The Kingdom is one of many movies in the ever growing “boy the Middle East sucks” genre that’s taken over theaters since it became clear to most of the country that the war on terror isn’t going to be easily won. But director Peter Berg’s film is more than just another face in the crowd. It’s by far the best of that depressing, sand-soaked group; mixing action and intentionally obvious political relevance together in a movie that’s part police procedural, part military action, and all smarts.
It starts with an over the opening credits recap of the Middle East’s history, and Saudi Arabia’s in particular. This could have been a boring recitation of historical facts, but Berg sets it to intense, action movie music and uses artistic, special effects driven animation to dole it out. As a result, a bunch of boring facts turns out to be the perfect introduction to the film, setting the stage not only for what’s about to happen in the movie but for what’s happening in the world right now. It instantly grounds the movie in reality, and when those facts are followed by a modern-day attack on a heavily guarded American housing compound in Saudi Arabia, you know this isn’t an episode of 24, this movie is real and the brutal terrorist attack you’ve just witnessed is something that could happen tomorrow, or might even be happening right now.
From then, the movie takes on frighteningly real dimensions. It’s as if you’re watching a film about an event that has actually happened, rather than a fictional creation about something that could. Whether or not the terrorist attack in The Kingdom is real becomes irrelevant, since you know you’re watching a movie about the realities of the Middle East situation, regardless of whether the film uses a fictional premise to illustrate it. The only thing I can think of to equate it to is Paul Greengrass’s brilliant September 11th recreation United 93, except instead of following tragically doomed passengers we follow an FBI team trying to hunt down the types of terrorists responsible for attacks like the one those brave victims suffered.
After the attack, the movie zeroes in on a team of FBI investigators lead by Jamie Foxx as Agent Ron Fleury. Because of the touchy situation in Saudi, the United States is only allowed to send in four agents in to figure out what happened. Foxx and his team arrive, are paired with a group of Saudi cops, given five days, and instantly barred from doing anything useful out of the Saudi government’s fear for their safety. They’ve stepped off the plane and into a world where nearly everyone wants them dead, and there’s not a single second in the movie where Berg allows you to forget that.
One of the few people in the country who doesn’t want them dead is Col. Al-Ghazi, a dedicated, high-ranking police official assigned to protect them. He’s played by mostly unknown actor Ashraf Barhom as a man dedicated to justice. Politics mean nothing to him, his life is devoted to the single-minded pursuit of punishing the kinds of people who would willingly murder innocent women and children. Fleury senses he’s a man that can be trusted and the real story of the film is the friendship that builds between them as they struggle to do their jobs. Ashraf’s performance as Al-Ghazi is nothing short of brilliant, he creates a character both sympathetic and dangerous, becoming a much needed face for more moderate Saudi people. The film’s worth seeing just for him, and he completely overshadows the otherwise solid performances of veteran actors like Jamie Foxx, Jennifer Garner, Jason Bateman, and Chris Cooper. Keep an eye out for Ashraf’s name when it comes time for Best Supporting Oscars.
The Kingdom is gripping, intense, and ultimately utterly depressing. That makes sense, since that seems to sum up the current, modern political situation we’re mired in. Berg takes us straight into the heart of the Middle East problem and though the good guys may win the smaller battles in his movie the film builds so much complication around them that it’s clear there’s no real victory here or anywhere. Like all movies about the Middle East, The Kingdom is ultimately hopeless. That’s as it should be, since the reality of the region’s situation is that nobody has any answers. The action is intense and the performances are brilliant, but whether or not Fleury gets his man in the end doesn’t matter; the important thing is that by the time you leave the theater you’ll feel as if you’ve been there with them and maybe, just maybe have some idea of what we’re in for over there. It’s not pretty.
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I am surprised at no mention of Ashraf Barhoom... (Col. Faris Ghazi). He enacted his role to perfection. Even more than the other members of Foxx's FBI Secret Team.
As for others above who are trying to make me believe of the Oil factor involved in it... well listen to the Prologue the "voice" says during the begining of the movie... its about a Scorned Osama Bin Laden and he doesnt care two hoots of Saudi Oil... he just wanted the Americans or whites and non muslims out of the Middle East!
Get your facts right please....
This is an okay moive. Just that I think its pretty off beat, with Islam. Islam is not really like that. Kind of funny, this movie is very screwwy to Islam, I don't like it.
Good Movie because without giving the the Main Plot away which is two words in the Film,its a Fact that the American Goverment knows when big Terroist attacks are going to Happen. They have enough intelligence to know but dont try to stop them, it keeps them in Power.Sure there are Terroists out there, but there not just Arabs.
This movie is just beautiful. Its based on a true story that happened in saudi where i lived for 18 years before moving to the US. What i liked about the movie is that its not biased against saudis and looks at things from a neutral prespective. It only shows the modern technology and how saudi is really is compared to every other movie that try to wash american minds with the idea that everyone who doesnt live in the US is still riding camels. The only thing that disturbed me a bit is the idea that these extremist groups screamed muslim phrases before their ugly acts. I dont blame the producer as this group really came out and did what they did but it should have been pointed out that these are not real muslims as islam is a religion of love and peace. Well that would be asking too much but in general the movie was amazing. good acting, hardcore action and nice story.
