First Poster For Academy Award Nominated Documentary Undefeated
Dracula Year Zero Being Resurrected
Dark Tide Poster Features Bikini-Clad Halle Berry And A Shark
Amanda Seyfried Poses In Mock Deep Throat Poster, New Still From Lovelace
Hunger Games Flash Ads Show Off Capitol Cosmetics And Grooming Items
Saoirse Ronan To Star In Order Of The Seven, Project Is No Longer Based On Snow White
Video Blog: The Phantom Menace 3D Midnight Experience
Russell Crowe Could Join Dracula Thriller Harker
|
MOVIE NEWS
Soderbergh Talks Moneyball's Demise, His Cleo Rock Musical![]()
There are a million reasons to love Steven Soderbergh, whether it's for the huge variety of movie he makes or the simple existence of Ocean's Eleven. But as someone frequently stuck interviewing celebrities who won't tell you the first interesting thing about their work, I admire Soderbergh's openness about his career. When I interviewed him in April about The Girlfriend Experience, he talked freely about the box office failure of Che, and even his upcoming Moneyball project, which at the time was just in the early stages of casting.
That project, of course, has since slipped out of Soderbergh's grasp, but true to form, he was talking about it openly with The Orlando Sentinel this week. When the reporter asked him what genre of movie he won't try, he responded wryly "Well, apparently I can’t be trusted with a sports film." He went on to express a kind of "que sera, sera" attitude about the whole thing,saying "As soon as it became clear that there was no iteration of that movie that I was going to get to direct, I immediately started looking around for something else to do. [...] My attitude when something like that happens is, ‘What’s next?’ You can’t dwell on it." The question "What's next?" has a lot of answers, including a biopic about Liberace and Cleo, a 3-D rock musical about Cleopatra. He talks about it all in the Sentinel article, calling Cleo "a total party" and admitting that there might not be gigantic audiences for a Liberace movie. That's Soderbergh, honest as ever. |