Starring: Malcolm McDowell, Brad Dourif, Daeg Faerch, Tyler Mane, Scout Taylor-Compton, Sheri Moon Zombie, William Forsythe, Danielle Harris, Udo Kier, Danny Trejo, Lew Temple, Skyler Gisondo, Jenny Gregg Stewart, Hanna Hill, Dee Wallace, Max Van Ville, Pat Skipper, Ken Foree
Directed by Rob Zombie
Produced by Malek Akkad, Andy Gould, Andrew G. La Marca, Rob Zombie
Rob Zombie is back for more horror, and by that I mean both the content of his film and the execution of it. Rather than continue on with his maladjusted House of 1000 Corpses / Devils Rejects characters, Zombie is tackling a remake of a more classic movie: John Carpenter’s Halloween. The remake is very much in the vein of another recent remake of a classic horror flick: The Texas Chainsaw Massacre. In fact, the two remakes are so similar, at times I felt like I was watching that movie over again.
Michael Myers is the striking figure of the Halloween movies, not to be confused with the SNL actor of the same name. Over time and seven sequels Michael has been through a lot, although none of that really matters since this is a remake instead of another sequel. Zombie’s addition to the franchise is more time spent on the disturbed youth of Myers, which completely explains his sadistic behavior by surrounding the character with characters who curse every other word and fit as many sexual references into their speech as possible. The cursing is probably supposed to show the characters have no love, but it just comes across as sloppy writing that is desperately trying to show how horrible Michael’s childhood was. The result is yet another attempt to demystify an icon by showing their youth, a la Hannibal Rising and Texas Chainsaw Massacre: The Beginning.
As a youth Myers slays his family and those who oppose him in several different gruesome methods, from beating them to death with an aluminum bat to slashing his sister seventeen times. Yes, in a Zombie flick the gore does flow, but it’s all irrelevant. Camera shots are so tight that the audience has no frame of reference for what it’s seeing a lot of the time, so that bloody mess on screen could be a broken face or a smashed cat, or possibly even just a nasty plate of spaghetti. Mixed with yet another movie that tries to make things “more real” by refusing use of a steadycam, the cinematography is one of the movie’s worst enemies. It’s called a “motion picture” but that doesn’t mean the picture should literally always be moving. Sadly, here, it frequently is, and with shots so tight the result is you have no idea what you’re watching or where characters are in relation to each other.
This becomes especially frustrating later in the film, as an adult Michael Myers breaks out of the sanitarium and returns to his family home for reasons unknown, pursued by his psychologist, Dr. Loomis (Malcolm McDowell). Unlike the original, this time it’s fairly clear the pursued girl, Laurie Strode (Scout Taylor-Compton) is related to Michael – after all, there’s an entire franchise that has established this and Zombie isn’t straying that far from familiar territory. What’s unknown is why Michael feels the need to return there of all places. Somehow, Dr. Loomis knows that’s where he’s going and follows, desperate to stop the killer.
Zombie damages his own attempt at a remake by exposing so much of Michael’s childhood. Frankly, once we’ve seen Michael commit such atrocities as a youth, there’s really nothing surprising or shocking about the acts he commits as an adult. It’s just a matter of time.
Unfortunately, time, or the pacing of the movie, is another serious problem. Part of Michael Myer’s threat is that he’s always been this slow, lumbering yet unstoppable force. Here he feels less like a lumbering character and more like a plodding one. Part of the reason is because the movie doesn’t really build towards any sort of climax. It’s just one quick encounter with Michael followed by an eternity of boredom. Instead of a curious terror we know nothing about, he’s far too familiar to us by the time the slaughter really begins, and the pauses in between that would normally heighten anticipation just kill everything.
On top of everything else, I really hate what Zombie attempts to do with the movie’s sound editing. Some scenes feature music with no sound effects, others feature sound effects and no dialogue. Michael’s typical threatening breathing is inconsistent, which, again, removes some of the menace from the character. It felt like Zombie just went into editing on a daily basis with a “this seems like fun today” approach. The result is just flat-out annoying.
I really didn’t mind Zombie when he was making cinematic disasters with his own characters. After all, he created them. Let him mess them up however he sees fit. There is no excuse for messing with this classic character, however, especially when so many sequels have already messed things up. If Zombie had decided to throw another sequel in, I probably wouldn’t have minded, but this needless remake is barely watchable, annoying on the ears, and a snoozer of a story that deconstructs another character that was better left as an enigma.
