Anytime Leonardo DiCaprio takes on a new role, the chances are high that it’ll be one worth considering for awards buzz, and that’s pretty much been the case for the past 30 years, since he co-starred in one of the biggest blockbusters of all time, James Cameron’s Titanic. Of course, if Leo’s former co-star John C. Reilly had anything to do with it, Kate Winslet’s Rose might have been wooed by a completely different actor as Jack.

DiCaprio teamed up for the first time with Paul Thomas Anderson for One Battle After Another, a big winner at this year’s Oscars. But the icons came close-ish to working together in the late ’90s for Boogie Nights, and the actor has voiced some Sliding Doors-esque regrets about not signing on to play Dirk Diggler, a role that went to Mark Wahlberg. Now, Reilly has spoken out about his advisory role in that process, which arguably amounts to some of the worst career guidance imaginable.

Appearing on Ted Danson’s podcast Where Everybody Knows Your Name, streaming on YouTube, the actor shared that he thought he was doing a former co-star a solid by steering him clear of working on Titanic. As he put it:

At that point, Anderson's only produced feature was 1996's Hard Eight. And while it was acclaimed upon its release, it didn't exactly eclipse all of James Cameron's previous accomplishments. But John C. Reilly still tried to woo the young actor by playing up the same kind of criticisms that Cameron faced as his production's budget expanded beyond expectations. Namely, that nobody wanted to see that historical tragedy on the big screen. He continued:

To be fair, John C. Reilly also addressed the idea that in 1997, making a breezy Hollywood movie about a well-endowed porn star wasn't exactly the norm, and may not have seemed like the most promising role to DiCaprio, especially when he already had a major part locked down.

The way Reilly puts it, DiCaprio doesn't seem like he was ever truly invested in taking his buddy's advice, especially when it ran counter to all the other counsel he'd been hearing from those hired to guide his career. The Walk Hard actor said:

Interestingly enough, Mark Wahlberg met with James Cameron for Titanic, although he was far more interested in driving around in the director’s Hummer than showing off his acting skills. Less than 10 years later, Wahlberg and DiCaprio shared the screen in Martin Scorsese’s The Departed, though I’d love to know if that movie would have still happened had their 1997 movie roles been switched.

DiCaprio is once again working with Scorsese for a psychological horror movie releasing in 2026, What Happens at Night, with Jennifer Lawrence, Mads Mikkelsen and Patricia Clarkson co-starring. Meanwhile, John C. Reilly will next be seen in the upcoming action movie How to Rob a Bank from John Wick’s David Leitch. Maybe we’ll hear one day that Reilly tried to talk Keanu Reeves out of playing that franchise’s vengeful hitman.

Latest episode of the Fans can find Titanic streaming via Paramount+ subscription, so if it’s been a while since you’ve seen that ol’ movie about a boat sinking, look no further.

Success in Hollywood is never guaranteed. Actors can spend months working twelve-hour days on a set only for a movie to debut well below expectations both critically and financially. I can only imagine the dread of putting in time on a movie that has all the signs of being a flop, though it's worth noting that sometimes the actors get it wrong.

A Reddit thread had tons of people chiming in with examples when this happened, starting with a pretty notable example. SpaceTimer81 brought up one of the best Julia Roberts movies, and how two stars thought it was going to be a bomb:

Quite a way to kick things off, and it certainly caught me off guard. Richard Gere has talked in the past about improvised scenes and other things, but I guess he wouldn't want to dwell on the fact that he thought it would fail. Not only was it a success, but Roberts was also nominated for an Academy Award for her performance.

The next movie I'd rank among the best, if not the best, comedy movies of the 2000s. That said, the cast of Anchorman didn't think the movie was going to work out when they made it, as MatureUsername69 explained:

I'm definitely biased because Anchorman came out just before I started high school, but how wild would it be to see how relevant that movie still is today? If I had a dollar every time I said I was "trapped in a glass case of emotion" or "I love lamp," well, I'd be a wealthy man. Maybe they thought it would flop because of the movie's original pitch?

We've covered romantic movies and comedies, so it's only fitting that an action one is up next. Tom Hardy has been in some great movies across his career, but he thought there was a solid chance one of his biggest would be DOA when it was in theaters, according to Kit_Daniels:

This one I totally get. Readers likely know that movies aren't shot in the same sequence we see in the final product, so Tom Hardy probably had no idea what was going on between days of shooting car chases and random action scenes. I can't imagine any of it would make sense until seeing the finished movie, which was very well-received.

Some actors go on to be proven wrong about their movies doing poorly, and it doesn't matter. SnugglyCoderGuy brought up the famous case of Burt Reynolds in Boogie Nights, and his reaction to seeing it for the first time:

In fairness, Burt Reynolds famously hated working on Boogie Nights, so it did go a bit deeper than merely not liking the movie. Not even Paul Thomas Anderson could escape the actor's wrath, as he spoke critically of the then-young director.

Finally, we have a movie that had a different path to fame. Tremors is one of Kevin Bacon's best movies, but DamnitGravity indicated he more or less thought his career was over when he did the movie:

Fortunately, the cult classic continued to keep Bacon a household name, and he's still enjoying an acting career to this day. Thank goodness for people embracing the movie, or we'd never have that game where people try to connect random celebrities to him.

Now I'm looking at the upcoming 2026 movie schedule, and wondering if any actors were in movies this year that they expect to fail. Our comments are open for any Hollywood celebrity who wants to confess, though I don't think it'd be the best PR move to do so.

I am an unabashed Burt Reynolds fan. It started well before he starred in Boogie Nights (which is available on the Criterion Channel streaming service)in 1997. I became a fan when I was still a kid in the early ‘80s and saw movies like Smokey and the Bandit and especially Stroker Ace. Yeah, that latter one isn’t exactly his finest work, but I loved it when I was about 10 years old.

On the opposite side of Reynolds’ career achievements from that 1983 movie about a NASCAR driver is Paul Thomas Anderson’s Boogie Nights. It’s Reynolds’ most acclaimed movie, and the only one for which he was nominated for an Oscar. Critics and fans alike love the movie and his performance as a porn director named Jack Horner. The one person who didn’t love Boogie Nights was Reynolds.

Reynolds Was A Problem On Set

Paul Thomas Anderson has become one of the preeminent directors of the early 21st century and it was his second movie, Boogie Nights, that truly put him on the map. That led to a long career that has included masterpieces like There Will Be Blood, Magnolia, and most recently, 2025’s One Battle After Another, which could very well result in PTA finally winning an Oscar, which he has long deserved. Reynolds, on the other hand, wasn’t impressed with the young director.

According to Boogie Nights cast member William H. Macy, the rumors of Reynolds being a problem on the set were true, as he told Vulture in 2022:

The problems didn’t end when the production wrapped either, Macy explains:

It’s amazing how a nomination for the most prestigious award in Hollywood can change someone’s tune, isn’t it? Reynolds, who had been a ‘70s heartthrob and reliable draw at the box office for years, had sort of fallen out of favor with Hollywood in the ‘90s. Though I would argue that his comeback began with 1996’s Striptease, which I argue is criminally underrated, it was 1997’s Boogie Nights that really renewed his status as an A-list star.

Reynolds Never Really Came Around, Though

While Reynolds may have stopped trashing the movie after he was nominated for Best Supporting Actor for his performance, he was still trashing Anderson years later. In 2015, while doing publicity for his autobiography, he said:

In 2012, Reynolds clarified things and explained that he liked the movie; he just didn’t get along with Anderson. That remained his opinion, and in an interview with GQ in 2015, when he was asked if he’d ever work with Anderson ever again after his experience on the set of Boogie Nights, he replied:

Sometimes the best art comes out of turmoil and conflict, and there seems to be no better example of that than Burt Reynolds, who passed away in 2018, earning his only Oscar nomination (and winning a Golden Globe) for Boogie Nights, a filming experience he hated.

Aside from Stanley Kubrick, Paul Thomas Anderson, referred to by many as PTA, is my favorite director.

I mean, the man just does not miss. With nine feature-length films under his belt, and his tenth film, One Battle After Another, coming in September, you’d be hard pressed to find another filmmaker who is as consistently great as PTA. That said, his oeuvre might be a little intimidating for the uninitiated.

That’s why, like my article for the film fan who wants to get into Kubrick, I thought I’d do the same thing for Anderson. So, for the film fan who wants to get into PTA's body of work, here’s where I think you should start.

You Want Comedy? You Want Drama? Then Let’s Start With Boogie Nights

While Boogie Nights isn't PTA’s first film, it’s the one that put him on the map. The story of a dishwasher who becomes a porn star, it's one part comedy, and two parts drama.

Mark Wahlberg stars as Eddie Adams, a.k.a. Dirk Diggler, who has an enormous penis. He gets into the porno industry, and we see his rise in the ‘70s (a decade that PTA would revisit in a film that I initially wrote off, Licorice Pizza), and decline in the ‘80s. While all of this is going on, we see different aspects of that industry, and the dark road some stars had to go down.

This is a great place to start if you want to get into PTA because it’s really accessible. It’s hilarious at times (I especially like John C. Reilly and Burt Reynolds), but it’s also quite tragic at times, too (Julianne Moore and Heather Graham give exceptionally good performances).

It also features Philip Seymour Hoffman in one of my favorite roles of his as Scotty, a boom operator who is in love with Wahlberg’s character. In short, it’s just got it all. I also think it’s a litmus test, because if you don’t like Boogie Nights, then you likely won’t enjoy a large percentage of PTA's films. I’m just talking facts.

It Might Not Be Easy To Find, But Try To Watch Hard Eight Next

Now, I know a lot of people might direct you to There Will Be Blood next (don’t worry, I’m getting there), but if you can find it, I’d recommend that you move on to PTA’s first film, Hard Eight, next.

Similar to directors like Tarantino, Mel Brooks, and David Lynch, PTA made a really good movie on his first try with Hard Eight.

Starring Philip Baker Hall, John C, Reilly, Gwyneth Paltrow, and Samuel L. Jackson (with a great Philip Seymour Hoffman cameo), this is a relatively small film about a gambler (Hall), who teaches a homeless man named John (Reilly) the ropes, and turns him into his protege. However, when John falls in love with a cocktail waitress (Paltrow) and befriends a seedy character (Jackson), things start to go downhill quickly.

It's just a damn good crime drama that may not be as lavish or epic as Casino, but I think that works in its favor. It’s a great character study, and it actually might be PTA’s most accessible movie he’s ever made. Remember, I’m trying to break you into PTA’s work nice and slow. But now, onto a biggy.

Magnolia Is Long, But It’s A Nice, Easy Next Step

Magnolia, which is PTA’s third film, was actually my introduction to the director. Like Scarface (the coolest gangster film ever) it was on two VHS tapes back in the day because this is one looong movie (it’s actually his longest at 188 minutes).

It’s also a great one. Starring a huge ensemble cast, which includes Tom Cruise, William H. Macy, and Melora Walters, just to name a few, the film feels pretty all over the place since characters have their own little stories, but it also ties together in the end.

The music is really something, and it’s said that Aimee Mann’s music inspired the script, which makes sense, given that a lot of the stories almost feel dreamlike in nature (especially when frogs start raining from the sky). My favorite of the interconnected stories involves Macy, who plays a former game show contestant who’s in love with a man with braces. Macy’s character also wants braces, hoping that it will start a relationship between the two.

Magnolia is a great next film since it’s epic in scope, but has a relatively easy to follow narrative that is another great gateway into the filmmaker's work. Now, I think it’s finally time for you to watch what is often considered PTA's magnum opus.

It’s A Big Departure From The Three Previous Films, But You’re Now Ready To Watch There Will Be Blood

Now, There Will Be Blood is not my favorite PTA film (that would be The Master), but I’m well aware that it’s considered his masterpiece.

For good reason, too. Starring Daniel Day Lewis in a towering performance as oil tycoon Daniel Plainview, There Will Be Blood very much feels like a fever dream in the best sort of way. Plainview, you see, is an uncompromising businessman. He will do anything within his power to become rich, even if it means funding a church that he doesn’t believe in just to appease the local religious folk.

But, Plainview’s greed clashes with the town’s preacher (played by Paul Dano), and the two feud with each other in a passive aggressive sort of way until the explosive ending. The film is a period piece, and it doesn’t feel like anything else in PTA's entire filmography.

This movie is epic in scope — even more so than Magnolia, if you can believe it — so I definitely didn’t want to start you off with it. It’s also such a magnificent film that some of his earlier work may seem…I guess small in comparison, which is why I waited on this one. However, it now opens you up to any one of his movies. That said…

Since One Battle After Another Is Inspired By A Thomas Pynchon Novel, Let’s Finish With Inherent Vice

I wouldn’t typically end on Inherent Vice because it’s actually my least favorite PTA film. The movies I’ve given you will likely take you some time to get through, though, so I thought I’d end on this one just in case you wanted to make his next movie, One Battle After Another, your sixth film of the famed director’s, since it’s coming out pretty soon.

Starring Joaquin Phoenix as a stoner private investigator, the plot starts off as a kidnapping case, but then goes all over the place. It's a bit hard to follow, but as somebody who has always wanted to get into Pynchon's often obfuscating books, I actually think Vice is probably the closest I'll ever get into one of his stories, since PTA makes it accessible.

The story of One Battle After Another is inspired by Pynchon's novel, Vineland, Vice might be the best lead-in to that film if it has a similar tone or vibe. PTA obviously has a love for Pynchon, so maybe close on this one.

Or not. Because honestly, now that you've cracked the PTA code, you can watch anything of his. Phantom Thread is a personal favorite of mine, and I adore Punch-Drunk Love. Wherever you go next, though, you can't go wrong. PTA is the best!

Sometimes movies take some time to ease viewers into the show, while others set the tone immediately. The movies on this list are the latter. Whether it's a comedy like Dazed and Confused or an action movies like Raiders Of The Lost Ark, these movies don't waste any time at the beginning.

Dazed And Confused

From the opening notes of Aerosmith's "Walk This Way" to the '70s muscle car cruising the parking lot, you know exactly when Dazed And Confused is set. There is no mistaking the era even before you see the characters and their costumes. While it was made in the 90s, the movie is pure 1970s.

2001: A Space Odyssey

Stanley Kubrick's 2001: A Space Odyssey is one of the most important movies ever made and by opening what everyone expected to be a sci-fi movie with a bunch of monkeys learning how to use tools (and more), it sets a very different kind of tone than any other sci-fi movie before it. It was unlike anything anyone had ever seen before it. Of course, it also has one of the wildest endings of all time, too.

The Dark Knight

Heath Ledger's Joker in The Dark Knight is one of the greatest movie villains of all time and while audiences don't immediately know (or maybe they do) that the opening scene is Clown Prince of Crime from the back, by the end of the opening scene, we know exactly what we are getting into. One of the best comic book movies of all time opens with one of the best scenes of all time for a villain who completely steals the show.

Star Wars

From the opening blast of the classic John Williams score to the now-iconic scroll, and finally, the two massive spaceships firing lasers at each other, Star Wars easily has one of the most memorable opening scenes of any movie, ever. Audiences in 1977 were simply blown away from the moment the movie started and it immediately became the classic it is and how it has endured for decades.

Pulp Fiction

Quentin Tarantino's second film, Pulp Fiction, was one of the most anticipated movies of 1994 and the director immediately let audiences know he was on point with the opening scene between Tim Roth and Amanda Plummer in the diner. It's classic Tarantino with great dialog and finally, a burst of near-violence that sucks moviegoers in at once.

Jaws

Jaws is thought of these days as one of the best movies Hollywood has ever produced. Director Steven Spielberg did an absolutely masterful job of scaring the audience by not showing the shark very much and that starts with the creepy, foreboding scene when a lone swimmer becomes the shark's first victim.

Citizen Kane

"Rosebud" is one of the most mysterious opening lines to any movie, ever. The snow globe falling out of a dying man's hand and breaking on the floor only adds to the mystery. That's how Citizen Kane opens and audiences then and now are captivated from that moment until the end, when they learn what "Rosebud" means in the movie's final scene.

Apocalypse Now

Some movies just need to have some incredible music and one iconic shot to lock you in. Apocalypse Now is one of those movies. From the foreboding sounds of The Doors' song "The End" to the fireball or napalm that rushes across the jungle in the opening scene, director Francis Ford Coppola immediately let everyone know this was going to be a different kind of war movie.

Purple Rain

If you're one of the most iconic musicians of your day and you decide to make a movie about a fictionalized version of yourself, you'd better open the show with a banger. That's exactly what Prince did when he opened Purple Rain with "Let's Go Crazy." It's simply a performance (and guitar solo) for the ages and sets the tone for the movie perfectly.

The Godfather

While it may not start with a bang like some of the other movies on this list, the opening scene of The Godfather sets the tone for the movie in a way nothing else could. Within minutes audiences knew exactly what kind of man Vito Corleone was and what was important to him.

Raiders Of The Lost Ark

Raiders of the Lost Ark is one of the best adventure films of all time and as such, it opens with one of the most exciting sequences in Hollywood history as our hero Indiana Jones dodges traps and a giant boulder to escape with his treasure. Though he loses it right away, of course. It's a very worthy opening to the Indiana Jones franchise.

Boogie Nights

Director Paul Thomas Anderson knocks it out of the park with the first scene in Boogie Nights that lets you know exactly where and when the movie is happening. The long tracking shot introduced almost every character movie right away and audiences are already getting to know them by the time the shot changes. It's brilliant.

Saving Private Ryan

In many ways, Saving Private Ryan changed how war movies are made and what audiences expect from them. The opening scene, when Tom Hanks and his platoon hit the beaches of Normandy on D-Day is one of, if not the, most intense action scenes ever put on film. It's praised for its depiction of the battle and the visceral feel of it all is simply incredible.

Spectre

The James Bond franchise is famous for its opening, pre-credits scenes, so we had to include one on this list. There are any number of great ones you could go with, but for our money, the opening to Spectre with the tracking shot all across Mexico City and into a hotel, and out to the ledge, is pure magic. And pure Bond.

Scream

In an homage to the great Alfred Hitchcock movie Psycho, the opening scene of Scream features one of the biggest stars in the movie, Drew Barrymore, getting killed just minutes into the story. For audiences at the time, it was a completely brilliant and shocking moment as Barrymore had been marketed heavily so no one expected her to meet her demise so soon. It was something Barrymore insisted on.

Mission: Impossible – Rogue Nation

When it comes to the Mission: Impossible franchise, fans can always count on an amazing opening sequence. On the one hand, it's hard to pick one as the best, but on the other hand, c'mon, it's the one where Tom Cruise hangs from a freaking plane! That opening to Mission: Impossible – Rogue Nation is one of the most incredible stunts Cruise has done on a long, long list of stunts he's done for those movies.

Trainspotting

Danny Boyle's Trainspotting walks a tightrope between really cool and fun, and desperately tragic. This is all summed up in the first few seconds of the movie when audiences see a very rough-looking Renton (Ewan McGregor) running from the police and almost getting hit by a car as Iggy Pop's "Lust For Life" accompanies the scene. It's not only the perfect opening scene for the movie, it's a brilliant musical moment as well.

There Will Be Blood

Paul Thomas Anderson's There Will Be Blood is one of the examples on this list of movies that set a tone immediately, but do so not with action and pizazz but with a gentle slow build. There is virtually no dialog other than some grunts from the protagonist (Daniel Day-Lewis) as he struggles to get his oil well going. Like the rest of the movie, it's intense, but quietly so. It's really perfect.

The Matrix

While we don't meet Neo right away in The Matrix, we do get a great example of how the world in the movie is going to work as we watch Trinity (Carrie-Anne Moss) barely escape a group of Agents in the Matrix.

Inglourious Basterds

If you want some quiet intensity, there may be no better opening scene than Inglourious Basterds. Christoph Waltz's character sitting and drinking milk while hunting for hidden Jews is seriously intense without anything more than some brilliant dialog by Quentin Tarantino and a glass of milk. It's the least over-the-top moment in te movie, and yet sets the tone perfectly.

Top Gun

The flight deck of an aircraft carrier is an exciting and dangerous place to be. For Top Gun, director Tony Scott didn't need to use any of the stars of the movie, or even any actors at all. Instead, he used actual Navy members doing their actual jobs as jet fighters took off and landed all to the soaring notes of Harold Faltermeyer's guitar-based soundtrack. Talk about pulling you right into a movie!

Guardians Of The Galaxy Vol. 1

Director James Gunn has become famous for his brilliant use of music in the Guardians Of The Galaxy movies. Star-Lord's mixtape quickly became one of the main characters of the movies, almost. That started at the very beginning of the first movie when we all first meet Star-Lord (Chris Pratt) as he dances his way through the opening scene to "Come and Get Your Love" by Redbone.

Full Metal Jacket

The very beginning of Stanley Kubrick's Full Metal Jacket features young men getting their heads shaved as they join the Marines. The next few minutes are just R. Lee Emery yelling at the new inductees. It's one of the most iconic opening scenes of any movie, much less any war movie and it's a big part of what makes it among the best war movies ever made.

Deadpool

By now we all know just what kind of "superhero" Deadpool is. In fact, even if you weren't familiar with the anti-hero from the comic books, it only takes about the first ten minutes of the first Deadpool movie to know exactly who he is. There really is no better introduction to a superhero movie, and that's really saying something.

Lock, Stock and Two Smoking Barrels

The two main characters in Lock, Stock And Two Smoking Barrels are, in some ways, very competent criminals. In other ways, they are complete disasters. The opening moments show both sides of them perfectly as they pull off their scam selling stolen jewelry for a time before they lose all their merchandise getting chased by the cops.

Jurassic Park

There was no bigger movie in the early '90s than Jurassic Park and there was no bigger opening moment than when audiences were thrown right into the action as the game wardens and staff tried to wrangle a velociraptor into its cage. It did more than just help the movie become iconic for millions of people.

No Country For Old Men

The opening scene to No Country For Old Men immediately draws the audience into the movie and its dark, foreboding nature. After a voiceover by Tommy Lee Jones, we see an unknown character getting arrested for an unknown reason. We soon learn that the character is Anton Chigurh (Javier Bardem) and just how ruthless he is.

