I rewatched Inception after fifteen years, and I’m confident it still holds up as one of Christopher Nolan's best films. Beyond great filmmaking, what makes it one of the best sci-fi movies of all time is its wonderful cast, including Elliot Page. And now the actor is opening up about reuniting with Nolan in the upcoming The Odyssey, and why it’s ‘selfishly’ meant so much to him, post-transition.

Page, who broke out as dream architect Ariadne in Inception, told fans at New York Comic Con (via Variety) that the invitation was “a joy.” He also spoke candidly about why the timing carries extra personal weight, sharing with the crowd:

Nolan’s The Odyssey is slated for the 2026 movie schedule, continuing the director’s run of big-canvas event films, but for the Flatliner actor, the draw isn’t only the size of the screens. It’s the chance to return to a filmmaker who helped define a key era of their career, now with the clarity of who they are post-transition. As the Juno star put it:

The X-Men veteran’s use of “selfishly” feels refreshingly candid and understandable. Nolan remains one of today’s premiere big-screen filmmakers. For fans who loved Ariadne’s calm center in Inception’s maze, the idea of The Umbrella Academy alum channeling that presence into a mythic journey is an easy sell. However, the reunion also carries a more personal weight for the actor.

Why Starring In Inception Was More Complicated For Elliot Page Than It Might Seem

In the memoir Pageboy, the Hard Candy star recalls how the Inception shoot collided with his gender dysphoria, so intensely that he became physically ill. Everyone on set was kind, he notes, but he still felt miscast and adrift in a role he couldn’t fully inhabit. Cut to New York Comic Con, and the contrast couldn’t be sharper. Page told fans that returning for The Odyssey comes from a steadier place, meaning the experience was different.

As for the film, The Odyssey looks like it could be the decade’s biggest upcoming book-to-screen project. Nolan’s take on Homer arrives with a stacked ensemble—John Leguizamo, Tom Holland, Matt Damon, Jon Bernthal, Zendaya, Robert Pattinson, Lupita Nyong’o, Charlize Theron, and Page, and a production scale built for IMAX bragging rights. It’s slated to hit theaters July 16, 2026, with Universal already stoking demand for opening day a year out.

For those who want to revisit Elliot Page’s incredible work in Inception, it's currently streaming for everyone with an HBO Max subscription.

The movies have always had a way of making the life of an outlaw look fun. The secret is as easy as defying tradition by making the “bad guy” the protagonist of the story, or even taking innocents out of the equation completely. These classic films will force you to reconsider your moral standards.

The Godfather (1972)

In addition to being one of the best films about the "family business," Francis Ford Coppola's Best Picture Oscar-winning adaptation of Mario Puzo's The Godfather is a genuine family story all the way to its core, albeit a violent one. It follows Michael Corleone (Al Pacino), who is motivated by the attempted murder of his mob boss father, Don Vito (Marlon Brando), to take matters into his own hands, leading him down a path to become one of the most feared leaders in the world of organized crime.

Psycho (1960)

The true antagonist of Alfred Hitchcock's seminal horror movie classic, Psycho, is unquestionably Anthony Perkins' Norman Bates. However, what leads Marion Crane (Janet Leigh) to make a fateful stop at the Bates Motel is her decision to go on the run with stolen money.

The Talented Mr. Ripley (1999)

The title character of The Talented Mr. Ripley, Anthony Minghella's acclaimed adaptation of Patricia Highsmith's 1955 novel, is a conniving con artist. However, much like most of the people Matt Damon's Tom Ripley encounters, it is hard not to fall for his charms.

Pulp Fiction (1994)

There really are not any "good guys" in Pulp Fiction, or in most of Quentin Tarantino's movies, for that matter. However, there are certainly some characters in the dazzling crime thriller that audiences have more affection for than others, especially Vincent Vega (John Travolta) and Jules Winnfield (Samuel L. Jackson), who have to be the two most down-to-earth mob hitmen in pop culture history.

Batman Begins (2005)

I have never admired a character in my life more than DC Comics' Dark Knight, but even I will be the first to call out Bruce Wayne for who he really is: a vigilante, which makes his crusade for justice in Gotham illegal. One of the few live-action Batman movies to address this moral gray area is Christopher Nolan's Batman Begins, in which James Gordon (Gary Oldman) is the only cop willing to support the Caped Crusader (played by Christian Bale), but even he has his doubts.

Goodfellas (1990)

The flashbacks to Henry Hill's youth at the beginning of Martin Scorsese's Goodfellas establish a life in the mafia as a childhood aspiration for him. Thus, you almost cannot help but feel proud of Ray Liotta's character as he rises up in the ranks of the criminal underworld and disappointed when the law knocks him down a peg.

Dog Day Afternoon (1975)

Director Sidney Lumet's Dog Day Afternoon is a crime thriller based on an incredible true story starring Al Pacino as an amateur crook whose simple bank robbery plans evolve into a challenging hostage situation. Just like John Wojtowicz, the real person who inspired the film's main character, Sonny Wortzik, his only reason for committing the crime is to afford his lover's transgender operation, which I can empathize with.

Catch Me If You Can (2002)

Steven Spielberg's acclaimed 2000s-era movie, Catch Me If You Can, is based on the alleged true story of Frank Abagnale Jr., who passed himself off as an expert in multiple fields while living off fraudulent checks while he was barely beyond his teenage years. The casting of Leonardo DiCaprio as the clever crook immediately earns our sympathies, putting Tom Hanks in the rare position of playing the default antagonist as Carl Hanratty, an FBI agent trailing Frank.

Heat (1995)

Michael Mann's powerful thriller, Heat, is defined by its moral ambiguity, portraying the story of a group of professional bank robbers tailed by the LAPD from both sides of the law. By the end, it is hard not to feel bad for expert thief Neil McCauley (Robert De Niro) when he is finally cornered by Lieutenant Vincent Hanna (Al Pacino).

Ocean's Eleven (2001)

George Clooney's recently released convict Daniel Ocean rounds up a gang of 10 other professionals to rob three Las Vegas casinos at once in director Steven Soderbergh's remake of Ocean's Eleven. The acclaimed heist flick makes it easy for the audience to side with these thieves, not just by making them all funny and likable, but also by making their target, Terry Benedict (Andy Garcia), quite despicable.

Inception (2010)

Amid its ingenious concept (taking place in a world where dreams can be experienced on demand with revolutionary technology) and breathtaking visuals, it is often easy to forget that Christopher Nolan's Inception is, essentially, a heist movie. Dom Cobb (Leonardo DiCaprio) and his crew specialize in stealing valuable information from unsuspecting targets directly from their minds (or planting an idea in their heads) by kidnapping them and infiltrating their subconscious, which is a terrifying thought.

Escape From New York (1981)

When we first meet war veteran Snake Plissken (Kurt Russell) in John Carpenter's Escape from New York, he has already been sentenced to the penal colony that used to be Manhattan for robbing the Bank of the Federal Reserve. This convinces the United States Police Force that he is the perfect choice to infiltrate the urban dystopian nightmare to rescue the president (played by Donald Pleasence) in exchange for his freedom.

Nightcrawler (2014)

I once saw an interview with Jake Gyllenhaal and Nightcrawler's writer and director, Dan Gilroy, in which they describe the film as "a success story." While Gyllenhaal's aspiring independent news videographer, Louis Bloom, is not afraid to put his ethics on the back burner and flat out break the law to get the juiciest and bloodiest scoops possible, I cannot help but agree.

John Wick (2014)

The world seems to love professional assassins (fictional ones, at least), and few are more lovable than Keanu Reeves' title "hero" from the revenge movie favorite, John Wick, and its sequels. Of course, who wouldn't empathize with a recently widowed man whose new dog was murdered in cold blood by a crew of young punks who also stole his car?

Guardians Of The Galaxy (2014)

One of the Marvel Cinematic Universe's most unexpected hits is the story of a group of unlikely heroes who come to be known as the Guardians of the Galaxy. James Gunn's hilarious, heartfelt, and action-packed breath of fresh air stars Chris Pratt, Zoe Saldaña, Dave Bautista, Vin Diesel, and Bradley Cooper as a group of cosmic outlaws who flee prison together and manage to redeem themselves by risking their lives to take down an oppressive tyrant (played by Lee Pace).

The Wolf Of Wall Street (2013)

Based on the memoir by Jordan Belfort, director Martin Scorsese's The Wolf of Wall Street should be seen as nothing more than a cautionary tale. However, Leonardo DiCaprio's charming, Oscar-nominated performance as the stockbroker-turned-motivational speaker almost makes you want to see him succeed despite his despicable habits and corrupt aspirations.

Kill Bill (2003-2004)

In Quentin Tarantino's two-part action saga, Kill Bill, Uma Thurman's The Bride wanted to put her reputation as the deadliest woman in the world behind her when she got pregnant and decided to settle down. Unfortunately, her former employer, Bill (David Carradine), and colleagues from the Deadly Viper Assassination Squad put her in a coma and, seemingly, murdered her unborn daughter, which makes her "roaring rampage of revenge" feel justified.

Looper (2012)

Rian Johnson's inventive, sci-fi twist on the film noir movie genre, Looper, takes place in the future, but still mere decades before time travel has been invented. Joseph Gordon-Levitt stars as Joe, who is hired to kill and dispose of people sent back to his time by the mob, but his career trajectory changes when his latest target turns out to be his older self (played by Bruce Willis).

Joker (2019)

It might be a bit of a stretch to call Todd Phillips' Joker a film that coerces you into rooting for its unlawful protagonist, because I have absolutely no sympathy for any of the terrifying acts that Arthur Fleck commits. Then again, with much credit to Joaquin Phoenix's devastating, Oscar-winning performance, it is hard not to feel bad for the man, given his harsh life circumstances and struggles with mental health, even if he is destined to cause Gotham City a lot of pain someday.

Don't Breathe (2016)

At the start of Fede Alvarez's intense thriller Don't Breathe, you are not sure who to root for, as our protagonists (played by Jane Levy, Dylan Minette, and Daniel Zovatto) are seen breaking into the home of a non-seeing war veteran (played by Stephen Lang), intending to steal from him. However, it becomes easy to fear for these thieves when the owner of the house begins to violently retaliate and more terrifying secrets about him come to light.

Road To Perdition (2002)

Director Sam Mendes' adaptation of the acclaimed graphic novel, Road to Perdition, stars Tom Hanks as a mob enforcer who must protect his young son (played by Tyler Hoechlin) after he witnesses a murder in 1930s Illinois.

Ant-Man (2015)

Instead of the original Ant-Man, Dr. Hank Pym (Michael Douglas), the Marvel Cinematic Universe made formerly incarcerated felon Scott Lang (Paul Rudd) the star of its adaptation of the Marvel comic. After his criminal record costs him his Baskin-Robbins job, he is drawn back into crime and steals what turns out to be a special shrink suit, which is how he gets roped into the most important burglary of his life by Dr. Pym.

Sin City (2005)

I like to think of Det. John Hartigan (Bruce Willis) is the main hero of Robert Rodriguez and Frank Miller's Sin City, but Mickey Rourke nearly steals the show in a segment called "The Hard Goodbye." The story follows Marv, an ex-convict who returns to his violent ways to duke out some vigilante justice and avenge the murder of a woman who suddenly died after spending a night with him.

Dead Presidents (1995)

Dead Presidents is a must-watch '90s movie centered on a Black character, namely Larenz Tate as Anthony Curtis, who is a Vietnam vet forced to turn to crime to support his family.

Public Enemies (2010)

Casting Johnny Depp, who was one of the most bankable and beloved movie stars in Hollywood in the late 2000s, as John Dillinger in Michael Mann's Public Enemies was a stroke of genius to get the audience immediately on the side of the notorious bank robber.

Hard Candy (2005)

In Hard Candy, Elliot Page plays a teenager named Hayley who is seemingly lured into a trap by a child predator named Jeff (Patrick Wilson). However, we, and Jeff, come to discover that he is really Hayley's prey when he is subjected to the teenager's torturous acts.

Dom Hemingway (2013)

Jude Law stars in writer and director Richard Shepard's Dom Hemingway in the title role of a former safecracker who is released from a years-long prison sentence and returns to London looking to collect what he believes he is owed.

Cruella (2021)

Who knew that Disney could make audiences empathize with an attempted puppy murderer? Indeed, they achieve this with Cruella by casting Academy Award winner Emma Stone in the title role, who is portrayed as a tragic figure forced to become a pickpocket as a child after her mother's sudden murder.

Take The Money And Run (1969)

Co-writer and director Woody Allen stars in the mockumentary Take the Money and Run as Virgil Starkwell, who is so inept, yet so affable, that you cannot help but hope to see him make a killing as a bank robber.

Trap (2024)

Josh Hartnett leads M. Night Shyamalan's Trap as Cooper, a father who takes his teenage daughter to a concert, which he discovers is being used as an elaborate plan to catch a notorious serial killer. This turns out to be a great concern for Cooper because this criminal, known as "The Butcher," is none other than him.

Burglar (1987)

Whoopi Goldberg stars in Burglar as Bernice, a non-violent thief who wrongfully becomes the prime suspect in a murder investigation when her latest target, the ex-husband of a dentist who just wants her jewelry back, suddenly turns up dead.

Now You See Me (2013)

The main characters of Now You See Me (played by Jesse Eisenberg, Woody Harrelson, Isla Fisher, and Dave Franco) are a team of magicians who use their skills in illusion to pull off heists and pass off their loot to people in need, like Robin Hood with a few extra tricks up their sleeves.

The 2026 movie schedule is already looking packed with new movies, but what I miss is... Original sci-fi – like Inception.

I'm sure after fifteen years, everyone and their mother knows what Inception is. But by some strange scenario, you're reading this article and you don't. Inception is considered one of Christopher Nolan's best films, and it's about a thief who can steal information from the minds of others through their subconscious.

It's trippy, weird, and 100% one of the best sci-fi films of the last decade – if not of all time.

But as I was sitting down on my couch the other day rewatching it, I couldn't help but think – why don't we get more original sci-fi like this anymore? And why not from Christopher Nolan himself?

It's So Rare We Get Sci-Fi Like This In Theaters Nowadays

The thing with Inception is that it's the type of movie that, to this day, still scratches the heads of people. For years, we will continue to debate the Inception ending, regardless of our feelings or what truly happened. We will always consider it one of Leonardo DiCaprio's best films.

However, I want to ponder whether we no longer come up with new, original -- as in, not an adaptation of an existing work -- sci-fi ideas like this. Sure, there are sci-fi films that come out – like the upcoming Predator: Badlands – but most tend to be sequels or reboots, a qualm I've had with the box office for years.

And then there are new movies that come out, but they are adaptations of books or pre-existing IPs, like the upcoming Project Hail Mary.

Inception, however, was a completely original idea from Nolan, not an adaptation, a reboot, or anything of the sort. It feels like we rarely see these kinds of movies made today.

I Hope That After The Odyssey, Christopher Nolan Dives Back Into Sci-Fi Again

While I'm sure everyone is excited for The Odyssey, I really want Nolan to think about doing sci-fi again. There's just something that he has when it comes to the genre that makes him stand out way more than anyone else right now, especially given the lack of original ideas being turned into movies.

I do love Inception, and in terms of trippiness and mind-bendability (literally), Nolan succeeds ten times over. But that wasn't the last time he did sci-fi. He also worked on Interstellar, which is my favorite Nolan film, and Tenet, which was grossly underrated. The Prestige could also be considered a sci-fi film, but Tenet and Interstellar are much more closely aligned with the genre.

I don't know what goes on in Christopher Nolan's head, but it's clear that he has a vision for his sci-fi films unlike anything else that we see from any other director. And judging from his track record, the story is always fantastic.

I hope that Nolan decides to dig deeper into these stories. Obviously, I love the biographical features and adaptations of famous works just as much as the next person, but I'm craving some original sci-fi.

I'll rewatch Inception again, likely for the umpteenth time. Time to rewatch and feel confused.

I think I speak for many when I say audiences love it when characters from two (or more) different movies or TV series come together in one special event, such as the epic monster movies featuring both Godzilla and King Kong, or when Scooby-Doo and Mystery Inc. appeared on Supernatural. Of course, for all of the mind-blowing crossovers we have been blessed with, there is still much to be desired in the realm of bringing two big-screen or small-screen franchises together.

In that respect, let’s let our imaginations run wild and dream up the movie or TV crossovers that would be incredible to see. Now, I cannot promise that many (or all) of these ideas are legally or even humanly possible, but why should we let that get in the way of the fun?

Toy Story And Small Soldiers

The first, and still one of the best, Pixar movies, Toy Story, showed us the world from the point of view of sentient toys in 1995. Three years later, Small Soldiers offered the same perspective, but with more of an edge and a more realistic approach. Seeing Woody (Tom Hanks) and other innocent children's playthings crossing paths with Major Chip Hazard (Tommy Lee Jones) and his AI-powered, militaristic action figures sounds like one wonderfully warped animated flick, if you ask me.

The Office And Parks And Recreation

As recalled by MovieWeb, co-creators Michael Schur and Greg Daniels initially conceived Parks and Recreation as a spin-off of The Office before it turned into its own separate and equally beloved TV sitcom. Still, there is no reason why Michael Scott (Steve Carell) and his former Dunder-Mifflin co-workers could not somehow cross paths with Leslie Knope (Amy Poehler) and other Pawnee residents in a mockumentary-style special.

Drive And Fast And Furious

A famous example of misleading movie marketing is 2011's slow-burn, Neo-noir thriller Drive, which one woman assumed would be more of a high-octane action thriller like the Fast and Furious movies, inspiring her to file a lawsuit, according to The Guardian. Honestly, I see this as a reason to give the people what they want and release a movie that sees Dom Toretto (Vin Diesel) and his crew facing off against Ryan Gosling's Driver.

Succession And Yellowstone

Having both premiered in 2018, Jesse Armstrong's Succession and Taylor Sheridan's Yellowstone would become subjects of comparison, with some even calling the Paramount Network hit "Succession with cowboy hats." I think seeing the wealthy and vindictive Roys indulging in a rivalry with the also wealthy and vindictive Duttons would make for one epic feature-length special or miniseries.

21 Jump Street And Men In Black

Among the hypothetical crossovers presented here, not all are too much of a stretch from the realm of possibility. In fact, there were actual plans for a film called MIB23, which would have brought Schmidt (Jonah Hill) and Jenko (Channing Tatum) from the 21 Jump Street movie into the world of the Men in Black franchise. Unfortunately, plans were scrapped in 2019, but I still have hope this insane sci-fi/comedy mash-up could work.

Poker Face And The Thing

Imagine if human lie detector Charlie Cale (Natasha Lyonne) from the Peacock original TV show Poker Face was trapped in one place with a group of people who may or may not be shapeshifting extraterrestrial organisms in disguise, like the 1982 horror movie classic, The Thing. She would be the only one who could suss out the imitators, but the rest of the group might be too paranoid to confidently trust her judgment. I think Rian Johnson should give John Carpenter a call.