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by the way, is this still supposed to be in 1978? if so, there are some anachronisms, like mikey's KISS t-shirt - KISS weren't around in 1963 (when the movie would begin, with mikey at age 10).
I don't know how you can be complaining about how this movie destroyed Michael Meyers. Halloweens 4-8 already destroyed him. This movie completely blows those crapfests out of the water. The problem is, you go into this expecting it to be a typical Halloween film. Duh. It's a Rob Zombie movie, first and foremost. He's not one to go with convention. If your expectations are more geared towards, "I'm going into the next movie by the guy who directed The Devil's Rejects," you're going to appreciate it a lot more than if you're just expecting more Michael hacking and slashing. I'd much rather see Zombie's somewhat more psychological take on Meyers than that voodoo curse bull.
What's weird about this one... The workprint that was leaked on the internet was actually better than the movie in theaters, not just because the alternate scenes were better than the ones in the finished film, but the pacing was also significantly better. The alternate ending was far better than having to watch Laurie crawl through the walls of the house for what feels like an eternity. I hope this is the version that will be released on the "uncensored" DVD, it's definitely the version of the film that people should see.
This movie was aweful! Worse than aweful. I`ve read the comments here and 'yes I understood the movie', yes I get where RZ was trying to go with it, but come on. Micheal Myers was a force of 'pure evil'. I don`t want to sympathize with a serial killer, which is what RZ turned him into, a stereotypical serial killer with a bad childhood. (how cliche) There was no suspence, it was created as an empty excuse to use disgusting conversations, drop the F-bomb as often as possible and create a white trash, foul, demeaning excuse to show a bunch of teens having sex, talking about sex, getting raped, and just plain sad excuse for making a porno.
I`m 38 and have been watching horror/slasher films for years. I love horror movies, I always have. I am a HUGE fan of Horror/Suspence/Thriller/Slasher. This movie blew it. Shame on you Rob Zombie for creating such a piece of crap.
WOW great movie...... PLease just give zombie the go ahead for halloween two...... I'd love to see him remake them all. Lil michael I just wanted to give him a hug and take him trick of treating. Perfect cast..... I like how he grew his hair to cover his face.... that's what michael would have done... Oh yea and that critic must be pretty old cause he sounds really stuck in the ways of his time..... "Oh no the camera's moving too much" Like when he killed that cop in the hallway.... that was a great effect old man so get with the times, they did that aswell in hostel which was great....... Oh and the sound effects......that was fresh like when he's beatin' that kid with the bat and everything goes silent and all you hear is his sister moaning.... Rob wanted you to know why he killed him... Get with it old man! Please someone contact me if you hear anything about a halloween two remake!!!!
Amen to everything you said in your review, especially the part where you talk about how looking into his past ceases to make Michael scary. I totally agree. Zombie should have left this classic alone. Hey Rob, thanks for ruining it.
i dissagree with people who said the movie was boring or the shots were messed up. i mean who cares about the shots its a great film.This film shows how michael myers childhood was. I think rob wanted to focused on michael and not his sister un like in the original.I think the original was ok, michael's mask was abit dull and as a kid he looked too innocent to kill anybody.This is one of the best halloween. I think the actors and actresses has done well. keep rockin rob zombie!!!
Rob Zombie doesn't understand Michael as a character. He just doesn't have a grasp on it. He made a glorified music video, and shit all over a great character. Whoops.
I thought it was okay. I love the original series and this one wasnt like it at all. Some parts they tried remaking from the first one, but i still love the first one the most.
I have seen the film 4 times now and going again tonight. After expressing my thoughts on how great of a film Zombie's version was, I am now going to show the two flaws I believe the film had..
1) What made the original Halloween so effective, aside from the mystery behind who this masked man was, was the fact that the audience connected with Laurie's character (Curtis) because of her innocence and even naive personality at times, the audience actually felt for her and cared whether she lived or died. In Zombie's version, we don't see none of that in Laurie (Compton). She's a foul mouthed blonde who's act of innocence is hardly believeable and comes across as just that; an act. She doesn't stand out from her other friends who are meant to be shallow and slutty.
and 2) I enjoyed how Zombie took the time to give us an in depth look into Michael's childhood and showing us that indeed, The Shape, is human. So when Michael is shot nearly 6 or 7 times it's hardly believeable when they don't seem to even slow him down. How do they explain it? They don't. And really, they don't have to. We can evaluate the theory of 'mind over matter' and explore how Michael is mentally, so foucsed and so determined, that he's able to keep himself from bleeding when injured. I'm sure it's not unheard of. The mind does control the body and so this can be a plausible theory as to why Michael doesn't die. Or does he?
and 3) I'm kind of borderline on, I did enjoy the amount of gore in the film but at the same time I didn't. Before the film had been released Zombie stated that he was going to focus more on mood and tension which I believe he attempted to but kinda got sidetracked. The gore is plenty, and at times it causes the tension to lack. I would have really liked to see how other directors might have approached the film, possibly David Fincher or Christopher Nolan.