Gladiator

Ridley Scott may not care much for historical accuracy, but that doesn't matter when you recreate an ancient battle as he does at the opening of Gladiator. It's an amazing scene reminiscent of the great battle scenes in movies before CGI when it was all about practical effects and a huge number of extras.

Once Upon a Time In The West

To make a great western, you have to set a mood. Once Upon a Time In The West does this as well or better than any other Western. Viewers can feel the heat of the day and the crackling tension well before any action happens. You know it's coming, you just don't how or when.

Baby Driver

Take a great soundtrack, a cool moment of people wearing matching suits and sunglasses, throw in a fantastic car chase and you're guaranteed to suck audiences in immediately. Just like they do in Baby Driver. The movie takes off at full speed right from the jump.

Reservoir Dogs

Quentin Tarantino told the whole world just who he was in the first few minutes of his first movie, Reservoir Dogs. The intense, fast-paced dialog he's known for is present right at the very beginning as his character Mr. Orange explains the real meaning behind his favorite Madonna song. And it's not what you think.

A Clockwork Orange

A Clockwork Orange's opening scene definitely has audiences asking more questions than it's ever answering, but that's exactly what draws you in so quickly. You have to know what these guys in the funny outfits are up to and why in the world they are seemingly drinking milk in a weird bar. Later, you might regret getting those answers...

The 1990s were a great decade for music and that is reflected in this list of some of the best music moments from films of the era. Not all the music is "'90s music" but all of the moments are unforgettable. Here is our list of some of those amazing moments from some of the best movies of the decade.

"Flower Duet" - True Romance

Composer Léo Delibes' "Flower Duet" sets the backdrop for the amazing, and intense, scene between Christopher Walken and Dennis Hopper in Tony Scott's True Romance. Not only is it a fantastic use of music in film, it's one of the best scenes of any movie from the '90s. Maybe one of the best of all time.

"O-o-h Child" - Boyz 'N The Hood

The melancholy music and lyrics of "O-o-h Child" by the Five Stairsteps set the perfect tone for the scene in Boyz In The Hood where we see a young Dough Boy getting arrested for the first time as Tre and his father Furious look on after a nice afternoon fishing. The scene says so much about how each kid would grow up stuck in an unsustainable system.

"Layla" - GoodFellas

Martin Scorcese has always been great with his use of music in movies. Goodfellas is filled with classic songs and the most dramatic of all of them has to be the coda of the Derek and the Dominos' song "Layla." The piano, along with Eric Clapton and Duane Allman's soaring, dueling guitar solo, sets the perfect tone as bodies from the crew turn up everywhere as Jimmy (Robert DeNiro) cleans up the heist.

"Bittersweet Symphony" - Cruel Intentions

One of the best songs of the '90s, and indeed of all time, is "Bittersweet Symphony" by the Verve. The use of it at the end of Cruel Intentions as Kathryn (Sarah Michelle Gellar) gets busted and embarrassed in front of the whole school is, in one word, epic.

"Sweet Emotion" - Dazed And Confused

The opening moments of Dazed and Confused, accompanied by Aerosmith's "Sweet Emotion" make it immediately clear just how cool the movie is going to be. When the beat kicks in and we see Pickford (Shawn Andrews) and Michelle (Milla Jovovich) cruising the parking lot in his car, it draws the audience in immediately.

"Son Of Preacher Man" - Pulp Fiction

There are a lot of songs you can choose from in Quentin Tarantino's masterpiece Pulp Fiction. The dancing scene with Chuck Berry certainly stands out, but we just have to go with "Son of a Preacher Man" by Dusty Springfield when Vincent (John Travolta) first arrives to pick up Mia (Uma Thurman). If nothing else, it's really cool, and the scene is now a legendary meme.

"Supermodel" - Clueless

"Cher's main thrill in life is a makeover," is one of the defining lines of Clueless, and the montage that follows accompanied by "Supermodel" by Jill Sobule, is one of the most iconic scenes from one of the most iconic movies of the '90s.

"Jungle Fever" - Jungle Fever

You can't have a list like this and not include the music from Spike Lee's Jungle Fever. The songs, all written and performed by the great Stevie Wonder, fit the movie perfectly. It would be a very different movie without them and while it's hard to pick just one, we went with the title track to the movie, played over the opening credits, to represent them all.

"Still" - Office Space

Sure, the most famous song featured in Office Space is "Feels Good To Be A Gangsta" but it's another song by The Geto Boys, "Still," that gets the nod here. There isn't a harder song director Mike Judge could have gone with to play along with the most famous scene in the movie when the office crew finally put their misery to an end and killed the janky printer.

"Hotel California" - The Big Lebowski

The Big Lebowski has some amazing quotes and is filled with unforgettable moments and lines. None more so than the moment cast member John Turturro's character, Jesus, is introduced while The Gypsy Kings' version of The Eagles' "Hotel California" plays.

"My Heart Will Go On" - Titanic

While Celine Dion's song "My Heart Will Go On" is not part of one particular scene in Titanic, the theme, written by James Horner (in the composer's most famous work), is played so much that it's as much a part of everyone's fond memories of the movie as the wonderful sets and incredible special effects arfe.

"Unchained Melody" - Ghost

"Unchained Melody" by The Righteous Brothers may have been a quarter of a century old when it was used in Ghost but there are generations of movie fans that only associate with that famous scene of Demi Moore and Patrick Swayze throwing some pottery together.

“Bohemian Rhapsody” - Wayne’s World

It's incredible to think that Queen's "Bohemian Rhapsody" was almost cut from Wayne's World. Not only did end up being the most iconic scene in the movie, it introduced a whole new audience to Queen's music. The movie world would be very different with it.

"Bring The Pain" - The Great White Hype

1996's The Great White Hype is one of the great underrated movies of the decade. Not only does it have a stacked cast with Damon Wayons, Jeff Goldblum, Samuel L. Jackson, Peter Berg, Jamie Foxx, and others, but it also has one amazing moment when Wayons' character, heavyweight champion James "The Grim Reaper" Roper enters the ring with Method Man rapping "Bring The Pain."

"Goodbye Horses" - Silence Of The Lambs

There are very few songs in the history of film that can creep you out quite like "Goodbye Horses" by Q Lazzarus. The song, used in one of the most traumatic scenes in Silence Of The Lambs will immediately put you back in that moment whenever and wherever you hear it.

"Lust For Life" - Trainspotting

Director Danny Boyle is a master of using music in his movies and the best example of this is probably Trainspotting. From the opening moments of the movie with "Lust For Life" by Iggy Pop playing to the end of the movie with the epic "Born Slippy" by Underworld, the music is just amazing.

"The Stroke" - Billy Madison

Billy Madison launched Adam Sandler's movie career. The Sand Man plays a idiot 20-something who is forced to redo all 12 grades to earn his father's company. As a guy who clearly grew up in the 1980s, turning up to his first day of "high school" in a Trans Am while "The Stroke" by Billy Squire plays is, well, radical and perfect.

“I Will Always Love You” - The Bodyguard

We simply couldn't have put together this list without including one of the most popular songs of all time. Whitney Houston's version of the Dolly Parton-penned "I Will Always Love You" was a cultural atom bomb in the '90s. The song was everywhere and while the movie, which also stars Houston has mostly been forgotten, the song and the soundtrack live on forever.

"Everybody Knows" - Pump Up The Volume

Pump Up The Volume is an excellent example of a great movie from the 1990s that no one talks about anymore. The Christian Slater-led movie about a disaffected high school kid who broadcasts his own pirate radio station did, at the time, do as much to define Gen X culture as any movie from the era. The fact that it predates Grunge makes it all the more defining. All of the music is great, but his theme song, "Everybody Knows" by Leonard Cohen is just so... cool.

"My Sharona" - Reality Bites

No movie oozes "Gen X" quite like Reality Bites. Not only does it star actors like Ethan Hawke, Winona Ryder, Janeane Garofalo, and Steve Zahn, but the soundtrack is very '90s. With one exception - "My Sharona" by The Knack. The '80s song fits perfectly though, as the stars all take a moment to turn it up and dance in a convenience store.

“Sister Christian” - Boogie Nights

The scene with "Sister Christian" in Boogie Nights is INTENSE. It's a scene that is, honestly, hard to watch because it makes your skin crawl. That's also what makes the scene, and the movie, such a masterpiece.

"99 Luftballoons" - Grosse Pointe Blank

Grosse Pointe Blank has a truly great soundtrack made up of some of the coolest songs of the 1980s. This is unsurprising given the cast and crew of the movie, including star John Cusack. One of the more ridiculous scenes in this underrated dark romantic comedy is Cusack's character getting help from Jeremy Piven's character to haul a dead body out of a high school reunion with Nena's "99 Luftballoons" playing in the background.

"Stuck In The Middle With You" - Reservoir Dogs

Quentin Tarantino burst onto the scene with his first movie Reservoir Dogs and he immediately set the kind of tone he would carry into most of his movies with the ultra-violent scene of Mr. Blonde (Michael Madson) cutting the ear off a cop. The fact that the sweet love song "Stuck In The Middle With You" by Stealers Wheel plays over it makes it all the more jarring.

"Only You" - Can't Hardly Wait

Can't Hardly Wait is a very '90s with a very '80s aesthetic in a lot of ways, especially the music. The movie's title comes from an '80s song of the same name by The Replacements and the last song of the movie, "Only You" by Yazoo is an '80s New Wave classic. It all fits perfectly though.

"Something I Can Never Have" - Natural Born Killers

Nine Inch Nails have the well-earned reputation of being one of the darkest bands of the 1990s and so when their song "Something I Can Never Have" was included in one of the darkest movies of the decade, it was a marriage made in Heaven, or Hell, depending on how you look at it.

"Mary Jane" - Friday

We all know what Friday is about. The Ice Cube/Chris Tucker comedy classic is one of the funniest movies of the '90s and while "Mary Jane" by Rick James dates back to the '70s, there isn't a more perfect song for the movie.

"Fortunate Son" - Forrest Gump

It's become a comedic trope that Credence Clearwater Revival's "Fortunate Son" is in every Vietnam War movie, but the facts actually show it's not used all that much. One movie it is used perfectly in is Forrest Gump, as the first song we hear when Forrest (Tom Hanks) gets to Vietnam.

"I Got You Babe" - Groundhog Day

There is no more perfect song than "I Got You Babe" to be played over and over and over and over as it is in Groundhog's Day. It does an amazing job just sucking the audience into Bill Murray's character's frustration again and again...and again.

“That Thing You Do” - That Thing You Do!

That Thing You Do! is a really fun movie about a fictional band, so it just had to be included here. None of the songs are all that great, except the star of the show, the song with the same name as the movie, written by the late Adam Schlesinger. It's just so darn catchy!

"State of Love and Trust and Breathe" - Singles

In 1992 the music scene was completely overrun with Grunge. Nirvana, Soundgarden, and Alice In Chains, were just a few of the Seattle bands dominating the charts. Another one of those Seattle bands was, of course, Pearl Jam. Not only did Eddie Veddar and company write and perform the best song on the soundtrack, "State of Love and Trust" but Veddar even showed up in the movie.

"Secret Garden" - Jerry Maguire

Bruce Springsteen had some great contributions to '90s movies, like the theme to Philadelphia, called ""Streets of Philadelphia" for which he won an Oscar, and "Dead Man Walkin'" from Dead Man Walking. We went with another Springsteen choice, "Secret Garden" which is played over the scene in Jerry Maguire when Renee Zelleweger's character is forced to break up with Jerry (Tom Cruise).

"Love Stinks" - The Wedding Singer

Some could argue that The Wedding Singer was the last great movie from Adam Sandler's early career. It's a funny movie, with an even funnier premise and that premise, of Sandler as a washed up singer playing weddings is highlighted perfectly when a depressed singer chooses to sing "Love Stinks" by the J. Geils Band at a wedding. A very Sandler choice.

Sometimes an actor can carry an entire movie with a performance, while others make a lasting impression in merely one scene of action. We’re going to focus on the latter category today, as we present this list of single scene crushers who took a moment to bring the house down.

Ned Beatty - Network

Even in a big ticket classic like Sidney Lumet’s Network, there’s room for a performer like Ned Beatty to steal the entire movie in one fell swoop. Brought in as a last minute replacement, and with four pages of dialogue to work through, Beatty booms in a scene that nails the core tenets of writer Paddy Chayefsky’s blistering satire.

Drew Barrymore - Scream

Wes Craven’s reinvention of teen slashers kicked off the legendary Scream franchise with a murder no one saw coming. With Drew Barrymore featuring prominently in trailers and promotional art, everyone thought she’d be safe and sound for a good part of the picture. One scene was all it took to shake the audience to its core, and prove that anything can happen in Woodsboro… and it often does.

J.T. Walsh - Outbreak

As if having the late Donald Sutherland didn’t already inject a White House briefing scene with enough gravitas, legendary character actor J.T. Walsh gets a moment to protest an action that could wipe the small town of Cedar Creek off the map. His righteous anger is a lynchpin moment that perfectly sets the stakes for a nail-biting finale.

Viola Davis - Doubt

In just one scene of Doubt’s powerhouse narrative, Viola Davis scored something every actor dreams of: their first Academy Award nomination. A scene of masterful acting between herself and fellow legend Meryl Streep, Davis drives this moment of intense conversation with a gamut of authority and vulnerability. In a cast that also includes Phillip Seymour Hoffman and Amy Adams, Viola Davis should have been credited on the poster, as her moment is that powerful.

Alec Baldwin - Glengarry Glen Ross

People who go to see David Mamet’s Glengarry Glen Ross on stage are probably disappointed that Alec Baldwin’s Blake doesn’t appear in that version of the narrative. Crafted especially for the 1992 film adaptation the man that taught us to “Always Be Closing” sees Baldwin holding court viciously with a room that includes Ed Harris and Jack Lemmon among its ranks. Don’t worry if you forgot that character’s name… he’ll tell you soon enough.

Dame Judi Dench - Shakespeare In Love

Network actor Beatrice Straight is the record holder for the shortest performance to win an Academy Award. In a similar fashion, one scene in Shakespeare In Love was all it took for Dame Judi Dench to win her own golden accolade, playing the role of Elizabeth I. Although this is Dame Dench we’re talking about here, and that performance was certainly worth the hoopla… even if Saving Private Ryan is the film that should have won Best Picture that year.

Alfred Molina - Boogie Nights

You will never listen to “Sister Christian” the same way again after watching Alfred Molina’s single scene performance in Boogie Nights. His portrayal of unstable drug dealer Rahad runs the gamut from hysterical to horrifying, in a scene that only persists in the horrors that unfold to threaten Dirk Diggler (Mark Wahlberg) and his friends. Chekov’s Gun is so much more effective when you have firecrackers going off at irregular intervals.

Cate Blanchett - Lord of the Rings: The Fellowship of The Ring

Is anyone absolutely sure Cate Blanchett isn’t really an Elf? The Lord of the Rings: The Fellowship of The Ring made a pretty good case for her actually being an ethereal being, as Galdriel’s one scene with Frodo (Elijah Wood) is an all-time stunner. You probably didn’t need the special effects to enhance the scene, as Blanchett’s actual physical performance in that moment makes you believe that she comes from the pages of J.R.R. Tolkien, and we should all be thankful.

August Diehl - Inglourious Basterds

Never, ever, set a meeting in a basement. Quentin Tarantino taught us that lesson in just one scene of Inglourious Basterds, as what was supposed to be a simple clandestine meeting of Allies became a bloody free-for-all. And it was all thanks to Dieter Hellstrom (August Diehl), the Nazi equivalent of Sherlock Holmes, sniffing out the truth behind Lieutenant Archie Hicox (Michael Fassbender) and his team.

Alice Nunn - Pee Wee’s Big Adventure

Children who grew up on the best ‘80s movies will still tell you that the appearance of Large Marge (Alice Nunn) in Pee Wee’s Big Adventure is something that just may have traumatized them. In a moment that’s akin to the ultimate campfire story, Marge’s story is made even more terrifying by her transformation into a horror only Claymation could properly convey.

Dave Bautista - Blade Runner 2049

Dave Bautista has been building an impressive resume through roles in projects like Blade Runner 2049. The eventual fight between his character Sapper and Officer K (Ryan Gosling) isn’t the point of his soft spoken presence, as the moments leading up to that explosion double as a crucial clue to the existential unraveling our protagonist undergoes. It’s a perfect showcase of the former wrestler turned actor’s range at work.

Vanessa Redgrave - Atonement

Atonement is a film that plays with the truth throughout time, through the eyes of its protagonist Briony. In the final incarnation of the character, Vanessa Redgrave devastates the audience by delivering the stone cold truth of what really happened between Robbie (James McAvoy) and Cecilia (Keira Knightley). Turning this romantic drama into a bittersweet tragedy, Redgrave delivers it like an expert.

Marcel Marceau - Silent Movie

Leave it to Mel Brooks to give famed mime Marcel Marceau the only line of dialogue in a film like Silent Movie. As Mel Funn (Brooks) and his pals make an important phone call to try and convince Mr. Marceau to join their motion picture, they get their answer pretty quickly. In a movie replete with cameos, this one takes the cake.

Carol Kane - The Princess Bride

Everybody remembers Billy Crystal’s Miracle Max from The Princess Bride, otherwise “Have fun storming the castle” wouldn’t be a memorable line of dialogue in human culture. But we also need to give Carol Kane’s Valerie an equal amount of credit for the magic, as she and Crystal are the ultimate double act that absolutely crush in just a short span of time.

Donald Sutherland - JFK

Whether you believe in conspiracy theories or not, Donald Sutherland’s appearance in Oliver Stone’s JFK will probably have you nodding your head in agreement throughout his patch of screen time. Commanding authority with his hushed oaken tones through a scene that lays down a lot of ground, it’s no wonder Kevin Costner’s memory of working with Sutherland is so fond.

Gloria Foster - The Matrix

Exposition is nothing new to The Matrix franchise, and neither is the concept of an all seeing character delivering the knowledge we need for the road ahead. And the OG actor that embodied that concept was the late Gloria Foster, playing the original Oracle who put Neo (Keanu Reeves) onto his path to destiny. Succeeded by actor Mary Alice after her untimely passing, Foster’s on-screen wisdom still sings to this day.

Ralph Fiennes - Harry Potter And The Goblet Of Fire

The first appearance of Voldemort (Ralph Fiennes) in the Harry Potter movies is a revelation. Set as the ultimate threshold of importance, The Goblet of Fire heads into that point of no return with a scene so atmospheric, you can feel yourself standing in that graveyard. Seeing Fiennes step into the role for the first time is something akin to magic itself.

Edie McClurg - Planes, Trains, and Automobiles

Working the customer service desk of Marathon Car Rental when Planes, Trains, and Automobiles’ Neal Page (Steve Martin) has an expletive filled breakdown over a portion of his trip from hell, veteran character actor Edie McClurg’s rental agent goes from friendly to fierce as quickly as any luxury car in the fleet; dropping the F-bomb that ties the scene together in its ultimate laugh line.

Christopher Walken - Pulp Fiction

With Quentin Tarantino’s non-linear narrative of cool customers trying to make it through the day in Pulp Fiction, anything can fit if you do it right. And Walken’s single moment of action is, without question, a scene that nails in the importance of one gold watch that you can sympathize with Butch (Bruce Willis) when he decides to risk it all to find it.

Alfre Woodard - 12 Years A Slave

12 Years a Slave writer John Ridley once told Vulture that the toughest scene he wrote for that film was the one where Alfre Woodard’s Mistress Burke tells Patsey (Lupita Nyong’o) to “take comfort” that vengeance will eventually visit “the plantation class.” Hearing her alternate between the distant promise of judgment and rationalizing her own lot in life, similar to that of her younger guest, is something that remains as chilling as it was when first heard.

Wilford Brimley - Absence of Malice

In just one scene of Absence of Malice, the legendary Wilford Brimley moves from quips to threats in fast fashion, and the man never fails to compel the audience for his one brief scene. Wasting no time as a character that has none to waste, where Brimley’s Wells cuts to the heart of the entire picture’s mystery and lays out the consequences that will play out, lest anyone involved lose more face than they have to.

Kathy Burke - Tinker Tailor Soldier Spy

Author John le Carré’s Tinker Tailor Soldier Spy is the antithesis of the pulpy action that Ian Fleming injected into the books that would inspire the James Bond movies. Nowhere is that more present than in Kathy Burke’s monumental scene as Connie Sachs, ally and admirer of spy George Smiley (Gary Oldman). All at once, she goes from hitting on her former colleague to lamenting how the Cold War has left their kind adrift, and the sum total is properly heartbreaking.

Bill Murray - Little Shop of Horrors

Much like Jack Nicholson in Roger Corman’s 1960 original, Bill Murray gave Little Shop of Horrors’ musical movie adaptation a moment where the audience just had to laugh at someone who freaks out even sinister dentist Orin (Steve Martin). Coming in for a brief comedic interlude, Murray’s mania is a welcome pit stop in this tale of horror, Faustian bargains, and horticulture.

Molly Ringwald - Not Another Teen Movie

Not Another Teen Movie is Airplane! for generations who grew up in the presence of She’s All That, and some of the other best ‘90s movies. So having John Hughes alum Molly Ringwald highlighting just how ridiculous Janey (Chyler Leigh) and Jake (Chris Evans) are in their young romance is a late hour punchline that absolutely kills.

Clifton Collins Jr. & Thomas Jane - Scott Pilgrim vs. The World

Playing something as ridiculous as Scott Pilgrim vs. The World’s Vegan Police is something that needs expert timing, as the right amount of menace and lunacy is required to make the gag work. With that in mind, Clifton Collins Jr. and Thomas Jane were just the pair to do it, as director Edgar Wright used their talents to give us a scene where even the threat of finger guns with laser pointers makes you feel something.

Kathleen Freeman - The Blues Brothers

Sister Mary Stigmata (Kathleen Freeman) isn’t called “The Penguin” for nothing. As the inciting character that sends The Blues Brothers’ heroes on their mission from God, her demeanor is as stinging as her ruler. So watch your language, and pray you leave her office standing up.

