The Thing (2011)

Godzilla: King of the Monsters' first trailer was full of references to classic horror movies. Did you catch them all?

Almost forty years after its initial debut in theaters, John Carpenter's The Thing remains the single greatest creature feature in the horror genre for one very specific reason.

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Science fiction is quite simply one of the most popular genres of film that we have. The creation of far away places and futuristic technology seems to be exactly what the medium of film was designed to create. Science fiction on film has been around for as long as there have been movies. But which ones are the best?

There has been a mystery surrounding John Carpenter's The Thing since it was released back in 1982. Now, it's possible that the movie's cinematographer just let the cat out of the bag.

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In The Hateful Eight, Kurt Russell stars as a member of an ensemble that finds itself isolated in a snowy landscape as paranoia lingers in the air and everyone begins to question everyone’s motivations. If this sounds familiar, it’s because that same description could be just as easily applied to John Carpenter’s The Thing.

There are many things wrong with Josh Trank's Fantastic Four (almost all contained in the last half of the film), but one thing that the production definitely got right was the look of Ben Grimm a.k.a. The Thing.

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Fantastic Four might have changed The Thing's eye color. The bastards.

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Are you ready to meet The Thing? The hulking Ben Grimm in Josh Trank's Fantastic Four reboot has remarkably kept himself in the shadows. But now 20th Century Fox has unleashed the beast in a brand new photo from the movie.

After months of waiting, comic book movie fans finally got their first look at Josh Trank's Fantastic Four with a debut trailer in late January... but since then we have experienced yet another footage drought. Fortunately, Fox now seems to be ramping up promotion again, as they have dropped four new featurettes about the film online.

It’s clobberin’ time! We finally have our first full look at The Thing from the Fantastic Four reboot thanks to an international banner.

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We have spent months (im)patiently waiting for 20th Century Fox to finally reveal the first look at the new rebooted version of The Fantastic Four, and while the film’s debut trailer is on its way, today we may have a sneak peek at what to expect costume-wise:

Justified Films went a little hashtag crazy to say that it is a leaked image of The Thing from The Fantastic Four. You can tell that there is a lot of green screen going on behind ol’ rock head, so this could be the stand in that visual effects artists will use when they digitally add in Ben Grimm.

After all the body horror, brutal gore, and nightmare-inspiring creature effects, The Thing winds down to a chilling finish. MacReady and his colleague Childs (Keith David) are all that remains of their crew. Having blown up the base in hopes of killing this heinous killer beast, the two — already caked in ice and snow—shiver and essentially await death. But the question lingers—is one of them The Thing?

“I don’t know if that’s going to happen – it was really expensive, because it was going to have to shoot in Las Vegas”, van Heijningen Jr. told Moviehole while out promoting The Thing (2011). Warner Bros. still, reportedly, holds the rights to the project, but it appears to be mired in pre-production hell as Snyder bangs away on the studio’s Superman reboot and van Heijningen contemplates his next move.

When deciding whether or not something on the internet is cool, sometimes all you need to do is look at it in terms of its parts. If you have something that's awesome, and you combine it with something else that's awesome, the result is something that is awesome x2. It's a formula that has worked for centuries, and has given us amazing things like popcorn and movies, beer and sports, and peanut butter and jelly.

For decades, Hollywood’s go-to move when it came to extending the life of a popular franchise was greenlighting a sequel. But with lackluster installments like Lethal Weapon 4, The Matrix: Revolutions and Indiana Jones and the Kingdom of the Crystal Skull-- among many, many others-- methodically killing the strategy over the years, something had to change

From Jack Burton to Snake Plissken, Kurt Russell and John Carpenter constructed some truly iconic roles together and R.J. MacReady in 1982’s The Thing is most definitely included. There’s been talk for years about a remake of Escape From New York, but the idea of someone else playing the Plissken role is unfathomable.

Remakes are Hollywood's way of trying to scrape together extra money without actually having to come up with many new ideas. So it's interesting to watch when Hollywood offers up not one, but two remakes on the same weekend, and audiences loudly proclaim with the cash from their wallets (or the witholding of said cash) that they're not interested in watching the past rehashed on the big screen.

Holding a fake gun on a set isn’t scary. Sure, there are things that could potentially go wrong (Research: Brandon Lee), but for the most part it’s pretty safe. A flamethrower, on the other hand, is a completely different story. You’re walking around with a pilot flame and a backpack filled with gas, and if those things get too close together it’s curtains for you. But don’t tell that to Mary Elizabeth Winstead; she’ll just laugh it off.

Still, maybe Hollywood is just going about this all wrong. Making another Thing movie in the same vein as Carpenter's classic can't help but draw comparisons, and most likely suffer from them. So why not take the core concept and explore a different genre? Like, say, a swingin' big band musical? I think it would go...a little something like this...

It’s week two of the Rotten Challenge verse Nate, a.k.a. this dude who showed up in the Comments section. Week one was a clear victory. Week two, not so much, but man if it wasn’t close. I’m even tempted to call it a tie (but I’m sure he won’t want to). This week we’ve got bird watching, feet loosening, aliens invading and Doug prevailing

Helping to bring job to Louisiana by filming in New Orleans can only help a feature that, sight unseen, will be looked at for potentially exploiting Katrina for drama. When it comes to stories set in a post-Katrina environment, it’s damn near impossible to top Spike Lee’s compelling documentaries. But it’s possible that a dramatic narrative can be drawn from this natural tragedy, so long as the script treats each situation with the right amount of respect and reverence.

I feel somewhat strange about suggesting that people should watch uncensored trailers for the upcoming The Thing. While red band and uncensored previews always give the audience a clearer picture about tone and content, The Thing is a movie that relies on the audience not knowing what's going to happen next.