Star Wars And Marvel Cinematic Universe

As a fan of both the Star Wars movies and of Guardians of the Galaxy, I love the idea of seeing the cosmic warriors from the Marvel Cinematic Universe visit George Lucas' galaxy far, far away. Considering both Marvel Studios and Lucasfilm are owned by Disney, this intergalactic epic is entirely possible, as long as the timeline is respected, of course.

RoboCop And Terminator

Omni Consumer Products' half-man, half-machine crime-fighting tool has crossed paths with Skynet's mechanical killer before, but only on the pages of a Dark Horse comic book series from Frank Miller. Why Hollywood has not yet tried its hand at a movie that pits the hero from RoboCop against any of the antagonistic cyborgs from the Terminator franchise is beyond me.

James Bond And Jason Bourne

The Matt Damon-led Jason Bourne movies are often cited as the inspiration for the James Bond franchise's grittier tone, especially after Daniel Craig took over as 007. If there could be a way to get the American amnesiac assassin and the suave MI6 agent together in a room (which would likely be destroyed by the end), that could make for one of the best spy movies ever.

Sherlock And Doctor Who

Two of the BBC's most popular series, Sherlock and Doctor Who, both involve a highly intelligent, fashionable, and sometimes arrogant protagonist who is accompanied by a reliable companion. For that and many other reasons, I think it would be amazing to see them come together in a special or miniseries in which Holmes, hitting a wall with a case that defies logic, finds unexpected help from The Doctor.

DC Universe And Marvel Cinematic Universe

The two biggest comic book publishing companies in the world have not always been rivals and have indulged in creating stories that see DC heroes and Marvel heroes fighting side by side. Considering his strong ties to the MCU, it can't be out of the question for DC Studios head James Gunn to at least call a meeting with Kevin Feige to discuss bringing this kind of crossover to the big screen, which might end up being the greatest superhero movie ever made.

John Wick And Kill Bill

While largely differing in tone, the John Wick movies and Quentin Tarantino's two-part Kill Bill saga are pretty similar in concept, following two retired, legendary assassins waging a vengeful war on those who wronged them. Who is to say that Keanu Reeves' gun-fu master and Uma Thurman's The Bride never crossed paths in their deadly heyday?

The Evil Dead And The Exorcist

Two of the most popular franchises of demonic possession movies, The Exorcist and The Evil Dead, could not be more different from one another, which is exactly why I want to see them converge. In my pitch, grown-up Regan MacNeill's (Linda Blair) expertise in devilish activity is enlisted to help with a new case, but when it spirals out of control, the only one who can help is chainsaw-headed Deadite hunter, Ash Williams (Bruce Campbell).

Inception And A Nightmare On Elm Street

When you think about it, Leonardo DiCaprio's Dom Cobb from Christopher Nolan's Inception essentially has the same job as Freddy Krueger from A Nightmare on Elm Street. Just imagine how much more challenging his team's adventures through the subconscious would be with Robert Englund's sadistic, badly burned boogeyman invading the same dream.

Alien, Predator, And Jurassic Park

You know what I think the Alien vs. Predator movies were missing? Dinosaurs. Putting these two fearsome extraterrestrials in yet another battle, but while trapped on one of the prehistoric animal-infested islands from the Jurassic Park films, could result in one of the most exciting entries from any of these franchises. You would not even need human characters to make it work because seeing both the Predator and the Xenomorph knocked down a peg by the T-Rex as a common enemy would be more than enough.

Ghostbusters And Casper

We already know that Casper and the Ghostbusters exist in the same universe, thanks to Dan Aykroyd's cameo as Ray Stantz in the Friendly Ghost's 1995 live-action feature adaptation of the animated series. I am sure Casper would happily help the paranormal exterminators take on a few evil spirits, even after an awkward misunderstanding were to happen when they first meet.

Mad Max And Dredd

The great thing about post-apocalyptic movies is that each has a different, intriguing interpretation of what a dystopian society would look like. However, what if the Wasteland from George Miller's Mad Max movies existed just across the (dried up) pond from Mega City One in Dredd? The gritty, visually stunning possibilities are endless.

Blade And Twilight

Allow me to make one thing clear: I am not suggesting that Marvel Comics' vampire hunter, originally played on the big screen by Wesley Snipes, should show up in the Twilight movies just to see Robert Pattinson's Edward, Kristen Stewart's Bella, and other bloodsuckers get slaughtered. I actually think Blade's presence could give the persistent haters of the films based on Stephanie Meyer's YA novel series a reason to treat the franchise with a little more respect.

Indiana Jones And Marvel Cinematic Universe

Since Disney owns both Marvel Studios and Lucasfilm, I wonder if anyone there has ever tinkered with the idea of putting a character like Indiana Jones in the MCU. I mean, he and Steve "Captain America" Rogers would have been alive around the same time and, as staunch anti-fascists, probably would have gotten along great. I doubt Harrison Ford's casting as Thunderbolt Ross in Captain America: Brave New World would cause much confusion, either.

Monk And Psych

The USA Network used to run promos bringing characters from their respective series together, including one in which Tony Shalhoub's eponymous detective from Monk suspects that Shawn Spencer (James Roday Rodriguez) is not a real psychic. It makes me wish that we could have seen an official crossover episode that would have seen plenty of funny bickering between the carefree Shawn and someone as neurotic as Adrian Monk, who at least might have gotten along with Gus (Dulé Hill).

Power Rangers And Godzilla

By combining their respective, animal-shaped vehicles into one large Megazord, the Power Rangers have managed to face off against bizarre creatures of all sizes, which means they could realistically take on Godzilla. However, if I were to pitch this crossover, the rangers would eventually have to join forces with the King of the Monsters after an even larger creature emerges to wreak havoc on Angel Grove.

Bill & Ted And Wayne's World

Perhaps we never saw Bill S. Preston Esq. (Alex Winter) and Ted "Theodore" Logan (Keanu Reeves) take Wayne Campbell (Mike Myers) and Garth Algar (Dana Carvey) on a trip through time because we are not worthy of such an excellent idea. Then again, if Myers and Carvey can still get together for Wayne's World reunions on SNL and Reeves and Winter could come back for 2020's Bill & Ted Face the Music, who says it doesn't have potential?

Dirty Harry And Death Wish

I think the greatest Dirty Harry movie we never saw would have put Clint Eastwood's Lt. Callahan on the case of a murderer targeting the most vicious gangs in San Francisco, which would turn out to be Charles Bronson's Paul Kersey from Death Wish. Inevitably, I think Harry would be lured into an alliance with the vengeful vigilante, coming to believe that his more permanent methods of justice align with his own.

Buffy The Vampire Slayer And Sabrina The Teenage Witch

It's a shame that there was never any attempt to make an official crossover between Buffy the Vampire Slayer with Sarah Michelle Gellar and the Melissa Joan Hart-led Sabrina the Teenage Witch while they were still on the air. The coming-of-age supernatural series may have differed dramatically in tone, but that is just what would have made the collaboration such a blast.

Harry Potter And The Dresden Files

If fans of the Harry Potter movies have ever been interested in trying out something a bit darker and grittier, there is another literary modern-day wizard with the same first name: Harry Dresden, played by Paul Blackthorne on the SyFy series, The Dresden Files. I think it would be fun to see J.K. Rowling's The Boy Who Lived helping author Jim Butcher's Chicago-based P.I. solve a grisly mystery in which magic is involved.

The Munsters And The Addams Family

They may have been on different networks and produced by opposing studios, but how in the world has there never been an attempt to introduce the Munsters to the Addams Family? I would even be open to getting the actors from Rob Zombie's reboot movie to star alongside the cast of Netflix's Wednesday if it meant getting just a glimpse at these creepy, kooky families finally coming together.

It And Terrifier

There are no two villains in the subgenre of creepy clown movies more iconic than Pennywise from It and Art the Clown from Terrifier. I can't imagine a horror fan being against the idea of bringing Bill Skarsgård's shapeshifting fear demon from Andy Muschietti's blockbuster adaptation of Stephen King's novel and David Howard Thornton from Damien Leone's shocking indie slashers together for one brutal showdown that would have blood and white face paint smeared across the screen.

Hocus Pocus And Trick 'R Treat

In Disney's cult favorite, family-friendly witch movie, 1993's Hocus Pocus, our young protagonists go through a lot of trouble to defeat the Sanderson Sisters (played by Bette Midler, Kathy Najimy, and Sarah Jessica Parker). I cannot help but wonder how easily those sinister spellcasters could have been taken care of by the mischievous Sam from the 2007 anthology horror movie favorite, Trick 'r Treat.

Hoarders And Storage Wars

You know those people on the show Hoarders who compulsively keep hold of any item they possess, no matter how unnecessary or even unhealthy it may be? I have a potential idea to help them: put them on another A&E reality show called Storage Wars and tell them that they must outbid other experienced collectors if they want to maintain ownership of their junk.

Johnny English And The Pink Panther

While it barely held a candle to Peter Sellers, I cannot deny that I enjoyed Steve Martin's portrayal of Inspector Jacques Clouseau in his Pink Panther reboot. I even more enjoyed Rowan Atkinson as a bumbling Bond-wannabe in the Johnny English movies. I imagine that having the clueless French detective and accident-prone British spy cross paths on a case would result in some real comedic dynamite (especially if real dynamite is involved).

Sister Act And The Nun

After watching Whoopi Goldberg's Academy Award-winning performance in Ghost, I am convinced that a sequel to Sister Act in which Deloris Wilson-Van Cartier must contend with the habit-wearing demon Valak (Bonnie Aarons) from the Conjuring movies would be a riot.

Big Brother And Survivor

Big Brother and Survivor are both competitive reality shows that make social interaction a key element to winning, with the biggest difference being the setting. If I ran CBS, I would send the most famous all-stars from Big Brother to a remote island, bring Survivor champs to the Big Brother house, and see what happens.

Have you ever heard someone describe your favorite movie in a way that completely changed your perception of its story forever… or at least made you chuckle a little? Cinephiles have been coming up with examples to describe a film plot badly (or just in simpler, funnier terms) for years.

I scoured the internet for some of the wittiest examples I could find and also managed to come up with a few decent ones of my own that I now present to you. You may never think of these classics the same way again.

A Father Asks His Long Lost Son To Take Over The Family Business (The Empire Strikes Back)

This one is inspired by an X post (from when it was still called Twitter) by Mitch Poppe, who makes, arguably, the best Star Wars movie sound more like a sweet Earthly drama (or even an organized crime thriller). Of course, it is not until the stunning climax of 1980's The Empire Strikes Back that we discover Darth Vader (voiced by James Earl Jones) is the father of Luke Skywalker (Mark Hamill), who is then tempted by the Sith Lord to come to the Dark Side and rule with him.

The Story Of One Man's Catastrophic Inner Conflict (Fight Club)

SPOILER WARNING: In one of the best movie plot twists ever, 1999's Fight Club reveals that the chaotic Tyler Durden (Brad Pitt) is a dissociative identity of Edward Norton's "Narrator." Unfortunately, he comes to that realization only after his other half has converted their unconventional male support group into a terrorist organization that he immediately intends to stop.

An Accident-Prone Dinosaur Theme Park, Shockingly, Still Exists (Jurassic World)

I also turned to my co-workers for help to come up with some of these simplified movie plot descriptions and one suggested this bit that, admittedly, points out just how ludicrous the plot of 2015's Jurassic World really is. It was already established in Steven Spielberg's 1993 original Jurassic Park movie that a theme park with real, living prehistoric creatures has the potential to result in disaster, much like the very plot of this sequel.

Three Escaped Convicts Start A Boy Band (O Brother, Where Art Thou?)

There is a reason why O Brother, Where Art Thou? is considered to be one of the best music movies ever made and the X account Explain A Movie Plot Badly recognizes this in its simplified explanation. Joel and Ethan Coen's 2000 comedy is a retelling of The Odyssey, redefined as the story of Depression Era inmates (played by George Clooney, John Turturro, and Tim Blake Nelson) who ditch the chain gang and find success as singing folk songs as The Soggy Bottom Boys.

Deja Vu Cures A Weatherman's Cynicism (Groundhog Day)

When you really think about it, all of the best time loop movies are tales of redemption and self-rediscovery. In other words, my colleague's clever description of 1993's Groundhog Day could be applied to almost any one of them, save the mention of Phil Connors' (Bill Murray) profession as a TV weather reporter.

A Teen Plays Matchmaker For His Own Parents (Back To The Future)

Back to the Future, stars Michael J. Fox as Marty McFly, who accidentally takes Doc Brown's (Christopher Lloyd) time machine 30 years in the past and nearly prevents his own existence by getting in the way of his mother (Lea Thompson) and father (Crispin Glover) falling in love in high school. If you did not realize that I was talking about the 1985 time travel movie classic, you might assume I was describing the story of a child trying to get their divorced parents back together.

A Young Man Goes Through A Lot Of Trouble To Return Some Jewelry (The Lord Of The Rings Trilogy)

I almost hate to admit this, but I have never been very interested in epic fantasy stories like the Lord of the Rings movies. However, Eser Ünsalan's X post helped me realize just how relatable Peter Jackson's adaptation of J.R.R. Tolkien's trilogy is if you break down Frodo's (Elijah Wood) journey into its simplest terms.

A Man Constantly Loses His Prized Possessions To This French Jerk (Raiders Of The Lost Ark)

Many would agree that the best Indiana Jones villain is Dr. René Belloq, who claims at the beginning of 1981's Raiders of the Lost Ark that there is nothing Harrison Ford's heroic archaeologist can possess that he cannot take away. Actor Paul Freeman has said that he believes his sniveling, French explorer is not so different from Indy, save for his reluctance to do the work himself and alliance with fascist organizations, of course.

A Fight Breaks Out Between Two Angry Orphans (Batman V Superman: Dawn Of Justice)

Despite their differing methods of justice, overall sense of optimism, and respective species, Batman and Superman relate to each other in many ways, most notably that they both know what it is like to lose their parents. Explain a Movie Plot Badly reflected on that in the X post that inspired this joke, which references 2016's Batman v Superman: Dawn of Justice, even though Ben Affleck's Bruce Wayne did not know Clark Kent's (Henry Cavill) own tragic backstory until a little too late into their quarrel.

A Man Wins Back His Wife By Throwing Out Uninvited Christmas Party Guests (Die Hard)

Many have debated whether or not Die Hard – in which Det. John McClane (Bruce Willis) wages a war against ruthless thieves taking his wife (played by Bonnie Bedelia) and her colleagues hostage in an L.A. high-rise – it deserves a spot among the best Christmas movies ever made. Well, if you strip away its more violent content, the 1988 action movie classic's plot is clearly not much different from your typical holiday rom-com.

A Man Goes Through A Lot To Have The Perfect Suit (The Silence Of The Lambs)

One would have to have a pretty bleak sense of humor to paint Jame "Buffalo Bill" Gumb (Ted Levine) from 1991's The Silence of the Lambs in a sympathetic light and it appears that the people at Explain A Movie Plot Badly do. Their X post, referring to a serial killer fixing to make a suit of human skin in Jonathan Demme's unsettling Best Picture Oscar winner, inspired this also quite unsettling joke.

A Teen Becomes Upset When His Computer Dies (Terminator 2: Judgment Day)

In addition to its astonishing action sequences, what really makes 1991's Terminator 2: Judgment Day a classic sci-fi movie is the endearing relationship between the T-800 (Arnold Schwarzenegger) and young John Connor (Edward Furlong). Of course, no matter how misty-eyed you may get from their final goodbye at the end, you cannot ignore the fact that this kid's father figure was still a machine.

Two Men Turn To The Bible To Solve Their Problems (Se7en)

Let me just make this clear: Se7en is not a religious movie. However, faith does play a pivotal role in how veteran detective Somerset (Morgan Freeman) and rookie Mills (Brad Pitt) investigate a multiple murder case in David Fincher's 1995 thriller. They recognize that the sadistic killer's pattern is related to the biblical seven deadly sins.

Water Helps A Family Survive (Signs)

One of the most divisive M. Night Shyamalan movie plot twists comes from Signs, in which it is revealed that the extra-terrestrial intruders die when water touches them. It is easy to understand why this is underwhelming, but we also should not ignore the fact that Graham Hess (Mel Gibson) and his family might not have made it through the alien invasion if not for the invaders' strange weakness.

A Man Sleeps Through A 10-Hour Flight (Inception)

Due to its visually stunning appeal, it is easy to forget that much of what we see in Inception is not even real and the main characters are all asleep as it happens. In fact, much of the film takes place in the mind of a sedated Robert Fischer (Cillian Murphy), whose subconscious is invaded by Dom Cobb (Leonardo DiCaprio) and his crew while on a long plane trip to the United States.

A Guy Jumps Through Many Hoops To Complete His Rock Collection (Avengers: Infinity War)

I do not in any way mean to undermine the efforts that the Avengers, the Guardians of the Galaxy, and other concerned parties go through to prevent a cataclysmic event that, tragically, does end up happening anyway. However, darthyogi on Reddit makes a really good point in the way they describe Thanos' (Josh Brolin) ultimate goal in 2018's Avengers: Infinity War. I mean, a fitting alternate title for the acclaimed Marvel movie could have been Avengers: Geology War.

Six Men Dress The Same For Their First Day At Work (Reservoir Dogs)

It is really nothing unusual for a group of coworkers to have matching uniforms. Of course, Explain A Movie Plot Badly's tweet that inspired this reimagining of Reservoir Dogs' storyline leaves out that this "first day at work" is also their last, since the jewelry store heist they volunteer for goes terribly, and fatally, wrong.

Boy Meets Girl, Boy Loses Girl, Boy Forgets Girl, Boy Meets Girl (Eternal Sunshine Of The Spotless Mind)

Arguably Jim Carrey's best movie, 2004's Eternal Sunshine of the Spotless Mind is such a conceptually, visually, and even structurally unique experience, as acknowledged in this bit from the mind of my coworker. It is such a clever twist to learn that the beginning, when Joel (Carrey) meets Clementine (Kate Winslet) on a train, is actually the end of the sci-fi rom-com, taking place after they each unwittingly erased the memory of their relationship.

A Millionaire Is Forever Haunted By The Loss Of His Favorite Toy (Citizen Kane)

The end of 1941's Citizen Kane reveals that the titular, late publishing tycoon (played by co-writer and director Orson Welles) was remembering the sled he used to play with as a child when he spoke his final word: "Rosebud." For decades, this seminal film's conclusion has been heralded as one of all-time finest, but I cannot help but wonder how divisive this twist would be if the film had come out in modern times, especially if you think of it in the same terms as this joke.

A Clown Provokes An Angry Cosplayer (The Dark Knight)

Without the proper context, this sounds like a headline for a newspaper article reporting a fight that broke out on Hollywood Boulevard. Actually, even with the proper context, it does not just sound like the plot of 2008's The Dark Knight but of a few of the best live-action Batman movies.