Brian Tyree Henry - If Beale Street Could Talk

Playing Daniel, an old friend of If Beale Street Could Talk’s Fonny (Stephan James), Brian Tyree Henry briefly holds court in a movie that knows how to simultaneously break and mend its audience’s heart. After James sets the scene up with his character’s own woes, Henry proceeds to build on that foundation with an understated sense of dread and sorrow that only scratches the surface of his talents.

Matt Damon - EuroTrip

What happens when you’re writing a teen sex comedy, and you happen to be friends with Matt Damon? You offer him a role like that of the rocker from EuroTrip, who admits in song that he’s been romancing the girlfriend of our hero. You have to wonder if this was an opportunity Damon took as a break from the intense seriousness of the Bourne movies. Whatever the truth may be, it’s a brief but memorable laugh riot, no matter where you parked your car.

Charlize Theron - Doctor Strange in the Multiverse of Madness

Charlize Theron’s shocking MCU debut in Doctor Strange in the Multiverse of Madness was the first of a couple big Marvel reveals that still haven’t panned out to something greater. That doesn’t stop her moment in the sun as sorceress Clea from being any less impressive, as she literally shows up, tears a hole of the fabric of dimensions, and invites Doctor Strange (Benedict Cumberbatch) on an adventure we’d still love to see play out.

Dwayne “The Rock” Johnson - Reno 911: Miami!

You wouldn’t expect Dwayne Johnson to bite the big one if he were to randomly show up in a movie sporting SWAT tactical gear. And yet, Reno 911!: Miami gave us just that moment brought to hysterical life, thanks to the brave sacrifice of Agent Rick "The Condor" Smith. Ok, maybe “brave” is the wrong term to use, as the man did kind of fumble a live grenade into an unforced error of grave proportions.

Salma Hayek - From Dusk Till Dawn

Having an alluring talent like Salma Hayek in your movie can move things along in a number of ways. Perhaps one of her greatest achievements is when she acted as the literal pivot point of Robert Rodriguez’s From Dusk Till Dawn, as the gorgeous Santanico Pandemonium. One moment she’s dancing for a crowd of thankful patrons, and the next she’s plunging this delightful genre mashup into horror-comedy hell.

Will Smith - Winter’s Tale

Winter’s Tale is a movie that still has people scratching their heads, thanks to its magical thinking and high fantasy style story. If you match that description of moviegoer, the appearance of Will Smith in a cameo as Lucifer isn’t going to do much to change your mind. However, this rare performance that sees Smith playing the heavy is amazing, as he commands Shakespearian style language with an intense rage that absolutely sells the CGI enhancement that tops it off.

There are a ton of movies from the '90s that we love that weren't blockbusters upon their release. These are movies that we think defined the decade, and did define it. That's not to say they didn't make money, most of the movies on this list were at least profitable, but they didn't didn't make nearly as much as you would think. 

The Shawshank Redemption (1994)

On any list like this, the classic example is always The Shawshank Redemption. It's a movie that CinemaBlend has called the best movie of the 1990s. Yet, when it was first released, it didn't actually do very well. During its initial run in the fall of 1994, it barely squeaked into the top 10 and failed to even make back its budget. It wasn't until the following year, when it became a regular on cable television that it found an audience and became the beloved classic it is today.

Dazed And Confused (1993)

Richard Linklater's Dazed and Confused is one of the most quotable movies of all time, but it wasn't a big money maker at first. Imagine a movie today with a cast that includes Matthew McConaughey, Ben Affleck, Cole Hauser, Parker Posey, Renee Zellweger, and more not being a massive hit. Of course, most of them were unknown at the time and, according to Box Office Mojo, the movie only made about $8 million on a $7 million budget in theaters. 

The Player (1992)

The Player, by legendary director Robert Altman, was praised by critics and nominated for a slew of awards, but it didn't find an audience initially. Though the film was profitable, it didn't make nearly the money one would expect from a film that has literally dozens of big stars making cameos in it. 

The Usual Suspects (1995)

Eventually, The Usual Suspects became a favorite of many people, but that wasn't the case when it was first released. According to the website The Numbers, the film only made about $23 million domestically at the box office. That really isn't very much for a movie, especially one of its caliber. 

Election (1999)

Reese Witherspoon's character Tracy Flick in Election has become an icon and it basically helped launch the actor into superstardom. It did not, however, crush it at the box office, bringing in just $14 million worldwide. 

The Big Lebowski (1998)

The Coen Brothers followed up their Academy Award-winning Fargo with The Big Lebowski and despite the amazing cast and the stellar writing, the movie just didn't click with audiences at first. Of course, it's gone on to have a life of its own and has played a major role in pop culture since, but at the time, it was almost regarded as a bomb. 

Office Space (1999)

There may be no bigger cult classic on this list than Mike Judge's 1999 comedy classic Office Space. It's constantly quoted by anyone who has ever worked in an office and continues to be discovered by new generations. It's got a wonderful cast, and the writing is downright amazing. It took DVD and cable to make it so loved though. At the box office, it was basically a bomb, bringing in just $12 million on a $10 million budget. 

The Iron Giant (1999)

There has been a lot of discussion about why The Iron Giant did so poorly at the box office when it was first released, but it pretty much bombed completely. In the years since it's become a favorite of an entire generation who grew up watching it at home. 

Reality Bites (1994)

In 1994, Gen X was still defining itself and it was movies like Reality Bites starring Winona Ryder that helped it do so. What is astounding is that it's not nearly the hit that most Gen Xers would expect, making just $20 million upon its release. Its cultural impact definitely outweighs its financial success, which probably sits just fine with many in the generation. 

Goodfellas (1990)

Goodfellas starring Robert De Niro, Joe Pesci, and Ray Liotta, and directed by Martin Scorsese, is considered by many to be one of the best movies of all time. While it was successful at the box, it didn't even crack the top 1,000 in all-time box office. Kindergarten Cop made twice as much as Goodfellas in 1990. You'd be better off robbing an airport. 

Heat (1995)

According to The Numbers, Heat made about $67 million, which is nothing to sneeze at. That is until you compare it to some of the other movies from that same year and realize it made less money than Waterworld, which is considered one of the biggest bombs of all time, and Casper, along with 23 other movies in 1995.

How Stella Got Her Groove Back (1998)

How Stella Got Her Groove Back has become a cultural touchstone from the 1990s and while it did decent at the box, it was far from a runaway hit like it might have expected it to be. It made Taye Diggs a star and Angela Bassett a superstar, but it wasn't even one of the 50 most popular movies of the year. 

Boogie Nights (1997)

1997 was a banner year for movies, with classics like Titanic, Men in Black, and Good Will Hunting all getting released. Then, way down the list of the top box office performers, is Boogie Nights at #75. It only managed to bring in $26 million on release. A lot can be chalked up to the racy subject matter, sure, but it's still one of the best movies of the decade. 

Fight Club (1999)

1999's Fight Club is still revered today, decades later, but at the time, you could say the response by filmgoers was lukewarm at best. It only ended up making about $37 million domestically, but it would earn much more in the next few years on DVD and cable TV. 

Singles (1992)

Singles is one of the movies on this list that defines a generation, for better or worse. It portrays Generation X as a slacker generation that isn't interested in anything. It turns out, Gen X was interested in this movie either, as it earned just $18 million, ranking 67th for 1992.

Can't Hardly Wait (1998)

Jennifer Love Hewitt was on the verge of superstardom when Can't Hardly Wait was released. It would eventually become an oft-quoted, huge cult favorite, but in its theater run, it performed very mediocrely. It took in $23 million and finished behind less-beloved movies like Bulworth and Practical Magic in 1998.

Back to the Future Part III (1990)

Okay, this one needs a little explanation as to how it ended up on this list, because it was certainly a hit, and it made a lot of money. It's here because, though it's often ranked above Back to the Future Part II in the Back to the Future trilogy, Back to the Future Part III made the least amount of money of all three, which you wouldn't have expected. 

Malcolm X (1992)

Spike Lee's epic Malcolm X was controversial when it was released in 1992, due to the controversial nature of Malcolm X, played by Denzel Washington in the movie, himself. It's a movie that is good enough to make the top ten in any given year, yet it finished #32 at the year-end box office.

The Doors (1991)

For the kids that were the children of Baby Boomers, '60s music was a big deal. When The Doors came out in 1992, high school kids all over obsessed over it. But that wasn't until it was released on VHS. In its theatrical run, it barely managed to make back its initial budget. 

Tombstone (1993)

1993 Tombstone is one of the greatest westerns of all time, but it didn't start out as a fan favorite. While it did make a decent chunk of change, it finished behind forgettable movies in the year-end box office numbers like Dave, Rising Sun, and Indecent Proposal.

Misery (1990)

1990's Misery starring James Caan and Kathy Bates is arguably the best Stephen King adaption on the silver screen, and while it was definitely a hit, you'd expect a movie of its caliber to be one of the biggest hits of the year, but it was beat by movies like Kindergarten Cop, Bird On A Wire (one of the worst #1 movies ever), and 3 Men and a Little Lady.

True Romance (1993)

Director Tony Scott's True Romance has an amazing cast and an amazing script by Quentin Tarantino. Ingredients like that usually turn into a hit. Instead, it only made about $12 million and barely snuck into the top 100 movies of 1993. 

Pump Up the Volume (1990)

Christian Slater's character Hard Harry inspired a generation of Gen Xers to be dark and mysterious, and while Pump Up The Volume became one of the most beloved cult hits of the decade, it took a while to get there. It only made $11 million in theaters. 

Strange Days (1995)

Director Kathryn Bigelow's Strange Days is a love-it-or-hate-it-type of movie. Despite being a huge box office flop, making less than a third of its budget back. It's since become a very popular cult flick with a huge fanbase that is always willing to defend it. 

Tremors (1990)

Normally you'd expect a movie that launches a franchise to be an off-the-chart blockbuster. Tremors did the former but was far from the latter. Star Kevin Bacon revealed in 2019 that the movie made less than a fifth of what it was expected to make. Still, there have now been six more movies and a TV show in the franchise and the original is still one of Bacon's best movies. 

Ed Wood (1994)

1994's Ed Wood is one of Tim Burton's least-talked-about movies, and that's likely because it did so poorly at the box office, making just $5 million when it was released. It's one of Burton's and star Johnny Depp's worst performing movies, despite being pretty good. 

BASEketball (1998)

BASEketball was the first movie starring the guys from South Park, Matt Stone and Trey Parker. The problem is that they didn't write it. Despite some funny moments, their star power wasn't enough to make money and the movie bombed, making just $7 million. 

Darkman (1990)

There is no question that Darkman has been a cult classic. but when it first came out it was, at best, a moderate success, making about $32 million domestically. In the years since it has become an impressive franchise with multiple movies, comic books, and video games. 

Hackers (1995)

1995 Hackers, starring Jonny Lee Miller and Angelina Jolie is like the little movie that keeps on going. It's not well regarded by critics, and it was a definite bomb, but it continues to be talked about and drawing fans in. Maybe it's the nature of the subject and talking about it on the internet, but it's the movie that just won't die. 

Fear and Loathing in Las Vegas (1998)

Hunter S. Thompson's legendary novel Fear and Loathing in Las Vegas was always described as a book that no one could do justice to on the silver screen. That's just the kind of challenge that Terry Gilliam loves and so when he made it a movie in 1998 with Johnny Depp taking on the role of Thompson, no one was surprised. The movie is a brilliant representation of the trippy book, and despite only making about $13 million worldwide, it's still talked about and loved today. 

Friday (1995)

If you were a certain kind of college kid in the '90s, it's safe to say you watched Friday dozens of times on VHS. But that was VHS. The odds are that you didn't actually see it in theaters, because the Ice Cube/Chris Tucker classic only made about $23 million, placing it outside of the top 50 in 1995. 

Being John Malkovich (1999)

79 movies made more money than Being John Malkovich in 1999. Including movies like Baby Geniuses, Mystery Men, Superstar, The 13th Warrior, and The Martian. Are those movies all better than Being John Malkovich? Of course not. 

Before the best movies from the 2000s were allowed to run, the cinematic classics from the 1990s had to walk. (Well, except for Forrest Gump.) The 20th century closed out with a decade of cinematic spectacles as Hollywood embraced bigger budgets, the early days of CGI, and a new breed of superstars like Brad Pitt, Reese Witherspoon and Keanu Reeves.

From great ‘90s sci-fi movies like Jurassic Park to beloved ‘90s family films like Toy Story to chilling thrillers and hilarious comedies, just about any genre fan can feel represented by the era's best. Can the same be said for music, TV and literature? (I'll be too busy watching Speed again to research that.) So grab your long-dead Tamagotchis and scented markers and join us in celebrating the best of the best that the ‘90s had to offer.

• This list was compiled by the bulk of CinemaBlend's editors and writers, who gave 0-5 scores to an overall list of around 300 movies, with all of the final scores averaged out to determine the final ranking of 100.

How We Put This List Together

• Around 300 entries from a vast variety of 1990s films , which fit the bill of being culturally relevant and critically respected, were gathered using a combination of staff recommendations, movie guides and further research. The entries were tracked in a spreadsheet, where the majority of our staff then went through a multi-level voting process, with scores assigned based on personal opinions. A base number of viewers was also required for entries to make the cut, and lowest scores were then eliminated, in the style of scoring figure skating. The movies were then ordered from 1-100 based on the final average scores, with a variety of staff members writing the movie-celebrating entries. 

100. The Fifth Element (1997)

Luc Besson's The Fifth Element is a seriously wild movie. The sci-fi adventure has become a bona fide genre classic. Even though parts of the film were frustrating to make, those efforts clearly paid off, leaving us with one of the most fun space rides to date with an A-level cast including Milla Jovovich, Bruce Willis, Gary Oldman, and Chris Tucker in arguably his spaciest performance. Anyone who may have forgotten how fun and bonkers it is should grab a multi-pass and return immediately. 

99. Dumb and Dumber (1994)

Jim Carrey may have enjoyed the most successful year for any comedian in 1994, and Dumb and Dumber is a major part of that unprecedented run. After the wildly successful Ace Ventura: Pet Detective and The Mask, the Saturday Night Live reject gave an iconic performance as Lloyd Christmas in the Farrelly Brothers’ breakout comedy alongside Jeff Daniels’ Harry Dunne. Everything about the movie simply works in spite of itself. The chemistry between its stars, the balance of over-the-top humor and more subtle jokes, and the most annoying sound in the world work together to create an unparalleled and game-changing experience. 

98. The Blair Witch Project (1999)

The Blair Witch Project may not have been the first to bring a cinéma vérité approach to the horror genre, but through extremely savvy marketing and lore-building, the no-budget flick became one of the most profitable films of all time, spawning a franchise of film sequels, comics, a video game, and beyond. And all without an actual “witch” to tease in the trailers. One of the ‘90s most polarizing efforts, BWP’s “something from nothing” approach makes it as influential as anything else from the decade.

97. Mulan (1998)

What can be said about Mulan that has yet to be talked about? Released at the tail end of the famed Disney Renaissance through the ‘90s, Mulan was the animated film that defined a generation of young women, inspiring many to always fight for their honor and never back down, even when everyone in the world says otherwise. The music is excellent as the voice-acting takes you to another world, and the animation easily pulls viewers in, but it’s the themes that stay with audiences forever.

96. The Wedding Singer (1998)

More than just a wonderful romantic comedy, The Wedding Singer is a standout title in Adam Sandler’s early career. In the 1990s, Sandler was known for his goofy characters on Saturday Night Live and in goofy movies like Billy Madison, Happy Gilmore, and Airheads, but The Wedding Singer was an opportunity for him to show he could do work with a bit more gravity. There’s an argument to be made it paved the way for him excelling in films like Punch Drunk Love and Uncut Gems. And the power of Sandler + Drew Barrymore can never be denied.

95. Death Becomes Her (1992)

There’s a scene in Death Becomes Her that pretty much sums up the Robert Zemeckis film’s greatness – as Goldie Hawn’s Helen sits and leans back, the handle of a shovel slips perfectly through the hole in her torso. Meanwhile, Meryl Streep’s Madeline gracefully takes a seat while clutching her hair atop her head, in order to keep it from flopping forward against her broken neck. It’s dark, it’s twisted, it’s hilarious, and for 1992, the special effects are impressive. Bruce Willis’ Ernest being dragged along for the ride caps off the excellent trio of characters, in this eternally underrated comedy.

94. Sleepless in Seattle (1993)

Four years after already penning one of the all-time great romantic comedies (Rob Reiner’s When Harry Met Sally), the late Nora Ephron directed a landmark rom-com of her own with Sleepless in Seattle. The second of three movies co-starring Tom Hanks and Meg Ryan, this genre staple features an incredible story about a woman who goes to great lengths to be with the man she loves, a man whom she’s never met and only knows from a call-in radio show. It’s charming, witty, earnest, and the best kind of enchanted realism. 

93. Jackie Brown (1997)

Quentin Tarantino’s third directorial effort, Jackie Brown kicks off with Pam Grier’s money-smuggling flight attendant trekking to work to the tune of Bobby Womack’s “Across 110th Street,” helping it stand apart from the testosterone-enhanced violence of his first two features. And while the star-studded flick does dip into the filmmaker’s favored crime genre tropes, Jackie Brown hinges more on character study than sheer plot machination, and provides career-high performances from Bridget Fonda, Robert Forster, and Grier herself. And in that way, it’s arguably the most empathy-worthy project from Tarantino’s career.

92. Happy Gilmore (1996)

Depending on who you talk to, Adam Sandler’s '90s comedies are either near the peak of the genre or near the pits of low-brow comedy. We know where Shooter McGavin's opinions would lie, but we lean toward raising our clubs and pucks to Sandler’s story about a failed hockey player taking the world of professional golf by storm, all for his grandma. I’ll always laugh at Happy Gilmore’s titular hero going toe-to-toe with the late game show host Bob Barker, and the wild story of how he got involved is as great as the on-screen fisticuffs.

91. Casino (1995)

It’s hard to pick a favorite when talking about the best mob characters that Robert De Niro has played, though I’d argue Sam "Ace" Rothstein is as good as it gets. Unlike many other gangster movies tethered to dark alleys, Casino zeroes in on the mafia’s stranglehold of the glitzy and glamorous Las Vegas in the 1970s. It’s further bolstered by excellent directing from master craftsman Martin Scorsese and a supporting cast with legends like Sharon Stone and Joe Pesci. A fantastic movie that doesn't shy away from deeply upsetting moments. 

90. Forrest Gump (1994)

Despite all the cringey and parody-fueling moments in Robert Zemeckis' Forrest Gump --- never forget the Weird Al classic "Gump" --- Tom Hanks' history-making and country-crossing simpleton remains one of the 1990s most enduring movie heroes. With a stacked cast of pros, from Sally Field to Gary Sinise, Forrest Gump's popularity was evident from both its boffo box office, its huge success at the Oscars and beyond, and just how many quotes from this movie have permanently nestled themselves into pop culture. 

89. A Few Good Men (1992)

Courtrooms are a natural fit for high drama, and A Few Good Men has some of the best courtroom scenes in cinema history. Aaron Sorkin’s first screenplay, based on his own stage play, is missing many of the elements that would later define his writing, but that’s not a bad thing here. The battle between Tom Cruise and Jack Nicholson has become iconic, but even outside of that near-perfect scene, A Few Good Men is full of incredible characters, smart dialogue, and memorable moments. It’s perhaps one of Cruise’s most criminally overlooked performances.

88. Pretty Woman (1990)

Pretty Woman is definitely one of Julia Roberts's best movies in a wildly impressive career, but it's also one of the best ‘90s rom-coms. The film's sleazy-on-paper tale, which follows a rich businessman hiring a Hollywood escort to be his date to several social events, is a charmer thanks to its stellar leads. The film vaulted Roberts into an even bigger star, while making romantics everywhere swoon at the idea of a wealthy millionaire like Richard Gere coming out of nowhere to sweep them off their feet – if only, amirite?

87. As Good As It Gets (1997)

I miss Jack Nicholson. I miss James L. Brooks. I miss emotional, character-driven comedies that excelled thanks to outstanding performances from A-list talent. Nicholson, Helen Hunt, and Greg Kinnear weave magic in this sweet story about strangers forming friendships over low-stakes but relatable dramas. Studios craving IP don’t back movies like this anymore. But when they did, and when actors could sink their teeth into the material, this one was as good as they got. 

86. The Sandlot (1993)

There are ‘90s sports movies that are kid-pleasers, and then there is The Sandlot, the 1993 coming-of-age story about a ragtag group of kids living what could be the best summer of their lives. There's so much to love about this small-stakes baseball tale, from its timelessness to its life lessons to incredible characters like Scotty Smalls, Benny Rodriguez, Ham Porter, and so many others, there’s just so much to love about this classic sports film. To quote the Great Bambino, “Heroes get remembered, but legends never die.” In this case, we're calling our shot: The Sandlot is one of those legends. 

85. Can't Hardly Wait (1998)

Can’t Hardly Wait combines an "everybody's recognizable" ensemble cast with the classic house party setting and a killer soundtrack to give us one of the most epic teen movies of all time. The plot centers around Ethan Embry’s Preston, who needs to profess his love for Amanda (Jennifer Love Hewitt) at the graduation party, now that she is finally single after being dumped by Mike (Peter Facinelli). But plots are for dorks, and the 1998 comedy epitomizes the teen angst of the late 20th century in an honest and hilarious way.

84. You've Got Mail (1998)

You’ve Got Mail arrived in 1998 when just about everybody would have recognized the title as the AOL greeting message. This was the third movie to pair Tom Hanks with Meg Ryan, with writer/director Nora Ephron bringing her magic romantic comedy touch to the story of two business rivals who unwittingly fall in love via online chat. Hanks and Ryan channel the same chemistry that was a hit years earlier with Sleepless in Seattle, and it doesn't require having lived through the AOL era to appreciate the level of classic rom-com energy that makes this a winner. 

83. Mrs. Doubtfire (1993)

In a decade filled with all-time great Robin Williams movies, there’s something particularly tender and very much unforgettable about Chris Columbus’ Ms. Doubtfire. Underpinned by the heartbreak of having less time than ever with his three kids as his divorce looms, voiceover actor Daniel Hillard hatches a plan to form a new character in an elderly housekeeper named Mrs. Doubtfire to get more time with them. Not only does his new secret identity make for some hilarious moments that very much play to Williams’ strengths as a comedy actor, Mrs. Doubtfire is also a touching film that takes a grounded approach to parent separation. 

