When asked during his web chat this weekend if J.R.R. Tolkien’s son Christopher Tolkien was going to give the upcoming movie version of The Hobbit his blessing, Peter Jackson diplomatically replied: “Christopher Tolkien did not wish to be involved in the LOTR movies and I would assume his feelings are the same with these two films.” Well it’s a lot more than assumption. In fact, not only does he not wish to be involved, he’s now doing everything in his power to stop The Hobbit movie from being made… again.
You see, Christopher Tolkien has been against his father's books being made into movies since the very beginning. He hates the idea of them being made into movies in general, and he’s been fighting Peter Jackson and the half-dozen other people who own pieces and parts of the movie rights every single step of the way. Not because he doesn’t like what Jackson is doing, he simply hates Hollywood. Ironically, he doesn’t hate making cash-in sequels to his father's books, using pieces of his notes which were never intended to be published. Funny how that works.
But Christopher Tolkien is 83, frequently described as cranky, and presumably he remembers a time when movies didn’t exist. He seems to have preferred it better that way because the TimesOnline reports that he’ll try to get a judge to halt the production of The Hobbit next week. At issue is the same thing that always seems to be at issue whenever the Lord of the Rings franchise goes to court. He says New Line Cinema owes him money. Judging by New Line’s track record, that may indeed be true. Judging from Christopher Tolkien’s track record, that’s probably not the reason he’s doing this. He doesn’t care about the money as much as he simply hates movies. Oddly enough, the TimesOnline article mentions that he’s likely never even seen any of the Lord of the Rings movies. You’d think even if he was totally against them, he’d at least peek at the back of one of the DVD covers. He is a Tolkien after all. However wrongheaded he may be, his motives are pure… in their own way.
At the end of the day the guy is just trying to protect his father’s work. Unfortunately, in this case it doesn’t need his protecting. The way things stand now, Peter Jackson is probably better suited to protect it than he is. Can we hand the Tolkien Estate over to him? After all, he is an honorary hobbit.
Luckily this isn’t the first time the Lord of the Rings franchise has gone through one of these legal snags, and so far it hasn’t slowed things down. There’s no reason to believe it will this time either. We hope.
Comment on “Tolkien's Son Fights To Shut Down The Hobbit”
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"At the end of the day the guy is just trying to protect his father’s work. Unfortunately, in this case it doesn’t need his protecting. The way things stand now, Peter Jackson is probably better suited to protect it than he is."
Peter Jackson has made a lot of changes to the original Rings books that were (I think) for the worst. Don't get me wrong, I enjoy these movies. But the Frodo of the books and the Frodo of the movies are not the same character. In the books FRODO NEVER BETRAYS SAM. Frodo is loyal to each Sam throughout their entire journey. That is a big difference to how Jackson handled the character.
I realize my comment is a little late but i have to really agree with nicholas. Jackson changed a lot of huge things in the boo, like the scourging of the shire where saruman takes over the shire. That had a huge impact on the story because it showed how the evil can affect everyone and the growth of the hobbits as heros.
Peter Jackson has a problem with heroes. All the heroes in the book (with the exception of Boromir who dies anyway) are turned into wimps in the films. What does this tell us about Peter Jackon?
Hmm, and do we recall when there were such things as books, those square things with words in them that take time and brainpower to read, but are nonetheless a richer and altogether different experience from the spoonfed, two-hour sideshows we call movies today?
I salute Jackson for his efforts, but his films are inadequate adaptations, mock-plays of the grandeur of Tolkien's creation. Maybe Christopher doesn't want his father's work remembered that way, after all, why read the books when you can just go see the movie?
This article was obviously written by a watcher and not a reader. Don't worry, Hollywood will not stop nurturing you if another good book fails to be made into another bad movie.
Perhaps Christopher Tolkien actually has seen the films and is as disappointed with them as I was. In a sense I credit them as being good movies but every time I attempt to watch them or see them on TV I am infuriated by them. I have been reading the books since I was eleven and it annoys me to see the way Peter Jackson changed things around. Peter Jackson protecting LOTR? In terms of creative license changes he is barely better than that old animated version of LOTR. Did he think he was making improvements? I cannot grasp how credit him with staying faithful to the books. Who knows what Christopher Tolkien's motives really are but to assume that they are just because he is old, cranky and hates hollywood is just dumb. I wouldn't mind seeing The Hobbit being made but I wish they could keep Peter Jackson out of it at least. Get the screenwriters who did the Harry Potter adaptations. They at least seem to value the published plot structures above their own imaginations.
I have this vision of a greasy, hyperactive Peter Jackson clutching action figures and saying, "Wouldn't it be cool if like an army of elves came to help the Rohan at Helm's Deep. That'd be awesome. And then we can make it all melodramatic and stuff..." Ughh
Well I can see both sides of this. The movies are different from the books because they are an interpretation, a translation if the book, and anyone who has ever tried to translate a document such as a joke from English to another language knows that a lot can be lost in the translation. The movies show Peter Jackson's interpretation of the books. Middle Earth looks (to me) to be very true to the books, certainly as I imagined it, but it wouldn't be the same as how you, or Tolkien saw it. Alan Lee's illustrations help to form the definitive look to Middle Earth and the film follows it closely but invariably it is the plot itself where Jackson wants to make his own mark. Plot points are altered, or added not just due to Jackson's creative desires, but because at the end of the day, some things just don't work in the movies as they would in a book, even with the luxury of 6 hours to tell a story (imagine trying to tell LotR in ONE movie!). Any movie interpretation pales when compared to a combination of sa superior book and a reader's imagination. You can't please everyone.
Hollywood is ultimately selling a product and trying to get bums on seats. The whole romantic sub-plot between Arthur Dent and Trillian in "The Hitch-Hikers Guide to the Galaxy" was, I guess purely to appeal to the female and younger demographics, rather than for creative purposes, Changes in LotR were made for similar reasons, or time, or because Jackson just...could. I miss the scouring of the Shire too, but Return of the King is a long film already, as my bladder could attest. I don't want to get all Randall from "Clerks II", but those films do go on. No one really, seriously missed Tom Bombadill and I could quite comfortably skip it in the book. I wonder how Tolkien would feel about that?
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May 27th, 2008 at 16:44
I'm sorry, I have to disagree with the statement:
"At the end of the day the guy is just trying to protect his father’s work. Unfortunately, in this case it doesn’t need his protecting. The way things stand now, Peter Jackson is probably better suited to protect it than he is."
Peter Jackson has made a lot of changes to the original Rings books that were (I think) for the worst. Don't get me wrong, I enjoy these movies. But the Frodo of the books and the Frodo of the movies are not the same character. In the books FRODO NEVER BETRAYS SAM. Frodo is loyal to each Sam throughout their entire journey. That is a big difference to how Jackson handled the character.