For that person who asked why they hate us? the movies says it at the end, they both want to kill them all, they hate u for the same reason u hate them.
We all just have to stop listening to our media and being so gullible and start thinking on our own and behave like human beings.
Movie is brilliant, moves swiftly after every scene. The moderate Muslim element in the form of Col Al Ghazi is fantastically woven across the film, Jamie foxx is as usual great in his part. Though movie is tilted a bit towards creating a not so good impression about middle east muslims on American viewers (thogh Al Ghazi's character does its bit to repair the damage)but I think thats understandable since it being an American picture. Only hoping it doesn't widen the rift between two major civilizations of this world and do not promote negative thought process in the mind of the viewers as both sides want peace.
Ray and JW... you're way off on your prediction. I saw it today and I'm not giving anything away in saying that the oil/Texas element isn't even a factor. Sure, there are not-so-subtle anti-administration characters and exchanges but they don't dominate the plot and don't factor into an evil twist at the end. Great movie and very thought-provoking in a non-partisan way. There should be Oscar buzz for Ashraf Barhom.
Did you all see the same movie I saw last night? I felt frustrated by the entire business of them hating us for no reason and we all killing each other until everyone is dead. But frankly, the camera work was the worst I had ever experienced. In the fight scenes the camera was moving so fast I couldn;t tell who had hit who and the whole thing was a wash. But I experienced such bad motion sickness for the hand held camera I had to turn away. The performances were superb but what we don't need right now is more hatred towards the middle eadt and thats exactly what this movie is going to create. I love Peter Berg but was that his goal? To leave is feeling there is no end until we all kill eah other?
Saw the sneak last night and wow. Well written and produced with great contributions by the cast. Ashrof Barhom was a gift and carried the mantle well for all of the moderate Muslims in the world who must be at a complete loss about how to improve the Middle East, being stuck between the Islamic radicals who want them dead and the Westerners (not all, but some, including one well-played in the film by Tim McGraw) who lump them in with those jihhadists. An excellent mix of humor and horror, I sat shocked through the images and, as one who cries at the drop of a hat, couldn't because I was simply stunned at how well the reality of it all was captured. It created for me of the "Traffic" of the Middle East conflict because it showed that world from which those of us not in the military are so insulated. That said, the last lines of the film for me were the most difficult and, once the credits were over, were what did cause me to break down and cry...because I knew they were true of all conflicts today in the world where one side believes so much in its cause that it will stop at nothing, including civilian deaths, to reach its goals. It will continue to be self-perpetuating and we -- moderate Westerner and moderate Muslim alike -- will be challenged for generations to root it out and replace it with a peaceful coexistence.
I saw a sneak preview screening of this movie, and I must say that I'm throughly impressed. The performances were amazing, (especially from the aforementioned Ashraf Borham), the plot was gripping, and the action sequences were intense, if somewhat innacurate (it's called reloading, people! Most fully-automatic weapons today can only sustain 2-3 seconds of continuous fire before running outta ammo). The film also made certain to show that Crazy Fanatic Islam isn't the brand of Islam that most Muslims adhere to, and one of the more powerful scenes shows Al-Ghazi in his home praying with his children and reading to them from the Koran.
Jason Bateman shows that he can, at times, be serious when he acts, and that impressed me all the more. The film has a good dose of humor in it as well, most of it coming from natural problems that arise when different cultures clash. The ending was well done, and the juxtaposition of two completely different reactions to the same bit of dialogue was rather cool in my book.
As pessimistic as this movie is, I also feel that it has some bit of positivity to it...it shows that despite religious or cultural differences, and the misconceptions that arise from both, good people exist everywhere.
Why do I expect the man responsible for the bombing will be some white, oil baron from Texas played by Tom Wilkinson with an over the top southern accent? The fatigue caused from the moral relativistic, blame America gang leaves me suspicious of every Middle-East movie made today. This solid review leaves me hopeful the film will try to avoid OVERT politicization, but I remain dubious. The comparison to Greengrass's excellent film is a definite plus. The best - and least political and guilt-ridden "Middle-East-9/11" film by far.
"The Kingdom" is one of many middle eastern terrorist movies that Hollywood has made and will keep on making. We've had "Syriana" "Munich" "Black Hawk Down" and the tv show "24", which the "The Kingdom" has more in common with then anything else. The movie captures the desperation and hopleseness of that continuing conflict within that region of the world. Director Peter Berg handles the action setpieces with great finesse and the expertise of a proven action filmmaker. It is a film that doesn't provide easy answers, and is a better film for it. As the conflict of terrorism continues cinema audeinces are constantly going to get more and more films on this controversial subject of international terrorism. On the horizon there's Mike Nichols "Charlie Wilson's War" Brian De Palma's "Redacted", and director Kathryn Bigelow is currently shooting an Iraq movie. In the 50's and onwards it was the cold war. Today it is desperate and psychopathic Middle Eastern terrorists as our cinematic and real life villians
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