82. Edward Scissorhands (1990)

The most Tim Burton movie ever to Tim Burton, Edward Scissorhands is, on one bladed hand, a weirdly heartwarming horror movie, but on the other bladed hand, an endlessly frightening family film. The suburban Frankenstein homage is bolstered by stellar performances from Johnny Depp, Winona Ryder and Dianne Weist, with each bringing grounded authenticity to this wildly fantastical fable. (Yes, even the pity-provoking Depp.) The cherries on top of this macabre cake are Vincent Price, in his final major film role, and Burton-familiar composer Danny Elfman. And the eye-popping hedge art and ice sculptures don’t hurt.

81. American History X (1998)

Long before debates about The Snyder Cut, star Edward Norton, director Tony Kaye, and New Line Cinema engaged in a very loud and sometimes public squabble over American History X. The final cut we got, which Kaye publicly disavowed, is a brutal, almost two-hour look at modern white supremacy that’s shot partially in black and white. It netted Norton an Oscar nomination and has individual moments as strong as anything on this list, but it also occasionally loses pace and has always left fans wanting to see Kaye’s original 95-minute cut, which remains unreleased following the film’s disastrous production

80. Aladdin (1992)

It’s easy to look at Aladdin and celebrate the work of the great Robin Williams, and justifiably so. Only animation could truly uncork the man’s absolutely manic comedy style. But focusing only on Williams overlooks the work of amazing animators who created the Genie and everything else, since it's a testament to their skill that the animation is able to keep up with Williams and the high-flying scenes. Musical sequences like “A Friend Like Me” and “A Whole New World” show another form of animated beauty and have become just as iconic on their own as the Genie himself.

79. That Thing You Do! (1996)

By the time he wrote, directed, and co-starred in 1996’s That Thing You Do, Tom Hanks was already an acting powerhouse. So it was a bit of a surprise to see the Academy Award-winning actor delivering a tale about the wild ride that so many one-hit wonders of the ‘60s endured. Initially, the story of The Wonders (Johnathon Schaech, Ethan Embry, Steve Zahn, and Tom Everett Scott) and their roller-coaster journey wasn’t a smash success, but decades later, That Thing You Do is a well-regarded mini-cult classic that can still leave audiences with songs in their hearts.

78. Trainspotting (1996)

While it wasn’t his directorial debut, Danny Boyle’s adaptation of Irvine Welsh’s Trainspotting was the flick that put the man on the map. Following the lives of a group of Scottish drug addicts and friends, a cast including Ewan McGregor, Robert Carlyle, and Kelly MacDonald landed their start as the stars of tomorrow. Through a narrative that’s both darkly comic and frightfully serious, Trainspotting ushers its heroin addicts through life's struggles in grounded and trippy ways. Establishing Boyle’s skills in telling a conventional story through unconventional means, it’s a powerful statement for its director and the message he’s trying to convey.

77. Die Hard with a Vengeance (1995)

The Die Hard formula survived the transition to the “buddy cop” genre (at least initially) with Bruce Willis’ iconic John McClane being forced to team up with a good samaritan (Samuel L. Jackson) and solve a bunch of riddles around Manhattan to prevent bombs from going off. Many consider With a Vengeance to be the best in the Die Hard series, though it’s blasphemy to put ANY of them ahead of John McTiernan’s original. Still, this one moves like a freight train, Willis and Jackson have remarkable chemistry, and Jeremy Irons is a sinister villain with a satisfying twist of a motivation to take McClane down. 

76. Titanic (1997)

Titanic was an event in itself when it arrived in theaters, with James Cameron’s film ambitiously bringing to screen the story of the ill-fated ship, depicting the journey across the Atlantic with incredible visuals that give us a sense of what it might have been like aboard the ship during that terrible night. At the center of it all is the love story of Rose (Kate Winslet) and Jack (Leonardo DiCaprio), who manage to find each other, despite their differing social classes, and never let go. Considering how many millions of dollars it earned from repeat audience viewings, its "classic" status is unsinkable.

75. Men in Black (1997)

One of the biggest sci-fi hits of the decade, Men In Black holds a special place in the hearts and minds of both space and comedy nerds. Even though it initially took some convincing to land Will Smith for the role of Agent J., Steven Spielberg (as producer) managed to re-catch lightning in a bottle with the actor coming off of Independence Day. And as unpredictable as it seemed at the time Smith and Tommy Lee Jones made for an extremely fun and combative pairing in the rest of the Men in Black film franchise.

74. The Fugitive (1993)

When it comes to movies based on old TV shows, it doesn’t get much better than The Fugitive. There’s no way around it, this 1993-defining film straight-up rocks and is still just as great more than 30 years after its release. Watching one of Harrison Ford’s most iconic characters go to great lengths to clear his name after being wrongfully convicted of murdering his wife never gets hold, and the same can be said about Tommy Lee Jones’ Academy Award-winning performance as the U.S. Marshal tasked with capturing the elusive fugitive.

73. Run Lola Run (1998)

Outside of sci-fi adventures, time loops aren’t often used as storytelling devices, and 1998’s thriller Run Lola Run absolutely proves why this is a shame. While the story isn’t explicitly a looping band of time, we do get three different versions of writer/director Tom Twyver’s story. Centered around lovers Lola (Franke Potente) and Manni (Moritz Bleibtreu), each variation has one thing in common: they have 20 minutes to score 100,000 Deutschmarks, or Manni is dead. New twists and pitfalls arrive, keeping that premise fresh each time, right up until the end. 

72. Swingers (1996)

Long before he directed major projects like Iron Man and The Mandalorian, Jon Favreau wrote and starred in the Doug Liman-directed Swingers. This comedy follows Favreau’s Mike Peters, a comedian who’s getting over a bad breakup and moves to Hollywood to find success in the midst of the ‘90s swing revival. The witty back-and-forth dialogue between Favreau and his co-stars, including Vince Vaughn and Heather Graham, and the simple, yet effective story of moving on to better horizons make Swingers one of the most underrated comedies of this decade. It's just so money, baby. 

71. Malcolm X (1992)

For his 1992 “Spike Lee Joint,” the legendary Do The Right Thing filmmaker made his dream come true to make a biopic about one American Civil Rights Movement figure, Malcolm X. It not only remains among the best works of Lee’s incredible filmography, but it’s flat-out one of the best biography movies ever made. That’s all without mentioning a particularly powerful performance by Denzel Washington, who disappears into the figure and brings great intrigue and nuisance to Malcolm X across decades of his life. Spike Lee’s biopic stands tall as an enduring portrait of an important man in a pivotal moment in U.S. history.

70. Friday (1995)

Franchise lead and rap legend Ice Cube teamed up with Chris Tucker to create one of the best "sit back and kick it" movies in movie history. Spawning a line of sequels, the O.G. Friday boasts an awesome cast that also includes the late John Witherspoon, and understandably caught on with a certain kind of stoner comedy-loving crowd, but has become an all-encompassing cult classic. Even beyond its on-screen greatness, Friday also turned "Bye, Felicia" into everyday jargon. 

69. Miller's Crossing (1990)

Joel and Ethan Coen didn’t waste time demonstrating their eclecticism in their careers, breaking out with the phenomenal neo-noir Blood Simple in 1984 ahead of a 180-degree tonal pivot with 1987's gonzo comedy Raising Arizona. Then they kicked off the 1990s with one of the great modern gangster movies in Miller's Crossing. Gabriel Byrne’s Tom Reagan leading John Turturro’s Bernie Bernbaum into the woods to be murdered is the movie’s iconic moment, but it’s the brilliant chaos that spins out from Tom’s decision at the end of the sequence that cements this tense slice of art's place on this list.

68. Rushmore (1998)

Rushmore is often referenced for a lot of things. It was the first Wes Anderson movie to find more mainstream success. The critical acclaim Bill Murray received for his performance helped push him toward the more independent, critically acclaimed movies that defined his later career. It was the debut of Jason Schwartzman. All of those are reasons to celebrate the movie, but none are reasons why it’s on this list. It’s here because it’s an endlessly watchable slice of weirdness that holds up decades later. It’s some of the best career work of everyone referenced, and in its own offbeat way, it’s downright hysterical. 

67. South Park: Bigger, Longer, And Uncut (1999)

In 1999, with South Park at the height of its cultural powers, Matt Stone and Trey Parker took one of the biggest gambles anyone could have ever imagined. Producing the R-rated, animated musical that was South Park: Bigger, Longer, and Uncut, the pair doubled down on their uniquely dirty humor. Everything from parenting culture to Les Miserables got sent up, thanks to songs that were catchy but also not safe for work. Not every TV show survives a feature-length expansion, but South Park thrived in theaters, especially when it called the very parental uproar its release would inspire to a tee.

66. Misery (1990)

What does a creative owe to their fans? It’s a complex question that author Stephen King horrifyingly examined with his remarkable 1987 novel Misery, and three years later, director Rob Reiner adapted the work into a remarkable and unsettling film. The Oscars don’t typically support the horror genre, but Kathy Bates’ turn as Annie Wilkes was unignorable – as she remains one of the meanest villains of the ‘90s.. Though in Bates’ shadow, James Caan delivers an equally excellent turn as captive author Paul Sheldon, and the weaving of tension as he keeps his mind on options for escape is perfection.

65. Clerks (1994)

Kevin Smith famously maxed out credit cards and stretched a production budget of just $27,000 to make his first movie, 1994’s Clerks. Sure, the acting is hit or miss, and the editing isn’t perfect, but that only adds to the charm of the movie. It’s also really, really funny. It’s got some of the most quotable lines of any movie from the era, and they all shine through, despite the limitations of the budget. Clerks has become the stuff of legend in Hollywood, sparking dreams of would-be filmmakers everywhere and with good reason. 

64. Galaxy Quest (1999)

What if you found out that the fantastic adventures in your favorite sci-fi TV weren't so fake after all, such as in Galaxy Quest? Tim Allen plays a washed-up actor who, along with his former co-stars (played by Sigourney Weaver, Alan Rickman, and more), experience their cancelled, cult favorite series for real, thanks to an alien race that believes their televised adventures are "historical documents" and are desperate for their help. The concept makes for a clever, hilarious commentary on Trekkie culture, but also manages to be just as exciting as any Star Trek episode or movie spin-off could ever be.

63. Thelma and Louise (1991)

Susan Sarandon and Geena Davis have made dozens of memorable movies, but even if they had just made Ridley Scott’s Thelma & Louise, they’d have a space carved out for them in cinema history. It’s regarded as a keystone title in the history of feminism in film, and it makes you fall in love with the titular leads as they go on the run from the law. And it should go without saying that the final moments will forever be remembered as an indomitable moment of 1990s pop culture.

62. Primal Fear (1996)

Courtroom dramas were big in the ‘90s, and Primal Fear in 1996 is a prime example of why. Richard Gere plays the pompous attorney Martin Vail, who volunteers to represent a young Aaron Stampler (Edward Norton in his first screen role) after he is accused of brutally murdering a beloved archbishop. The movie takes an unexpected turn when Aaron is discovered to have a split personality named Roy, and the dark twist that comes to light after an explosive courtroom scene remains one of the wildest movie endings ever.

61. Home Alone (1990)

I'm pretty sure Home Alone has hit classic Christmas movie territory because you always know it's the holiday season when this movie is causing a clatter on your TV screen. Following a child accidentally left home alone during Christmas and who has to defend his home from burglars, Home Alone captures the happiness of the season while adding a bit of chaos – especially with all those serious injuries that probably would have killed Marv and Harry in the real world. It'd be a fun time even without Catherine O'Hara and John Candy's SCTV reunion, but is all the better for it.

60. Leon (The Professional) (1994)

Luc Besson seems to be motivated by big sci-fi ideas in films such as The Fifth Element, Lucy, and Valerian and the City of a Thousand Planets. On the flip side of Besson’s coin, though, are these stripped-down crime thrillers (Nikita, The Family), and none were more effective than Leon. The film heralded the arrival of young Natalie Portman, who proved she could appear convincingly as basically anything on screen. But also, Gary Oldman walks away with the picture, playing an unhinged and drug-addicted DEA agent looking to kill Portman’s character, much to the chagrin of professional hitman Jean Reno.  

59. Office Space (1999)

There’s a scene in Office Space where all the workers are assembled for an all-hands meeting. Above the boss’ head, there’s a banner printed that says Is This Good for the COMPANY? The question is underlined and COMPANY is in weird light blue font for unclear reasons. It’s somehow both utterly ridiculous and one of the most relatable things I’ve ever seen. In a way, it’s a perfect explanation for why some people, myself included, love Office Space so much. It’s one long series of hysterical if-you-know-you-know-moments, and watching other people live through and comment on that same misery feels so cathartic. 

58. Reservoir Dogs (1992)

There are few filmmakers in cinematic history who made as an audacious splash with their first feature as Quentin Tarantino, who was immediately recognized as a tremendous upstart talent following the premiere of Reservoir Dogs at the 1992 Sundance Film Festival. With its spellbinding non-linear storytelling, sharp-as-knives dialogue, and violent shocks, it is recognized as a perfect archetype of Tarantino’s strengths as a writer/director, and it is remembered for inspiring a whole generation of filmmakers and its lasting impact on genre cinema.

57. Apollo 13 (1995)

Apollo 13 may be best remembered in pop culture for the iconic line “Houston, we have a problem," but the 1995 film accumulated nine Academy Award nominations for a reason. Boasting a stacked cast that includes Tom Hanks, Kevin Bacon, Gary Sinise, Ed Harris, and Kathleen Quinlan, the movie dramatizes the true story of the failed 1970 lunar mission, and the ending sequence is no less suspenseful nearly thirty years later than it was in the ‘90s. The effects mostly stand up to this day; but even where they don’t, the performances sell the story entirely.

56. The American President (1995) 

Before Aaron Sorkin created The West Wing, he wrote The American President, which saw one of the most respected movie presidents, Andrew Shepherd (Michael Douglas), fall for feisty environmental lobbyist Sydney Ellen Wade (Annette Bening). Could a widowed president ever court a girlfriend in an election year? Sorkin’s snappy dialogue shows why it wouldn’t be easy, as the two become tabloid fodder, and even bigger trouble awaits when their political agendas don’t align. Both lead actors give absolutely charming performances in this 1995 political rom-com directed by Rob Reiner.

55. True Romance (1993) 

The first screenplay Quentin Tarantino ever sold in Hollywood was 1993’s True Romance, and it became an offbeat cult classic when combined with Tony Scott’s slick direction. Christian Slater and Patricia Arquette are perfect as the flawed lovers and the rest of the cast, which includes Gary Oldman, Brad Pitt, Michael Rappaport, Val Kilmer, Samuel L. Jackson, Tom Sizemore, James Gandolfini, just to name a few, are all brilliant. It’s one scene, however, between Dennis Hopper and Christopher Walken, that steals the whole show and deserves its own placement in cinema history.

54. Unforgiven (1992)

This might be the quintessential Clint Eastwood Western – which says a lot when you realize that the man helped to define the genre, dating all the way back to his days on television (in Gunsmoke). With Unforgiven, an older Eastwood figured out how to comment on the evolution of the Western, and reflect on the moral quandaries several cowboys faced over the course of their lawless lives. This marked the beginning of a contemplative stage of Eastwood’s career, and redefined the boundaries of the Western for storytellers that followed. 

53. The Nightmare Before Christmas (1993)

Not only is The Nightmare Before Christmas one of the best stop-motion movies of all time, but it was also a game-changer within the animation industry. The movie -- following the story of Jack Skellington turning Halloween Town into Christmas Town and trying to take over the role of Santa Claus -- has become a cultural icon. Not only is the movie celebrated during the Halloween season, but it's also become one of the best animated Christmas movies and has a wildly popular fan base – go to Disney World during Halloween and Christmas and see how popular this movie is. 

52. Natural Born Killers (1994)

Few movies in the last decade of the 20th century caused a stir quite like the big screen adventure of Mickey and Mallory Knox in Oliver Stone’s demented crime saga Natural Born Killers. Fans of the TV show Cheers got to witness a whole new side to Woody Harrelson, and he makes for one-half of an absolutely ferocious on-screen pair partnered with Juliette Lewis. Though it was only released in 1994, it is a title to point to when aiming to epitomize a certain spirit in 1990s pop culture.

51. The Rock (1994)

It is still totally bonkers to think that the mid-’90s gave us a Michael Bay action movie in which Sean Connery and Nicolas Cage got to mesh their wildly different talents. A movie that helped pencil in the blueprint for what we know as modern Bayhem, The Rock is a solid cocktail of action, comedy, and drama tied together with a surprisingly poignant message. None of that gets lost in the shuffle, either, even as the shuffle keeps viewers glued to their seats until the very last scene. You can bet this quotable, adrenaline-charged classic is still friendly with the prom queen.

50. Boyz n the Hood (1991)

Relatively few directors made great movies on their first try, and the late John Singleton did just that with 1991’s Boyz n the Hood. Set in South Central Los Angeles, the film centers on three young men, whose paths begin to diverge as they steadily approach adulthood. Singleton, who also wrote the Oscar-nominated drama, provided a nuanced look at life in a low-income neighborhood. 

In doing so, he shed light on gang violence, systemic racism, and other elements that still negatively impact many communities today. For better or worse, this well-acted and directed film is as timeless and relevant as they come.

49. The Sixth Sense (1999)

While the ending twist may have helped put the film and its director, M. Night Shyamalan, on the map near the close of the decade, The Sixth Sense is so much more than those final, incredible moments where all of the pieces fall into place (in a scene that comes after we think the story has been mostly resolved). 

What elevates The Sixth Sense to ‘90s movie greatness is the combined efforts of the stellar performances of Bruce Willis, Haley Joel Osment, Toni Collette, and Olivia Williams; of the music combined with the fantastic shots; of the use of the Philadelphia backdrop. Every scene taps into something dark, scary, heartbreaking or humorous, and the best go for a little bit of all of those things at once. 

48. Get Shorty (1995)

What is the best Elmore Leonard adaptation? There are many candidates that qualify for consideration, including Quentin Tarantino’s Jackie Brown, Steven Soderbergh’s Out Of Sight and the TV series Justified, but Barry Sonnenfeld’s Get Shorty is my uncontested contender for the title. 

It’s a dark, cynical, and hilarious take on the film industry where a shylock finds himself right at home in Los Angeles, and it brims with exceptional characters – from John Travolta’s Chili Palmer to Gene Hackman's skeezy producer Harry Zimm, to James Gandolfini's stuntman-turned-heavy Bear. The sequel that came out a decade later, 2005’s Be Cool, is dreadful, but that has thankfully not tainted its predecessor’s stellar legacy as one of the great “Hollywood on Hollywood” movies. 

47. The Rocketeer (1991) 

Believe it or not, The Rocketeer is a comic book movie. In the wake of the blockbuster success that was Batman, studios scrambled to get their own piece of that four-paneled pie; leading a pre-Marvel Disney to adapt Dave Stevens’ pulpy ‘30s throwback. Hoping this movie would be the studio’s answer to Bat-mania, director Joe Johnston’s picture suffered in the obscenely crowded summer of 1991. 

Over time, fate has been kinder to the Billy Campbell and Jennifer Connolly adventure, as it developed into a cult classic much like the original Tron. Even if audiences didn’t flock to it at first, the message was never lost, because the quality was always there. Best experienced with a heart full of nostalgia and courage, The Rocketeer's mere existence is worth celebrating. 

46. Audition (1999)

Few movies start off as unassuming as the psycho-horror Audition, whose first half sits among the legendarily prolific Takashi Miike’s most restrained directorial efforts. The story begins with Ryo Ishibashi’s widower Shigeharu Aoyama re-entering the dating world in the least natural way possible: via auditions with women who believe they’re vying for an acting role. 

Things progress in an almost mundane manner as Shigeharu becomes more attracted to the quiet and seemingly reserved Asami (Eihi Shiina), but with enough peeks into her home life to send red flags waving. What makes Audition a unique ‘90s treasure is when the wheels fall off for its dread-flooded final act, in which Asami teaches Shigeharu a torturous lesson in stringing women along. Don't try this at home.

45. Point Break (1991)

Comically manly, but in the best ways possible, Point Break is the 1990s encapsulated. Clean-cut FBI agent Johnny Utah (tremendous character name) loses himself undercover when he tries to infiltrate a gang of surfers (tremendous plot twist) who may be posing as former presidents of the United States and robbing banks. What an awesome plot. And what an awesome movie. 

Keanu Reeves and Patrick Swayze are the Yin and the Yang of Southern California cool, tapping directly into the “Brah” of it all while also delivering unforgettable action set pieces – notably, a skydiving chase without parachutes. Credit most of this to director Kathyrn Bigelow, who eventually won her Best Director Oscar for 2010’s The Hurt Locker. 

44. Clueless (1995)

We’ve seen movies put a new spin on old classics before, but rarely has the result been as entertaining as Clueless, Amy Heckerling’s take on Jane Austen’s Emma. Alicia Silverstone stars as Cher, a beautiful and rich Beverly Hills high school fashionista who decides she wants to use her popularity for the betterment of humanity. 

The 1995 coming-of-age comedy — which also stars Stacey Dash, Brittany Murphy, Paul Rudd and more — still stands up today with its iconic looks and quotable dialogue (not to mention Cher’s inspiring speech comparing refugees to guests at her father’s garden party). And has there ever been a movie takedown more savage than Tai calling Cher “a virgin who can’t drive”? As if! 

43. L.A. Confidential (1997)

Once upon a time, the noir detective story was a staple of film, but fewer and fewer examples have emerged with each decade that passes. So when a movie like Curtis Hanson's L.A. Confidential comes around, you really begin to wonder why we don’t see more of these. 

It’s an absolutely incredible film that likely would probably be better remembered if it hadn’t come out the same year as Titanic. On top of everything else, the film introduced Russell Crowe and Guy Pierce to U.S. film audiences, and for that alone, it should be recognized, but it also won Kim Basinger an Oscar for a reason.

