Oh sweet irony. After months distancing themselves from everyone who might care in an at times insane effort to keep every tiny detail of X-Files: I Want To Believe completely secret, greed has finally gotten the better of the X-Files team. Producer Frank Spotnitz has spoiled his own movie. Read no further if you won’t want it spoiled for you.
Speaking with the NJ.com, when asked whether Mulder and Scully will die in the film, Spotnitz spilled the beans and admitted that neither character gets the axe. Why would he reveal such a thing when they’ve kept every other detail of the film a secret? Why spoil something which will destroy most of the movie’s dramatic tension, since now we all know that no matter what happens it’ll all work out in the end? They want to start talking up a sequel.
After letting us know that nothing bad will happen to his movie’s main characters, Spotnitz continued, “I mean, you know, we really think there is an audience for this film. And we'd like to do another.” First they have to get someone to see this one, and The Dark Knight’s shadow looms long over the coming weekend. Good luck with that Spotnitz.
Apparently they think that romance, not imminent peril will be what sells people on their picture. Did someone recast Scully as Meg Ryan while I wasn’t looking? Reiterating some of the other hints that have been dropped over the past few months, Frank tries to set it up as a romance movie. He says, “I think what will really surprise people is how much it focuses on Mulder and Scully and on the power of their relationship... It's just them in the last scene and, you know, I find it very moving.” Forget about survival, X-Files: I Want To Believe is all about wondering if they’ll kiss. Except now, well they’ve pretty much spoiled that too. Shaking hands isn’t exactly the sort of thing you’d describe as “very moving”. Better bring a date to this one gentlemen. You don’t want to be the creepy dude sitting alone at the back while Mulder’s reading badly written love poetry.
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Mulder and Scully living to star in TXF3 is no surprise to Philes. That was a given. The X-Files' stars and creators have been talking about turning the series into a film franchise for years.
So that's no spoiler. You don't have a "gotcha."
Don't be too quick to write off the film, either. Clint over at Moviehole is positively kvelling over the film, giving it 4.5 stars out of 5.
The curtains close. The screen goes black. Cue the Mark Snow track.
Six years after they merged with the pixels in the box, the feisty sceptic and the dry-humoured believer return to the forefront of our screens – and by golly if fervent “X-Files” fans aren’t drowning in a pool of their sweat by the time they sink into their cushy cinema seats, anticipating the reintroduction of agents Mulder and Scully . “If you build it, they will come”.
Series creator Chris Carter, along with actors David Duchovny and Gillian Anderson, dive back into a pile of manila folders for the highly-anticipated and long-awaited (the first draft was written in 2003) sequel to television’s greatest spook-serial. And like the first “X-Files” film – “X-Files: Fight the Future” – “I want to Believe” is an epic and imposing big-screen adventure, one that extends the theme’s of the series, whilst offering something for those that don’t know their Jeffrey Spender’s from their well-manicured men.
It’s been a long time between drinks for Mulder and Scully, and so admittedly their big-screen reprisal doesn’t come without risk. Not that they don’t still have an audience out there – they certainly do, you only have to do a Google to see how many “X-Files” websites and forums exist – but like an overseas tourist in the front row of a pantomime, it has to stand-up. So many TV shows-cum-films simply disintegrate due to poor structure - even the “Sex and the City” movie loses points, because it didn’t think of anyone else but those that watched the show; in this day and age, you have to! - “I Want to Believe” has been more thought out than a triple-homicide. it’s a meticulously plotted and imaginatively crafted piece of filmmaking that’s considered everyone from the get-go.
First a disclaimer: I love The X-Files. Always have… probably always will. They call us ‘X-Phile’s, and we collect anything and everything bearing the ‘X’ symbol – be it a DVD collection, CD soundtrack, pencil case or T-Shirt. So yes, it’s inevitable that whatever Chris Carter and company put together I was going to enjoy … but the question is: How much would I enjoy it? And could the film work for the non-fan? For the sake of the review, I’ve locked my bias in the basement. For the film to succeed I realize it has to do more than simply have Mulder and Scully admitting to their unspoken relationship (but that would be a good start).
I don’t want to touch on the plot too much – it’s best to walk in fresh, without knowing every jump, jolt and bit of dialogue back-to-front before you see the film. What I will say is that it involves a disgraced priest (Billy Connolly), “Dr” Scully (Anderson) and her reclusive beau Mulder (Duchovny) and a series of kidnappings – which, as to be expected, isn’t the doing of your usual ‘snatch and grab’ villain.
Filmed in beautiful Vancouver (the sequences shot in the snow look terrific) – where the series was shot for many years before relocating to L.A – “I Want to Believe” is a much smaller film than its predecessor, but no less thrilling. In fact, the intimacy of the storyline, and the central emphasis shifting from the ‘monster-of-the-week’ to the lead characters, might be an even more affecting stratagem than the conspiracy-centric ‘Fight the Future’.