I totally agree with Evaize.It was a good film and well worth the watch.One of the best Myer's movies in a long time.What I don't get is,although we were shown how Michael transformed into a brutal killer,we were never really told why he can't be killed?...a point to note,it's probably nothing but when he was in the Asylum as a kid the security guard who befriended him told him to "live in his mind as he can do anything"...you think after 15 years he may have trained himself to not feel pain etc..mind of matter type of thing,what are your thoughts on this?
I've heard many people completley trash this film and I still don't understand why. Compared to the many uneccesary sequels the Halloween franchise has spawned, this is the only film that captures Michael's brutal and merciless force at the same time enabling us to sympathize with him. I do agree that what worked best for Carpenters' version was the fact that Michael was a mystery and his intentions were unknown.
But Zombie's version was a re-imagining of the first night when Michael began his rampage. Carpenter hints at Michael's childhood in his film but does not go in depth with it. Showing that side of Michael, I not only think it was neccesary but also very rewarding in being able to see that Michael at one time was a sensitive, love-seeking boy who had all the potential you and I do. And watching him gradually transform in a monster before our eyes was brilliant. It humanized his nature in a way and the more he released his inner rage we began to see more of that little boy dissapearing. And as adult Michael, he was a complete monster, the first incarnation of terror. The mask looked absolutley amazing and terrifying.
Alot of people have bashed Zombie for using the same actors he's used in his past films, but I see nothing wrong with that. He protrayed Michael's childhood as he saw fit, I personally enjoyed William Forsythe's performance as the crude Ronnie White. I thought the characters were very believable and brought an element to the film as to rationalize Michael's transformation. Another small role which caught my attention was that of Ken Foree's character as Big Joe Grizzley, the bad ass trucker who won't let go of his knife. As far as Dr. Loomis, I personally thought Malcom Macdowell wasn't right for the part, I would have chosen maybe Brian Cox. But in the end, the film was an excellent horror remake, surpassing others such as the latest TCM remakes.
There was no other director who I would have chosen to bring back The Shape. Any hard core Halloween fan is going to enjoy it as long as you don't have any expecations. If your expecting to watch a modern version of the same 1978 film, think again, this is a completley different film while at the same time keeping the key elements which made it's original film such a classic.
I'm sorry, but I refuse to believe the iconic Michael Myers is southern, redneck trailer trash. If this was a Friday the 13th remake, it would be cool because Jason is a mindless killer. Myers is almost intelligent, silently stalking his victims. This was Rob Zombie's "re-suckifying" vision and he butchered the original vision of John Carpenter.
what a waste of cash... I agree with Rafe Telsh. The entire story line could should have been better. Give any Director a classic killer movie charchter and they will flock to the theatre; that is what happens with the Rob Zombie version. A scene of Myers busting open a cieling is about 10 minutes long, "I get it, I get it," he is trying to get her out of the cieling." A true waste of a great classic theme. Don't go see it...just wait for the DVD.
I actually really enjoyed the film when Myers was a youth, but couldn't stand its plodding flow in the adult years.
But hey, Rob Zombie is awesome. Both House AND Reject's were great films because they were such campy crap. Just like his music. I love this guy's work.
I THINK IF YOU TRY TO COMPARE IT TO THE ORIGINAL, WHICH I LOVE, YOU'RE GOING TO BE DISAPPOINTED. ON ITS OWN IT WAS VERY GOOD. I LOVED LEARNING ABOUT MICHAEL'S PAST. AT TIMES THE MOVIE'S PACE WAS INCONSISTANT, HOWEVER, THIS MOVIE FOCUSED MORE ON MICHAEL AND LESS ON LAURIE. THE ORIGINAL FOCUSED MORE ON LAURIE, LESS ON MICHAEL. THEY ARE TWO DIFFERENT BUT UNIQUE AND HIGHLY ENTERTAINING FILMS.
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