42. The Hunt for Red October (1990)

While The Hunt for Red October was a huge success when it hit theaters in 1990, it took years for people to see it as a classic. It’s not a flawless movie. Sean Connery, as amazing as he is, plays what appears to be a Scottish Russian, not changing his accent at all. The underwater scenes of the special effects submarines, while praised at the time, have not aged well, either. Accents aside, the actors are all superb here. 

Alec Baldwin as Jack Ryan, Tim Curry, Sam Neill, Scott Glenn, James Earl Jones, Stellan Skarsgård, Fred Thompson, Courtney B. Vance, and everyone else are all amazing, and John McTiernan’s direction is snappy and perfectly paced. This is THE submarine movie. 

41. The Green Mile (1999)

Considered one of the best Stephen King adaptations of all time, The Green Mile is a fantasy drama directed by Frank Darabont, telling the story of a wrongly convicted man and his time at a prison in the 1930s and the strange supernatural events that follow his arrival. 

I feel like The Green Mile is just one movie everyone should watch at least once. It's a classic for a reason, featuring all-time career performances from Tom Hanks, Sam Rockwell, and Michael Clarke Duncan. The Green Mile will capture your heart and crush it into a million pieces by the end – and might just make one admire the horror-driven Stephen King all the more for writing such an emotional story. If you're not ugly sobbing by the end of this, you may not be watching it right. 

40. The Truman Show (1998)

Easily considered one of Jim Carrey’s best movies, The Truman Show – which is about a man who realizes his reality isn’t real – uses its star’s signature over-the-top sense of humor and physicality to make you laugh. Then his dramatic skills come to the forefront as you take this journey with Truman, and you feel all the emotions as it becomes clear that this comedy is more of a searing satire.

Overall, this film is about Truman coming to terms with the fact that the world’s been watching him live in a simulated reality, and it gives us all an example of how exploitative social media can be. That’s why The Truman Show is not only one of the best movies of the ‘90s, but it’s also one of the more relevant films when it comes to the present. 

39. Waiting for Guffman (1996)

Waiting for Guffman is mockumentary gold. Christopher Guest and his group of comedic geniuses — Catherine O'Hara, Eugene Levy, Parker Posey, etc. — bring the sleepy berg of Blane, Missouri to life, with the audience watching as a motley crew of community theater actors put on a musical about their town. 

The stakes get higher when Guest's Corky St. Clair tells everyone a Broadway production house is coming, and "we may be going to Broadway." The songs are insane, the cast is unhinged, and this movie is heaven; even more so for those who are personally familiar with the madcap process of staging plays. 

38. Dazed and Confused (1993)

It’s really hard to make a comedy that stands the test of time, yet as we get older, Dazed and Confused stays the same age, er, quality. Director Richard Linklater’s love letter to his teen years in Texas transcends generations and keeps fans coming back again and again. Sure, it’s the 1970s, but teenagers (and adults) of any generation can relate. 

Of course, it also helps that so many huge stars got their first big break in the movie, including Matthew McConaughey in his first role. Ben Affleck, Parker Posey, Cole Hauser, Anthony Rapp, Rory Cochrane, Nicky Katt, and the rest of the cast are amazing. Everyone can point to one character and say “I knew someone just like that in high school!”

37. The Matrix (1999)

It’s hard to put into words just how mindblowing The Matrix was when it first came out. Of course, the successive sequels somewhat diminished the franchise’s legacy as a whole, though make no mistake, the first movie is just as much of a thrill in the modern era as it was back in 1999. 

Keanu Reeves is the ultimate leading entity in the Wachowskis' game-changing mega-blockbuster, making every move look as cool as can be. Because of the filmmakers' work on this neo-classic (no pun), people will forever be cursed with the idea that everything we’re doing in life is a simulation, and that we’re all slowly and secretly being harvested in pods for energy by robotic overlords. Great movie, though.

36. The Muppet Christmas Carol (1992)

Two years after Jim Henson’s death, son Brian Henson directed arguably the only truly great Muppets release of the entire 1990s: The Muppet Christmas Carol. (Excluding the final two years of Muppet Babies.) Based on the Charles Dickens novel that has spawned countless numbers of adaptations, the holiday film is anchored on the human side by Michael Caine’s Ebenezer Scrooge, and on the felt-covered side by Kermit and Miss Piggy’s Bob and Emily Cratchit, with Gonzo as Dickens himself. 

Though it doesn’t offer any huge adjustments to the source material, the Muppets make everything twenty-fold more charming, and Statler and Waldorf’s ghostly jam “Marley and Marley” is among the best of any original Muppet tunes. Christmas just wouldn’t be Christmas without this movie.

35. City Slickers (1991)

There are plenty of laughs to be had in Ron Underwood’s Western comedy City Slickers, and while that’s a safe bet for any of Billy Crystal’s best movies, what sets this one apart is its enormous heart. 

Crystal’s Mitch Robbins, along with pals Phil and Ed (Daniel Stern and Bruno Kirby, respectively) are all suffering midlife crises of sorts when they embark on a cattle drive across the Southwest. It was refreshing to see the men open up to each other about their childhoods, relationships, and what matters most in life. Jack Palance gives an Oscar-winning performance as Curly, and the $124 million it earned at the domestic box office made it one of the top 5 movies of 1991.

34. The Birdcage (1996)

Robin Williams was a brilliant comedian, a supernova of personality that could command our attention with his hysterical stream-of-conscious thoughts. But Williams, to me, truly shined bright when he downplayed his natural comedic energy to either try serious drama (Good Will Hunting, Dead Poets Society), or to support an equally brilliant comedic performance – as he did with Nathan Lane in The Birdcage.

While broad and flamboyant at times, The Birdcage captures the heart of a family rallying behind their beautiful son (Dan Futterman) who is getting engaged to a Conservative girl (Calista Flockhart). Williams and Lane, as an on-screen couple, are tender, touching, funny, sweet, and perfectly paired in this special gem of a film.

33. Princess Mononoke (1997)

As someone who has watched every single Hayao Miyazaki movie, there's something about Prince Mononoke that speaks deeply to my soul. While I possibly think Spirited Away is Miyazaki's best film, and I have a love for Howl's Moving Castle, this is a movie that has changed the way I view the world. 

Princess Mononoke follows the story of a young prince who discovers that the gods of the forest are upset at the humans for consuming their precious resources. While the anime film itself has breathtaking animation and a story that pulls you in; both are equally sating while leaving a desire for more. Truthfully, this is the one movie that speaks on human consumption in simple ways that everyone should be required to watch.  

32. Groundhog Day (1993)

By all accounts, the creative process behind Groundhog Day was not easy. The film was originally conceived as a darker, more philosophical movie with independent sensibilities. That’s what Bill Murray liked. Director Harold Ramis saw it as more of a good-natured and broad comedy. So they fought about it, plaguing the shoot with delays, rewrites and enough acrimony to sever their friendship for decades. 

Amidst that disharmony, or perhaps even because of that disharmony, the two comedy masters compromised and created a perfect blend of the two: a broad and funny romantic comedy that’s weird enough and dark enough to feel totally original. 

31. Scream (1996)

With A Nightmare on Elm Street and its two best sequels already under his belt (among many other frightfests), Wes Craven made horror franchise lightning strike twice with the post-modern whodunit slasher Scream, and it kept striking across two eras of sequels. Led by one of the ‘90s greatest scream queens in Neve Campbell, the 1996 classic became such a blueprint for Hollywood horror that the inciting film doesn’t feel anywhere near as novel as it did when audiences first sat down thinking they were about to watch “a Drew Barrymore movie.” 

But that opening remains chilling AF, David Arquette’s Deputy Dewey remains a loveable dork alongside Courteney Cox’s hardcore bitch Gail Weathers, and Ghostface’s pop culture-tinged massacre has only become more relevant in an ever-connected world.

30. Cape Fear (1991)

I was way too young when I watched Cape Fear for the first time. I was experienced with plenty of slasher or jump scare style horror movies and figured I’d be fine. Wrong. Cape Fear is an entirely different type of scary than what I was used to. 

With a prime Martin Scorsese at the helm and a fantastic all-in performance from Robert De Niro, it’s a relentlessly creepy and unnerving take on slow-burn vengeance. It haunted my sleep for weeks as a kid, and during an adult rewatch decades later, its themes of religion, underage sexuality, criminal justice and moral relativism were every bit as disturbing. 

29. Being John Malkovich (1999)

Being John Malkovich may not be the very best ‘90s movie, but it may very well be the strangest that still qualifies as a great time. The premise itself — that a door exists allowing others to enter the mind of another person — is odd enough, but for the person whose brain is invaded to be celebrated actor John Malkovich? 

That brilliant choice somehow gives the otherwise impossible story a slight jolt of realism, and it all comprises a cinematic experience that should not be missed. It’s also a movie full of incredible performances, as Malkovich plays a fantastic version of himself, while John Cusack and Cameron Diaz play against type about as much as possible.

28. Dave (1993)

Probably the funniest movie that uses the presidential line of succession as a plot device, Ivan Reitman’s Dave is a hilarious, charming, and oddly sentimental exploration of politics in the early 1990s. There’s just something about Kevin Kline’s portrayal of Dave Kovic that makes this movie about a presidential impersonator becoming the Commander-in-Chief so innocent and pure, especially when compared to the political climate we live in 30-plus years later. 

Whenever I revisit Dave every couple of years, it feels like opening a time capsule to the final decade of the 20th century with its optimism and promise of a better future. 

27. A League of Their Own (1992)

A League Of Their Own is too busy with meaningful character development and telling an awesome baseball story to go for jokes all the time, but on a per-attempt basis, I would put it up against almost any comedy ever made. Director Penny Marshall has a wonderful tonal sense of when her actors should play it straight, when they should add in a little humor, and when they should drunkenly pee for thirty seconds. 

The result is one of the best sports movies of all time, one that delivers all those laughs but also plays it straight enough to give viewers fantastic and relatable plots about friendship, sisterhood, and what it means to thrive and find your own space.

26. The Iron Giant (1999)

The Iron Giant is Brad Bird's heartstrings-pulling story about a young boy who befriends a massive alien robot in 1957, and it proves that a movie bombing at the box office doesn’t mean it can’t still become a cinematic classic. Though its theatrical run didn’t even make back the initial budget, thanks to its home video rollout and stellar word-of-mouth buzz, it’s now considered one of the best animated movies of all time. Rightly so, because this is one of those movies that remains timeless no matter when it’s being viewed. 

Watching Hogarth teach the Giant about life on Earth and urge him to overcome his original purpose of being a weapon never gets old. The Iron Giant remains arguably Vin Diesel’s best movie from before the Fast & Furious franchise's launch, and co-stars like Eli Marienthal, Jennifer Aniston, Harry Connick Jr., and Christopher McDonald also shine.

25. Toy Story 2 (1999)

I remember that Toy Story 2 was the first film that made me uncontrollably sob – like fat tears rolling down my face and having a stuffy nose for hours afterward, and I'm sure I'm not alone there. A sequel to Toy Story, which took the world by anthropomorphic storm with its industry-revolutionizing animation, the follow-up adventure was released in 1999, and follows Woody after he is accidentally sold to a toy collector. There, he meets companions from a former TV show that he had no idea about – a show all about him. (And Joan Cusack's Jessie, of course.)

The Toy Story 2 voice cast is stellar, and the animation was a huge step forward in CGI films, but the heart-wrenching story of love, friendship, and so much more is what made Toy Story 2 one of the best Pixar films out there – and yes, I still cry during, "When Somebody Loved Me."

24. Election (1999)

How did Reese Witherspoon not win an Oscar for her performance as Type-A goodie two-shoes Tracy Flick, the textbook overachiever who bites off more than she can chew by running for student government president? It’s possible that we have come to realize that Witherspoon might just BE Tracy Flick in real life. 

But at the time, she was a tornado of talent matching Matthew Broderick beat for beat, bringing to life the sharp school-set satire in director Alexander Payne’s screenplay. Election has as much to say about the greed and immaturity powering politics many years after its release – at every level – as it did back in 1999, which is yet another reason why it remains special.

23. Magnolia (1999)

While not the highest-ranked Paul Thomas Anderson film on this list, Magnolia is a film to be marveled at for its phenomenal ambition. The Los Angeles-based epic juggles the stories of nearly a dozen protagonists who are not only dealing with a wide variety of personal conflicts and demons but are all linked to one another in the stunning cinematic tapestry. 

As the hyper-misogynist motivational speaker Frank T.J. Mackey, Tom Cruise delivers one of his most brilliant turns, and Julianne Moore’s pharmacy monologue is flooring, but the reality is that every member of the ensemble – including Philip Seymour Hoffman, William H. Macy, Philip Baker Hall, John C. Reilly, and many more – deliver some of the best work of their respective careers. Further considering the frogs and the stunning performance of Aimee Mann’s “Wise Up,” it’s indelible cinema.

22. Tombstone (1993)

I don’t think you could ask for a more star-studded cast for any genre of film, much less a Western. 1993’s Tombstone is blessed by a top-notch cast including Kurt Russell, Val Kilmer, Sam Elliott, the late Bill Paxton, Michael Biehn, Stephen Lang, the late Powers Boothe, Thomas Haden Church, Michael Rooker, Charlton Heston, and many more, making it an instant classic in the Western genre. 

The story behind how this film came to be, along with many behind-the-scenes facts, is bizarre enough, but the struggles resulted in one of the best cowboy films of all time. And one that has stood the test of time against a similar movie released around the same time, Kevin Costner's Wyatt Earp.  

21. Beauty and the Beast (1991)

Beauty and the Beast was the first animated film to be nominated for the Best Picture Oscar, and decades later, it’s still clear that was the right call. The movie is beautiful, with early computer animation enhancing some of the most visually stunning hand-drawn shots in the medium’s history. It also has one of the best soundtracks of any Disney musical, if not any musical, full stop. This is Howard Ashman’s greatest achievement as a songwriter. 

But beyond even that, the two title characters are about as three-dimensional as any animated characters ever were. It may be a tale as old as time, but Beauty and the Beast is one the audience gets wrapped up in from the first notes to the last. It’s the definition of Disney magic.

20. The Usual Suspects (1995)

No one saw the twist ending coming. Trust me. No one. It caught audiences off guard completely, exactly the way it crashed down like a ton of bricks on Chazz Palminteri's cop. He finally understood who Keyser Soze was, and we all rushed right back into theaters to watch the puzzle snap into place all over again. 

But The Usual Suspects is more than just its “dropped shoe,” miraculous as that reveal is. The cast of colorful criminals assembled by director Bryan Singer played off of each other wonderfully, with many of them defaulting to the natural leader in Gabriel Byrne, but still finding ways to steal the spotlight every now and then. (Benicio Del Toro mumbling under his breath in the jail lineup belongs in the conversation of funniest five-minute performances, ever). As twisty crime thrillers go, few are tighter and more entertaining than this.

19. Boogie Nights (1997)

Introductions can make or break anything in this world. Careers, reputations, even the flow of a movie can be bungled if you don’t know how to open. Writer/director Paul Thomas Anderson must have known that when he made Boogie Nights, because when he introduced that picture to the world, he gave himself one hell of a calling card. 

Following young Dirk Diggler (Mark Wahlberg) in his journey through the underground of porn films, we see a man still growing up in an industry that feels as young as he is. An ensemble drama boasting the likes of Don Cheadle, Julianne Moore, Heather Graham, and Phillip Seymour Hoffman, Boogie Nights is a cautionary tale with style and tension to burn. Good luck ever listening to “Sister Christian” without having flashbacks to this big, bright, shining star that still manages to break hearts and crack jokes with everyone it meets.

18. Good Will Hunting (1997)

Good Will Hunting is one of those films that changes you forever once you watch it. Starring Matt Damon and Robin Williams, the drama follows a young janitor at MIT who's discovered to be a secret math genius. The premise itself isn't as catchy as some of the other big-time blockbusters of the 1990s, without aliens, robots or crazy action fights, but Good Will Hunting is a film that leaves its message imprinted on audiences long after the credits roll. 

A story of perseverance, hope, and so much more, this movie gave movie fans one of Robin Williams's best roles and catapulted the careers of Matt Damon and Ben Affleck. (You gotta like them apples.) This kind of film teaches you that sometimes, the people you meet turn you into your best self, so we just have to be fearless enough to go out there and find them. 

17. The Silence of the Lambs (1991)

Anthony Hopkins is fantastic in The Silence Of The Lambs, and every positive thing you’ve ever heard about his performance is deserved and probably an understatement. He’s that engrossing, but with all due respect, The Silence Of The Lambs isn’t his movie. It’s Jodie Foster’s movie, hingeing on her career-best performance here as Clarice Starling, which just gets better with every rewatch. 

Foster finds the perfect balance between uncertain and determined. She lets her FBI trainee lead character feel the weight of every obstacle, whether it be sexism, personal loss or physical danger, and then she pushes forward. With relentless determination, she just keeps going and that one step at a time, careful momentum gives the film its narrative structure and allows director Ted Demme to create one of the 90s best and most memorable movies.

16. Fargo (1996)

Joel and Ethan Coen have crafted films both stoically grounded and ludicrously fantastical in their long and storied careers, with Fargo possibly the one straddling both of those lines with the greatest of ease. The faux-kidnapping-gone-wrong and the ensuing investigation are smart story beats, and were enough to win the Coens the Best Original Screenplay Oscar, if fairly rote for the genre in general. But it’s the cast, the Minnesota location, and the singular nature of being a snow-white noir that make Fargo one of the greatest films of the decade. 

The always affable William H. Macy is aces as a man being eaten alive by guilt, opposite the gosh-darn excellent police skills of Frances McDormand’s Marge Gunderson, with Steve Buscemi and Peter Stormare as the pair of amoral criminals making everyone’s lives (and deaths) worse. Fargo is a chilling masterpiece, and it’s got nothing to do with the weather. 

15. My Cousin Vinny (1992)

Even though one of my colleagues claims her testimony was incorrect in the film, I will still stand before the court and argue that Marisa Tomei, Joe Pesci, and their cast of supporting characters make My Cousin Vinny guilty as hell of being one of the best comedies of all time.

The film is widely used in an educational capacity to showcase one of the few times that a court case is mostly portrayed accurately through a film, and to be honest, the wordplay coupled with the main character/judge dynamic is something to write home about.

14. Saving Private Ryan (1998)

For years, veterans would be the first to say that cinema's depiction of combat — especially that of World War II — is a cakewalk compared to the real thing. Because few films offered a truly accurate portrayal of the hellish, soul-crushing conditions soldiers faced, at least before the release of Saving Private Ryan.

This story of a U.S. military captain (played by Tom Hanks) tasked with leading his crew on a mission to bring a family's last living son home is easily one of Steven Spielberg’s best movies (the second to earn him a Best Director Oscar) and is widely considered to have been unjustly robbed of the Best Picture honor (which went to Shakespeare in Love that year). From the landmark D-Day sequence to the heartbreaking final act and every unforgettable moment in between, it is one of the harshest films you could ever experience, but the passion and craftsmanship put into makes for a grand reward. 

13. The Big Lebowski (1998)

I’m a Lebowski, you’re a Lebowski, we’re all Lebowskis who love the Coen brothers’ The Big Lebowski, even if its massive fandom wasn’t automatic. It was only a moderate success in the spring of 1998 when it sauntered into theaters on the heels of the Coen’s winning their first writing Oscar for Fargo a year earlier. Reviews at the time were middling, as was the audience reaction. 

Then, over the next couple of years, The Big Lebowski turned into a bonafide cult craze. Pages have been written about its status as such, but too often overlooked is what makes the movie so lovable. It’s quotable, it’s silly, and the plot is the ultimate shaggy dog story with a ridiculous McGuffin — the Dude’s rug — but as it goes for the Dude’s living room, the whole movie ties together just brilliantly. It’s world-class storytelling and the performances from Jeff Bridges, John Goodman, and the rest of the cast are perfect.  

12. Schindler's List (1993)

Sometimes what makes a movie from a particular era great is how it represents its time, but some movies would be considered an important work of art in any decade. Steven Spielberg’s Schindler’s List is one of those that transcends eras. The film is great in all the traditional ways: Liam Neeson gives a career-making performance as Oskar Schindler, an Industrialist who saved the lives of hundreds of Jews during World War II. The supporting performances are equally strong. It’s beautifully filmed. 

But beyond that, Schindler’s List is an important movie, offering audiences a sobering look at the tragic events of World War II through a character based on a real-life survivor that many were not even aware of before the movie's release. Schindler’s List is one of those movies that you don’t forget after having seen it, and it may be Steven Spielberg’s greatest achievement.

11. Toy Story (1995)

More than 25 years after moviegoers were first introduced to Woody, Buzz Lightyear, Bo Peep, and the rest of Andy’s collection, it can be easy to forget just how big the impact John Lasseter’s Toy Story had when it hit theaters in 1995. It’s the film that put Pixar on the map, and while it sadly helped kickstart the downfall of hand-drawn animation in lieu of CGI, it also paved the way for three of the greatest Hollywood sequels to ever be produced. Tom Hanks’ Woody and Tim Allen’s Buzz are an all-time great animated duo, sharing hallowed space with Bugs & Daffy and Tom & Jerry, though obviously with a lot more heart than what short-form characters are allowed.

The Toy Story franchise hinges a lot on childhood memories, nostalgia, and maintaining a sense of fun in life as one gets older, and this first film delivers the most distilled take on that idea, with Andy still attached in some way to his inner child. Life, as it were, gets way more depressing for the toys as he gets older, which perhaps is why Toy Story rewatches are all the more enjoyable in comparison.

10. Philadelphia (1993)

 Philadelphia is not only a well-made movie, but is first and foremost an important movie. LQBTQ+ rights were non-existent at the time, as the movie highlights and one cannot discount the role this movie, directed by Jonathan Demme, had in awakening the general public not only to the plight gay people faced at the time but the discrimination people with HIV/AIDS faced as well when it was released in 1993. Tom Hanks’ portrayal of a gay man with AIDS who is fired from his job won the actor his first Oscar and for good reason, he’s amazing. Equally amazing is Denzel Washington, who plays Hanks’ character’s (Andrew Beckett) lawyer, Joe Miller. 