A Divorced Dad Kills An Intruder And Takes His Job (The Santa Clause)

Even before finding Explain A Movie Plot Badly's X post that inspired this simplified film story, I had been made aware of just how dark the concept of 1994's The Santa Clause truly is in retrospect. However, that does not stop me from recognizing Scott Calvin (Tim Allen) as one of the coolest cinematic movie Santas for the way comes to wholeheartedly accept the job (after some convincing) when he accidentally causes his successor's fatal accident from the top of his roof.

A Princess Convinces A Millionaire And A Cat Lady To Give Up Their Dreams (Wonder Woman 1984)

Perhaps my favorite tweet from Explain A Movie Plot Badly offers the funniest way to describe 2020's Wonder Woman 1984 that I think anybody could imagine. The DC movie sequel features two villains for Gal Gadot's Amazonian warrior to take on: the wealthy Max Lord (Pedro Pascal), who gets ahold of a mystical rock that grants wishes, and geologist Barbara Minerva (Kristen Wiig), whose wish turns her into "Cheetah."

A Young Man Has A Bunny To Thank For Saving His Life (Donnie Darko)

The plot of the mind-bending high school movie Donnie Darko (a personal favorite of a friend of mine who helped come up with this bit) is set in motion when the titular teen (Jake Gyllenhaal) narrowly escapes a tragic death when he follows the voice of a possibly hallucinatory man named Frank (James Duval). I am not sure where writer and director Richard Kelly got the idea to dress Frank in the most disturbing rabbit costume imaginable, but I also believe it is essential to the 2001 thriller's legacy as an enduring cult favorite.

A Woman's Motel Room Shower Is To Die For (Psycho)

I cannot imagine there exists a motel with a bathroom shower this impressive. But, do you know what is impressive? The shocking, iconic scene from Alfred Hitchcock's 1960 masterpiece in which Marion Crane (Scream Queen Janet Leigh) is murdered by who we assume is the mother of Norman Bates (Anthony Perkins) while taking a shower at the Bates Motel.

A Divorced Father Fights To See His Daughter (Taken)

One of the most matter-of-fact X posts by Explain A Film Plot Badly takes aim at Taken, in which retired CIA agent Brian Mills (Liam Neeson) takes action to locate his kidnapped daughter, Kim (Maggie Grace), in France. Without knowing what the 2008 action flick is actually about, one might hear this description and assume it is a wholesome family film.

A Group Of Men Learn To Never Trust Dogs (The Thing)

The best kind of dog movies are the ones where the dog saves the day, but that is certainly not the case in John Carpenter's The Thing. The 1982 horror movie classic opens with the central characters taking in a Canadian timber wolf-Alaskan Malamute hybrid that turns out to be a malevolent, shapeshifting alien in disguise.

Amateur Gambler Loses Everything, But Still Keeps His Job (Casino Royale)

A coworker of mine who has a special affinity for the James Bond movies had the perfect way to summarize the events of Daniel Craig's debut as 007 in Casino Royale.

A Woman Falls In Love With The First Guy She Sees After Waking Up (Sleeping Beauty)

Many of Disney's animated princess movies take on a more creepy, problematic guise in retrospect. Take, for example, this summarization of Sleeping Beauty, inspired by a tweet from Marisa Nocito.

First Responder Uses Government Resources To Exclusively Rescue Personal Family Members After An Earthquake (San Andreas)

The coworker of mine who came up with the idea for this bit inspired by 2015's San Andreas actually had some harsher words to describe Dwayne Johnson's central hero, who probably would have lost his job for acting in his own self-interests in the wake of a natural disaster.

A Powerful Corporation Benefits From Child Endangerment (Monsters Inc.)

I just might have ruined one of my own favorite Pixar movies for myself by the way I reinterpret 2001's Monsters Inc. and the titular company's bid to collect children's screams in this joke.

A Man Walks Up And Down A Flight Of Stairs (The Woman In Black)

The 2011 adaptation of Susan Hill's The Woman in Black certainly boasts some effective frights. However, there is a shocking amount of scenes in which Arthur Kipps (Daniel Radcliffe) is seen walking up a flight of stairs to find something scary before walking back downstairs to avoid the creepy entity, only to find something else freaky, and the situation repeats.

A Team Of Athletes Try New Eating Habits (Alive)

One of the darkest posts on X by Explain A Movie Plot Badly references the 1993 thriller, Alive, which is based on the harrowing true story of a Uruguayan rugby team forced to do the unthinkable when their plane crashes in the middle of the Andes Mountains.

Digital visual effects have been an integral part of the filmmaking process for decades but their increased use over the years has had some moviegoers convinced that Hollywood is far too reliant on creating worlds with a computer. Well, allow us to prove to you that practical effects do still exist by highlighting some modern classics that have honored the old-fashioned ways of creating movie magic.

The Substance (2024)

As an eye-opening behind-the-scenes featurette for The Substance proves, director Coralie Fargeat went to great lengths to use as little CGI as possible to realize her vision for the film, which received five 2025 Academy Award nominations, including Best Makeup. Some of the most bizarre and disgusting shots of this intense body horror spectacle were captured on camera with shockingly realistic doubles for body parts, such as when Elisabeth Sparkle (Demi Moore) births her double, Sue (Margaret Qualley), out of her back.

Mission: Impossible - Fallout (2018)

One of the most appealing aspects of the Mission: Impossible movies is their intense action sequences, achieved with little to no digital enhancement. Arguably, the franchise's most unbelievable practical stunt comes from Mission: Impossible - Fallout. Tom Cruise trained for weeks to perform a HALO jump out of a plane from 25,000 feet above the ground for a sequence that only required CGI to create the storm raging around Ethan Hunt as he descends.

Jurassic Park (1993)

While considered a revolutionary moment for CGI in movies with its timeless dinosaur creations, the first installment of the Jurassic Park movies also uses practical effects in very impressive ways. While the animatronic velociraptors are among the most famous examples, according to special effects designer Michael Lantieri in a video by Great Big Story, one of the most difficult effects was creating ripples in a cup of water to signal the T. Rex's approach, which was achieved by plucking a guitar string placed underneath the cup.

Inception (2010)

Some of the more surreal moments from Christopher Nolan's dream-exploring adventure Inception obviously could not have existed without CGI. However, as demonstrated in a behind-the-scenes DVD featurette, the scene when Arthur (Joseph Gordon-Levitt) engages in a brawl in a hotel that is literally spinning was achieved by rotating a hallway set on an axis and, for shots in zero-gravity, building a vertical hallway set and suspending the actors on wires.

The Shape Of Water (2017)

Guillermo del Toro's Oscar-winning romantic fantasy The Shape of Water begins with an opening credits sequence taking place in a fully submerged building filled with floating furniture. According to THR, the surrounding water was added digitally but the scene was still primarily achieved practically by having puppeteers control the movements of the suspended props.

Spider-Man (2002)

Sam Raimi, creator of the Evil Dead movies, became an inspirational indie film hero with the use of clever, homemade practical effects in the original horror classic and would maintain that sensibility when he helmed one of the best superhero movies, Spider-Man. For instance, as a DVD commentary reveals, the scene when Peter Parker (Tobey Maguire) catches Mary-Jane (Kirsten Dunst) and her falling lunch on her tray was captured for real after 156 takes, with some help from an adhesive that kept the tray steadily attached to Maguire's hand.

Star Wars: The Force Awakens (2015)

The design of BB-8 is so unique that it seems it could only be achieved in a galaxy far, far away but, according to the official Star Wars website, he was filmed practically here on Earth. The rolling droid was constructed for Star Wars: The Force Awakens with magnets and gyroscopes that allowed his head to remain attached as he rolled through the sand.

Apollo 13 (1995)

The zero-gravity sequences from the classic space movie, Apollo 13, are so realistic, it almost seems like director Ron Howard and co. would have had to leave Earth to shoot them. Actually, according to AV Club, they only had to travel about 36,000 feet above ground by building the set in a NASA training craft called the KC-135 (nicknamed the "vomit comet") which authentically creates the feeling of weightlessness by taking gravity-countering dives.

Oppenheimer (2023)

Christopher Nolan said that there were "zero CGI shots" in his Best Picture Oscar winner, Oppenheimer, which dramatizes the development of the atomic bomb. To clarify, as reported in Variety, CGI was used in some instances to improve a visual but not a single shot was entirely created with a computer, including the Trinity Test, which was filmed practically using miniatures that were blown up by the crew.

Mad Max Fury Road (2015)

CGI is primarily used in George Miller's exhilarating post-apocalyptic thriller, Mad Max: Fury Road, to improve certain visuals and remove equipment from the frame. However, as a behind-the-scenes feature found on the Blu-ray reveals, just about every wild, death-defying stunt that takes place in this post-apocalyptic action movie masterpiece was performed on camera and on location, such as the pole-vaulting stunts. Bonus fun fact: the Doof Warrior's guitar was an actual working flame-thrower.

Eternal Sunshine Of The Spotless Mind (2004)

Director Michel Gondry's Eternal Sunshine of the Spotless Mind is a film that does not fit neatly into any genre, thanks to its mind-bending fantasy visuals, many of which were achieved practically. For instance, as mentioned in an article from Focus Features' official site, the scene when Joel (Jim Carrey) and Clementine (Kate Winslet) appear to change size while walking around a set is achieved with a distortion chamber, which uses forced perspective to create the illusion that two people on opposite sides of a room are wildly different sizes.

Interstellar (2014)

The one scene from Christopher Nolan's breathtaking space epic, Interstellar, that, most surprisingly, is predominantly shot with practical effects sees Cooper (Matthew McConaughey) in a tesseract that allows him to literally interact with time itself. IndieWire reports that the sequence was achieved by projecting animated images onto thin strands of fabric that surrounded the fully built, life-size set which the actor was suspended inside.

Everything Everywhere All At Once (2022)

Daniel Kwan and Daniel Scheinert created a fantastic world (or, more accurately, worlds) for their Oscar-winning, beloved A24 movie, Everything Everywhere All At Once, with a unique combination of CGI and practical effects and the help of a five-person VFX team. As they explain in a video for Wired, the first time Evelyn (Michelle Yeoh) makes an interdimensional jump was done practically by shooting the actor being dragged to another corner of the office building in slow motion.

Lord Of The Rings: The Fellowship Of The Ring (2001)

Peter Jackson and Co. easily could have used digital effects to make Elijah Wood's Frodo and other Hobbit characters appear much smaller than Gandalf (Sir Ian McKellan) in the Lord of the Rings movies. Instead, according to Wired, they went the old-fashioned route and used the simple act of forced perspective by placing actors further back in the frame to make them look smaller than the actor placed closer to the camera.

Grindhouse (2007)

Robert Rodriguez and Quentin Tarantino teamed up for a double feature that paid tribute to exploitative B-grade flicks of the '60 and '70s but only one of them really stayed true to the era's filmmaking principles. Rodriguez's Planet Terror relies heavily on CGI to create its grotesque world while Tarantino's Death Proof (according to Hagerty) is lauded for adding little to no digital enhancement to its crazy stunts, especially when Zoe Bell hangs on the hood of a car while being chased by Kurt Russell's Stuntman Mike.

The Dark Knight Rises (2012)

All three of Christopher Nolan's live-action Batman movies provide proof of his championing for capturing as many mind-blowing sequences on camera as possible, especially in The Dark Knight Rises. As a Business Insider feature details, the opening sequence, in which Bane (Tom Hardy) hijacks a CIA plane, was performed for real after obtaining permission to drop part of the plane from a helicopter over Scottish land.

1917 (2019)

One might assume that to create the illusion of being filmed in mostly one take, Sam Mendes' 1917 used a great deal of CGI to hide the seams. Truthfully, there were some Oscar-winning digital effects used in some key moments, such as the plane crash sequence, but, as detailed by The New York Times, the explosions from the climactic scene in which Schofield (George MacKay) runs across a field bombarded with bombs were authentic.

Terminator 2: Judgment Day (1991)

In addition to its breathtaking stunts, such as in the iconic canal scene, one of the most impressive practical effects from Terminator 2: Judgment Day takes place in the director's cut when Sarah (Linda Hamilton) and John Connor (Edward Furlong) remove the T-800's (Arnold Schwarzenegger) chip from his head in front of a mirror. A video by Insider explains that in order to avoid the camera showing up in the mirror's reflection, the scene was instead shot in front of a window with a recreation of the set on the other side and Hamilton's twin sister, Leslie, mimicking her actions.

It (2017)

For his 2017 adaptation of Stephen King's It, director Andy Muschietti was initially planning on using CGI to give Pennywise a lazy eye to make the demonic clown even creepier. However, according to an exclusive interview with Entertainment Tonight, he discovered he did not need to use digital effects because Pennywise actor Bill Skarsgård can move his eye individually – a fact that It: Chapter Two star Bill Hader was frightened to learn on set, as he revealed on Conan.

Harry Potter And The Prisoner Of Azkaban (2004)

Most of the magic from the Harry Potter movies is, obviously, brought to life with digital effects but there is one memorable, fantastic scene from the third installment, Harry Potter and the Prisoner of Azkaban, that was created on camera. A feature by ScreenRant explains that, for the scene in which Harry (Danielle Radcliffe) accidentally casts a spell that causes his Aunt Marge to blow up like a balloon, actor Pam Ferris wore a special suit and facial makeup prosthetics that could actually inflate.

Spider-Man 2 (2004)

Awarding the Oscar for Best Visual Effects to Spider-Man 2 was a no-brainer based on how realistic Doctor Octopus' mechanical arms look alone. As explained in a DVD bonus feature, CGI was used for most scenes involving Doc Ock's evil appendages but many of their movements were achieved with rigorous puppeteering which actor Alfred Molina was also heavily involved in.

Beetlejuice Beetlejuice (2024)

Michael Keaton said that it was important to him and director Tim Burton that the long-awaited Beetlejuice sequel, Beetlejuice Beetlejuice, use as many practical effects as possible. EW mentions that, just like in the 1988 original, sandworms were created with stop-motion animation for a scene when Lydia Deetz (Winona Ryder) and her daughter, Astrid (Jenna Ortega) find themselves on one of Saturn's moons.

The Tragedy of Macbeth (2021)

For Joel Coen's solo directorial debut, The Tragedy of Macbeth, the filmmaker wanted to give the adaptation of William Shakespeare's influential play a distinct look reminiscent of a theater stage. To create this aura, as seen on a featurette posted to YouTube by Apple TV+, life-size sets were built on a soundstage at the Warner lot and surrounded by matte paintings to fill in the backgrounds.

Midsommar (2019)

The secret to the visceral nature of the nightmares Ari Aster brings to life in his second great A24 horror film, Midsommar, is the use of practical effects, such as in the scene when an elderly villager has his face fatally smashed in after surviving a cliff jump. According to Vulture, the gruesome moment was filmed practically with a fake head equipped with pneumatic cylinders that could collapse and reset with the push of a button, allowing for multiple takes with the same prop.

Skyfall (2012)

What makes Daniel Craig's James Bond movies so memorable is the realism of their action sequences, such as the opening scene of Skyfall. A feature about the train fight from SlashFilm details just how challenging it was for director Sam Mendes and co. to shoot the scene on top of a real moving train.

Independence Day (1996)

The visual effects of the classic alien invasion movie, Independence Day, took home a well-deserved Oscar — not just for its convincing CGI but also for its more old-fashioned tricks. For instance, an article from the Director's Guild of America website explains that the destruction of recognizable landmarks like The White House and the Empire State Building was achieved with miniatures.

Tenet (2020)

Christopher Nolan goes above and beyond to create the most realistic and explosive action sequences possible, such as purchasing a real, full-size Boeing 747 only to destroy it. According to ScreenRant, that is how he shot the plane crash scene from Tenet.

Top Gun: Maverick (2022)

Enough time has passed since the 1986 original that Tom Cruise and Co. could have achieved aerial action sequences in Top Gun: Maverick on sound stages and with green screens. Instead, as detailed by IGN, the actors trained for months to actually go up in the air in military-grade jets equipped with cameras for the most realistic shots possible.

First Man (2018)

According to Digital Trends, First Man director Damien Chazelle wanted to shoot Neil Armstrong's (Ryan Gosling) moonwalk without green screens but in a place that could later be slightly augmented in post-production. They chose to shoot the sequence at an Atlanta quarry and some of the only digital trickery involved was to remove elements the filmmakers did not want to be reflected in the actors' astronaut helmet visors.

Barbie (2023)

Before her feet fall flat due to an existential crisis, Margot Robbie's eponymous role is introduced in Barbie with her feet in an inhumanly arched position. Director Greta Gerwig told The Project that his shot was not achieved with CGI but by anchoring Robbie's toes to the ground with double-sided tape.

Mary Poppins Returns (2018)

Emily Blunt made magic with her wonderful portrayal of the iconic, titular nanny in Mary Poppins Returns but that was not the only stellar trick the production pulled. For instance, as a special featurette shared on YouTube by Rotten Tomatoes reveals, the scene in which Mary and the children enter a magical realm through their bathtub was achieved with a slide built underneath the tub that was cleverly concealed with a thick layer of soap bubbles.

The French Dispatch (2021)

Wes Anderson movies like The French Dispatch exist in a world that could only come from the filmmaker's vast imagination. So, how are these striking, surreal images brought to life on camera? A video by Piercefilm Productions reveals some of the drama's most memorable visuals are created with a combination of miniatures and painted backgrounds.

Ending a story is hard, just ask Monty Python who had a very hard time (and budget issues) with the ending of The Holy Grail. When a film ends well, it's often with one iconic scene that really sticks with the audience forever. Sometimes it's the most enduring image of the movie and this is a list of scenes like that. Iconic scenes that really stick the landing at the end.

Fight Club

It's really hard to believe that Fight Club wasn't really a hit when it was released in 1999, especially given the epic ending. Not only does it tie up a disturbing bow on the whole movie, but the visual, of a city collapsing is simply stunning. If those two things are not enough, having The Pixies' "Where Is My Mind" play over the exploding city is one of the best uses of music in a movie, ever.

Oppenheimer

Director Christopher Nolan pulled off an amazing trick in Oppenheimer. With his trademark use of time in a movie, he managed to tell the whole story of Robert Oppenheimer (Cillian Murphy), including what happened after The Manhattan Project but still managed to bring the film to a climax with the big boom of the first nuclear bomb test. All of that set the end, with a focus on Oppenheimer himself internally debating if it was all the right thing to do.

Psycho

Leave it to Alfred Hitchcock to end a movie with a quiet bang that leaves the audience freaked out and thinking about days and even years later. The end of Psycho, with Norman Bates (Anthony Perkins) staring into the camera as we hear his internal monologue, is about as perfect an ending as a movie can have.

Dead Poets Society

You simply cannot think about Dead Poets Society without thinking of that iconic ending first. As John Keating (Robin Williams) walks out of his classroom after being fired, all of his students stand on their desks in tribute, reciting "O Captain! My Captain!" from the famous poem by Walt Whitman. It is guaranteed to bring a tear to your eye every time you see it.

The Breakfast Club

Over the 90 or so minutes of The Breakfast Club, audiences all get to know each one of the characters intimately. Vice Principal Vernon (Paul Gleason) reads Brian's words as the audience hears Brian (Anthony Michael Hall) explain how each student is unique, but how they have to appreciate each other. They may be a brain, an athlete, a basket case, and a criminal, but they all have the problems of any teenager.

