The visual effects and cinematography of Blade Runner are part of the legend. The Ridley Scott film was nominated for two Oscars in 1983, including art direction and visual effects. With a sequel in the works from director Denis Villeneuve, it will continue the legacy that began with Harrison Ford. But according to cinematographer Roger Deakins, the sequel also has to stand by itself.

Deakins was asked about Blade Runner 2 during an interview with Collider. Speaking from an aesthetic standpoint, he called the visual development an "organic process" and not something that just comes to you. That said, he did stress a different look for the sequel. He said:

This is not the original film…visually it doesn’t have to be anything like the original. It has to stand by itself, and its particular script and its particular story. The original was wonderfully shot, but to me, the most powerful thing about the original is the death of, what’s the actor’s name…Rutger Hauer’s death in the rain with the white pigeon. And then you watch the documentary about the making of the film and realize that was all something that was kind of created on the day.


This is the scene to which Deakins is referring. 



In the original Blade Runner, Ford played the lead role of Rick Deckard, a burnt-out "Blade Runner" who agrees to hunt down a group of escaped A.I. "replicants," rogue bioengineered robots, hiding in this futuristic Los Angeles. The scene in which Hauer’s Roy Batty, a replicant, saves Deckard and delivers a speech called "Tears in the Rain" is arguably the film’s most famous moment, and one of the more visually striking, as well. 

When it comes to yet another sequel treatment of a classic film, Jurassic World is an example of the pitfalls that come with trying to top a piece of cinematic history. While the film became the third highest-grossing film of all time, the overt CGI used to bring many of these dinosaurs to life was no match for the originality and unique flourishes to the practical effects of Jurassic Park. The same issue, we imagine, may be coming for Blade Runner 2. The original utilized matte paintings, models, multipass exposures, motion-controlled cameras, and various lighting and re-recording techniques. Deakins said he’ll know more about the look of the sequel when he discusses it with the crew, but it’s hard to imagine a modern sci-fi film of this nature that doesn’t rely heavily on CG. 

Ridley Scott worked on the screenplay for the still-untitled Blade Runner 2 with Hampton Fancher and Michael Green. Harrison Ford will return for the long-awaited sequel, while Ryan Gosling of The Big Short will headline. Plot details and a release date have not been announced at this time, but you can bet we'll be keeping an eye on this one.

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