Carter knows Mulder and Scully back to front – he really does. This is where the two characters would probably be six years from the series – there’s no doubting that. He’s also aware that their relationship, not just careers, would’ve changed since we last saw them – and welcomingly announces the duo as a couple from the get-go.
And how could he not? The undeniable chemistry, not just between Mulder and Scully, but the actors that play them, is harder to hide than a slab of beer at an underage disco. Fans will be pleased with the number of sweeter scenes - scenes that wont leave you doubting the status of their relationship (and don’t leave before the end of the credits, as you will miss a fun little surprise that will make you smile).
Anderson shines as the long suffering Scully, still equipped with the huge heart we saw in the series, but also some newly-added gusto (she has balls!). Scully feels a little more grown and developed as a character while Duchovny’s Mulder has pretty much remained stagnant – but probably by design (once a believer, always a believer).
Though it’s clearly the ‘Mulder and Scully’ show – and rightfully so – Carter has assembled a terrific support cast. Amanda Peet (“Studio 60 on the Sunset Strip”, “The Martian Child”) and rapper Alvin ‘Xzibit’ Joiner are the most noticeable of the new additions – she as Agent Dakota Whitney, he as Agent Mosley Drummy. Billy Connolly, as the disgraced priest Father Crissman, once again proves his versatility as an actor by taking on a role that’s about as fun as Cancer (Man). It’s also quite an accomplishment for an actor to play such a dislikeable character and yet not be seen ostensibly evil in the audience’s eyes.
Fans of the show will love it – there’s lot of in-jokes, cameos, and, of course, some surprises in store story-wise! – And I don’t see those off the street having a problem with the flick either. They’ll be sure to be drawn into the thrilling plotline and won’t feel too much of an alien in this unfamiliar terrain - anything they need to know can be explained in an easy sentence (Previous knowledge is not required as much here as it was in the previous film “Fight the Future” – it really is a great stand-alone piece)
Yes, the overall ‘X-File’ of the plot is a little wacky – they probably could’ve toned it back a bit, and it still would’ve worked just as well – and Duchovny is constantly overshadowed by Anderson (and no again fault of his, it’s merely the fact that the writers have chosen to evolve the character of Scully – more so Mulder; and that’s probably been the intention since day one) and devoid of a lot new to do, but they’re merely tiny holes in a grand ship – steered in style by the masterful Chris Carter and long-time cohort Frank Spotnitz.
“The X-Files: I Want to Believe” isn’t just a love letter to X-Philes, it’s a tremendous film in it’s own right – in fact, it might be just be the best film of the year! Believe it!
It's pretty well known that they're hoping to make a third X-Files movie if the they can get the box office and/or DVD sales figures to convince the brass at 20th Century Fox. No Mulder and Scully, no franchise. So is anyone surprised that these two characters are still alive at the end of I Want To Believe?
Mulder and Scully's relationship had so many layers to it; they were colleagues, intellectual sparring partners, friends, doctor and patient, and, in the last few seasons of the TV show, lovers. The richness of that relati0onship was such a big part of the show's appeal. Remember what happened when the show had to do without it after Duchovny left. Should anyone really be surprised to see the film build on their existing relationship?
I didn't think this was going well when they dropped the alien storyline.
Forget that you've seen a flying saucer, aliens trapped underground, and discovered the conspiracy within the government about an alien invasion or some such, we've got a wee monster running about the ice killing people. Oh, and you might want to snog your ex-partner again.
Wow, that storyline has me hooked. Even without the spoilers it was spoiled for me.
I am just happy to see more X-Files.
Knowing that Mulder and Scully will live to
do another movie pleases me :)
Besides, it has never been about the ending-
it has always been about the continuing saga.
Long live Mulder, Scully and the X-FILES!
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Oh sweet irony. After months distancing themselves from everyone who might care in an at times insane effort to keep every tiny detail of X-Files: I Want To Believe completely secret, greed has finally gotten the better of the X-Files team. Producer Frank Spotnitz has spoiled his own movie. Read no further if you won’t want it spoiled for you.
July 22nd, 2008 at 15:27
Mulder and Scully living to star in TXF3 is no surprise to Philes. That was a given. The X-Files' stars and creators have been talking about turning the series into a film franchise for years.
So that's no spoiler. You don't have a "gotcha."
Don't be too quick to write off the film, either. Clint over at Moviehole is positively kvelling over the film, giving it 4.5 stars out of 5.
http://www.moviehole.net/2008/07/21/the-x-files-i-want-to-believe/
The curtains close. The screen goes black. Cue the Mark Snow track.
Six years after they merged with the pixels in the box, the feisty sceptic and the dry-humoured believer return to the forefront of our screens – and by golly if fervent “X-Files” fans aren’t drowning in a pool of their sweat by the time they sink into their cushy cinema seats, anticipating the reintroduction of agents Mulder and Scully . “If you build it, they will come”.