The Truman Show

The Truman Show is one of Jim Carrey's best films and the ending is a big part of that. The emotion of his sailing trip across "the ocean" and the moment he arrives at the door is harrowing. The joy of seeing Truman finally escape captures the audience perfectly and Truman waving goodbye as he walks out the door ends the movie in the best way possible.

The Silence Of The Lambs

The worst part about the end of The Silence Of The Lambs is that you find yourself actually rooting for a psychopathic serial killer. The movie, if you don't remember, ends with an escaped Hannibal Lecter (Anthony Hopkins) in disguise tracking his nemesis, Dr. Chilton (Anthony Heald) as he gets off a plane in a tropical location.

Thelma & Louise

There really isn't a more epic ending to a movie than Thelma & Louise. After being chased across multiple states after committing a justified crime, the two titular characters decide to literally ride off into the sunset - or off a cliff - as the police are closing in on them. In it together to the end.

The Godfather

There is nothing in cinema quite like The Godfather saga. There are some amazing scenes all throughout the two...okay, three... movies. None are more arresting than the final scene of the first movie when Michael (Al Pacino) fights with, and lies to, Kate (Diane Keaton) before leaving the room to greet his other family members. The door closing in Kate's face is tragic, but incredible.

Chinatown

Despite the last line of dialog in the movie, it's impossible to forget Chinatown, especially its tragic ending as Evelyn (Faye Dunaway) is killed attempting to finally escape the clutches of her domineering and, frankly, evil father played by John Huston. Jake (Jack Nicholson) is understandably distraught, yet all he can do is forget about it.

Planet Of The Apes

With one of the best twists in film history, the ending of Planet Of The Apes is so unforgettable that it has become a part of pop culture. Even people who have never seen the movie, starring Charlton Heston as an astronaut stuck on what he thinks is a distant planet, know how it ends when he discovers he's been on Earth the whole time.

Field Of Dreams

The premise of Field of Dreams is that if he (Kevin Costner) builds it "he" will come. The "he," of course, is Costner's character's father. The movie ends with the two characters having a catch on the baseball field as the camera pulls out to reveal a line of cars headed to watch a game at the magical field. Finally, they come.

The Usual Suspects

The Usual Suspects has one of the most beloved twists ever and the way it ends, with the reveal that Kevin Spacey's character is Keyser Söze, and with that final breath...poof, one of the most epic final scenes ever.

Dr. Strangelove

You can't really end a movie in a more epic way than having nuclear weapons exploding over and over. From the moment Korg (Slim Pickens) hitches a ride on one of his bombs, to the montage of actual nuclear explosions, the end brings to a point the absurdity of nuclear war.

Casablanca

There aren't many movies that have multiple quotes that have become part of the lexicon like Casablanca. Playing it again, hills of beans, looking at you... the list goes on and on. The final shot of Rick (Humphrey Bogart) and Renault (Claude Raines) walking off into the fog is right up there with the greatest endings ever, with that iconic quote from Rick to Renault about the beginning of a beautiful friendship.

Sunset Boulevard

There are few ending scenes as uncomfortable (and wonderful) as the final scene in Sunset Boulevard. Norma Desmond's slow walk down the stars, with the over-the-top facial expressions by actor Gloria Swanson is sooooo disconcerting, and when the camera comes to a stop on Swanson's face and she delivers that famous line, "Alright, Mr. DeMille, I'm ready for my close-up" is spine-tingling.

Reservoir Dogs

Quentin Tarantino's debut movie is one of the best movies by a first-time director ever. His brilliant script ends as tragically as a movie can with virtually all the characters dying. The last two, Mr. Orange (Tim Roth) and Mr. White (Harvey Keitel) are the most heartbreaking.

Whiplash

The only way to end a movie as intense as Whiplash is with a scene befitting that intensity and the final drum solo of the movie when it all comes together for Miles Teller's character. The movie is hard to watch and tension built up until that final release is felt by audiences as much as it shows in Teller's face. It's brilliant.

The Graduate

The best thing about the ending to The Graduate is just how unsure both Benjamin (Dustin Huffman) and Elaine (Katharine Ross) are when they take their seats on the bus. Sure, on the surface it's a pretty standard ending to a Rom-Com, with the two lovebirds facing the future together. But as the shot lingers, it's clear both are nervous about that future, unsure that they've made the right decision. It's an excellent ending.

The Thing

The thing about the ending of The Thing is that it really is all about one line. One iconic line. After all MacReady (Kurt Russell) and Childs (Keith David) have been through, they are left by themselves in the cold. When Childs asks what they should do, MacReady can only say, "Why don't we just wait here a little while...and see what happens."

There Will Be Blood

The final act of There Will Be Blood is one of the most intense scenes in any movie, ever. The physical and metaphysical battle for Daniel Plainview's soul is violent. In the end, after Plainview (Daniel Day-Lewis) and Eli (Paul Dano) are finished, and Eli is dead, Plainview can only turn to his butler and say, "I'm finished." He is finished in almost every way

Inception

Much like the rest of the movie, the ending to Christopher Nolan's Inception is left open to interpretation by the audience. When Cobb (Leonardo DiCaprio) spins the top at the end to determine if he's in the real world, he never actually looks at it, leaving him, and us, to wonder just where he is.

Primal Fear

Edward Norton's character (or characters) in Primal Fear are terrifying and the end, with its nod to Hitchcock's Psycho, leaves the audience with a most uneasy feeling. What did we all just watch and what is real? Those are the questions we are asked and we don't have all the answers.

Eternal Sunshine Of The Spotless Mind

Eternal Sunshine Of The Spotless Mind is one of the most unconventional romances in film history. It asks the question we all ask sometimes, are we destined to be one other person in our lives? The ending doesn't really answer it, but it is clear that two souls can be connected whether we want them to be or not.

Butch Cassidy And The Sundance Kid

Sure, it's the "Hollywood" ending to a kinda true story in Butch Cassidy And The Sundance Kid. In the end, in classic Western style, our heroes are surrounded with no chance to escape, they choose to go out guns blazing. Of course, in real life, the fate of the real Butch and Sundance has been open to a lot of conjecture. Did they survive? Well, the movie freezes just as they burst out of their hideout, and we never see the final gunfight, so maybe they did. It's part of what makes it one of the best Westerns ever.

Se7en

It doesn't get more disturbing than the end of Se7en. John Doe (Kevin Spacey) is in control the whole time and he proves it with the delivery of "the box," getting exactly what he wants from Mills (Brad Pitt), and the audience is left with that pullback from the camera on the helicopter as we hear radio chatter about what's happened. It's one you just can't stop thinking about for days.

The Shawshank Redemption

The end of The Shawshank Redemption could be subtitled "Red's Last Journey" as he makes his way across the country, and across the border to reunite with Andy on the beach. It's a touching ending to the best movie of the 1990s.

Citizen Kane

Obviously, Citizen Kane is one of the most iconic movies of all time, and the ending is no small part of why people love it so much. The image of the burning sled called "Rosebud" at the end not only answers what Kane (Orson Welles) hinted at in the first scene of the movie, but it leaves the audience to ponder just what life, even one like Kane's, really means in the end.

One Flew Over the Cuckoo's Nest

For much of One Flew Over the Cuckoo's Nest, we don't really see just how important Big Chief is. In the end, though, it's Big Chief who not only sets McMurphy free by suffocating him, but he frees himself of the hospital and all his internal baggage that he's found so hard to let go of. It's a tragically beautiful ending to a wild movie.

The Bridge On The River Kwai

So much of war is futile and no movie expresses that more succinctly than The Bridge On The River Kwai. The whole movie is a battle between the Japanese guards and the Allied prisoners, and it's a battle with nature, and the titular bridge, which, in the end, of course, is blown up. What is the point of it all?

Schindler's List

The raw power of the final scene of Steven Spielberg's masterpiece Schindler's List is undeniable. The black-and-white movie turns to color as the real-life survivors place stones on the real-life grave of Oskar Schindler. It brings even more weight to the cost of the Holocaust than you could possibly expect and it's as powerful a moment as has ever been in any film, ever.

It's A Wonderful Life

The Christmas classic It's A Wonderful Life has become a bit of a trope in recent decades, but you still can't deny how sweet and wonderful the ending is as an angel finally earns his wings.

From the wild thrills of Die Hard to the beautiful chaos of John Wick, a notable number of the best action movies of all time either launched franchises or are sequels to excellent originals, but just because a film never inspired a follow-up story doesn’t mean it’s bad. In fact, cinema history is filled with excellent action blockbusters that exist independently of series.

In an effort to prove that point, we’ve put together this feature highlighting 32 special movies – all of them great and none of them to date producing a sequel.

Attack The Block

To be fair, there were reports in 2021 that writer/director Joe Cornish was reuniting with John Boyega for an Attack The Block 2… but it’s been more than three years without an update, and so we’re including this excellent 2011 thriller featuring a teenage street gang battling against freaky alien invaders.

Commando

How is it possible that the world was never graced with another performance from Arnold Schwarzenegger as John Matrix – the elite special forces colonel who can lift logs five times his weight and easily turn the tables on elite mercenaries who are both out for revenge and executing a coup in South America? The lack of a Commando 2 is proof that the movie gods don’t always play fair.

Con Air

It would be difficult to assemble a cast of supporting actors quite as amazing as the one featured in 1997’s Con Air (and most of the characters die in the mile-high prison break movie), which makes it understandable that we’ve never seen a sequel get made, but it does feel like a shame that we’ve never seen Nicolas Cage let his hair waft in the breeze as Cameron Poe again.

Danger: Diabolik

There was a European Diabolik animated TV series and a 2021 Diabolik film based on the same source material as Mario Bava’s Danger: Diabolik – but the 1968 movie stands alone in its own canon, and it’s a shame because the film is outrageously cool. If you aren’t familiar with this adventure centered on a daring master thief (John Phillip Law) evading a detective (Michel Piccoli) with a dangerous gangster (Adolfo Celi) under this thumb, you are missing out on a stylish classic of the action genre.

District 9

There was a lot of talk for a long time about writer/director Neill Blomkamp returning to the world of his directorial debut… but until he does, we can independently enjoy the excellence that is District 9: a film that pairs impressive political commentary with some thrilling action and some freaky body horror.

Face/Off

Paramount Pictures has previously announced plans for a Face/Off sequel, the most recent developments happening in 2021 with Adam Wingard attached to direct – but for now, there is only one movie in cinematic history where Nicolas Cage and John Travolta undergo radical surgery and swap faces.

The Fifth Element

Bruce Willis played John McClane five times on the big screen during his career, but we sadly only got one adventure with him as the unexpectedly heroic flying taxi driver Korben Dallas. It’s a shame, because The Fifth Element establishes an outrageously stylistic world with incredible potential for original stories.

In The Line Of Fire

Frank Horrigan is one of the most memorable characters in Clint Eastwood’s career, but it was a cinematic one-off. In The Line Of Fire has a strong legacy as one of the best secret service-centric movies too, with John Malkovich’s Mitch Leary/James Carney/Booth attempting to execute an insidious and scary assassination plot with his homemade composite zip gun.

The Last Dragon

While The Last Dragon never produced a sequel, its true legacy is the awesome cult audience that it has grown since its release in the mid-1980s. Taimak’s Leroy Green, a.k.a. Bruce Leeroy, is an undisputed legend among sects of the action movie fanbase, Julius Carry’s turn as Sho'nuff, The Shogun of Harlem, is unforgettable.

Last Action Hero

Director John McTiernan’s Last Action Hero taps an amazing satire vein taking aim at the tropes of action blockbusters, but we sadly only got one adventure with Arnold Schwarzenegger’s Jack Slater. It was arguably a movie before its time, but Schwarzenegger has called it the most underrated of his career, and it’s a shame that we never got a Last Action Hero 2.

The Long Kiss Good Night

In a cinematic age when a lot of different actors are getting their so-called “John Wick moment” – be it Bob Odenkirk in Nobody or Mary Elizabeth Winstead in Kate – there should be a lot more retroactive appreciation for Renny Harlin’s fantastic The Long Kiss Goodnight – in which Beetlejuice and A League Of Their Own star Geena Davis transforms into a killer of the highest caliber.

The Last Boy Scout

The Last Boy Scout teases the audience with the idea of Joe Hannenbeck (Bruce Willis) and Jimmy Dix (Damon Wayans) teaming up as a partners in the private investigators game… but the story of their next adventure together never got told. It’s a shame, as I would have been delighted to these two characters crack wise and kick butt in a dozen movies together.

Pineapple Express

We’re obviously not counting the gag in This Is The End here. That being said, the characters and the world in Pineapple Express are terrific, and it would be wonderful to see Seth Rogen’s Dale Denton and Danny McBride’s unkillable Red on a new strange adventure together.

The Rocketeer

As a kid, I could never comprehend how a big screen sequel to The Rocketeer didn’t exist. The Joe Johnston-directed film has incredible style and energy, bringing the style of 1940s comics to life with a phenomenal cast including Billy Campbell, Alan Arkin, Jennifer Connelly, Paul Sorvino, Terry O’Quinn, Ed Lauter, Jon Polito, Margo Martindale and Timothy Dalton.

Rumble In The Bronx

From Police Story to Project A to Drunken Master to Rush Hour, there are many Jackie Chan-centric franchises, but there is only one Rumble In The Bronx. The Stanley Tong film features some of Chan’s most incredible stunt and fight work, and it’s dazzling no matter how many times you watch it.

Heat

It’s true that a sequel to Heat exists in book form, and there has been talk about Heat 2 being adapted as a movie… but until that film actually comes together, we’re keeping Heat on this list, because it most certainly qualifies within this feature’s parameters. Cinematic heists don’t get more epic than Michael Mann’s star-studded masterpiece, which delivers the ultimate showdown between Robert De Niro and Al Pacino.

The Other Guys

It’s a shame for many reasons that Adam McKay and Will Ferrell are no longer collaborating on projects, but one is that it likely means that we’ll never see the return of Ferrell’s Allen Gamble and Mark Wahlberg’s Terry Hoitz in an Other Guys sequel. The 2010 comedy was sold as a parody of big cop movies, but it actually features a number of impressive, large scale set pieces and unfurls a compelling financial scheme in the plotting.

Inception

Outside of The Dark Knight Trilogy, writer/director Christopher Nolan has never been big on sequels – but if he were to ever return to one of the worlds he has created, Inception would be an exciting choice. The mind-bending experience of traveling through dreams is brilliantly illustrated in the 2010 action movie, and it would be exciting to see what other stories could be told with the special technology that’s introduced.

Team America: World Police

It would have arguably been a touch hypocritical for Trey Parker and Matt Stone to develop a Team America: World Police 2 given how the film satirizes blockbuster moviemaking… but it’s also not a movie that needs a sequel. It exists perfectly as a one-of-a-kind entity: a major studio-produced feature starring a collection of obscene puppets blowing up major landmarks around the world.

The Running Man

If there is an award for Movie With The Best Arnold Schwarzenegger One-Liners, The Running Man would be a strong contender if not the hands-down winner. It’s a movie that stretches its Stephen King source material to some extreme limits (changing just about everything about the book it’s based on), but it spins a wild, stylish and prescient adventure that sees Schwarzenegger’s Ben Richards topple a totalitarian TV network.

Dredd

Not to be confused with the 1995 film Judge Dredd starring Sylvester Stallone, 2012’s Dredd starring Karl Urban is an exceptionally cool action movie experience that plays like a video game as a pair of cops work their way up through a high-rise in an effort to take down a powerful drug lord pushing a drug called Slo-mo. It’s a perfect adaptation of John Wagner and Carlos Ezquerra's comic and has found an audience since its initial release… but it was unfortunately a box office disappoint during its big screen run.

Edge Of Tomorrow

Emily Blunt has thrown cold water on the idea of an Edge Of Tomorrow 2 in recent years, but fans aren’t totally ready to give up. After all, the first movie is a stellar execution of a time loop plot, and Tom Cruise and Blunt make a terrific big screen pair (with the former doing a wonderful job at the start of the film playing a true jerk).

True Lies

James Cameron is best known for making some of the best sci-fi movies of all time and his deep love of the ocean, but one of his underappreciated works doesn’t fit into either of those categories. Cameron’s last film before Titanic and launching the Avatar franchise, True Lies is both a wonderful action romp and a fun caper, with Arnold Schwarzenegger and Jamie Lee Curtis making a fantastic pair in the silly, epic plot.

Hard Boiled

Chow Yun-fat made some awesome movies with John Woo, but arguably the pinnacle of their collaboration is the story of a renegade cop who goes after the gun smugglers responsible for the murder of his partner. Hard Boiled is crazy, extremely violent, and landmark action cinema.

Big Trouble In Little China

John Carpenter’s legacy is as a Master of Horror, but not to be forgotten are his great contributions to action cinema. Escape From New York doesn’t qualify for this feature due to the existence of Escape From L.A., but Kurt Russell’s one-time adventure as truck driver Jack Burton through a fantastical world that exists in San Francisco’s Chinatown most definitely does. It was a box office bomb when it came out, but Big Trouble In Little China has been delighting movie fans since 1986 and found the audience it deserves.

Coffy

Coffy is one of the great films of the blaxpoitation genre, and while Foxy Brown is technically a reworked version of the script that was going to be a sequel, there isn’t a canon connection between the movies, so we’re counting it. The feature is a classic revenge tale led by the great Pam Grier – who plays a character who has properly become recognized as an iconic female protagonist.

The Warriors

If one were to watch director Walter Hill’s The Warriors without knowing anything about it, you might actually think that it was the middle chapter of a franchise – but that really just speaks to the immersiveness of the world it establishes full of warring gangs on the streets of New York. Hill or another filmmaker might try to expand the story someday in the future with a legacyquel or some such project, but for now, there is only one The Warriors.

Point Break

I can imagine that some of you reading this list are doing so just to check and make sure that I included Kathryn Bigelow’s Point Break. There was that forgettable remake of the film that was released in 2015, but the crime/action adventure starring Keanu Reeves and Patrick Swayze is otherwise and in many ways singular.

Bullitt

Directed by Peter Yates, Bullitt is one of the all-time great car movies, led by Steve McQueen in one of his most iconic roles, but it’s notably the only time that the actor got to play Lieutenant Frank Bullitt – despite there being obvious franchise potential.

Enter The Dragon

Enter The Dragon is one of the best martial arts movies ever made and arguably the best film in Bruce Lee’s all too short career. Not only does it feature some stellar action sequences that put Lee’s incredible skills on display, it’s also an exciting crime thriller that sees Lee become an undercover agent in a martial arts school run by a drug kingpin.

Six-String Samurai

Director Lance Mungia’s Six-String Samurai is such a strange film, it’s not exactly surprising that it never inspired a sequel. That being said, it is a terrific post-apocalyptic vision full of big ideas that sees a character modeled after Buddy Holly making his way across the wasteland left in the wake of the Soviet Union nuking America.

