The movies have always had a way of making the life of an outlaw look fun. The secret is as easy as defying tradition by making the “bad guy” the protagonist of the story, or even taking innocents out of the equation completely. These classic films will force you to reconsider your moral standards.

The Godfather (1972)

In addition to being one of the best films about the "family business," Francis Ford Coppola's Best Picture Oscar-winning adaptation of Mario Puzo's The Godfather is a genuine family story all the way to its core, albeit a violent one. It follows Michael Corleone (Al Pacino), who is motivated by the attempted murder of his mob boss father, Don Vito (Marlon Brando), to take matters into his own hands, leading him down a path to become one of the most feared leaders in the world of organized crime.

Psycho (1960)

The true antagonist of Alfred Hitchcock's seminal horror movie classic, Psycho, is unquestionably Anthony Perkins' Norman Bates. However, what leads Marion Crane (Janet Leigh) to make a fateful stop at the Bates Motel is her decision to go on the run with stolen money.

The Talented Mr. Ripley (1999)

The title character of The Talented Mr. Ripley, Anthony Minghella's acclaimed adaptation of Patricia Highsmith's 1955 novel, is a conniving con artist. However, much like most of the people Matt Damon's Tom Ripley encounters, it is hard not to fall for his charms.

Pulp Fiction (1994)

There really are not any "good guys" in Pulp Fiction, or in most of Quentin Tarantino's movies, for that matter. However, there are certainly some characters in the dazzling crime thriller that audiences have more affection for than others, especially Vincent Vega (John Travolta) and Jules Winnfield (Samuel L. Jackson), who have to be the two most down-to-earth mob hitmen in pop culture history.

Batman Begins (2005)

I have never admired a character in my life more than DC Comics' Dark Knight, but even I will be the first to call out Bruce Wayne for who he really is: a vigilante, which makes his crusade for justice in Gotham illegal. One of the few live-action Batman movies to address this moral gray area is Christopher Nolan's Batman Begins, in which James Gordon (Gary Oldman) is the only cop willing to support the Caped Crusader (played by Christian Bale), but even he has his doubts.

Goodfellas (1990)

The flashbacks to Henry Hill's youth at the beginning of Martin Scorsese's Goodfellas establish a life in the mafia as a childhood aspiration for him. Thus, you almost cannot help but feel proud of Ray Liotta's character as he rises up in the ranks of the criminal underworld and disappointed when the law knocks him down a peg.

Dog Day Afternoon (1975)

Director Sidney Lumet's Dog Day Afternoon is a crime thriller based on an incredible true story starring Al Pacino as an amateur crook whose simple bank robbery plans evolve into a challenging hostage situation. Just like John Wojtowicz, the real person who inspired the film's main character, Sonny Wortzik, his only reason for committing the crime is to afford his lover's transgender operation, which I can empathize with.

Catch Me If You Can (2002)

Steven Spielberg's acclaimed 2000s-era movie, Catch Me If You Can, is based on the alleged true story of Frank Abagnale Jr., who passed himself off as an expert in multiple fields while living off fraudulent checks while he was barely beyond his teenage years. The casting of Leonardo DiCaprio as the clever crook immediately earns our sympathies, putting Tom Hanks in the rare position of playing the default antagonist as Carl Hanratty, an FBI agent trailing Frank.

Heat (1995)

Michael Mann's powerful thriller, Heat, is defined by its moral ambiguity, portraying the story of a group of professional bank robbers tailed by the LAPD from both sides of the law. By the end, it is hard not to feel bad for expert thief Neil McCauley (Robert De Niro) when he is finally cornered by Lieutenant Vincent Hanna (Al Pacino).

Ocean's Eleven (2001)

George Clooney's recently released convict Daniel Ocean rounds up a gang of 10 other professionals to rob three Las Vegas casinos at once in director Steven Soderbergh's remake of Ocean's Eleven. The acclaimed heist flick makes it easy for the audience to side with these thieves, not just by making them all funny and likable, but also by making their target, Terry Benedict (Andy Garcia), quite despicable.