Miller, like most people in 1993 when Philadelphia was released, is scared of Beckett and AIDS, because he, like many, didn’t understand it. It’s Miller’s reaction that resonates with audiences. After watching Beckett get asked to move to a “private room” at a library, Miller realizes the discrimination is similar to that faced by African-Americans in the United States, and by the end of the film, he touches Beckett’s lesion-covered face, after learning the truth about AIDS. It’s a powerful moment that still reverberates today. 

9. Fight Club (1999)

So many “futuristic” sci-fi movies from years past have failed to successfully depict modern society and behavior, but David Fincher’s Fight Club now feels it was adapted from some of Nostradamus’ naughtier quatrains, instead of Chuck Palahniuk’s 1996 novel. Seemingly both a love letter to, and a cautionary tale about, nihilistic anti-consumerism and anarchy, Fight Club features one of cinema’s most convoluted love triangles in Edward Norton’s spine-lacking unnamed narrator, Brad Pitt’s ultra-male Tyler Durden, and Helena Bonham Carter’s impulsively erratic Marla Singer. A demented character study in part, the movie oozes testosterone both before and after the titular underground brawls come together, and maybe even oozes a bit of estrogen when Meat Loaf’s Bob is around. 

For all of the smart and discussion-worthy topics that are tackled with face-pounding glee, Fight Club is, unfortunately, the kind of movie whose natural sheen has been somewhat tarnished by a fanbase who lost the point of the satire, but still holds so many visual and verbal treasures for those outside such bubbles. Especially for any new viewers who manage to go into it without knowing what kicks off the final act. It’s hard to think of a ‘90s movie with a more story-heightening ending, and The Pixies’ “Where Is My Mind?” remains an inarguably perfect needle drop.  

8. Pulp Fiction (1994)

Pulp Fiction changed the rules of Hollywood moviemaking. That’s no exaggeration. Before Quentin Tarantino fired a shotgun blast through the screen with his nonlinear gangster picture, there was a chasm separating big-budgeted studio films and independent cinema that usually thrived on the film festival circuit before making its way to art house theaters. In the years following Pulp Fiction, studios, actors and audiences chased talent and inspiration, wherever it could be found. 

The irony of Pulp Fiction blazing so many trails is that the movie itself is a pastiche of well-worn genres that Tarantino pored over while working the counter of a video shop. He’s paying homage to countless, gratuitous stories that had come before it. Only, Pulp Fiction built on the buzz created with Reservoir Dogs to attract a constellation of stars: John Travolta, Samuel L. Jackson, Uma Thurman, Harvey Keitel, Tim Roth, Christopher Walken, Ving Rhames, and Bruce Willis. Pulp Fiction remains one of the best scripts you will ever read, crisscrossing itself at various intersections and packing repeated surprises (usually of the violent nature). But it was Tarantino’s powerful voice, and his use of soundtrack, that had clones copying his style for decades… and still, to this day.  

7. Jurassic Park (1993)

Anticipation for Jurassic Park began years before its release in the summer of 1993. Michael Crighton sold the rights to the film before he finished the book and because Steven Spielberg was the director who acquired it, the hype started early. Then, in June 1993, it finally hit theaters and was an absolute cultural sensation. Critics loved it, praising the unbelievable special effects and realism of the dinosaurs. Speilberg and the team at ILM broke so much new ground in creating the creatures that it changed how movies were made. Audiences loved it even more and showed up at theaters in hordes. Jurassic Park broke every box record there was to break. It had the biggest opening day, the biggest opening weekend, and finally, it became the highest-grossing movie of all time.

Jurassic Park also earned a slew of awards, mostly for its technical achievements, but that doesn’t mean the acting performances were bad, they were fantastic. Jeff Goldblum, Sam Neill, Laura Dern, and Sir Richard Attenborough are all perfect in their roles. Finally, there’s the score by John Williams, which remains one of the most iconic of all time. 

6. Se7en (1995)

The film that rescued David Fincher’s career from the stench of Alien 3, and proved that the versatile music director could apply his grungy, moody, techno-acid style to a feature-length nightmare. It’s easy to say now that Fincher was destined to be a contemporary, visionary genius of a filmmaker. But prior to The Social Network, Zodiac, and Fight Club, we needed to see some evidence. Consider this disturbing plunge into the moral sewers to be Exhibit A in the case for Fincher’s mastery. 

Se7en is routine in many ways. It’s set in a rainy and nondescript city, which feels like San Francisco but could be anywhere. It follows odd-couple cops (Morgan Freeman, Brad Pitt) tracking a mysterious serial killer who cunningly stays one step ahead of them. But the performances are remarkable, including Gwyneth Paltrow as Pitt’s loving and innocent newlywed, plucked and moved to the grimy city so her husband can do his job. The film’s riveting conclusion – which benefits from the icy calm delivery of Kevin Spacey as John Doe – elevated Se7en above most others in the genre. Now, when someone asks, “What’s in the box?” you don’t have to say, “Gwyneth’s head.” Just tell them the box contains an unforgettable masterpiece. 

5. Heat (1995)

Look at just about every list breaking down the best heist films ever made and the movie you’re probably going to see the most is Michael Mann’s 1995 crime epic, Heat. With some of the most iconic (and loudest) robbery and shoot-out sequences, the first on-screen pairing of Al Pacino and Robert De Niro (both were in The Godfather Part II but appeared in different timelines), and an incredible cat-and-mouse story that uses Los Angeles as a backdrop better than any other film, there’s so much to love about this legendary film.

On top of all of that, Heat has become one of the most influential films of all time in the nearly 30 years since its theatrical release. Watch movies like The Town, Widows, and even The Dark Knight, and you’ll see how Mann’s thriller was so influential. Hell, even the Grand Theft Auto franchise has taken aspects of the movie to create some of the most action-packed video game moments of all time.  

4. The Lion King (1994)

1994’s The Lion King is perhaps the most effective entry in the Disney Renaissance era when it comes to combining gorgeous animation, original songs, and a story that continues to pack a punch decades later. As the coming-of-age story for cub-turned-king Simba, the film delivers arguably the most famous Disney death with the demise of Mufasa, and Scar’s villain song is both incredibly catchy and incredibly chilling. Aladdin lyricist Tim Rice joined forces with Elton John for the songs, while Hans Zimmer composed the score, earning The Lion King an Academy Award for Best Original Score, while “Can You Feel the Love Tonight” won for Best Original Song.

The Lion King was a massive commercial hit, becoming the highest-grossing traditionally animated film and holding that record to this day. The original movie also has a legacy that has extended to two TV shows, two direct-to-video sequels, and the 2019 CGI remake that was massively successful for Disney, although divisive among fans of the original animated version. Plus, there’s a generation of adults who learned about coups and succession crises thanks to Mufasa, Scar, and Simba back in the ‘90s. What’s not to roar with love about? 

3. Terminator 2: Judgment Day (1991)

Taking what he learned from making The Terminator and the two movies that followed (Aliens and The Abyss), James Cameron gave audiences not just a sequel in July 1991, but a game-changer of a film that completely rewrote the summer blockbuster and the action genre as we know it. While The Terminator was a small-scale sci-fi thriller about a futuristic cyborg sent back in time to kill a waitress before she could give birth to humanity’s last hope against extinction, T2 was a massive epic with numerous iconic action sequences and CGI that still holds up decades later.

The movie also gave us one of the best on-screen heroes with Arnold Schwarnegger’s T-800, a reprogrammed Terminator sent back not to kill John Connor but to protect him from the more advanced and more lethal T-1000, a character that remains an all-time villain. It is hard to imagine a timeline where Terminator 2: Judgment Day doesn’t exist, but luckily that’s a reality we don’t have to experience. 

2. Goodfellas (1990)

Of everything that Goodfellas is in part — a mobster saga, a crime drama, an ensemble biopic, etc. — it can’t properly be boxed into such a limited description, though it’s certainly safer to use fewer words when the Gambino crime family’s around, lest Joe Pesci’s Tommy DeVito lose his temper. Based on reporter (and eventual co-screenwriter) Nicholas Pileggi’s 1985 Wiseguy: Life in a Mafia Family, the film rides on the back of Ray Liotta’s Henry Hill, whose idea of the American Dream is to be living it up as a made man, but realizes over and over again how hard such a goal is to attain when everyone else around is just as hungry and ruthless. 

In many ways, it’s a perfect counterbalance to The Godfather saga, sharing similarities such as memorable food scenes and a stacked cast (with some mutual actors like Robert De Niro and Frank Sivero). But unlike Francis Ford Coppola’s masterpieces, Goodfellas was far less successful at the Oscars, with only Pesci taking home the gold, despite plenty of accolades earned elsewhere. Like much of Scorsese’s work, it’s only become more appreciated with time, and easily stands out as one of the best movies not just of the ‘90s, but of any era. 

1. The Shawshank Redemption (1994)

“Get busy living, or get busy dying” may be the better remembered quote from Frank Darabont’s The Shawshank Redemption, but it’s the line that Red (Morgan Freeman) says in the final moments of the film that sums up the heart and soul of this story. Not only is The Shawshank Redemption our #1 pick for the best ‘90s movies, but it’s also easily one of the best adaptations of a Stephen King story – in this case, the novella, Rita Hayworth and the Shawshank Redemption.

The movie follows Andy Dufresne (Tim Robbins), a banker who’s wrongfully convicted of murdering his wife and her lover, and sent to prison. For a movie that doesn’t shy away from the brutality this character experiences throughout his years behind bars – both at the hands of some of his fellow inmates, and the warden and guards – The Shawshank Redemption never loses sight of that ultimate message of hope – the thing that Andy clings to every step of the way. It’s there in the friendships he makes, and in the moments of happiness Andy manages to find. And it’s there in the final words Red says in the closing narration: “I hope.” 

Music transforms movies. I’m not talking about the score, or songs written for movies like anything Lin-Manuel Miranda does, but the great songs that when you hear them later on the radio or on Spotify, you can’t help but immediately think of a scene from the movie they made better and more memorable. These are the 21 movie songs that I can only associate with a specific scene in a movie. 

Bittersweet Symphony - Kathryn Gets Busted In Cruel Intentions

I’ll start here because the scene is just so fantastic. The building momentum of the strings in The Verve’s “Bittersweet Symphony” fits so well with the slow reveal of Kathryn (Sarah Michelle Gellar) getting her mean girl life turned completely on its head in Cruel Intentions. Not only is her reputation completely trashed, but she’s busted with the cocaine in her crucifix. I could watch the scene over and over with that music. It's a good thing the production paid the insane amount of money they did for the song; nothing else would've worked. 

Where Is My Mind - The End Of Fight Club

A perfect example of a classic track, in this case it's The Pixies’ “Where Is My Mind” blending into a dramatic scene that elevates the moment to new heights at the end of Fight Club. As the walls literally come down around The Narrator (Edward Norton) and Marla (Helena Bonham Carter), he tells her she’s met him at a very strange time in his life, as Pixies lead singer Black Francis asks everyone “Where is my mind?” Unless you see it in China, where the movie ends very differently. 

Layla - Covering Up The Heist In GoodFellas

“Layla,” by Derek and the Dominos was almost 20 years old when GoodFellas was released in 1990, but it still ends up in what I think is actually the best use of a popular song in a movie. In case you’ve forgotten, Jimmy (Robert DeNiro) is cutting all ties between him and the others involved in the Lufthansa heist. One by one, bodies are discovered in a montage as the piano-and-guitar coda of “Layla” plays over it. It almost makes murder look cool.  

The End - The Opening Of Apocalypse Now

There may be any opening scene in any movie that sucks you in quite like the opening scene of Francis Ford Coppola's masterpiece Apocalypse Now. The wide shot of the jungle being napalmed as the haunting beginning of The Doors' classic "The End" plays over it. Just as the music gets chaotic, so does the movie with Martin Sheen busting his hand open in his hotel room. Brilliant. 

Mr. Blue Sky - Opening Scene Of Guardians Of The Galaxy Vol. 2

There are a whole bunch of music moments from Guardians of the Galaxy I could choose from the trilogy, as songs are, of course, a key component of the storytelling. For this list, I’ve chosen “Mr. Blue Sky” by the great Electric Light Orchestra that opens Vol. 2. It sets the tone for the movie perfectly. These movies are most of all about having fun, and there’s nothing more fun than this opening scene, and when I hear the tune, I always see Groot dancing. 

Fight The Power - Sal Destroys Radio Raheem’s Radio In Do The Right Thing

The use of Public Enemy’s “Fight The Power” in Do The Right Thing is anything but fun. After a long, hot, stressful day, Buggin’ Out (Giancarlo Esposito) and Radio Raheem (Bill Nunn) confront Sal (Danny Aiello) in his pizzeria while blasting the song from the boombox. Not only do the lyrics fit the scene well, but the chaotic nature of it adds a level of desperation to the argument that eventually leads to the tragedy that follows.  

Everything In It's Right Place - The Opening To Vanilla Sky

There's a very good chance that I would not have liked Vanilla Sky if not for the epic beginning of the movie with Radiohead's Everything In It's Right Place playing over the montage of Tom Cruise's character starting his day. The song has just the right amount of excitement mixed with forboding to set the tone for the whole movie. 

Stuck in the Middle With You - Mr. Blonde Cutting A Cop's Ear Off In Reservoir Dogs

Another movie that brilliantly uses music is Reservoir Dogs, and nowhere is that more true than the happy-go-lucky tones of Steelers Wheel’s “Stuck in the Middle With You” during the most violent scene of a very violent movie, when Mr. Blonde (Michael Madsen) cuts off the ear of a cop he’d tied up and tortured. Something about the contrast between the sweet song and the ultra-violence just works. 

Goodbye Horses - Buffalo Bill Getting Dressed In Silence Of The Lambs

There is no way anyone, anywhere, hears the song “Goodbye Horses” by Q Lazzarus and thinks of anything except Buffalo Bill (Ted Levine) getting dressed and dancing in front of the mirror in The Silence of the Lambs. The scene is so iconic that I can’t help but shiver a little when I hear the song, no matter where I am. 

Time To Pretend - The Opening Of 21

The opening scene of 21, as the audience is taken on a quick tour of Boston and Cambridge by way of the Charles River is great. The music, "Time To Pretend" by MGMT fits perfectly. It's an upbeat song about having the time of your life, and it's about pretending to be someone else, just like the MIT blackjack team in the movie.

Old Time Rock And Roll - Tom Cruise Dancing In His Underwear In Risky Business

Bob Seger wrote “Old Time Rock and Roll” in 1979 and it became a moderate hit for him, but it was four years later when it was used as the music Tom Cruise dances in his underwear to in Risky Business that it became an American classic. How many times have you heard it and thought about dancing around in your underwear? I know I have, many times. 

O-o-h Child - Doughboy Gets Busted In Boyz N The Hood

“O-o-h Child” by the Five Stairsteps is a soul music standard, and when I hear it now, I immediately think about the scene in Boyz N the Hood, when Furious (Laurence Fishburne in a performance that should have gotten him an Oscar) is returning home after a nice day fishing with his son Tre. At first, the song is a nice moment for Furious, but in the context of the movie, it changes almost immediately when they drive by young Dough Boy’s house as he’s getting arrested. Things are going to get better according to the song, but they don’t, really. 

Hurricane - Wooderson Walks Into The Emporium In Dazed & Confused

I love Bob Dylan, but now whenever I hear his classic call for justice song, “Hurricane,” I can only think of how cool Wooderson (Matthew McConaughey) and Pink (Jason London) look as they stroll into the Emporium and meet up with the other characters just as the legendary night is getting underway. 

In Your Eyes - Outside The Window In Say Anything

An old crush once asked me if I’d ever stood outside a girl’s window and played a song on a jukebox like Lloyd (John Cusack) does in Say Anything. I told her no, but she would’ve been the first to know if I had. You simply cannot hear Peter Gabriel’s “In Your Eyes” without immediately picturing Lloyd with the radio above his head in front of his Chevy Malibu. 

The Times They Are A-Changin - Opening Credits Of Watchmen

I’m not going to debate whether Zach Snyder’s adaption of the graphic novel Watchmen is well done or not (it is). What I will debate is how great the opening scene is accompanied by Dylan’s “The Times They Are a-Changin.” 20 years ago it was unthinkable to me that I would think of anything but the 1960s when I heard that song, now all I see is the bloody Smiley Face button. 

Flower Duet - Clifford’s Death In True Romance

The most powerful use of music on this list comes from one of the best scenes in movie history. It’s when the “Flower Duet,” from the Léo Delibes opera Lakmé, is played over the True Romance scene between Dennis Hopper and Christopher Walken. The music swells as Hopper realizes that no matter what, this confrontation is going to lead to his death. It is an immensely commanding moment and while the music may be over 100 years old, it will, at least for me, be forever connected to this one amazing moment. 

Hip To Be Square - Paul Allen’s Murder In American Psycho

Do you like Huey Lewis and the News? If you do, and you’ve never seen American Psycho then you might think twice, because after you do, you will only associate their 1986 hit, “Hip To Square,” with one thing: the murder of Paul Allen (Jared Leto) by Patrick Bateman (Christian Bale). Try getting a reservation at Dorsia now! 

Sister Christian - Drug Deal In Boogie Nights

Maybe the most tense I’ve ever felt from a film scene is in Boogie Nights when Dirk (Mark Wahlberg) and the others attempt to con Rahad (Alfred Molina). The stress of the scene, with the fireworks going off and the incredible performance by Molina is enhanced by Night Ranger’s “Sister Christian.” I still get the jitters when I hear the song. 

Hurdy Gurdy Man - The First Murder Scene In Zodiac

Speaking of getting the willies, Donavan’s “Hurdy Gurdy Man” will never be the same for me after seeing it used in Zodiac. The way the volume rises on the song as the killer’s car approaches the soon-to-be-murdered couple, then fades as it pulls away, to the relief of the couple, only to rise again as he returns. Yikes! Brilliant!

Just Dropped In (To See What Condition My Condition Was In) - Dream Sequence In The Big Lebowski

The Coen brothers are masters of using music to set the tone of their movies. In The Big Lebowski they up the ante by adding two musical vignettes, almost like music videos as dream sequences. The second, with the song “Just Dropped In (To See What Condition My Condition Was In)” has become so classic that when I saw Kenny Rogers in concert (who sings the song with his old band The Third Edition) he even acknowledged it’s what’s made the song so timeless. 

Tiny Dancer - The Bus Ride In Almost Famous

“Tiny Dancer” by Elton John is a great song to sing along to. When I’m hitting those high notes all by myself in the car, I feel just like the band Sweetwater in Almost Famous as they travel down the highway on tour in their big bus. It’s just a fun scene after a tense moment, which is perfect for that song. 

Pocket Full Of Sunshine - The Opening Scene Of Easy A

In Easy A Olive Penderghast (Emma Stone) declares “Pocket Full of Sunshine” by Natasha Bedingfield to be the “worst song ever” before she hears the earworm of a tune so many times that it becomes her favorite song. That’s kind of exactly how I feel about it, and now when I hear it, the guilty pleasure I enjoy is justified because Olive said it was okay to love it. 

Bohemian Rapsody - The Car Ride In Wayne’s World

You knew I couldn’t end this list without including “Bohemian Rhapsody” from Wayne’s World. I’ll fully admit Queen is not my favorite band, and this is not one of my favorite songs, but the scene is so classic that you can’t help but immediately be transported back to seeing it for the first time. Look, see? I’ll bet you’re banging your head right now.

You Should Be Dancing - The Famous Dance Scene In Saturday Night Fever

You can't have this list without including one of the best music movies of all time, and there is no way to here "You Should Be Dancing" by The Bee Gees without thinking of the icon scene of John Travolta taking over the nightclub. 

Shipping Off To Boston - Billy Goes Undercover In The Departed

There is no more iconic song about Boston than the Dropkick Murphys' "Shipping Off To Boston" so Martin Scorsese's decision to not only use it in The Departed but where uses it, as Billy (Leonardo DiCaprio) goes into jail to start his undercover work, is perfect. 

Tequila - The Bar Scene In Pee-Wee's Big Adventure

There are rumors that a time existed when the song "Tequila" by The Champs was known for some other than Pee-Wee Herman's famous dance in Pee-Wee's Big Adventure, but that's hard to believe. The scene is so iconic now, that it's all anyone thinks of, and it's sure to get people dancing like Pee-Wee. 

Day-O (The Banana Boat Song) - Dinner Scene In Beetlejuice

Harry Belafonte had a huge hit with "Day-O (The Banana Boat Song)" back in the day, but it was Beetlejuice that opened it up to a whole new generation. That generation always associates with the amazing scene when the ghosts try to scare the new homeowners off. 

Also Sprach Zarathustra - The Opening Of 2001: A Space Odyssey

Composer Richard Strauss could never have predicted what would become of his music work, "Also Sprach Zarathustra" as conceived by the brilliant mind of director Stanley Kubrick. In 2001: A Space Odyssey, it probably becomes very different than what Strauss had in mind. It's so iconic today, that people usually refer to the music as "2001."

You Can't Always Get What You Want - The Funeral In The Big Chill

One of the things that makes the use of The Rolling Stones' "You Can't Always Get What You Want" so cool in The Big Chill is that instead of the choir that opens the original version before fading into the song, the movie does it on organ. It's perfect and now the only way I ever want to hear it. 

I Got You Babe - The Alarm Clock In Groundhog Day

If there are two things I hate in this world, it's alarm clocks and the Sonny & Cher song "I Got You Babe." It's likely because I connect the two so closely in my mind because of Groundhog Day.

Lust For Life - Opening Scene Of Trainspotting

Director Danny Boyle using "Lust For Life" by Iggy Pop at the beginning of Trainspotting makes it one of the most bombastic openings ever and the chaotic music is perfect for the chaotic nature of the movie. 

These Days - Margot Gets Off The Bus In The Royal Tenenbaums

Wes Anderson has a deft touch when it comes music in his movies, and I love a lot of the songs he choses, but for my money, using Nico's "These Days" is probably the best. I love the song, and now I always picture Gwyneth Paltrow in her fur coat. 