The Way Of The Dragon

The Way Of The Dragon is part of a classic cinematic tradition that sees an outsider who becomes a hero to desperate strangers, but what ultimately makes it special is the endlessly impressive skills of Bruce Lee. Also, it’s the only title in his filmography where you get to see him show off his martial arts abilities against Chuck Norris at the Colosseum in Rome.

Whenever we talk about iconic movie couples, we tend to focus on the happy-go-lucky pairings where everything either ends well or they learn something before the credits roll. But not today. Instead, let’s look back at 32 movies with horrible toxic relationships where couples were doing more harm than good – to themselves and each other. Don’t worry, we’ll still be talking about some of the best romantic comedies of all time, but we’ll also dive into some messed-up relationships at the core of a few great psychological thrillers with unhappy endings, as well.

Gone Girl (Amy And Nick Dunne)

On top of featuring one of the best female villains in film history, David Fincher’s 2014 adaptation of Gillian Flynn’s Gone Girl has hands down one of the most toxic relationships of all time. Amy (Rosamund Pike) and Nick Dunne’s (Ben Affleck) horrible marriage, which leads to one party cheating and the other faking their own kidnapping to frame their “better” half, is one for the ages.

Fatal Attraction (Dan Gallagher And Alex Forrest)

When a relationship starts as an affair and leads to a boiling bunny and a vengeful wife getting all cold-blooded with a gun, you know it’s toxic. That’s the case for Dan Gallagher (Michael Douglas) and Alex Forrest (Glenn Close) in the ‘80s erotic thriller, Fatal Attraction.

Revolutionary Road (Frank And April Wheeler)

If you went into Revolutionary Road thinking that the characters played by Leonardo DiCaprio and Kate Winslet would be as lovey-dovey as the actors were in Titanic, you’ve got another thing coming. Sam Mendes’ take on Richard Yates’ 1961 novel is BRUTAL and centers on two people whose hatred for one another is something to behold.

Inception (Cobb And Mal)

Look beyond all the mind-bending visuals, intense action sequences, and myriad theories, and you’ll find a horrible toxic relationship at the core of Christopher Nolan’s Inception. Not even death could bring an end to the misery that was Cobb (Leonardo DiCaprio) and Mal’s (Marion Cotillard) tortured marriage.

Sid And Nancy (Sid Vicious And Nancy Spungen)

Chronicling one of the most infamous failed relationships in rock-n-roll history, Sid and Nancy is a tour de force of toxic energy. Centering on the final months and days in the relationship (and lives) of Sid Vicious (Gary Oldman) and Nancy Spungen (Chloe Webb), Alex Cox’s 1986 biopic is a lesson in what happens when a destructive relationship comes crashing down.

Eternal Sunshine Of The Spotless Mind (Clementine And Joel)

Eternal Sunshine of the Spotless Mind is without a doubt one of the best movies of the 2000s, but man, it’s one depressing trip. The story about a former couple (played by Jim Carrey and Kate Winslet) who go to extreme lengths to get over a failed relationship will certainly knock you down a peg and leave you never wanting to love ever again.

A Star Is Born (Jackson And Ally Maine)

Every version of A Star is Born has a really messed up relationship at its core, and Bradley Cooper’s 2018 reimagining is one of the most tragic. As soon as Jackson Maine (Cooper) meets Ally (Lady Gaga) in a drag bar, you know how this one is gonna end. Spoiler, it’s not pretty. In fact, it’s tragic in multiple ways.

Blue Valentine (Dean And Cindy)

Derek Cianfrance’s Blue Valentine is one of those great movies you can only watch once because it’s so messed up. Sure, it’s not as extreme as others, but the story of Dean (Ryan Gosling) and Cindy Pereira's (Michelle Williams) relationship over multiple years is grueling, upsetting, and absolutely heartbreaking.

Badlands (Kit And Holly)

Inspired by the story of Charles Starkweather and Caril-Ann Fugate, Badlands is one of those crime movies everyone needs to watch at least once. But be warned, as Martin Sheen’s Kit is a homicidal madman who takes advantage of his young girlfriend Holly (Sissy Spacek) and takes her on a life of crime and killings in America’s badlands.

You've Got Mail (Kathleen Kelly And Joe Fox)

Sure, You’ve Got Mail has one of the best enemies-to-lovers stories of all time, but let’s be real for a second. Tom Hanks’ Joe Fox is a manipulative jerk who toys with Kathleen Kelly’s emotions, puts her bookstore out of business, and orchestrates a scenario where they end up together at the end.

The Graduate (Benjamin Braddock And Mrs. Robinson)

A relationship built on lust instead of love isn’t necessarily a recipe for disaster, but it’s not really a winner either. That’s the case for Benjamin Braddock (Dustin Hoffman) and Mrs. Robinson (Anne Bancroft) in The Graduate. Sure, it led to an all-time great song, but this toxic and unhealthy relationship is horrible and quite damaging.

Nocturnal Animals (Edward Sheffield And Susa Morrow)

What if you hurt your spouse to such an extent that they later wrote a book in which a character based on you was viciously attacked and murdered in the West Texas desert? Well, that’s what happens in Nocturnal Animals when Jake Gyllenhaal’s Edward Sheffield plays some serious head games with his ex-wife, Susan Morrow (Amy Adams).

Gaslight (Gregory And Paula)

When a movie has a title like Gaslight, you know it’s going to have a remarkably toxic relationship at its core. This 1944 classic, which focuses on the deterioration of Paula Alquist (Ingrid Bergman) and Gregory Anton’s (Charles Boyer) marriage after the husband plays some messed up games with his new wife, is wild, to say the least.

Requiem For A Dream (Harry And Marion)

Harry Goldfarb (Jared Leto) and Marion Silver (Jennifer Connelly) are so preoccupied with chasing the next thrill and high in their messed up lives that they fail to see the damage of their detrimental relationship in Requiem for a Dream. This is one of Darren Aronofsky's best movies but also perhaps his most unsettling, thanks in part to these two.

Natural Born Killers (Mickey And Mallory Knox)

Mickey (Woody Harrelson) and Mallory Knox (Juliette Lewis) love each other in Natural Born Killers, there’s no doubt about it. But this messed up couple shows their love and admiration for one another by killing dozens of people in increasingly violent ways as they embark upon a blood-soaked honeymoon.

Renfield (R.M. Renfield And Dracula)

While there’s no romance shared by R.M. Renfield (Nicholas Hoult) and Dracula (Nicholas Cage) in Renfield, let’s not act like this isn’t the most toxic relationship we’ve seen in a horror movie in recent years. Dracula, who takes and takes from his servant, creates a monster, one that ends up pulling off a lot of heads and bringing chaos to the Big Easy in this blood-soaked comedy.

Kramer Vs. Kramer (Ted And Joanna Kramer)

If you were to watch the Kramer vs. Kramer trailer, you’d probably think this 1979 romantic drama would be a fun and enjoyable watch. Think again! Dustin Hoffman and Meryl Streep’s on-screen relationship is damaging, so toxic, and so horrible, you’re lucky if you don’t need therapy after coming out the other side.

Midsommar (Dani And Christian)

Ari Aster’s Midsommar is one of the most unsettling horror movies of all time, as well as a drama with one incredibly toxic and horrible relationship. Of course, we’re talking about Dani (Florence Pugh) and Christian (Jack Reynor) whose bond goes from distant to destructive over the course of the movie. Never at any point does it seem like these two get along or care for one another, especially at the end.

Passengers (Aurora Lane And Jim Preston)

The Passengers trailer made it seem as if the 2016 sci-fi drama would be about an unlikely relationship that blossoms in deep space. While that is sort of true, don’t forget that Aurora Jane (Jennifer Lawrence) and Jim Preson’s (Chris Pratt) relationship is built upon a lie, a really, really messed up lie that is unforgivable.

An Education (Jenny Mellor And David Goldman)

Lone Scherfig’s An Education spends most of its 100-minute runtime showing a seemingly normal and healthy relationship shared by Jenny Mellor (Carey Mulligan) and the much older David Goldman (Peter Sarsgaard). But later on we find out that things aren’t as they seem and one of the involved parties has a destructive, heart-breaking secret.

Beauty And The Beast (Belle And Beast)

A tale as old as time, Beauty and the Beast is regarded as one of the best Disney animated movies, but the relationship between Belle and Beast is pretty horrible. While it is noble of Beast to set Belle’s dad free, he essentially holds the young woman hostage in his desolate castle in exchange. Stockholm Syndrome, anyone?

Leaving Las Vegas (Ben And Sera)

Leaving Las Vegas is one of the best Nicolas Cage movies, but it’s also one of the actor’s films where he plays one part of a pretty messed up relationship. While it is true that Ben (Cage) and Sera (Elisabeth Shue) love one another, their lifestyles and personalities also have some pretty detrimental effects on each other and themselves.

Closer (Alice, Larry, Anna, And Dan)

Keeping track of all the couples and their histories in Closer should be an Olympic sport. Mike Nichols’ 2004 romantic drama follows the intertwined relationships shared by Alice (Natalie Portman), Larry (Clive Owen), Anna (Julia Roberts), and Dan (Jude Law), as they play out over several years; years filled with broken hearts, trauma, and toxicity. Great movie, but a serious downer.

The Godfather (Michael And Kay)

Michael Corleone (Al Pacino) is probably one of the most famous mobsters in the history of cinema, but he’s also a pretty rotten guy. Throughout The Godfather (and its sequels), his relationship with Kay Adams (Diane Keaton) has more downs than ups, ever-changing rules, and a lack of trust. The final scene in Francis Ford Coppola’s 1972 epic says it all.

Interview With The Vampire (Lestat De Lioncourt And Louis De Pointe Du Lac)

The way Lestat de Lioncourt (Tom Cruise) takes Louis de Pointe du Lac (Brad Pitt) out of a life of luxury and makes him into an immortal prisoner in Interview with the Vampire is as horrible as it is tragic. These two, though dependent upon one another, hate each other, which doesn’t translate to a happy ending.

Raging Bull (Jake And Vickie LaMotta)

Are there any nice or wholesome characters in Raging Bull? No, not really. But Jake (Robert De Niro) and Vickie LaMotta (Cathy Moriarty) take the cake in terms of characters in a horrible and toxic relationship. The fighting, the head games, and the cussing are all signs of an unhealthy and dangerous marriage.

Death Becomes Her (Madeline Ashton, Helen Sharp, And Ernest Menville)

One of the funniest movies of the early ‘90s, Death Becomes Her is full of some all-time great cinematic characters like Madeline Ashton (Meryl Streep), Helen Sharp (Goldie Hawn), and Ernest Menville (Bruce Willis). However, all three are intertwined in a messed-up love triangle full of pettiness, bitterness, death, and a miracle tonic that extends things way too much.

Forrest Gump (Forrest And Jenny)

Does Forrest Gump (Tom Hanks) love Jenny (Robin Wright) in Forrest Gump? Yeah, we’re certain of that. But does Jenny love Forrest with all her heart? Well, the jury is still out. Throughout this movie, Jenny toys with her childhood friend’s emotions in multiple ways over multiple decades, and is pretty much the movie’s villain at times.

Marriage Story (Charlie And Nicole Barber)

Marriage Story is a brilliant movie that everyone needs to watch at least once. But, boy, Charlie (Adam Driver) and Nicole Barber (Scarlett Johansson) are one horrible and toxic couple. These two, with their jealousies, resentment, and suppressed anger are a time bomb and it’s probably for the best they go their separate ways.

Phantom Thread (Reynolds Woodcock And Alma Elson)

When you have to poison your lover so that he won’t let you leave, you know something’s not right. And that’s the case for Alma Elson (Vicky Krieps) and Reynolds Woodcock (Daniel Day-Lewis in Phantom Thread. Over the course of two-plus hours, this odd and deadly relationship plays out in a way that is particularly toxic.

Nightcrawler (Lou Bloom And Nina Romina)

Lou Bloom (Jake Gyllenhaal) and Nina Romina (Rene Russo) in Nightcrawler are probably one of the most disturbing relationships in 21st-century cinema. Lou is using Nina who is taking advantage of the young stringer in a variety of ways. They’re both awful, self-serving people who deserve everything that comes their way.

500 Days Of Summer (Tom And Summer)

You have to feel bad for Tom (Joseph Gordon-Levitt) in 500 Days of Summer, but you don’t necessarily have to blame Summer (Zooey Deschanel) for the deterioration of their relationship, either, Both want different things and have different aspirations. All of that would be fine if they didn’t have detrimental impacts on each other, and their doomed relationship.

As you can see, cinema history is filled with toxic relationships, even in films that turn out to be some of our most beloved romantic comedies.

Looking for movies like Interstellar after revisiting one of the best sci-fi films of all time? Well, we have something that’ll make you oh so excited. In honor of the 10th anniversary of one of Christopher Nolan’s best movies, we’ve put together a rather robust list of titles that touch on similar topics, have a similar tone, or fill the audience with wonder and awe (or a combination of the three).

From classics like 2001: A Space Odyssey to more modern gems like Arrival, and so much more, there’s plenty to choose from. In fact, there are probably enough options here to keep you busy on a long journey to deep space.

Arrival (2016)

Denis Villeneuve’s 2016 sci-fi drama, Arrival, has a lot in common with Interstellar, and the similarities go beyond just both movies having confusing endings. Both highly decorated movies feature incredibly complex and emotional stories about parents going to great lengths to either connect with their children or save them, as well as stories about the uncertainty of the future.

Stream Arrival on Paramount+.
Rent/Buy Arrival on Amazon. 

Frequency (2000)

Gregory Hoblit’s 2000 sci-fi thriller, Frequency, follows NYPD detective John Sullivan (Jim Caviezel) as he communicates with his father (played by Dennis Quaid) over the radio. But here’s the thing, his dad has been dead for 30 years and has been contacting him from 1969. 

Rent/Buy Frequency on Amazon.

Contact (1997)

Another movie about someone going to great lengths to find or contact a loved one, Robert Zemeckis’ Contact follows Dr. Ellie Arroway (Jodie Foster) as she finds evidence of extraterrestrial life and embarks upon an epic mission to the far reaches of space. And you’ll also get to see a younger Matthew McConaughey long before he played Intestellar's Coop.

Rent/Buy Contact on Amazon.

2001: A Space Odyssey (1968)

One of the landmark sci-fi movies of the 20th century, Stanley Kubrick’s 2001: A Space Odyssey follows a group of astronauts as they are sent on a mission to Jupiter to find a mysterious object that’s calling to Earth. This Oscar-winning sci-fi classic walked so Interstellar could run.

Stream 2001: A Space Odyssey on Max.
Rent/Buy 2001: A Space Odyssey on Amazon.

Sunshine (2007)

In Danny Boyle’s Sunshine, a group sets off to the dying sun in a last-ditch effort to reignite the solar surface and prevent humanity from suffering a cold and drawn-out death. Much like Interstellar, this film about saving the human race explores man's fight for survival, but also man's downfall.

Rent/Buy Sunshine on Amazon.

Big Fish (2003)

Okay, Big Fish isn’t a sci-fi movie and it doesn’t take place in space, but Tim Burton’s moving fantasy drama does focus heavily on the bond between parent and child. Much like Interstellar, this is a movie built on the back of familial bonds, both heartwarming and heartbreaking.

Rent/Buy Big Fish on Amazon.

Everything Everywhere All At Once (2022)

One of the most inventive Best Picture winners in recent memory, Everything Everywhere All at Once is a mind-bending, genre-bending, and incredibly emotional epic about a seemingly normal woman (Michelle Yeoh) going to great lengths to form a meaningful relationship with her family. The familial bonds and drama found in this movie are on par with anything in Interstellar.

Rent/Buy Everything Everywhere All at Once on Amazon.

Moon (2009)

Moon is one of those sci-fi movies any fan of the genre should watch at least once in their lifetime. Following a lone worker (played by Sam Rockwell) as he completes his mission on the lunar surface, Duncan Jones’ inventive drama explores loneliness and humanity while also featuring one bizarre twist after another.

Rent/Buy Moon on Amazon.

Ad Astra (2019)

Though it doesn’t get talked about nearly enough, Ad Astra is one of the great space-travel movies of the past decade. The movie follows Brad Pitt’s lone astronaut as he travels to the far reaches of the solar system to find and confront his missing father (played by Tommy Lee Jones) before the weary figure can do the unthinkable and wipe out humanity with the push of a button.

Rent/Buy Ad Astra on Amazon.

Inception (2010)

Released four years before Interstellar, Christopher Nolan’s Inception is another sci-fi epic that focuses on the relationship between parent and child just as much as it does with massive set pieces and philosophical questions. And with so many crazy fan theories, it’s a fun movie to revisit.

Rent/Buy Inception on Amazon.

Gravity (2013)

A Best Picture loser that should have won the top prize, Alfonso Cuaron’s Gravity was one of the most breathtaking cinematic experiences of the 2010s. Centering around Sandra Bullock’s solo astronaut stranded in Earth’s orbit, the movie follows the terrified yet determined heroine as she goes to great lengths to make it home.

Rent/Buy Gravity on Amazon.

The Martian (2015)

Not only do Interstellar and The Martian both feature incredible performances by Matt Damon, each film also tells a remarkable story of two astronauts as they embark upon perilous journeys that test them physically, mentally, and emotionally.

Rent/Buy The Martian on Amazon.

Close Encounters Of The Third Kind (1977)

Steven Spielberg’s Close Encounters of the Third Kind, like Interstellar, captures the heart and imagination of the audience better than most. This iconic ‘70s film about humans making contact with mysterious extraterrestrial visitors pushed the sci-fi genre in a new direction nearly 50 years ago, and its influence can still be felt decades later.

Rent/Buy Close Encounters of the Third Kind on Amazon.

Ex Machina (2015)

Released just months after Interstellar, Alex Garland’s Ex Machina offers a more frightening and bleak sci-fi tale with its story about a state-of-the-art robot (played by Alicia Vikander) and the programmer (played by Domhnall Gleeson) hand-picked to perform a Turing test. Despite the different tones, both movies focus on exploration and how much we really don’t know about the universe or ourselves.

Rent/Buy Ex Machina on Amazon.

The Fountain (2006)

One of Darren Aronofsky's best movies, The Fountain is split up into three loosely connected storylines that all center on characters (played by Hugh Jackman) going to extreme lengths to save the women they love (played by Rachel Weisz) in various scenarios. Emotional, spiritual, and awe-inspiring, this is worth a revisit.

Rent/Buy The Fountain on Amazon.

Prometheus (2012)

A prequel to Ridley Scott’s Alien, Prometheus is set years before the Nostromo incident and follows a group of archaeologists as they travel to a distant moon in search of sentient life. But, what they find is far more terrifying than anyone could have ever imagined. 

Rent/Buy Prometheus on Amazon.

Midnight Special (2016)

One of the best sci-fi films of 2016, Jeff Nichols’ Midnight Special follows a father (played by Michael Shannon) as he tries to hide his son (played by Jaeden Martell) from both the government and a mysterious cult after it’s discovered the boy has mysterious powers. Mixing sci-fi with family drama elements, Nichols crafts an exciting and poignant story like no other.

