallas isn’t some pocket of hippy-dippy behavior. This isn’t Austin. Dallas is the sort of place where guys in cowboy hats still drive around in giant SUV’s with “W” stickers on the back windshield, global warming and Iraq be damned. It’s probably the only spot left in America where you stand a good chance of getting the crap kicked out of you for badmouthing the president.
So when I went to see Sicko for a second time this afternoon, I wasn’t sure what to expect from the audience. I wasn’t watching it downtown, where the city’s few elitist liberals congregate and drink expensive lattes. I went to a random mall in the mid-cities, where folks were likely to be just folks. As I sat down, right behind me entered an obligatory, cowboy hat wearing redneck in his 50s. He announced his presence by shouting across the theater in a thick Texas drawl to his already seated wife “you owe me fer seein this!” Sicko started; the stereotypical Texas guy sat down behind me and never stopped talking. He talked through the entire movie… and I listened. The first ten to twenty minutes of the film he spent badmouthing Moore to his wife and snorting in disgust whenever MM went into one of his trademark monologues. But as the movie wore on his protestations became quieter, less enthusiastic. Somewhere along the way, maybe at the half way point, right before my ears, Sicko changed this man’s mind. By the forty-five minute mark, he, along with the rest of the audience were breaking into spontaneous applause. He stopped pooh-poohing the movie and started shouting out “hell yeah!” at the screen. It was as if the whole world had been flipped upside down. This is Texas, where people support the president and voting democratic is something only done by the terrorists. Michael Moore should be public enemy number one. By the time the movie was over, public enemy number one had become George Washington, Abraham Lincoln, and John F. Kennedy all rolled together. When the credits rolled the audience filed out and into the bathrooms. At the urinals, my redneck friend couldn’t stop talking about the film, and I kept listening. He struck up a conversation with a random black man in his 40s standing next to him, and soon everyone was peeing and talking about just how fucked everything is. I kept my distance, as we all finished and exited at the same time. Outside the restroom doors… the theater was in chaos. The entire Sicko audience had somehow formed an impromptu town hall meeting in front of the ladies room. I’ve never seen anything like it. This is Texas goddammit, not France or some liberal college campus. But here these people were, complete strangers from every walk of life talking excitedly about the movie. It was as if they simply couldn’t go home without doing something drastic about what they’d just seen. My redneck compadre and his new friend found their wives at the center of the group, while I lingered in the background waiting for my spouse to emerge. The talk gradually centered around a core of 10 or 12 strangers in a cluster while the rest of us stood around them listening intently to this thing that seemed to be happening out of nowhere. The black gentleman engaged by my redneck in the restroom shouted for everyone’s attention. The conversation stopped instantly as all eyes in this group of 30 or 40 people were now on him. “If we just see this and do nothing about it,” he said, “then what’s the point? Something has to change.” There was silence, then the redneck’s wife started calling for email addresses. Suddenly everyone was scribbling down everyone else’s email, promising to get together and do something… though no one seemed to know quite what. It was as if I’d just stepped into the world’s most bizarre protest rally, except instead of hippies the group was comprised of men and women of every age, skin color, income, and walk of life coming together on something that had shaken them deeply, and to the core. In all my thirty years on this earth, I have never ever seen any movie have this kind of unifying effect on people. It was like I was standing there, at the birth of a new political movement. Even after 9/11, there was never a reaction like this, at least not in Texas. If Sicko truly has this sort of power, then Michael Moore has done something beyond amazing. If it can change people, affect people like this in the conservative hotbed of Texas, then Sicko isn’t just a great movie, seeing it may be one of the most important things you do all year. Note: This is not a review of the film. To read Josh's review of Sicko here.
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July 1st, 2007 at 21:14
It would appear that truth and pain, unvarnished, are the source of both comedy and resolve...