Great film scores transform movies, but nothing transcends like a well-placed classic pop song like the ones on this list. There are so many more songs I could’ve chosen that I could have 100 more entries. Adding the right song at the right time is the easiest way to make me nostalgic for a time and place, and that includes on film and on television, as well. 

One of the most fun things to do is think about what could have been if iconic roles were played by actors different from the ones that made them famous. There were a lot of “what ifs” in the 1980s, and just as many in the ‘90s. So, here is our list of 20 actors that almost starred in classic ‘90s films. 

Will Smith – The Matrix

Imagine being presented with two scripts at around the same time. One is Wild Wild West and the other is The Matrix. That’s exactly what happened to Will Smith in 1996 and The Fresh Prince chose… poorly. In a YouTube video posted a few years ago, Smith explained that he did turn down Neo in The Matrix because he didn’t quite understand the pitch from the Wachowskis and made Wild Wild West instead. He admits it feels like a mistake now.

Brad Pitt – The Matrix

Another actor who turned down the Wachowskis and didn't play Neo in The Matrix was Brad Pitt. He has rarely talked about roles he regrets turning down, but at an event with Leonard Maltin at the Santa Barbara International Film Festival in 2020, he admitted to Maltin that he was the first choice to play Neo, but said no. Pitt joked about it, saying, 

At least we go Keanu Reeves in the role, so it wasn't a total loss!

Julia Roberts – Sleepless In Seattle

Sometimes it comes down to timing. That’s what happened to Julia Roberts when she turned down the role of Annie in Sleepless In Seattle. Roberts was committed to another little rom-com called Pretty Woman, so it’s hard to say that she made the wrong choice! Not only did that movie make her a superstar, but even she thinks Meg Ryan and Tom Hanks, one of the best on-screen couples ever, were the right combo for Sleepless, telling InStyle (via ABC), 

As she noted, everything really did work out for the best where movie history is concerned.

Molly Ringwald – Pretty Woman

Speaking of Pretty Woman, the movie was originally a much darker portrayal of prostitution in LA, and instead of Julia Robert’s million-watt smile charming audiences, it was ‘80s legend Molly Ringwald lined up to play Vivian. Ringwald didn’t like the plot, however, as she explained to The Guardian,

And, no one can blame Ringwald for following her gut.

Gwyneth Paltrow – Boogie Nights

Howard Stern is famous for getting a lot of information out of the celebrities he interviews. In 2015, he sat down with Gwyneth Paltrow and talked about some of the roles she’d passed on in her career. The most intriguing, by far, was Roller Girl in Boogie Nights, who was played by Heather Graham, of course. If you’re wondering if she passed because of the nudity, you’re correct. She told the shock jock, 

Paltrow wasn’t the only actor to pass on the script either, Leonardo DiCaprio decided to star in Titanic over Boogie Nights as well. 

Michelle Pfeiffer And Jodie Foster – Thelma & Louise

Geena Davis and Susan Sarandon are so good together as the titular Thelma & Louise it’s impossible to imagine any other actors in the roles, but they weren’t actually the first choices of the producers. After the script was finished, producer Ridley Scott signed Michelle Pfeiffer and Jodie Foster up to star as Thelma and Louise, respectively. As the story goes, it took quite a long time for Scott to decide on a director, a role he would eventually take himself, and in the meantime, Foster and Pfeiffer moved on to other projects, opening the door for Sarandon and Davis. 

Tom Cruise – The Shawshank Redemption

This is a bit of a complicated story. Frank Darabont wrote the script for The Shawshank Redemption based on a short novella by Stephen King. Darabont always had in his mind that he would also direct the film. When he sold the picture to Castle Rock, the production company had a different idea. Rob Reiner, one of the principals in Castle Rock, wanted to direct the movie and have Tom Cruise, instead of Tim Robbins, star as Andy Dufresne and in exchange, Darabont would be paid a huge flat fee for the script. Darabont, as he explained to Vanity Fair, stuck to his guns and eventually took a smaller salary and a bigger percentage of the profits. Smart move. 

Billy Crystal – Toy Story

“To infinity and beyond! With a mutton, lettuce, and tomato sandwich!” It’s safe to say the role of Buzz Lightyear would have been played very differently had the original star offered the role, Billy Crystal, taken it. Instead, turning down the part ended up being one of Crystal’s biggest career regrets. Tim Allen got the role he’s hopefully revisiting soon, almost 30 years after the first movie. Of the decision, Crystal told Yahoo!, 

Many would say that Crystal is correct, and on one else could have played Buzz better.

Nicolas Cage – Lord Of The Rings

One actor who doesn’t seem to regret missing out on a big franchise is Nicholas Cage. According to the Con Air star, he turned down the role of Aragorn in the Lord of the Rings trilogy, a part made legendary by Viggo Mortensen. It doesn’t bother Cage though, as he told Newsweek about it and other roles he passed on, 

Cage is famous for his fandom, so it's good to know he doesn't regret this decision at all.

Janeane Garofalo – Fight Club

Janeane Garofalo is a Gen X icon, so it only makes sense that she would have been up for a role in a great movie (with one of the all-time great Gen X characters), Fight Club. According to Garofalo, director David Finch gave her the script and told her the part was “hers.” Unfortunately, again, according to Garofalo, Edward Norton didn’t like her for the part and lobbied for Courtney Love, who Pitt didn’t like for the role, so they settled on the outstanding Helena Bonham Carter. Norton disputes the claim, but Garofalo has stuck to her story. 

Halle Berry – Speed

It took a while for Halle Berry and Keanu Reeves to work together, finally teaming up in 2019’s John Wick: Chapter 3 - Parrabellum, but it almost happened much sooner than that. As Berry was promoting that movie, she revealed that she planned to star as Annie in Speed, a role eventually filled by Sandra Bullock, of course. As Berry explained to ET,

The original script was quite different, it seems, and when she saw the final product, she felt the sting, adding "Then I see the movie and I'm like, 'Arrrrghh!'"

Michael Madson – Pulp Fiction

If the Quentin Tarantino Universe is real, then Michael Madson has a big part in it. A role he could’ve played twice. Madson played Vic Vega, a.k.a. Mr. Blonde, in Reservoir Dogs and Tarantino wanted him to reprise the part in Pulp Fiction, however, Madson turned down the opportunity, the role of Vic Vega became his brother Vincent Vega and John Travolta revitalized his career. 

Claire Danes – Titanic

It seems there are stories of almost every actress getting a shot at the role of Rose in Titanic, played in the film by Kate Winslet. While not every claim is accurate, one that certainly is, is that Claire Danes was first offered the part. The Homeland actor has no regrets about not taking the job, and had a pretty good reason why, as she explained to Dax Shephard on his podcast Armchair Expert:

Danes even spoke to Leonardo DiCaprio about it, 

The rest is history!

Drew Barrymore – Scream

You’re probably asking yourself why we included a movie that the actor actually starred in. Well, as it turns out, Drew Barrymore was originally supposed to play Sidney in Scream, whom Neve Campbell turned into a role all her own. Instead of playing the lead, Barrymore suggested they flip the script on the horror genre and cast her as a character that would die at the beginning, leaving audiences to wonder if anyone was safe. Alfred Hitchcock would have been proud. 

Samuel L. Jackson – Boogie Nights

In Season 3 of The Family Guy they make a joke about Samuel L. Jackson being in “everything” including the porn movie Brian is directing. One thing Jackson hasn’t done, is play a porn star, though he almost starred as Buck Swope, the character made famous by Don Cheadle in Boogie Nights. According to director Paul Thomas Anderson in the director’s commentary on the DVD. After getting the script from the then-unknown writer/director, Jackson passed on the project, presumably because of the content of the film, as Gwyneth Paltrow did as well. 

What Ifs…

In most movies, there are “dream” actors that producers, writers, and directors envision in a role, but ultimately are never seriously considered for various reasons. In the ‘90s, there were some seriously big names attached to what would become big roles that aren’t included on this list because it was usually just daydreaming.

Take, for example, Mel Gibson as The Dude in The Big Lebowski. That’s right, the Coen Brothers initially hoped Gibson would play the role, but the script didn’t do anything for him, so the part went to Jeff Bridges and the rest of us abide by this decision. 

How about Leonardo DiCaprio as Will Hunting in Good Will Hunting? That’s what the studio wanted, but Matt Damon says he took a page from Sylvester Stallone and stuck his guns as Stallone did with the original Rocky, and insisted he play the lead role. How’d them apples work out? 

Finally, in one of the most bizarre ideas ever, John Malkovich was approached by the studio to play Robert DeNiro’s role (Jimmy Conway) in Goodfellas. Thankfully, for everyone involved, Malkovich backed off, telling GQ,

Hollywood is filled with near-misses and who knows what kind of butterfly effect these have had on history. It’s good to know that audiences have gotten the best options, but it’s fun to think about what could have been. 

With an acting career that started up in earnest back in 1970 with the X-rated Love-in '72, Philip Baker Hall proved himself to be a stellar addition to any on-screen project, no matter the genre or format. Sadly, the Seinfeld, Modern Family, and Boogie Nights actor has passed away at the age of 90, leaving behind a massive list of memorable roles for fans to revisit in his memory.

Philip Baker Hall died on the evening of Sunday, June 12, as revealed by friend and neighbor Sam Farmer, the celebrated and award-winning sportswriter. Farmer shared the following on Twitter:

At the time of this writing, no other details regarding Hall's death have been reported. It does sound like things went as positively as could be, given the circumstances, which was hopefully a comfort to everyone who was present.

Philip Baker Hall is arguably best known among TV viewers for playing the library investigator Lt. Bookman in the Season 3 episode "The Library." Such is the power of that sitcom's popularity that Hall was brought back among other fan-favorite guest stars for Seinfeld's series finale in 1998. 

Larry David wound up reteaming with Hall for his HBO series Curb Your Enthusiasm, where he played Dr. Morrison. To the surprise of no one, Hall's character had uncomfortable experiences with Larry across two episodes in Season 4 and Season 7. 

That said, Hall was in far more TV shows and episodes than just that, with his possibly final starring role coming in Netflix's mildly controversial drama Messiah in 2020. But to go back closer to the beginning of his ascent, Philip Baker Hall amassed credits in such classic shows as M*A*S*H, Cagney & Lacey, Family Ties, Falcon Crest, Murder, She Wrote, L.A. Law, Cheers, 3rd Rock from the Sun, and The Practice. Which isn't an exhaustive list, and only goes through the '90s. 

In the past 22 years, Philip Baker Hall has made similarly memorable appearances in shows such as Monk, The West Wing, The Loop, The Newsroom, BoJack Horseman, Childrens Hospital, and Modern Family, where he portrayed the Dunphys' fear-inducing neighbor Walt Kleezak. 

And those are just the tips of the icebergs by way of Hall's TV efforts, which were balanced by a steady number of roles in a slew of popular movies over the past 50+ years. One of his biggest early roles on the big screen was as Richard Nixon for Robert Altman's Secret Honor in 1984, and that was followed by roles in hit movies such as Ghostbusters II. But it was in the 1990s and beyond when things really took off, following his work as part of the Air Force One cast. 

Philip Baker Hall went on to show up in Boogie Nights, The Truman Show, Rush Hour, Enemy of the State, Magnolia, The Talented Mr. Ripley, Rules of Engagement, The Sum of All Fears, Bruce Almighty, The Amityville Horror, Zodiac, Mr. Popper's Penguins, Argo and Bad Words. Again, to name only a few. His final film role to date was in 2017's The Last Word opposite Shirley MacLaine and Amanda Seyfried.

Also worth noting is that before he took on the role in Curb Your Enthusiasm, Philip Baker Hall worked again with Seinfeld co-creator Larry David in the 1998 film Sour Grapes. And they teamed up again for David's 2013 HBO movie Clear History. 

Seinfeld has come up more often than one would hope when it comes to celebrity deaths. Estelle Harris, known for playing Mrs. Costanza, passed away on April 2, while Mrs. Seinfeld actress Liz Sheridan died on April 15. 

We at CinemaBlend send our thoughts and condolences to the family and friends of Philip Baker Hall during their time of mourning. 

Boogie Nights was an incredibly packed ensemble experience from filmmaker Paul Thomas Anderson. The critically acclaimed drama featured the story of a dishwasher who ends up becoming famous by making pornographic films, and shows his rise and fall in the porn industry.

But, with such a large ensemble, one might be wondering where the Boogie Nights cast is now and what they’ve been up to after nearly twenty-five years. Well, look no further, as we aim to answer that question today and let you know exactly where stars like Mark Wahlberg, Julianne Moore, and others are now. 

Mark Wahlberg (Eddie Adams/Dirk Diggler)

As the star of Boogie Nights, Mark Wahlberg received wide-spread acclaim for his role as Eddie Adams, otherwise known as Dirk Diggler. Since his role in the film, Wahlberg has been up to so much. 

Wahlberg’s biggest film roles so far have included a major role in The Transformers series, an Academy Award-nominated role in The Departed, directed by Martin Scorsese, The Italian Job, The Perfect Storm, the Daddy’s Home series, and many more. He’s also had success in television too, producing shows like Boardwalk Empire, Entourage, Ballers, and others. 

Some of his upcoming work are the films Father Stu, Me Time, Arthur the King, Our Man From Jersey, and The Six Billion Dollar Man, so he’ll surely be appearing in more awesome movies. 

Julianne Moore (Maggie/Amber Waves)

Next up, we have Julianne Moore, who played Maggie/Amber Waves in Boogie Nights and was nominated for the Academy Award for Best Supporting Actress. Since her performance in the movie, Moore has become an even bigger star. 

While she has had some small roles on television, such as an appearance on Sesame Street and a minor recurring role on the classic series, 30 Rock, Moore has mainly kept her talents to the big screen. Some of her biggest roles thus far have included Still Alice, for which she won an Academy Award, The Big Lebowski, Crazy, Stupid, Love, Maps to the Stars, Far From Heaven, Dear Evan Hansen, and The Hunger Games series, which recently just turned ten years old. 

Coming up, Moore will be in many new movies, including Sharper, Mothertrucker, May December, and Fruitcake, so I’m sure the next couple of years are going to be jam-packed for this amazing actress. 

Burt Reynolds (Jack Horner)

Burt Reynolds was a legendary name in Hollywood, and he earned rave reviews for his performance in Boogie Nights as Jack Horner, including a nomination for Best Supporting Actor. 

After his role in the film, Reynolds would go on to have a prominent film career, just as he did before, appearing in movies like Crazy Six, Hotel, Driven, The Longest Yard, Grilled, In The Name of the King, Deal, and others. He also had a recurring role in the TV series, My Name is Earl, as well as playing Ron Wilcox in Hitting the Breaks. 

Unfortunately, Burt Reynolds passed away in 2018 at the age of 82, but we have the rest of his amazing legacy in Hollywood to look back on to remember him.

Don Cheadle (Buck Swope)

Playing Buck Swope in Boogie Nights was Don Cheadle, someone who's only gotten more and more popular over the years. Cheadle has had a prominent career in both movies and TV. 

One of his biggest roles that he has reprised many times is playing James Rhodes, otherwise known as War Machine, in the Marvel Cinematic Universe, for more than ten years, and he will reprise that role in the upcoming Armor Wars series on Disney+. Some of his other big films roles include Hotel Rwanda, which scored him an Academy Award nomination for Best Actor, Traffic, Out of Sight, No Sudden Move. Space Jam: A New Legacy, and more. 

He’s also had a great career in television, with a main role in the Showtime series, House of Lies, as well as a main role on Black Monday. Currently, he actually stars in the series, The Wonder Years. 

Soon, he’s going to be appearing in many new movies, including White Noise and Black Stallions, so he certainly has a good line-up for the next couple of years. 

John C. Reilly (Reed Rothchild)

Next up, we have Reed Rothchild in Boogie Nights, played by John C. Reilly. The actor has had quite the career since Boogie Nights took off, and has appeared in a variety of movies and TV shows. 

Some of his biggest movies were appearing in Magnolia (another Paul Thomas Anderson film), The Thin Red Line, the musical film, Chicago, The Aviator, Step Brothers alongside Will Ferrell, Kong: Skull Island, The Guardians of the Galaxy, and so many more.

He’s also had a prominent career in television too, including a voice role in Stone Quackers, a starring role in Check It Out! With Dr. Steve Brule, a recurring role in Moonbase 8, a voice role in Ultra City Smiths, and more. His latest project is playing Jerry Buss, owner of the L.A. Lakers, in Winning Time: The Rise of the Lakers Dynasty, on HBO. 

William H. Macy (Bill “Little Bill” Thompson)

Another big name in Boogie Nights is William H. Macy, and while he had already made a name for himself years before with movies such as Fargo, Macy has had a huge career in the last twenty-five years. 

Some of his biggest film accomplishments have been starring in Magnolia, as well, Psycho, The Cooler, the Studio Ghibli film, The Wind Rises, Cake, Room, The Layover, Krystal, and so much more. However, his longest-running project thus far was portraying patriarch Frank Gallagher on the popular Showtime series, Shameless, for a 11 seasons, becoming a character fans loved to hate on the series.

His latest project is The Dropout on Hulu, where he plays Richard Fuisz, so keep an eye out for him. 

Heather Graham (Brandy/Rollergirl)

Next up, we have Heather Graham, who played Brandy/Rollergirl in Boogie Nights. Graham has appeared in many other movies since, with some of her biggest roles being in Bowfinger, Austin Powers: The Spy Who Shagged Me, The Hangover and The Hangover Part III, the Daniel Radcliffe-led film, Horns, The Last Son, and more. 

Graham has also done some television work as well, appearing in shows like Bliss, Angie Tribeca, Get Shorty, Law & Order True Crime, and others. Coming up, she’s going to be in many new movies, including Oracle, On a Wing and a Prayer, and more. 

Nicole Ari Parker (Becky Barnett)

Playing Becky Barnett in Boogie Nights was Nicole Ari Parker, who has had a huge career in television. While she has appeared in many movies as well, including Remember the Titans, Brown Sugar, Almost Christmas, How It Ends, and more, she’s mainly kept her talents to TV. 

Parker appeared as a recurring cast member on Cosby, was a part of the main cast on Soul Food, as well as The Second Time Around and The Deep End. She was a recurring cast member on Revolution, as well as on I’m Dying Up Here, Empire, and Chicago P.D. Most recently, she was a part of the recurring cast of the Sex and the City spinoff, And Just Like That…,which just got renewed for a second season. 

Soon, she’s going to have a role in two new movies, We Are Gathered Here Today and HeadShop, as well as appear in a new TV series called At That Age. 

Philip Seymour Hoffman (Scotty J.)

Moving on, we have Philip Seymour Hoffman, who played Scotty J in Boogie Nights. After his role in the film, Hoffman appeared in many movies. 

Some of his biggest roles were in Patch Adams, The Big Lebowski, Magnolia, Charlie Wilson’s War, Doubt, The Master, The Savages, and more, alongside a bigger role in The Hunger Games series. He did have some minor appearance on TV, including two episodes of Empire Falls, but mainly stuck to movies. 

Sadly, Philip Seymour Hoffman passed away in 2014 at the age of 46. 

Luis Guzman (Maurice Rodriguez/T.T. Rodriguez)

Next up is Luis Guzman, who played Maurice Rodriguez/T.T. Rodriguez in Boogie Nights. After his role in the film, Guzman has appeared in many movies, including Magnolia (like many of his other castmates) Traffic, Punch-Drunk Love, War, We’re the Millers, The Last Stand, 9/11, The Birthday Cake, and several others. 

He’s also had a great career in television as well, with several main roles and recurring appearances. Some of his most-known were playing the titular role in Luis, Rene Calderon in How to Make It in America, Jesse Salander in Code Black, Jose Gonzalo Rodriguez Gacha in Narcos, Mikey O’Shea in Shameless (usually alongside William H. Macy) and Jorge Cuevas in Hightown. Talk about a stacked resume. 

Coming up soon, he is going to be portraying one of the most iconic TV characters ever, Gomez Addams, in the upcoming series, Wednesday, so definitely be on the lookout for this Netflix series to drop.

Philip Baker Hall (Floyd Gondolli)

Floyd Gondolli in Boogie Nights was played by Philip Baker Hall, who has had a great career in both movies and television. Some of his biggest roles include Psycho, The Insider, Magnolia, Rules of Engagement, The Amityville Horror, The Last Word, and more. 

Some of his most-known television roles have been a recurring role on Pasadena, as well as work on The Loop, Second Change, and Messiah. 

Thomas Jane (Todd Parker)

Last but not least, we have Thomas Jane, who played Todd Parker in Boogie Nights. Since his appearance, Jane has popped up in many movies and television shows. Some of his biggest movies include, but aren’t limited to, The Punisher, 1922, Deep Blue Sea, The Mist, The Predator, Vice, Hot Summer Nights, and many others. 

He’s also had some major roles in television, including playing Ray Drecker on Hung, James Wykoff in Texas Rising, Joe Miller in The Expanse, and Ted Conkaffey in Troppo. Coming up soon, he’s going to be in several new films, including Vendetta, Slayers, and Bad Hombres, among many others. 

There are still plenty of other names that you might recognize from Boogie Nights, such as Alfred Molina, Michael Penn, Robert Downey Sr., and more. However, this updates you on the main stars who have been active to this day with some amazing film and TV work. 

When you think of one of the most versatile actors of the last twenty plus years, what are some of the first names you think of? For me, one of them is William H. Macy. While many younger folks like me probably know him for his iconic role of Frank Gallagher in the Shameless cast on Showtime, he’s known for many other amazing roles that you should check out as soon as possible. 

From Fargo to The Cooler, these are some of the best William H. Macy movies and TV shows that are streaming right now - or, you can find them available to rent.    

Shameless (2011 - 2021)

The Gallagher family is one you don’t want to mess around with. In Shameless, we follow this South Side of Chicago clan through their daily issues as they try to just survive in the city, make a living, graduate school, or just try not to get arrested - but a Gallagher will do what a Gallagher does. 

As one of the best shows on Showtime, Shameless is truly iconic in every sense of the word, and that includes William H. Macy’s portrayal of Frank, the family patriarch. Frank is a piece of human garbage, and William H. Macy knocked it out of the park for more than a decade, earning nominations for Primetime Emmy Awards. If shows about dysfunctional families are your favorite, you should definitely check out Shameless.