Rent/Buy Midnight Special on Amazon.

District 9 (2009)

Neill Blomkamp gave the world one of the most groundbreaking sci-fi action thrillers in 2009 with his feature film debut, District 9. Set in South Africa years after spaceships bring an alien race to Earth, the movie dives into the tense relationship between humans and extraterrestrials, and doesn’t shy away from tackling complex themes.

Rent/Buy District 9 on Amazon.

A.I.: Artificial Intelligence (2001)

A.I.: Artificial Intelligence, a project started by Stanley Kubrick and brought to fruition by Steven Spielberg, follows a young android (played by Haley Joel Osment) as he embarks upon a journey of self-discovery. Caught between man and machine, this proves to be no easy task for the emotional cyborg programmed to love.

Rent/Buy A.I.: Artificial Intelligence on Amazon.

Hopefully, this will be helpful when finding something to watch after Interstellar. But if you’re looking for newer films, there are plenty of upcoming sci-fi movies headed to the big screen in the very near future.

Sometimes a movie leaves us with a finale so head scratching, we need to run out and talk about it. That concern is always going to be valid, and that’s why we felt it was time to decipher 32 of the most confusing movie endings, so that you don’t have to. Brace yourselves, as some of these finales are all-time stumpers. 

Inception

Is Dom (Leonardo DiCaprio) still in the dream world, or is he back home with his kids? It’s been over a decade since Inception planted that question in our minds, and as far as Christopher Nolan’s thoughts on Dom’s ending are concerned, it doesn’t matter because the character doesn’t care. Though if you ask us, Leo’s still dreaming in the end.

Looper

Because of how Looper’s time travel works in Rian Johnson’s story, one could say that it’s safe to assume that young Cid (Pierce Gagnon) doesn’t become the criminal overlord known as The Rainmaker. However, our own interpretation of the ending is that the death of both Joes (Joseph Gordon-Levitt/Bruce Willis)  probably had no effect on Cid’s future, and the kid’s still destined for darkness. 

Shutter Island

This one’s a pretty cut-and-dry affair, as the finale of director Martin Scorsese’s adaptation of Shutter Island is actually clearer than the book when it comes to the final fate of Andrew Laeddis (Leonardo DiCaprio). In author Dennis Lehane’s novel, we’re not sure if Andrew or his Teddy Daniels persona is in control; but in Shutter Island’s movie ending, it’s plainly clear that Andrew wants that lobotomy, and pretends he still thinks he’s his US Marshall alter ego. 

mother!

The ending to mother! is a literally Biblical finale, with Jennifer Lawrence’s titular matron unleashing apocalyptic ruin against her lover, Him (Javier Bardem). As we saw Darren Aronofsky’s film start with a woman burning in some hellfire of her own, we’re led to believe that the cycle of creation and destruction is about to start again, thanks to Him waking up his new companion the same way he roused mother. 

Birdman, or (The Unexpected Virtue of Ignorance)

Alejandro González Iñárritu’s film Birdman, Or The Unexpected Virtue Of Ignorance is a rare case where a seemingly impenetrable ending fits along with the story that came before it. While we debate whether Riggan (Michael Keaton) jumped to his death or soared with the birds, the blurred lines of reality never let up even in the finale, causing us to question everything we’ve seen come to pass. 

The Shining

Stephen King’s notorious dislike of The Shining, at least as a movie, certainly has its points. While Stanley Kubrick’s iconic adaptation is definitely a different beast from its literary source, as the film seemingly depicts the soul of Jack Torrance (Jack Nicholson) now caught in the purgatory of The Overlook. For years the mystery of that ominous photo kept people guessing, but thanks to Mike Flanagan’s Doctor Sleep, that seems to be the best answer available. 

Fight Club

Just as Fight Club’s Operation Mayhem is about to punch a hole in the status quo, we learn that Tyler Durden (Brad Pitt) is a manifestation of the Narrator (Edward Norton) and his contempt for the world. Sometimes dissociating into that personality it’s our Narrator that was the mastermind this whole time. Holding hands with Darla (Helena Bonham Carter) while the world seemingly ends, there’s two comic sequels that tell the story of what happened after one of the best ‘90s movies of all time.

American Psycho

Did Patrick Bateman (Christian Bale) really kill all of those people? Apparently not. While he confesses to killing rival Paul Allen (Jared Leto), and even engages in a gun-toting showdown with the NYPD, the next day sees Patrick’s crimes being laughed off by anyone he mentions them to. Mary Harron’s film is just as open-ended as Bret Easton Ellis’ novel, but at the end of the day, Patrick does do a lot of drugs, and nobody can keep anybody’s names straight. 

Memento

2000’s Memento saw would-be detective Leonard Shelby (Guy Pearce) seeking out his wife’s killer. Unfortunately,  Leonard’s anterograde amnesia prevents him from remembering that he actually killed his wife’s assailant a year prior to the movie. Even after learning the truth, a moment of vengeance ensures that he’ll keep hunting his wife’s killer for the foreseeable future.

No Country For Old Men

The audience for 2007’s No Country for Old Men thought that there was a chance Llewelyn Moss (Josh Brolin) could have escaped the wrath of hitman Anton Chegur (Javier Bardem). As it turns out, that was never the case, as Moss and his wife were already dead. The true point of the story is to observe Sheriff Ed Tom Bell (Tommy Lee Jones) and his acceptance that the past is in the past, and there’s nothing you can do about it. 

A Serious Man

In a quest for cosmic and karmic answers, Professor Larry Gopnik (Michael Stuhlbarg) sees two potential misfortunes befall him at the end of The Coen Brothers’ A Serious Man. Larry’s recent lab tests may indicate some serious health problems, and his son Danny (Aaron Wolff) is seconds away from being lost in a tornado. All because Larry took a bribe to change a student’s grade. 

Blade Runner

The question of whether Deckard (Harrison Ford) is a replicant depends on how you view Blade Runner, right down to the cut you choose to view. While Harrison Ford believes Deckard is a replicant, both Ridley Scott and the events of Blade Runner 2049 seem to fall into the camp of uncertainty at best, and flat-out rejection in its most extreme. So yeah, Deckard’s humanity is up for grabs, with a firm lean towards confirming he’s flesh and blood.

Arrival

The ending of Arrival also happens to be the beginning, as the visions of Louise Banks (Amy Adams) losing her young daughter are not flashbacks, but flash-forwards. Since the Heptapod language allows the human consciousness to basically remember the future, Louise’s fate is all the more bittersweet, as she proceeds to live through the tragedy she could have prevented.

2001: A Space Odyssey

Dr. David Bowman (Keir Dullea) finds himself experiencing one of the trippiest endings of cinematic history in Stanley Kubrick’s 2001: A Space Odyssey. The simplest way to explain what happened is that thanks to the third, most powerful Monolith, Dr. Bowman found himself unbound from time and space. Reborn as “The Star Child,” he is now ready to transition into even crazier forms throughout the rest of Arthur C. Clarke’s source novels; as he’s basically become immortal. 

Donnie Darko

Time travel helps Donnie Darko become a confusing loop of causality, in which Donnie (Jake Gyllenhaal) realizes that in order to save his community from a chain of death and tragedy, he has to die. Using the strange powers he’s been developing throughout the film, he causes the jet engine that lands on his house earlier in the movie to ultimately kill his past self, rendering the events of Richard Kelly’s story null and void.

The Thing

John Carpenter’s The Thing is a horror classic for several reasons, one of which is the legendary special effects magic that remains chilling to this day. For our purposes, the other reason open for discussion is the movie’s ending, which questions whether Macready (Kurt Russell) or Childs (Keith David) could be The Thing. If you really want to fit the paranoid theme of the movie, the best assumption is that neither is The Thing, and their distrust eventually kills them both in the end.

Tenet

Sometimes it feels like Christopher Nolan is going for the Hall of Fame when it comes to confusing endings. Tenet’s wild time inversion ride is one of the best examples, as the ending is as twisty as its concept of time. For The Protagonist (John David Washington), and the rest of us in the audience, Tenet is the beginning. However, for Neil (Robert Pattinson), this journey has been an inverted arc that leads to his death saving his new old friend in the movie’s killer opening sequence. 

Annihilation

In a world of doppelgangers and uncertainty, Alex Garland’s film version of Annihilation is a double helix of a twist ending. Not only do we learn that Kane (Oscar Isaac) is actually an alien replica of his human self from the mysterious area known as “The Shimmer,” but we see that the original Lena (Natalie Portman) has been possessed by some of that Shimmer herself. 

Total Recall

Admit it: Total Recall is so pumped full of adrenaline that it’s kind of easy to overlook whether or not Arnold Schwarzenegger’s protagonist had been dreaming the whole time. Paul Verhoeven’s action-packed retelling of Philip K. Dick’s “We’ll Remember It For You Wholesale” may seem to hedge its bets by the end, but we’re willing to say that Total Recall’s ending was all a dream.

Minority Report

Legendary sci-fi author Phillip K. Dick had a knack for writing stories that lead to some of the most open-ended finales of all time. Steven Spielberg’s Minority Report is a long-standing beacon of ambiguity, as Tom Cruise’s John Anderton may or may not have dreamed his own happy ending after a certain point. 

12 Monkeys

Poor James Cole (Bruce Willis). Plagued by nightmares from his childhood, the man trusted to prevent 12 Monkeys’ viral apocalypse from occurring just happens to be the man he saw gunned down in an airport when he was young. While the apocalypse seems to be on its way to being averted, this unfortunate time traveler’s fate would appear to have always been sealed.

Jacob’s Ladder

Vietnam Vet Jacob Singer (Tim Robbins) winds his way through a maze of mystery and hallucination in Jacob’s Ladder, which ultimately leads to one hell of a twist ending. By the time we see his dead son Gabe (Macaulay Culkin) welcoming him to the afterlife, we learn that Jacob actually never made it home from Vietnam. The entire movie, save for the sequences set during the war, was a hallucination on Jacob’s deathbed.

The Dark Knight Rises

Based on the overwhelming evidence left in the finale of The Dark Knight Rises, the question of whether Bruce Wayne (Christian Bale) is alive and well in Italy at the end seems pretty open and shut. After learning that the Caped Crusader fixed the autopilot function on The Bat, it would appear that Bruce found a way to retire from his life of crime-fighting, while leaving his arsenal to the next person he trusted with the mantle: Officer Robin John Blake (Joseph Gordon-Levitt).

Joker

What do Joker’s Arthur Fleck (Joaquin Phoenix) and American Psycho’s Christian Bale have in common? Well, apparently, they both suffer from a state of psychosis so great they’ve imagined killing people in their waking lives. What makes Todd Phillips’ Academy Award-winning thriller all the more confusing is that thanks to Arthur’s reputation as an unreliable narrator, there may be several layers of fantasy at work throughout this chilling narrative. 

Us

Throughout Jordan Peele’s Us, we’re supposed to believe that Adelaide (Lupita Nyong’o) is being chased by her Untethered doppelganger Red (also Nyong’o). In actuality, what seems to have happened is that on that fateful night in 1986, Red swapped places with Adelaide. Over 30 years later, when Adelaide attempts to reclaim her life through an Untethered revolution, Red kills her - maintaining her stolen life on the surface.

Brazil

Brazil’s ending is one of the most confusing in history thanks to the fact that there are three different conclusions. Thanks to good old-fashioned studio meddling, Sam Lowry (Jonathan Pryce) either suffers a mental break, escapes with his true love (Kim Greist), or winds up in a sort of middle ground; depending on which cut you watch. But the definitive ending is the first and bleakest scenario, which explains what inspired the meddling in the theatrical and TV cuts. 

Predestination

Predestination’s ending is a confusing affair because of all the twists one has to keep in mind when defining the identity of our protagonist. The trick is to know two things: John (Sarah Snook), Jane (also Sarah Snook), and their baby are all the same person, and thanks to time travel shenanigans they eventually become the terrorist they’re hunting (Ethan Hawke). With that knowledge, it doesn’t seem like the terrorist attack in question can be changed, especially since it all hinges on several variants of the same person involved in all the crucial aspects. 

Life Of Pi

Apologies to all of you animal lovers out there, as the tiger known as Richard Parker wasn’t in the lifeboat with young Pi (Suraj Sharma). All of the animals in the tragic story on the boat are metaphors for the very real tragedy of Pi losing his mother (Tabu) and killing her murderer (Gérard Depardieu) before being lost at sea. It turns out the tiger was the metaphor for Pi’s inner strength to survive. 

A.I.: Artificial Intelligence

Stanley Kubrick’s trust in Steven Spielberg to make A.I.: Artificial Intelligence into a reality has led to many people wondering where the movie should have ended. It only confused things more when there wasn’t a readily apparent explanation that the “aliens” that young David (Haley Joel Osment) encounters in the far-flung future are actually evolved Mechas trying to learn about the age of humanity. 

Contact

Dr. Ellie Arroway (Jodie Foster) assumes that her journey toward the end of Contact actually sends her to the outer reaches of space. In truth, while her consciousness may have encountered alien life, there’s no physical evidence to corroborate her story. For once, the scientist is on the side of faith. 

Black Swan

In the third act of Darren Aronofsky’s Black Swan, ballerina Nina Sayers (Natalie Portman) mistakenly thinks she killed her presumed rival Lily (Mila Kunis) with a large shard of class. In actuality, it was herself that she stabbed, right before a supposedly star-making performance in Swan Lake. It's presumed that Nina bleeds out as the film fades to white. 

Dune: Part Two

To be completely honest, there’s one simple yet baffling reason the ending to Dune: Part Two is on this list. Honestly, if you can walk away from Paul Atredies’ (Timotheé Challamet) journey and think he’s still a hero, you’re wrong. Try as he might, the dude’s turned into the prophecy, and he’s about to commit space genocide. Sorry, he’s about to “show his enemies to Paradise.”

We hope that your head isn’t spinning too hard after this collection of the most confusing endings of cinematic history. At least you can count on the finale of this very rundown to be a clear and concise version of events. Or can you? 

Sometimes, it can be fun to take a deeper look at the movies you love and see if you can find any details that may or may not be hiding in plain sight. You must be careful, though, because this sort of speculation could forever change how you perceive the most beloved characters from cinema in bizarre, funny, or even unsettling ways. 

Now, we are not saying we are fully convinced by any of the following wild movie character fan theories we found online, but we also can’t deny they are fun to read. Therefore, the only cautionary warning we feel is truly necessary to give you before you read on is to be wary of spoilers.

Han Solo Is Force Sensitive (Star Wars Movies)

Could Han Solo’s unparalleled piloting skills, precise blaster aim, and survival during his Carbonite slumber in the Star Wars movies be the result of him actually being one with the very Force he once doubted was real? Reddit user sumojoe actually posited this idea about Harrison Ford’s scruffy nerfherder years before it could be further backed up by the reveal in Star Wars: The Force Awakens that he and Leia (Carrie Fisher) had a Force-sensitive son (Adam Driver’s Kylo Ren).

Jack Is A Time Traveler (Titanic)

Before 1997’s Titanic, James Cameron’s biggest hits were time travel movies — namely The Terminator and Terminator 2: Judgment Day — but could his Best Picture Oscar-winning historical fiction blockbuster also be part of the same genre? Redditor MarkHarris1989 believes that historical inaccuracies to his backstory and his “anachronistic attitude and haircut” suggest Jack Dawson (Leonardo DiCaprio) could actually be a man out of time who may have even been sent back from the future to save Rose (Kate Winslet).

The Toys Are Possessed By A Delusional Entity (Toy Story)

It is still a mystery why Woody, Buzz, and the others come alive when humans are not around in Toy Story movies, but a theory by Inevitable_Cut_4670 (which has since been removed from the r/FanTheories subreddit) attempts to provide an explanation that casts a dark shadow over the Pixar classic. The user imagines that Andy’s toys became possessed by an otherworldly spirit that split itself between the different characters before developing a different personality for each and, ultimately, forgetting what it was initially.

Wonka's Tour Was A Planned Sacrifice (Willy Wonka And The Chocolate Factory)

What happens to the four other children invited into the eponymous facility from 1971’s Willy Wonka and the Chocolate Factory has been subject to much eye-opening speculation, but what if the truth is even more horrifying? One now-deleted FanTheories subreddit post suggests that the Roald Dahl adaptation exists in the same universe as the horror-comedy favorite, The Cabin in the Woods, and the youngsters’ strange fates were all part of a sacrificial ritual the famous chocolatier (Gene Wilder) orchestrated to appease the Gods.

Tom Hardy's Max Is The Road Warrior's Feral Child (Mad Max: Fury Road)

For the fourth Mad Max movie, Tom Hardy succeeded to the role of the post-apocalyptic drifter from Mel Gibson, but the folks at Nerdist are not so sure that is the case. They theorize that the male protagonist of 2015’s Mad Max: Fury Road is actually “The Feral Child” (originally played by Emil Minty in the second installment, 1981’s The Road Warrior) as a grown-up who has adopted the hero’s persona. This would explain why a lot of Hardy’s dialogue consists of grunts.

Ferris And Cameron Are The Same Person (Ferris Bueller's Day Off)

Have you ever considered the possibility that John Hughes’ 1986 high school movie classic, Ferris Bueller’s Day Off, is actually a precursor to David Fincher’s adaptation of Chuck Palahniuk’s novel, Fight Club? A popular fan theory (via CBR) that echoes the twist from the 1999 cult favorite suggests Matthew Broderick’s mischievous title character is just an alternate persona the neurotic Cameron Fry (Alan Ruck) subconsciously developed to carry out his wildest fantasies.

Sandy Is Dead The Whole Time (Grease)

One of the more bizarre “they were dead the whole time” theory and one of the most bizarre examples comes from the unlikeliest of places: 1978’s Grease. A post on Imgur suggests that Danny Zuko (John Travolta) never actually saved Sandy Olsson (Olivia Newton-John) from drowning and the upbeat musical numbers we see are a symptom of her brain losing oxygen. To top it off, the famous flying car at the end is supposedly carrying her into the afterlife.

Kincade Is Sean Connery's Bond (Skyfall)

Similar to the famous theory that all James Bond actors are each portraying a different man using the same code name, a post in the James Bond subreddit questions if Kincade from 2012’s Skyfall is really Sean Connery’s iteration of 007. The theory is actually backed up by the fact that, according to The Huffington Post, Sam Mendes considered casting Connery in the role before it went to Albert Finney.

Chris' Horror Is All In Rod's Head (Get Out)

It was once suggested on Reddit that the horrifying things Chris Washington (Daniel Kaluuya) endures at the Armitage Estate in 2017’s Get Out are actually an elaborate fantasy imagined by his best friend, Rod (Lil Rel Howery). In a video for Vanity Fair, writer and director Jordan Peele addressed and debunked this theory, but did praise its creativity.