Series creator Chris Carter, along with actors David Duchovny and Gillian Anderson, dive back into a pile of manila folders for the highly-anticipated and long-awaited (the first draft was written in 2003) sequel to television’s greatest spook-serial. And like the first “X-Files” film – “X-Files: Fight the Future” – “I want to Believe” is an epic and imposing big-screen adventure, one that extends the theme’s of the series, whilst offering something for those that don’t know their Jeffrey Spender’s from their well-manicured men.
It’s been a long time between drinks for Mulder and Scully, and so admittedly their big-screen reprisal doesn’t come without risk. Not that they don’t still have an audience out there – they certainly do, you only have to do a Google to see how many “X-Files” websites and forums exist – but like an overseas tourist in the front row of a pantomime, it has to stand-up. So many TV shows-cum-films simply disintegrate due to poor structure - even the “Sex and the City” movie loses points, because it didn’t think of anyone else but those that watched the show; in this day and age, you have to! - “I Want to Believe” has been more thought out than a triple-homicide. it’s a meticulously plotted and imaginatively crafted piece of filmmaking that’s considered everyone from the get-go.
First a disclaimer: I love The X-Files. Always have… probably always will. They call us ‘X-Phile’s, and we collect anything and everything bearing the ‘X’ symbol – be it a DVD collection, CD soundtrack, pencil case or T-Shirt. So yes, it’s inevitable that whatever Chris Carter and company put together I was going to enjoy … but the question is: How much would I enjoy it? And could the film work for the non-fan? For the sake of the review, I’ve locked my bias in the basement. For the film to succeed I realize it has to do more than simply have Mulder and Scully admitting to their unspoken relationship (but that would be a good start).
I don’t want to touch on the plot too much – it’s best to walk in fresh, without knowing every jump, jolt and bit of dialogue back-to-front before you see the film. What I will say is that it involves a disgraced priest (Billy Connolly), “Dr” Scully (Anderson) and her reclusive beau Mulder (Duchovny) and a series of kidnappings – which, as to be expected, isn’t the doing of your usual ‘snatch and grab’ villain.
Filmed in beautiful Vancouver (the sequences shot in the snow look terrific) – where the series was shot for many years before relocating to L.A – “I Want to Believe” is a much smaller film than its predecessor, but no less thrilling. In fact, the intimacy of the storyline, and the central emphasis shifting from the ‘monster-of-the-week’ to the lead characters, might be an even more affecting stratagem than the conspiracy-centric ‘Fight the Future’.
Carter knows Mulder and Scully back to front – he really does. This is where the two characters would probably be six years from the series – there’s no doubting that. He’s also aware that their relationship, not just careers, would’ve changed since we last saw them – and welcomingly announces the duo as a couple from the get-go.
And how could he not? The undeniable chemistry, not just between Mulder and Scully, but the actors that play them, is harder to hide than a slab of beer at an underage disco. Fans will be pleased with the number of sweeter scenes - scenes that wont leave you doubting the status of their relationship (and don’t leave before the end of the credits, as you will miss a fun little surprise that will make you smile).
Anderson shines as the long suffering Scully, still equipped with the huge heart we saw in the series, but also some newly-added gusto (she has balls!). Scully feels a little more grown and developed as a character while Duchovny’s Mulder has pretty much remained stagnant – but probably by design (once a believer, always a believer).
Though it’s clearly the ‘Mulder and Scully’ show – and rightfully so – Carter has assembled a terrific support cast. Amanda Peet (“Studio 60 on the Sunset Strip”, “The Martian Child”) and rapper Alvin ‘Xzibit’ Joiner are the most noticeable of the new additions – she as Agent Dakota Whitney, he as Agent Mosley Drummy. Billy Connolly, as the disgraced priest Father Crissman, once again proves his versatility as an actor by taking on a role that’s about as fun as Cancer (Man). It’s also quite an accomplishment for an actor to play such a dislikeable character and yet not be seen ostensibly evil in the audience’s eyes.
Fans of the show will love it – there’s lot of in-jokes, cameos, and, of course, some surprises in store story-wise! – And I don’t see those off the street having a problem with the flick either. They’ll be sure to be drawn into the thrilling plotline and won’t feel too much of an alien in this unfamiliar terrain - anything they need to know can be explained in an easy sentence (Previous knowledge is not required as much here as it was in the previous film “Fight the Future” – it really is a great stand-alone piece)
Yes, the overall ‘X-File’ of the plot is a little wacky – they probably could’ve toned it back a bit, and it still would’ve worked just as well – and Duchovny is constantly overshadowed by Anderson (and no again fault of his, it’s merely the fact that the writers have chosen to evolve the character of Scully – more so Mulder; and that’s probably been the intention since day one) and devoid of a lot new to do, but they’re merely tiny holes in a grand ship – steered in style by the masterful Chris Carter and long-time cohort Frank Spotnitz.
“The X-Files: I Want to Believe” isn’t just a love letter to X-Philes, it’s a tremendous film in it’s own right – in fact, it might be just be the best film of the year! Believe it!