Stream Shameless on Netflix.

Fargo (1996)

This iconic Coen Brothers film is one you shouldn’t miss. Fargo, starring William H. Macy and Frances McDormand, is about a man who comes up with a kidnapping scheme in order to pay off his many debts. However, the plot goes south when a dedicated police chief begins to investigate the death of a state trooper. 

I feel like this is one of those films you really want to go into knowing nothing. William H. Macy received tons of acclaim for his role as Jerry Lundegaard, and while he had plenty of work beforehand, many people (including myself) know him from Fargo. Murder, mystery, and black comedy galore. Definitely watch Fargo, and then learn some behind the scenes facts about the film.

Stream Fargo on Amazon Prime.
Rent Fargo on Amazon.

Boogie Nights (1997)

Ready for a comedy-drama filled with stars? Boogie Nights is a film that tells the story of a dishwasher who begins starring in pornographic films. Over time, he becomes a huge star within the industry, but fame also has its consequences, and slowly, his world starts to fall apart. 

I think what I love the most about this film is that it’s just so funny. Everyone works so well off of each other. William H. Macy rocks it in his role of “Little Bill” Thompson and provides some truly funny moments, but the whole Boogie Nights cast is just so perfect. The film was nominated for three Academy Awards, including Best Screenplay, so you know that it’s going to be a great story. 

Stream Boogie Nights on Showtime.
Rent Boogie Nights on Amazon.

Happy, Texas (1999)

This comedy is a hidden gem. Happy, Texas follows a pair of prisoners who somehow escape and end up in a little Texas town, and get mistaken for a gay couple. Seeing the advantage of the situation, they decide to use this cover in order to plan their next heist. 

William H. Macy is plays the sheriff, Harry, in the small town of Happy, and I have to say he’s the best part of this film. While there are many funny moments, I can’t quite get over his portrayal of Happy, as it’s so out there and funny that you can’t help but love it. Plus, the sheriff's storyline always makes me chuckle. 

Stream Happy, Texas on Showtime.
Rent Happy, Texas on Amazon.

Oleanna (1994)

Oleanna, starring William H. Macy and Debra Eisenstadt, is based on the play of the same name, telling the story of a young student who goes to speak with her teacher about a grade she received, but even when the professor decides to help her, misunderstandings and bad communication lead to his downfall when she accuses him of sexual assault.

While Oleanna is not a very well-known film of Macy’s, I think it deserves far more praise. Since it’s only Macy and Eisenstadt in the film, we are fully able to see their dramatic prowess, and their acting is just amazing. They hold our attention so well that you’ll have trouble tearing your eyes away for even a single second. 

Stream Oleanna on Tubi.
Rent Oleanna on Vudu.

ER (1994-2009)

ER was a very popular long-running drama that focused on the fictional County General Hospital, following the daily lives of its doctors, nurses, staff, and everyone else as they worked in this emergency facility in Chicago. 

ER was one of those shows that made medical series like Grey’s Anatomy possible, and throughout the years, there were many stars that guest-starred on it. But William H. Macy wasn’t just a guest - he was a recurring character, and appeared on the show several times as Dr. David Morgenstern. 

While he was in the show pretty regularly as a recurring guest at first, he stepped back after Season 4, then returned to the role for the fifteenth season. It’s certainly one of his more diverse characters, and picturing him as a doctor is always weird now after seeing him as Frank Gallagher, but that just shows how skillful of an actor he is. 

Stream ER on HBO Max.

The Cooler (2003)

Now this is a William H. Macy movie you can’t miss. The Cooler is all about a lonely man who works as a successful gambling jinx at a Las Vegas casino. But, when he meets a woman and begins falling in love, it affects his performance, so his boss decides to end the romance.

The Cooler was critically acclaimed when it was released for not only its story but the acting from all parties, specifically Alec Baldwin, who portrayed Macy’s boss in the film. However, William H. Macy as a leading man never tires me, and he was excellent as Bernie from the very beginning, making me want to watch him to do better and succeed in life. 

Stream The Cooler on HBO Max.
Rent The Cooler on Amazon.

Homicide (1991)

If you’re looking for a great crime film, check out Homicide. This movie, starring William H. Macy and Joe Mantegna, tells the story of a homicide detective and his partner who get tangled up in a deeper case that extends into the detective’s own heritage, changing his life forever. 

I sort of look at Homicide as a “by the book basics” crime movie, because it feels exactly like the kind of film you’d show someone if you want them to get into crime movies because it's not too intense. However, the real draw in this movie for me is Macy’s excellent acting alongside Mantegna, and their awesome chemistry as detectives. Plenty of twists and turns for you to enjoy, too. 

Stream Homicide on Showtime.
Rent Homicide on Amazon.

Room (2015)

If you’re looking to cry, Room is the movie to watch. Starring Brie Larson and Jacob Tremblay, this story tells the tale of Jack, a boy who is cared for by his mother, who was locked away in a shed before having him, and hasn’t seen her family for seven years. Soon, she finds a way out, and the boy gets to explore the world for the first time. 

While William H. Macy isn’t the main star of this film, his portrayal of Robert Newsome, Joy Newsome’s father, broke my heart in the best way, if that makes sense. His acting was so phenomenal and shows the true terror that a parent feels when their child is taken from them; the regret, the shame - every emotion you could think of, William H. Macy portrayed perfectly. It’s definitely one of his best acting performances ever. 

Stream Room in Showtime.
Rent Room on Amazon.

Pleasantville (1998)

Pleasantville is a teen dramedy that follows every teenager’s worst nightmare - somehow ending up in a 1950s TV show set in the Midwest, where everyone looks to be absolutely perfect, but there are dark secrets. 

This whole film is just great from start to finish. William H. Macy, in another great supporting role, plays George Parker, the father of the two main characters, and is an integral part of the story that pushes characters forward. The movie itself was also great for many actor’s careers, including Tobey Maguire, Reese Witherspoon, and more. Check it out if you’ve never seen it before. 

Rent Pleasantville on Amazon.

Magnolia (1999)

Last but not least, we have Magnolia. This epic drama with a large ensemble cast is all about the idea of happiness, forgiveness, and reconciliation, following several different stories that intersect in the San Fernando Valley. 

While a big star of this film was Tom Cruise, who was nominated for an Academy Award for his work, everyone in this large ensemble cast is truly amazing, including William H. Macy. His role as Donnie Smith, otherwise known as “Quiz Kid,” was one of the best stories of the film, showing how money isn’t the key to happiness and finding people who truly care for you is. It’s just an all-around great film with a story that’s top tier. 

Rent Magnolia on Amazon.

William H. Macy has done so many other great movies, including Mystery Men, Focus, and Thank You For Smoking, but these are just some of my personal favorites. Maybe after today, you’ll have found a new favorite movie or TV show that stars the talented actor - and keep an eye out for him on the Hulu series, The Dropout.  

Throughout his career, Alfred Molina has played historical figures like Diego Rivera and iconic comic book characters like Dr. Otto Octavius. With those characters and dozens of others, Molina is able to get the most out of each of his roles and make them feel human, even with those who are detestable, to say the very least. We see it all the time, and chances are we’ll continue to see as he career marches on.

If you watched Spider-Man: No Way Home and want to revisit some of Alfred Molina’s best movies, or perhaps take a journey through his catalogue of work for the first time, you have come to the right place. Below are 10 of his best film offerings plus a little bonus item at the end.

Spider-Man 2 (2004)

The second installment in Sam Raimi’s trilogy, Spider-Man 2 follows Peter Parker (Tobey Maguire) as he comes face-to-face with one of his deadliest enemies, Doc Ock (Alfred Molina), after a failed experiment turns the ambitious Dr. Otto Octavius into man driven mad by his own shortcomings and trapped in his own machine. 

The strength of the movie lies in Molina’s portrayal of a man tortured by failure and guilt when his attempt to make the world a better place blows up in his face and takes everything he’s ever loved. Molina didn’t need to be this good in order for Spider-Man 2 to work, but we’re all better off because of his dedication to the role.

Stream Spider-Man 2 on Peacock.
Rent/Buy Spider-Man 2 on Amazon.
Buy Spider-Man 2 on DVD/Blu-ray on Amazon.

Frida (2002)

Julie Taymor’s 2002 Academy Award-winning biopic Frida focuses on the life of famed Mexican artist Frida Kahlo (Salma Hayek) from the accident that left her with lifelong injuries up to the opening of her first solo exhibition in her home country. Along the way, Kahlo meets and falls in love with Diego Rivera (Alfred Molina), a talented artist with problematic political affiliations.

Objectively, Diego Rivera is not a great person throughout Frida. He is stubborn, unfaithful to his wife, and difficult. Despite that, Alfred Molina finds the humanity in the man and his art and in turn creates a transfixing portrayal of the complicated artist.

Stream Frida on HBO Max.
Rent/Buy Frida on Amazon.
Buy Frida on DVD/Blu-ray on Amazon.

Boogie Nights (1997)

Paul Thomas Anderson's Boogie Nights centers on the seedy world that was the San Fernando Valley in 1977 largely told through the eyes of busboy-turned-pornstar Eddie Adams (Mark Wahlberg), aka Dirk Diggler. This movie, like most of PTA’s work, has a large ensemble cast that tells a cautionary tale of fame, excess, and infamy with some of his best characters. 

Alfred Molina shows up near the end of the movie as Rahad Jackson, a drug dealer Todd Parker (Thomas Jane) attempts to rip off much to the chagrin of Dirk Diggler and Reed Rothchild (John C. Reilly). Molina’s appearance, demeanor, and manic behavior make it to where you can’t stop watching even though something bad is waiting right around the corner.

Stream Boogie Nights on Showtime.
Rent/Buy Boogie Nights on Amazon.
Buy Boogie Nights on DVD/Blu-ray on Amazon.

Magnolia (1999)

Paul Thomas Anderson’s epic psychological drama Magnolia follows an assortment of characters whose lives are connected in one way or another. One of the main focuses of the movie is on Donnie Smith (William H. Macy), who won a quiz show as a kid but never amounted to anything in adulthood. Just before reaching his breaking point, Donnie is fired from his job during a comical yet intense scene with his employer Solomon Solomon (Alfred Molina).

This is another Alfred Molina performance where he gets so much out of so little and provides one of the best scenes of the movie. When you watch or rewatch this scene, just focus on Molina’s facial expressions (specifically his eyebrows) and pick up the story they tell. You could even watch it on mute and still pick up exactly what he’s thinking and feeling.

Stream Magnolia on Netflix.
Rent/Buy Magnolia on Amazon.
Buy Magnolia on DVD/Blu-ray on Amazon.

Prick Up Your Ears (1987)

Directed by Stephen Frears, the 1987 biographical drama Prick Up Your Ears tells the story of British playwright Joe Orton (Gary Oldman) and his companion Kenneth Halliwell (Alfred Molina) as they go from drama school classmates to friends and eventually lovers. But all is not well with the relationship and the pair begin to drift in two different directions when Orton finds professional successes, triggering something in his lover.

This is not to take anything away from Gary Oldman’s performance in Prick Up Your Ears, but Alfred Molina steals the show whenever he’s on screen here. The way in which he captures the fear, hurt, and disgust of his character is truly something to behold and takes the movie to a higher level.

Stream Prick Up Your Ears on Tubi.
Buy Prick Up Your Ears on DVD/Blu-ray on Amazon.

An Education (2009)

Lone Scherfig’s 2009 coming-of-age drama An Education follows Jenny Mellor (Carey Mulligan), a teenager with dreams of attending Oxford University who is swept off her feet by an older sophisticated man named David Goldman (Peter Sarsgaard). The fast and furious romance seems like the real deal and even Jenny’s parents Jack (Alfred Molina) and Marjorie (Cara Seymour) are impressed by the dashing man, but all is not as it appears.

There are a few standout moments by Alfred Molina throughout An Education with the most heartbreaking of the bunch coming in a pivotal scene in which Jack attempts to apologize to his daughter after a terrible revelation. Though the apology is far from perfect, Molina is able to capture the pain and misgivings of a father who thought he was doing the right thing.

Rent/Buy An Education on Amazon.
Buy An Education on DVD/Blu-ray on Amazon.

Chocolat (2000)

Lasse Hallström’s 2002 drama Chocolat tells the story of Vianne Rocher (Juliette Binoche), a free-flowing chocolatier who arrives in a modest and rather strict French village and impacts the lives of the townspeople by opening their eyes to new experiences. Vianne finds success with with a chocolate shop and with strong relationships with several people in town, but finds resistance with its mayor Comte de Reynaud (Alfred Molina), which leads to a series of complications.

The character of Comte de Reynaud could have been just your standard authority figure who resists change, but Alfred Molina’s portrayal makes the town leader seem all the more complicated and realistic. This isn’t to say he’s a great person, but he is far from evil or immune to redemption.

Stream Chocolat on Amazon.
Rent/Buy Chocolat on Amazon.
Buy Chocolat on Amazon.

Love Is Strange (2014)

Love is Strange, a 2014 romantic drama film directed by Ira Sachs, follows Ben Hull (John Lithgow) and George Garea (Alfred Molina), a same-sex couple who decide to tie the knot after nearly 40 years a couple. But when this news is discovered by George’s employer, the Archdiocese of New York, he is fired and the couple is forced to live in separate apartments with friends and family until they can find a home they can afford together.

No surprise here but Alfred Molina and John Lithgow are astonishing in Love is Strange and have this chemistry that makes them seem like much more than characters on the screen. Both are at the top of their game here and make it a movie that you have to watch.

Rent/Buy Love Is Strange on Amazon.
Buy Love Is Strange on Amazon.

The Front Runner (2018)

Jason Reitman’s 2018 political drama The Front Runner explores how Gary Hart (Hugh Jackman) went from Democratic presidential nominee in 1988 to another political figure haunted by past relationships. Over the course of the hectic episode, multiple people enter the fray looking for blood, including journalists at The Washington Post, including edited Ben Bradlee (Alfred Molina) who is facing crises of his own with the changing media landscape.

Alfred Molina’s Ben Bradlee is neither hero nor villain in The Front Runner, but instead a complicated man somewhere in the middle. His decisions in covering of the Gary Hart scandal weigh heavily on him throughout the movie and that wear and tear of his psyche is portrayed beautifully by the actor.

Rent/Buy The Front Runner on Amazon.
Buy The Front Runner on DVD/Blu-ray on Amazon.

The Normal Heart (2014)

Ryan Murphy’s 2014 HBO original film The Normal Heart follows Alexander “Ned” Weeks (Mark Ruffalo) as he leads a crusade alongside other gay men across the country to expose the truth behind the AIDS crisis and to raise awareness for treatment before it’s too late. In addition to convincing the public of the grave situation, Ned must also win over his older and more conservative brother Ben Weeks (Alfred Molina).

One of the biggest threads throughout The Normal Heart is the brotherly relationship shared by Ned and Ben Weeks, which is made all the better by Mark Ruffalo and Alfred Molina. The way they play off one another looks and feels less like two actors on a soundstage and more like two brothers trying to understand one another.

Stream The Normal Heart on HBO Max.
Rent/Buy The Normal Heart on Amazon.
Buy The Normal Heart on DVD/Blu-ray on Amazon.

BONUS: Raiders Of The Lost Ark (1981)

Before he was sitting atop the box office with one of the biggest Marvel Phase 4 movies, Alfred Molina made his feature film debut as the double-crossing guide Satipo who betrayed Indiana Jones (Harrison Ford) in Raiders of the Lost Ark. Molina is only in the movie for a few minutes at best, but you have to start somewhere…

Stream Raiders of the Lost Ark on Paramount+.
Rent/Buy Raiders of the Lost Ark on Amazon.
Buy Raiders of the Lost Ark on DVD/Blu-ray on Amazon.

Hopefully this helps you figure out which of Alfred Molina’s best movies you would like to explore. There’s a lot to choose from, but it’s hard to go wrong with such a talented and prolific actor.

There are three major Andersons when it comes to Hollywood directors. There’s Wes Anderson. He does the quirky movies. Paul W.S. Anderson. He does the action movies. And then there’s Paul Thomas Anderson. He does the serious movies. And while I have to be in the mood for a Paul W.S. or a Wes Anderson film, I am always in the mood for Paul Thomas Anderson movies. Sometimes funny, sometimes haunting, but always cerebral, Paul Thomas Anderson is, in my mind, America’s greatest director, following closely behind Stanley Kubrick.

And it’s because his movies always bring something exciting to cinema. It doesn’t matter if the story deals with a porn star with a massive penis or an oil baron going insane. If it’s PTA, then it’s A-OK. Actually, it’s better than A-OK, because whatever he makes usually turns out to be a masterpiece. But with 8 films under his belt, and another untitled project on the way, what are his very best films? I’m sure your picks will differ from mine (I know Inherent Vice has its supporters), but can we all just agree that the man still hasn’t made a bad film yet?

8. Hard Eight (1996)

In this neo-noir film, Philip Baker Hall plays a gambler who tries to mold a young man (played by John C. Reilly) into his protégé. Things go well until Reilly's character meets a cocktail waitress, played by Gwyneth Paltrow. The film slowly unfolds into a crime film once things start going downhill. Philip Seymour Hoffman also has a great turn as a young gambler who will buy you a drink, Big Time.

Hard Eight would likely be the best movie in most director’s entire filmography, but this is PTA we’re talking about here. The Paul Thomas Anderson mood is definitely present, but it also feels like it’s just developing. More great stuff was yet to come!

7. Inherent Vice (2014)

Based on the Thomas Pynchon novel of the same name, Inherent Vice is about a pot head private investigator (played by Joaquin Phoenix) who’s searching for his former girlfriend and her new boyfriend, who have gone missing. But laced within this plot, which is actually meant to be a comedy, is a much darker story involving L.A.’s criminal underbelly. It’s sort of like a ‘70s version of The Big Lebowski, but with zero bowling and even more drug use.

I know Inherent Vice has its fans, and that it’s a great film, but it’s just not for me. I love the sun-soaked locale and how physically hot the whole movie feels. But unlike most of PTA’s films, where I feel like there’s some deeper undercurrent that I need to uncover through repeated viewings, Inherent Vice leaves me a bit too bored to want to give it multiple viewings. Still, as an overall comedy, it’s probably his funniest movie next to Boogie Nights.

6. Magnolia (1999)

Magnolia is an ensemble film involving multiple stories that all coalesce in some way. Starring Tom “Respect the cock” Cruise, William H. Macy, Julianne Moore, and many others, it’s the kind of movie where anything seems possible. Even frogs raining down from the sky.

Magnolia is a beautiful, often surprising film, but it’s also super long, and it feels it. All of the performances are fantastic, and I especially love William H. Macy as “Quiz Kid” Donnie Smith, but I think the film would have been better if it was more concise. A great film, in parts, but it could have used some trimming.

5. Punch-Drunk Love (2002)

The first movie that showed that Adam Sandler could truly act, Punch-Drunk Love is about a slightly deranged man (played by Sandler) who falls in love with an English woman (played by Emily Watson). But it’s also extremely strange, with a subplot involving a phone sex mattress salesman and frequent flier miles acquired by buying lots of pudding. It’s weird, but oddly sweet.

Punch-Drunk Love is tonally bizarre, but beautiful because of it. Sandler’s character has random outbursts of rage, but you’re still deeply invested in his character, and you hope for his unlikely romance to work. It’s a highly regarded film, but it still somehow feels like Paul Thomas Anderson's hidden gem.

4. Boogie Nights (1997)

Paul Thomas Anderson's breakout film (sorry, Hard Eight) is about a dishwasher-cum-(eww)-porn star (played by Mark Wahlberg) with a massive penis who becomes a sex star in the ‘70s and ‘80s. It features an all-star cast and feels dirty, but in a good way.

Boogie Nights has it all. It’s funny, it’s bold, it’s always surprising, and the acting is out of sight. And strangely, it’s also educational about the porn industry. PTA had the touch with this one.

3. Phantom Thread (2017)

Paul Thomas Anderson's most recent film and also Daniel Day-Lewis’s last, Phantom Thread is about a dressmaker (Day-Lewis), who falls in love with a waitress, and their somewhat sweet, somewhat toxic (but classy) relationship.

It’s hard to explain what’s so alluring about Phantom Thread, but it is alluring, and also maddening. The story is simple, but it’s still rich in detail and layered with odd subtext. It’s probably PTA’s strangest movie to date, but also one of his most fascinating. It’s the kind of movie where you say, “that’s it?” by the end credits, but it still leaves you constantly thinking about it for days. And the fact that it’s probably Johny Greenwood’s best soundtrack to date doesn’t hurt, either.

2. The Master (2012)

Starring Joaquin Phoenix, Phillip Seymour Hoffman, and Amy Adams, The Master is about a troubled Navy vet who takes solace and meaning from a traveling religious group.

But what is The Master really about? Is it an indictment on religion? A story about control and release? A morality tale? I don’t know! I’ve seen The Master five times, and each time, I feel like I’ve grasped a portion of its deeper meaning, only to be questioning everything I saw by the time the credits roll. The Master is PTA’s most complex movie, but it’s always thought-provoking and engaging. It’s my favorite Paul Thomas Anderson film (It’s his favorite film of his, too) but not his best. That would be…

1. There Will Be Blood (2007)

An oil baron (played by the Academy Award winner, Daniel Day-Lewis) is starting up his business, and business is booming. But along the way, he has to contend with everybody from a local preacher, to other oil magnates, and even his own madness.

There Will Be Blood is the best movie of the 2000s. While The Master is my favorite PTA film, There Will Be Blood is one of my favorite films, period. It’s the kind of movie where you feel like you’re going insane watching it, and a film where Daniel Day-Lewis putting a napkin over his face in a restaurant seems like the most natural thing in the world. 

Daniel Plainview is a towering character, and There Will Be Blood is probably the most elusive film I’ve ever seen in that I'm still not entirely sure of its deeper meaning. It’s a very demanding movie, and one that doesn’t answer any questions, but it’s all the better for it. It will probably be discussed and studied for years to come.

Whatever Paul Thomas Anderson makes, I’ll watch. But what are your favorite films of his? Sound off in the comments.

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