Owen Grady Is The Kid Grant Freaks Out With His Raptor Speech (Jurassic Park)

Even before 2015’s Jurassic World came out, Redditor faceur318 had a feeling that the kid whom Dr. Alan Grant (Sam Neill) tells to “have a little respect for raptors” in the 1993 original, Jurassic Park, would grow up to become Owen Grady. The actor who plays the raptor trainer, Chris Pratt, told Huffington Post that he does not believe it himself, but director Colin Trevorrow wouldn’t deny it.

Donkey Used To Be Human (Shrek)

One of the most convincing movie theories we have ever heard suggests Donkey (Eddie Murphy) from Shrek was once human until he visited Pleasure Island and was turned into his namesake animal — a fate many children also suffered in the classic fairytale, Pinocchio. A video by The Film Theorists provides astonishing evidence of this traumatizing idea, which tyoung000 also posted to the FanTheories subreddit with an added detail that Donkey is really Pinocchio’s talkative friend, Lampwick.

Possessing Karras Was Always Pazuzu's Intention (The Exorcist)

Redditor mysticaldensity believes that in 1973’s The Exorcist, Father Damien Karras’ (Jason Miller) bid to save Regan MacNeill (Linda Blair) by having Pazuzu possess him instead (before taking his own life) was part of the demon’s plan all along. According to the theory’s pretty solid evidence, the entity saw Karras — who had been wrestling with his faith following his mother’s death — as a perfect target with which to infiltrate the church, but would still need the priest’s permission to inhabit him, which is why it used an innocent 12-year-old as a vessel to taunt him with.

Patrick Bateman Is Really Bruce Wayne (American Psycho, The Dark Knight Trilogy)

If you ever found similarities between Christian Bale’s performances as Patrick Bateman in American Psycho and Bruce Wayne in the Dark Knight Trilogy, Redditor DragonfruitDisable believes that is not by coincidence and, in fact, the two are one in the same. The theory states Alfred Pennyworth put the famous young orphan through school under a different alias, which he continued to go when he started to have elaborate, homicidal fantasies. This bout of insanity would lead him down a path of self-discovery, which brings us to the start of Bateman Beg… or Batman Begins, we mean.

Django Actually Killed Sandy's Son (Django Unchained, The Hateful Eight)

It is no secret that most of Quentin Tarantino’s movies exist in the same universe, which QuantumBandit404 likely used as inspiration for a Reddit theory that states that, in The Hateful Eight, Marquis Warren’s (Samuel L. Jackson) lied about killing the son of Sandy Smithers (Bruce Dern), who was really a bounty for Django Freeman. It’s an intriguing concept, especially considering Warren’s deceptive skills, but what makes it more interesting is, according to DP/30 Podcast (via ScreenCrush), Tarantino originally wrote the role as an older version of Jamie Foxx’s titular bounty hunter from Django Unchained.

Nemo Is Imaginary (Finding Nemo)

Finding Nemo is already one of the saddest Pixar movies, but an op-ed by Søren Hough on Movie Fail makes it even more tragic if you believe what his theory suggests. He believes that Marlin (Albert Brooks) was the only true survivor of the 2003 family film’s tragic opening sequence and invented his son, Nemo (Alexander Gould), as an imaginary coping mechanism for his grief.

T-800 Was Preprogrammed Not To Kill (Terminator 2: Judgment Day)

In Terminator 2: Judgment Day, John Connor (Edward Furlong) urges his mechanical protector (Arnold Schwarzenegger) to not commit murder, but did he ever really have to? Based on the fact that the T-800 never kills anyone in the opening scene (despite causing bloodshed rather quickly in the first film), Redditor Potential_Gap3957 speculates that Connor’s adult self already programmed him with this command before sending him to 1995, but also asked him to stage a killing in front of young John as a way to build up his leadership skills.

Michael Myers Is A Vampire (Halloween)

Halloween: The Curse of Michael Myers attempted to explain the iconic horror movie villain’s supposed immortality as part of a curse given to him at birth by a deadly cult, but there is another theory that we think is far more amusing. According to ScreenRant, Michael is really a vampire — not the typical bloodsucking kind, but one that feeds on murderous acts — and his psychiatrist from the reboot trilogy, Dr. Ranbir Sartain (Haluk Bilginer), is his familiar, which might explain why he wanted to be like the slasher.

Pearl Is Maxine's Grandmother (X, Pearl)

Is it possible that the resemblance between young Maxine and the elderly Pearl (both played by Mia Goth in Ti West’s X) is more than just an example of the acclaimed A24 horror movie’s nuanced commentary on aging? On Reddit, Thabrianking speculates that Maxine’s televangelist father is Pearl’s son, who turned to religion after witnessing his mother’s homicidal tendencies, which were a main plot point in the prequel, Pearl.

Ned Ryerson Is The Devil (Groundhog Day)

There has never been a definitive explanation for how Phil (Bill Murray) relives February 2nd over and over in 1993’s Groundhog Day, but a Redditor named SuperConductiveRabbi believes it is the work of Ned Ryerson (Stephen Tobolowsky), who may even be the Devil himself. Evidence: the time loop begins after Phil insultingly refuses to buy insurance from Ned and stops when he gives in to the offer (symbolism for selling one’s soul) and finally treats him with respect.

Jar Jar Binks Was In Cahoots With The Sith (The Star Wars Movies)

While very few people would call Jar Jar Binks their favorite Star Wars character, some have warned that the seemingly harmless, motormouth Gungan was not to be underestimated. Before The Force Awakens was released, Lumpawarroo predicted that he would play a major role in the film, which would also reveal that he was not only a Sith Lord the entire time, but the true identity of Supreme Leader Snoke. The Sequel Trilogy may have debunked that last detail, but is still fun to imagine the rest being true.

Walter Never Served In Vietnam (The Big Lebowski)

In 1998’s The Big Lebowski, Walter Sobchak (John Goodman) finds any opportunity he can to bring up his tour of Vietnam, which is not typical behavior of a military veteran, as pointed out on a FanTheories subreddit post that suggests the avid bowler was never even in the service. Goodman himself once admitted in an interview with Today, for the 20th anniversary of the classic Coen Brother comedy, that he agrees with this theory.

Juror #8 Is A Reformed Criminal Who Coerced The Others Into Changing The Verdict (12 Angry Men)

Sidney Lumet’s 1957 courtroom drama, 12 Angry Men, is hailed as a powerful story of justice prevailing over a broken system, thanks to Juror #8 (Henry Fonda) pointing out flaws in the others’ initial “guilty” verdict, but is that truly the case? According to a theory by Redditor Agile-Confusion-626, Juror #8 actually did believe the poor, young defendant was guilty of murdering his father, but as someone who once fell prey to the criminal lifestyle in his own youth, wanted to give him a chance to redeem himself outside of prison. Thus, he conned the other jurors into changing their minds.

Dom And The Crew Are Super Soldiers (Fast And Furious Movies)

With how implausibly over-the-top the Fast and the Furious movies came to be over time, the best explanation is that Dominic Toretto (Vin Diesel) and his crew were made into super soldiers at some point. According to YeppImNaked on Reddit, not only is that exactly what happened, but the team actually exists in the Marvel Cinematic Universe and they were dosed with the same serum that turned Steve Rogers into Captain America by their true employers, S.H.I.E.L.D.

Ripley Is Genetically Suitable To Host A Queen Xenomorph (Alien Movies)

It seems that no matter what she does, Ellen Ripley (Sigourney Weaver) cannot escape running into some horrifying situation involving the vicious creature from the Alien movies known as the Xenomorph, and that might actually be by design. As a theory by Redditor clutzyninja suggests, not just any human can be impregnated with a Queen Xenomorph and Ripley can, which is why she is considered a special asset to Weyland-Yutani.

Kevin's Dad Is In The Mob (Home Alone)

In Home Alone, the Wet Bandits consider the McCallister household to be the “Silver Tuna” of the Chicago suburb they target during the holidays, which begs the question, how exactly was Kevin’s (Macaulay Culkin) father, Peter (John Heard), able to afford such a lovely, expensive home with five children and a non-working wife (Catherine O’Hara)? Redditor cubanesis believes he may have mob connections, which would explain why he so quickly comes to the defense with Harry (Joe Pesci), disguised as a cop, asking to speak with him at the beginning.

The Predator Is In Exile (Predator)

On Reddit, Mister_E69 points out that, in 1987’s Predator, the titular extraterrestrial hunter’s technology is severely outdated to that of the Predator we see in 2022’s Prey, which takes place centuries earlier. For that reason, it could be possible that the creature from the original film has been exiled from his planet and forced to use a less reliable cloaking feature, blades of a stunted length, and glitch infrared vision. 

Cobb's Real Totem Is His Wedding Ring (Inception)

The ending of Inception has puzzled fans for years, but the answer to whether or not Dom Cobb (Leonardo DiCaprio) is awake at the conclusion of Christopher Nolan’s trippy masterpiece may lie in what one Redditor belies is his real totem: his wedding ring. We never see the thought-extractor wearing it when he is awake and, since it is not on his finger in the final scene, perhaps we can conclude that the long-awaited reunion with his children is real.

Tree Is Stuck In Purgatory (Happy Death Day)

The concept of time-loops being a form of purgatory serves as the basis for BingeWatcher_Fanatic’s theory that, in Christopher Landon’s Happy Death Day, Tree Gelbman (Jessica Rothe) is actually dead and continuously reliving Monday the 18th as a way to repent for her sins. Even though this contradicts pretty much the entire plot of the sequel, Happy Death Day 2U, it offers an intriguing, deeper meaning to the fun slasher flick.

Jenny Is The Girl From The Tommy Tutone Song (Forrest Gump)

Apparently, Tom Hanks’ titular protagonist is not the only one from Forrest Gump who made an impression on American culture, if we are to believe paulvs88’s theory. The Reddit user speculates that Tommy Tutone’s 1981 one-hit-wonder “867-5309/Jenny” is, indeed, about Robin Wright’s character of the same name.

Ron Used Magic So Hermione Would Fall For Him (Harry Potter Movies)

Ron Weasley (Rupert Grint) and Hermione Grainger (Emma Watson) initially seemed like a pretty unlikely match, which makes their romance in the Harry Potter movies so endearing. However, it is not so heartwarming if you believe EmperorDeathBunny’s theory on Reddit suggesting that he used the Imperius Curse — which is basically a manipulation spell — to enchant into falling in love with him.

Luca Is Atlantean (Luca)

The 2021 Pixar film, Luca, stars Jacob Tremblay as the voice of the titular sea monster who gets a taste of life on the surface with another creature of his kind (voiced by Jack Dylan Grazer) by disguising themselves as humans. As a fun way to expand on the lore, Redditor Drecon1984 posited a theory that the sea monsters are actually descendants from the lost city of Atlantis.

Wendy Imagined The Horror At The Overlook (The Shining)

There is an insane amount of conspiracy theories inspired by The Shining, but regarding the ones that actually focus on characters from the 1980 Stephen King adaptation, we like one we found on MovieWeb. It suggests that, instead of Jack Torrance (Jack Nicholson), it is really his wife, Wendy (Shelley Duvall), who is losing her mind while staying at The Overlook, where none of the bizarre and tragic things that take place are real, but exist her in imagination.

Movie fans have some wild imaginations, don’t they?

Christopher Nolan's films have genuinely changed the world – so we decided to rank them. 

When it comes to some of the most-known filmmakers, I'm sure plenty come to mind. Maybe you think of the best Steven Spielberg movies, or perhaps you think of the best David Fincher films. But today, we're going to be focusing on a director who has released some of the most influential films of the last few decades—and that's Christopher Nolan. 

From his debut movie Following to his latest, Oppenheimer, here is how we rank Nolan's films from the very start. 

12. Following (1998)

For a debut film, Following is a great one to have. The movie mainly tells the story of a young man who follows the lives of strangers in London, only to find himself drawn into the criminal world when it's taken too far. 

Nolan directed, wrote, and produced the film, and as his debut film, it's not the big, bold pictures that we've seen him make way down the line in his career. Following is an interesting story to begin on, but certainly not his best. 

11. The Dark Knight Rises (2012)

The Dark Knight Rises is the third film in the Christian Bale Batman trilogy, telling how Batman needs to return to crime fighting when a terrorist known as Bane threatens nuclear destruction. 

Regarding the best superhero movies, The Dark Knight Rises is a great one, but it pales in comparison to the previous trilogy installments. After losing Heath Ledger, it suffers an understandable pitfall with a clunky storyline that's barely rememberable all these years later. While it's saved a bit by the performances of Bale, Tom Hardy, and Anne Hathaway, there's not much to this Batman entry. 

10. Tenet (2020)

Tenet was released during the COVID-19 pandemic and told the story of a former CIA agent who has to trace the origin of objects that travel backward through time to stop an attack that is going to occur. 

The premise for this film is wacky. I'll give Tenet a Top 10 spot mainly because the visual effects are out of this world. I believe it should have been given a long theatrical release when it first debuted. But, the story itself leaves a lot to be desired. I've had to rewatch this film a few times to truly understand it. 

9. Insomnia (2002)

Insomnia was released in 2002 and featured the story of two homicide detectives who are looking for the murderer of a teenage girl, only for their lives to become intertwined. 

The following movies in Nolan's filmography are all objectively great; it's just that some have more outstanding qualities than others. Insomnia, for example, is a silent killer of a movie. It features an exceptional performance from Robin Williams, but also Al Pacino, Hilary Swank, and so many more who rock here. If I had to pick one of Nolan's less intense films, this would be it—a true psychological thriller.

8. Memento (2000)

Memento is an interesting one – it stars Guy Pearce as Leonard, a man who can't make memories after witnessing the rape and murder of his wife. Now, he uses a camera and a gun to hunt down the person who did it to bring her justice. 

This film is excellent. I wasn't super impressed when I first watched all of Nolan's films, but when I rewatched it, the movie grew on me. The mystery unfolding is unlike any other and captures the eyes of the viewer in an instant. 

7. Batman Begins (2005)

The first film in the Nolan Batman trilogy, Batman Begins, tells not only the origin story of Bruce Wayne but follows as he attempts to stop Ra's al Ghul and other villains from turning Gotham City into nothing but a criminal haven. 

Reintroducing Batman to the general public after the bombs of the Batman franchise in the 1990s took guts, but Nolan did that and more with Batman Begin. It's a gritty drama with excellent acting, an incredible cast, and a story that made even a superhero hater like me a superhero lover early in her life. 

6. The Prestige (2006)

Starring Christian Bale and Hugh Jackman, The Prestige is another psychological thriller that follows two rival magicians in Victorian London who try to sabotage the other to perform the ultimate magic trick. 

The Prestige surprised me when I first watched it, and even more so now, as it's one of Nolan's best movies. Both Bale and Jackman give career-high performances, but the sleight-of-hand scenes you witness mixed in with the game both the main characters are playing to outdo the other is what you stay for. Truly, so much fun.

5. Dunkirk (2017)

Dunkirk is an epic, and one of the best war films, that follows the soldiers during the real-life Dunkirk evacuation during World War II.

This film…sits with you. I don't think it's number one, but Dunkirk is a movie that you never really forget. Thanks to the sound editing, I can still feel the shaking of my theater seat years later, and I was blown away by the cinematography. 

The film is dark, realistic, and downright devastating when you think about all the lives lost. What makes it even better is that there's barely any speaking – only a true cinematic master can pull off a film with so much emotion when there's barely a peep of dialogue. 

4. Inception (2010)

Inception is a sci-fi action film about a thief who can steal information by literally entering his victims' minds. However, the chance to have his criminal record erased throws his life into a tailspin. 

Arguably, Leonardo DiCaprio should have won an Oscar for Inception, as it's one of DiCaprio’s best movies. Is it confusing at first? Yeah, it is, but everything changes once you start to understand the science behind it. And, of course, the visual effects have gone down as some of the best in film history. 

3. Oppenheimer (2023)

Oppenheimer is a biographical film about J. Robert Oppenheimer, the man who created the atomic bomb. Was it one of the best movie experiences I've ever had? Heck, yes, it was. 

From the incredible Oppenheimer cast to the impeccable soundtrack, Oppenheimer hooked me. Pair that with an incredible lead performance from Cillian Murphy, and this is certainly one of Nolan's best-directed features. I think there are two others that surpass this, but it's up there. 

2. The Dark Knight (2008)

Most people would say that Heath Ledger's performance as the Joker makes The Dark Knight so high, but there are so many other reasons beyond his earth-shattering portrayal. 

The action scenes were incredibly well-done. Unlike any other Batman interpretation, the story was evenly paced and thrilling. The score is phenomenal. And let's not even get started on the number of iconic lines that have cemented themselves into pop culture. 

The Dark Knight would be number one if this last film didn't exist. So, one other film takes the cake for me. 

1. Interstellar (2014)

I had to put this at number one.

Some people wouldn't agree with my pick of Interstellar, but objectively, I can't not put this at number one for so many reasons. Sure, the sci-fi aspect of this film — that— they must travel into space to find a habitable planet for humans — is a little clunky — I can understand that. I've needed to watch this film a couple of times to truly understand it. 

But the themes are downright unforgettable. The Interstellar cast gives it their all for the entirety of the film, with a positively heartbreaking and yet uplifting performance from Matthew McConaughey post-Dallas Buyers Club. Hans Zimmer's score is one I still listen to in my car as I drive down a highway late at night. 

This movie has impacted my life so much ever since I first watched it — which is why I have to place it as my number one. 

This is my list, and while I believe this is the proper ranking, your ranking of Christopher Nolan's best films might differ entirely from mine. 

Either way, let's all admire how amazing he truly is as a filmmaker — and somehow patiently await his next movie, whenever that comes. 

The Academy Awards are this evening, which means that by the end of the day, some of Hollywood’s biggest stars will be the proud owners of some gold statues. There are plenty of notable 2024 Oscar nominees, and one of them is the incomparable Christopher Nolan. The acclaimed filmmaker is part of a few major categories, thanks to his critically acclaimed historical drama Oppenheimer. While Nolan has never won one of the Academy’s prestigious awards, he has been nominated multiple times. And how many exactly you might ask? Well, let’s talk that out now. 

Memento (2000)

Those who’ve watched all of Christopher Nolan’s movies know that he has an incredible body of work, and one of his earliest features is Memento, which has some interesting BTS facts. The film stars Drew Pearce as a man suffering from anterograde amnesia while trying to find the person who killed his wife and caused his condition. Critics lauded the film, which is only Nolan’s second directorial effort, and it also landed him his first Oscar nod. 

He received a nom for Best Original Screenplay at the 74th Academy Awards in 2002. Ultimately, it was Julian Fellowes who won the award for his work on Robert Altman’s Gosford Park. Some probably would’ve assumed that the eventual Dark Knight helmer’s work might have claimed the prize that night. However, I’m really surprised that this next film didn’t win him any Oscars. 

Inception (2010)

One of the filmmaker's most mind-bending pieces of work, Inception (especially its ending) is still widely analyzed by cinephiles. The Leonardo DiCaprio-led thriller sees the star play a thief – who steals information via a person’s subconscious – receiving the opportunity to wipe his slate clean. It may only have two Oscar nominations to its name, but they’re big. Christopher Nolan received a nod for Best Original Screenplay and was nominated for Best Picture as a producer on the film. Both of those awards were claimed by The King’s Speech on Hollywood’s biggest night in 2011. 

Dunkirk (2017)

Before the historical box office behemoth that is Oppenheimer, the filmmaker made waves with the World War II epic Dunkirk, which centers on the Dunkirk evacuation. Like many of the writer/director’s other productions, it’s been critically acclaimed and is a visual spectacle to behold. Overall, it received eight nominations from the Academy, with two of those going to the man in the director’s chair. He once again received a Best Picture nod and, this time, he earned his first nom for Best Director. While both of those went to Guillermo del Toro’s The Shape of Water, the war drama itself still won trophies in three of the technical categories. 

Oppenheimer (2023)

We now come to Christopher Nolan’s latest cinematic triumph, Oppenheimer. The biopic focuses on the life and work of theoretical physicist J. Robert Oppenheimer, whose pivotal work during World War II led to the creation of the atomic bomb. A sweeping masterpiece, it has a leading 13 Academy Awards nominations at this year’s ceremony. Among those are three nods for Nolan, including Best Adapted Screenplay, Best Director and Best Picture. Some Oscar predictions point to at least a couple of those going to Nolan, with the latter two of the aforementioned awards seemingly being locked up for him. Of course, we’ll have to wait and see if that comes to pass. 

Regardless of what happens though, it’s clear that Christopher Nolan has done some truly admirable work. I won’t lie, because it certainly would be wonderful to see him finally claim one of those highly coveted awards. Yet, should that not pan out, it surely doesn’t take away from the quality and magnitude of the work Nolan has done over the years.

We’ll find out if he takes home any trophies when the 96th Academy Awards air tonight, Sunday, March 10 at 7 p.m. ET on ABC. Those who want to check out the filmmaker’s work can also stream Oppenheimer with a Peacock subscription and watch Inception, Dunkirk and more online as well.

Christopher Nolan has a habit of working with the same actors over and over again: the acclaimed director has worked with Anne Hathaway and Matt Damon twice, Christian Bale and Gary Oldman four times apiece. And, he's notably collaborated a whopping six times with Cillian Murphy, the star of not only his blockbuster biopic Oppenheimer but also Dunkirk, Inception and The Dark Knight trilogy. While Chris and Cill's professional "bromance" is undeniably impressive, it's actually the filmmaker's second longest-running collaboration with an actor. That title goes to Sir Michael Caine, who is notably missing from Oppenheimer.

Caine has performed in eight of Christopher Nolan's films, including The Prestige, Interstellar and Tenet — which made the absence of the legendary British actor from that star-studded Oppenheimer cast all the more puzzling. 

While accepting the BFI Fellowship at the annual British Film Institute chairman’s dinner on Wednesday, February 14, Nolan addressed why Michael was M.I.A. from the historical drama. Per The Independent, he said in his speech that it was actually the 90-year-old actor who made the decision for him: 

The film veteran, whose acclaimed career has spanned eight decades and has garnered two Academy Awards (for 1986's Hannah and Her Sisters and 1999's The Cider House Rules), officially announced his retirement from acting in October 2023. (He had previously dabbled with throwing in the towel back in the '90s, but Jack Nicholson allegedly pulled him back in.) He broke the news on BBC Radio 4's "Best of Today" podcast:

Michael Caine's final onscreen performance was as real-life World War II veteran Bernie Jordan in The Great Escaper, opposite the late, great Glenda Jackson. 

With Caine not available for Oppenheimer, Nolan joked that he had to put together an ensemble of megawatt A-listers in the hope that "all those greats would add up to one Michael Caine":

Sadly, Christopher Nolan's onscreen collaborations with Michael Caine might be over, but his 20-year partnership with Cillian Murphy is thankfully still going strong. The actor presented Nolan with his BFI Fellowship on Wednesday night, calling his fellow 2024 Oscar nominee "a true legend":

You can watch several of Nolan and Murphy's cinematic collabs — especially the ones that also feature Michael Caine, like The Dark Knight movies and Inception — with a Peacock subscription.

Christopher Nolan fans love the director for his intricate plots, big set pieces and surprise endings. One of the most notable cappers of his career is the unforgettable conclusion to Inception, which leaves the audience guessing whether or not Leonardo DiCaprio's character is still stuck in a dream world. It's easily one of the most talked-about finales of any film in the history of cinema. Now, over 13 years after its release, Nolan is sharing his take on how his sci-fi thriller closes, after not having publicly discussed it "in a while."

The acclaimed filmmaker sat down with Josh Horowitz of the Happy, Sad, Confused podcast, where he opened up about how he's constantly asked for answers on the ambiguous ending to 2010’s Inception. When the film first came out, it seemed like it was the only question the director got about the film, as fans were straight-up clamoring for their queries to be addressed. The Memento helmer reflected on this time, saying:

Christopher Nolan also revealed his own thoughts about the ending. While he didn’t give the definitive answer that fans may have been looking for, the Interstellar filmmaker provided some insight into the scene’s intention. He also explained why he chose such an uncertain conclusion to his film:

Many of his endings spark debate, excitement or both. His Dark Knight trilogy had great conclusions, such as that Joker card tease and the end Batman Begins. The ambiguity of Bruce Wayne’s ending in The Dark Knight Rises is also legendary, while Interstellar left fans with many questions about the success of Matthew McConaughey's mission. However, none of the British director's films have caused quite the level of debate that Inception has. 

For context, in the movie, Leonardo DiCaprio’s Dom Cobb uses a spinning top to determine whether or not he’s still stuck in a dream at a given moment. The final scene shows him finally being reunited with his children, seemingly marking a happy ending for him. In a “pinch-me” moment, he takes the spinning top out in order to see if he was living in reality or it was all a dream. He spins it, but the movie cuts to black before the audience gets to see if the top falls. The ending has ignited fan debates for over a decade, specifically regarding whether or not Inception ends in victory or tragedy.

As Christopher Nolan explains in this latest interview, it doesn't matter whether or not the top inevitably falls, because the result is the same either way. Whether Dom is in the real world or still stuck in a dream, he believes he's still being reunited with his children and is happy in the continuation of his life with them. So essentially, the ending is the same no matter what happens with the top. But for what it’s worth, I could’ve sworn I saw that spinner wobble a bit.

You can watch Inception and draw your own conclusions about the ending by renting the Oscar-nominated movie on Prime Video. Christopher Nolan fans should also check out his latest directorial feat, the well-reviewed Oppenheimer, which is currently in theaters nationwide. For information on other much-anticipated blockbusters hitting cinemas this year, consult our schedule of 2023 new movie releases.

Following the home release of Oppenheimer, there’s a good chance many are looking to watch the best Christopher Nolan movies more than any other point in the past few years. Whether you’ve seen his various psychological thrillers and all-time great superhero movies multiple times or never before, we have everything you need to know for one incredible marathon full of the director’s incredible scenes and his trademark style and plot devices.

And while we wait for Christopher Nolan's next movie, now's the perfect time to go back and watch everything the Academy Award-winning filmmaker has given us over the years. Here's how to watch Inception, Interstellar, Dunkirk, and so many other great films from the visionary director.

Inception (2010)

One of the sci-fi movies to not focus on aliens or robots, Christopher Nolan’s 2010 visually-stunning action thriller Inception offers a unique concept and one hell of an execution of said premise. The movie follows Dom Cobb (Leonardo DiCaprio), an on-the-run thief who’s given the prospect of a clean slate if he can successfully break into the dreams of his client’s rival and plant an idea instead of stealing information. 

This star-studded spectacle is full of twists and turns, as well as an ending we’re still debating more than a decade later.

Rent/buy Inception on Amazon.

Interstellar (2014) 

In 2014, Nolan gave the world one of the most awe-inspiring and emotional sci-fi stories of all time with Interstellar, a movie that features equal parts hard science and human emotion. The film centers on Joseph Cooper (Matthew McConaughey), a widowed NASA pilot-turned-farmer who becomes humanity’s best chance of survival as he leads a last-ditch effort to find a new home. Leaving behind a young daughter and son on a dying Earth, Cooper sets off to the cosmos for a mind-bending and heart-wrenching journey.

What makes the movie even more impressive is its scientific accuracy and the fact much of the movie was shot without a green screen.

Stream Interstellar on Netflix.
Stream Interstellar on Paramount+.
Rent/buy Interstellar on Prime Video.

Dunkirk (2017) 

One of the best war movies ever made, Dunkirk is also one of the more unique, as it picks up after the battle on which it draws its name instead of focusing on the action. With three different storylines – one taking place over a week, one a day, one an hour – the moving 2017 drama features a nonlinear narrative that shows that heroes come in all forms with varying motivations.

The movie features some of the director’s most impressive shots and sequences, and what makes them even more extraordinary are all the tricks and techniques Nolan employed to pull them off.

Rent/buy Dunkirk on Amazon.

Tenet (2020) 

Months after the pandemic forced major changes to the theatrical calendar, Nolan came out with Tenet, one of his loudest movies yet, which was also one with one of his wildest plots to date. The movie centers on a secret agent known as the Protagonist (John David Washington) as he is tasked with traveling through time to prevent World War III. 

This is an incredibly simplified description of the film’s plot and doesn’t even tackle the Tenet ending, as there are certain elements of the labyrinthian puzzle that are still being unpacked nearly three years after the film’s initial release. 

Rent/buy Tenet on Amazon.

Oppenheimer (2023)

In July 2023, Christopher Nolan released not only one of the biggest movies of the year but also one of the most well-received films of his career with Oppenheimer. This three-hour epic detailing the creation of the Atomic bomb and the man behind it, J. Robert Oppenheimer (Cillian Murphy) is an absolute tour de force, both in terms of storytelling and filmmaking magic. 

Focusing on several different periods in Oppenheimer's life, the movie examines what made the "Father of the Atomic Bomb" tick as well as the fallout of his landmark achievement. With its blistering pace and heightened drama, Nolan rewrote the biopic with Oppenheimer.

Stream Oppenheimer on Prime Video.
Rent/buy Oppenheimer on Amazon.

The Dark Knight Trilogy (2005 - 2012)

Over the course of seven years and three movies, Christopher Nolan told the story of Batman (Christian Bale) as he transforms himself from the heir to the Wayne family legacy to a symbol of hope for Gotham City. From his early days of burning the candle at both ends in Batman Begins to taking on an anarchic and violent enemy in The Dark Knight to saving the city he loves from a zealot in The Dark Knight Rises, the caped crusader (as well as the man behind the mask) goes through tremendous change.

With some of the best Batman chase sequences and unforgettable scenes we still think about years later, there are plenty of reasons the Dark Knight trilogy remains so popular after so much time.

Stream Batman Begins on Max. (Rent/buy Batman Begins on Amazon.)
Stream The Dark Knight on Max. (Rent/buy The Dark Knight on Amazon.)
Stream The Dark Knight Rises on Max. (Rent/buy The Dark Knight Rises on Amazon.)

The Prestige (2006)

Between his first and second Batman movies, Nolan took audiences to late 19th-century London with a story about two rival magicians (Christian Bale and Hugh Jackman) who are driven to the brink of madness as they attempt to master the art of teleportation. 

The Prestige, with its complex story, outstanding performances by its cast, and stunning visuals, remains one of the best examples of the director’s work, whether or not you like the film's ending. 

Rent/buy The Prestige on Amazon.

Insomnia (2002)

Released in 2002, Insomnia follows embattled LAPD detective Will Dormer (Al Pacino) as he travels to a remote fishing village in Alaska to help local authorities nab a serial killer who has been targeting young women. With the man suspected of the killings, Walter Finch (Robin Williams) toying with the cop and taking advantage of his troubled past, Dormer finds himself in quite a heated situation.

Though it’s not talked about as much as Nolan’s other films, this remake of the 1997 Norwegian crime thriller of the same name, is something that fans of his work need to check out.

Rent/buy Insomnia on Amazon.

Memento (2000)

Memento, the movie that put Christopher Nolan on the map back at the turn of the 21st century, is one of those movies that not only transformed the director’s career but also modern cinema. This riveting psychological thriller follows Leonard Shelby (Guy Pearce) as he attempts to find out who brutally murdered his wife. But that’s not the hard part…

Leonard suffers from an extreme form of amnesia that results in short-term memory loss and the inability to create new memories, which adds a whole other dimension to this complex murder mystery.

Rent/Buy Memento on Amazon.

Following (1998) 

If you want to go back and see where it all started for Christopher Nolan as a feature film director, then you have to check out his 70-minute, black-and-white thriller, Following. What starts out as a hobby of shadowing people around the streets of London quickly turns into a game of life or death for a young writer (Jeremy Theobald) after he makes the mistake of following the wrong person.

This is your classic neo-noir story but with some inventive Nolan-isms, elements that would be fine-tuned in the movies that followed.

Rent/buy Following on Amazon.

Christopher Nolan is truly one of the greatest living filmmakers, one with an incredible number of wonderful movies. And while we don't yet know what he has in store for us moving forward, it's safe to say Nolan is going to blow us away many more times in the years to come.

I actually would consider myself a big movie-buff. While I haven’t seen many older films in my lifetime, I’ve stayed up to date with a lot of the newer directors that have become mainstays in Hollywood over the last forty years or so, such as Steven Spielberg, Robert Zemeckis, Greta Gerwig, James Cameron, Guillermo del Toro – the list really goes on, but one person that I had yet to see all their filmography was Christopher Nolan. 

While Nolan is responsible for some of my favorite movies of the last two decades, he has many other films that I had never seen before. So, in honor of Oppenheimer releasing, I decided to revisit all of Nolan’s films, both the ones I did watch and the ones I had never seen before – and I have a clear favorite. Let’s get into it. 

A Lot Of His Earlier Films Didn’t Impress Me That Much

I’m going to be honest – many of Nolan’s movies from the late 1990s and early 2000s didn’t do it for me. 

Don’t get me wrong, they were all great films in many ways. Following was a great directorial debut, Memento is famous for many reasons and has an excellent story, and Insomnia has plenty of psychological moments that get you on the edge of your seat. They all have their good qualities.

But for some reason, I just couldn’t get behind these first three. While they were intriguing movies, I don’t think I would find myself watching them again. While they were fun to watch one time, I don’t anticipate heading back towards their respective streaming platforms in order to watch them again. 

It’s almost like Requiem for a Dream – I’m glad I at least watched it once, but in terms of coming back to the movie in the future, that’s not really my cup of tea. 

The Prestige Was Great – But Not My Favorite

Another Christopher Nolan film I had never seen before was The Prestige, and quite honestly, I think it’s probably my third favorite among all of them. 

The Prestige is an excellent film, helmed at the front by two amazing performances from both Hugh Jackman and Christian Bale, and just the premise alone was enough to intrigue me – two rival stage magicians who are trying to perfect some sort of magic trick that would change the world as we know it. 

While The Prestige is a totally different film from Insomnia, I think it takes the psychological thriller aspect to a new level and really elevates it. And don’t even get me started on the cinematography – it was out of this world. 

Even so, the film is one of my favorites but not the best in my mind.

His Batman Trilogy Is One Of The Best 

When we talk about Batman and any iteration of the character that we have seen on screen, Nolan’s films are always in the conversation, and that’s for good reason – they’re good freaking films. The Nolan films are honestly some of the best Batman movies ever made, in my opinion.

From Batman Begins to The Dark Knight to The Dark Knight Rises, these three have cemented their legacy in the movie industry as mainstays, with brilliant performances in all three films – but of course, I have to single out Heath Ledger’s version of the Joker as one of the best. 

Beyond his impressive performance, there is so much to love about this franchise. Christian Bale is spectacular as Batman along with the rest of the incredible cast of characters. The visual effects are great. The story is out of this world. I love it. The Dark Knight Rises is definitely my number two among all of Nolan’s films. 

Even so, there’s one more that is number one – but we’re not there just yet.

Inception, Dunkirk, and Tenet Are Visual Masterpieces – But Storywise, They Lag

Okay, don’t get me wrong – I love visually dazzling films. I was eager to see Avatar: The Way of Water because I knew it was going to be absolutely beautiful on a big screen. My favorite film series of all time is the Harry Potter franchise, a movie series that is drenched in visual effects. 

Out of everyone who knows effects, Nolan knows how to make visual masterpieces and that is amazing to see. Inception, Tenet and Dunkirk are all beautiful examples of that. Heck, I remember seeing both Inception and Dunkirk in theaters (Tenet was during the pandemic so that was an at-home watch), and I was blown away. 

But the stories just lag for me. 

Before I re-watched these films, I would've had a hard time describing what they were about. The most easy one to understand was Dunkirk, since that was based on a real-life event, but the narrative moved around a lot. Tenet was almost too much information for my brain to handle that it made the movie harder to understand, and Inception is great, but the concepts – at least to me – were difficult to grasp even now watching it again. 

Out of the three of them, Inception is great, and would probably be number four because it feels like the easiest one to follow, but still – the visuals are what draw me in for that. One stands above the rest, though. 

However, Interstellar Is My Favorite, Overall

It’s just better. 

To be honest, the main reason I never watched this movie before was because when it first came out, I was in high school and taking a physics class at the time, and the last thing I wanted to do was watch a movie that was going to be centered around physics and science. So I just missed it for years. 

Now almost nine years later, I watched it. And I fell in love. 

Is the physics of the movie still a little hard to understand? For someone like me who was never the brightest bulb in science, yes, but it’s not nearly as complicated as some of Nolan’s other films, and for all the science that is included, it somehow flows very easily where it doesn’t feel like information overload. 

What makes it better is the visuals – the visuals of this film made me wish I saw it on a big screen. Granted, my partner bought an 85’’ television, so I have a pretty big screen at home, but I could only imagine what seeing this film would be like on a movie theater screen. There was so much thought and effort and design put into every one of these shots, I was absolutely floored. 

And the Interstellar cast in and of itself is just so full of talent. The story is heartfelt and inspiring and so much more. Nolan hasn’t made a film like this one since, that’s truly captured my heart and my soul in many ways. I could rewatch Interstellar again and again and not get bored. 

To me, it’s my favorite out of all of his films – and it’s time it got even more praise. 

I’m Not Sure If Oppenheimer Will Beat It

I am currently writing this piece on July 18th, 2023, and tonight, I am going to be seeing my Oppenheimer screening. 

This movie has been getting a lot of media attention recently, and I knew I was going to see it for months just based off of the incredible Oppenheimer cast, but I’m not sure it’ll beat Interstellar for me. While I do love a gritty, biographical movie about war that aims to teach me things about history, I don’t know if Oppenheimer is going to top Interstellar. 

I do think it’ll be one of my favorites. I adore these types of films and I really do think that Nolan doesn’t really miss on anything. Even with the movies I didn’t enjoy as much, they were still easily watchable. But we’ll just have to wait and see. 

What’s your favorite Christopher Nolan film? All I know is that I am prepared to have my heart hurt after watching Oppenheimer – before re-watching it all over again once I convince my dad to go see it in a theater instead of waiting for streaming.