Inception (2010)

Amid its ingenious concept (taking place in a world where dreams can be experienced on demand with revolutionary technology) and breathtaking visuals, it is often easy to forget that Christopher Nolan's Inception is, essentially, a heist movie. Dom Cobb (Leonardo DiCaprio) and his crew specialize in stealing valuable information from unsuspecting targets directly from their minds (or planting an idea in their heads) by kidnapping them and infiltrating their subconscious, which is a terrifying thought.

Escape From New York (1981)

When we first meet war veteran Snake Plissken (Kurt Russell) in John Carpenter's Escape from New York, he has already been sentenced to the penal colony that used to be Manhattan for robbing the Bank of the Federal Reserve. This convinces the United States Police Force that he is the perfect choice to infiltrate the urban dystopian nightmare to rescue the president (played by Donald Pleasence) in exchange for his freedom.

Nightcrawler (2014)

I once saw an interview with Jake Gyllenhaal and Nightcrawler's writer and director, Dan Gilroy, in which they describe the film as "a success story." While Gyllenhaal's aspiring independent news videographer, Louis Bloom, is not afraid to put his ethics on the back burner and flat out break the law to get the juiciest and bloodiest scoops possible, I cannot help but agree.

John Wick (2014)

The world seems to love professional assassins (fictional ones, at least), and few are more lovable than Keanu Reeves' title "hero" from the revenge movie favorite, John Wick, and its sequels. Of course, who wouldn't empathize with a recently widowed man whose new dog was murdered in cold blood by a crew of young punks who also stole his car?

Guardians Of The Galaxy (2014)

One of the Marvel Cinematic Universe's most unexpected hits is the story of a group of unlikely heroes who come to be known as the Guardians of the Galaxy. James Gunn's hilarious, heartfelt, and action-packed breath of fresh air stars Chris Pratt, Zoe Saldaña, Dave Bautista, Vin Diesel, and Bradley Cooper as a group of cosmic outlaws who flee prison together and manage to redeem themselves by risking their lives to take down an oppressive tyrant (played by Lee Pace).

The Wolf Of Wall Street (2013)

Based on the memoir by Jordan Belfort, director Martin Scorsese's The Wolf of Wall Street should be seen as nothing more than a cautionary tale. However, Leonardo DiCaprio's charming, Oscar-nominated performance as the stockbroker-turned-motivational speaker almost makes you want to see him succeed despite his despicable habits and corrupt aspirations.

Kill Bill (2003-2004)

In Quentin Tarantino's two-part action saga, Kill Bill, Uma Thurman's The Bride wanted to put her reputation as the deadliest woman in the world behind her when she got pregnant and decided to settle down. Unfortunately, her former employer, Bill (David Carradine), and colleagues from the Deadly Viper Assassination Squad put her in a coma and, seemingly, murdered her unborn daughter, which makes her "roaring rampage of revenge" feel justified.

Looper (2012)

Rian Johnson's inventive, sci-fi twist on the film noir movie genre, Looper, takes place in the future, but still mere decades before time travel has been invented. Joseph Gordon-Levitt stars as Joe, who is hired to kill and dispose of people sent back to his time by the mob, but his career trajectory changes when his latest target turns out to be his older self (played by Bruce Willis).

Joker (2019)

It might be a bit of a stretch to call Todd Phillips' Joker a film that coerces you into rooting for its unlawful protagonist, because I have absolutely no sympathy for any of the terrifying acts that Arthur Fleck commits. Then again, with much credit to Joaquin Phoenix's devastating, Oscar-winning performance, it is hard not to feel bad for the man, given his harsh life circumstances and struggles with mental health, even if he is destined to cause Gotham City a lot of pain someday.

Don't Breathe (2016)

At the start of Fede Alvarez's intense thriller Don't Breathe, you are not sure who to root for, as our protagonists (played by Jane Levy, Dylan Minette, and Daniel Zovatto) are seen breaking into the home of a non-seeing war veteran (played by Stephen Lang), intending to steal from him. However, it becomes easy to fear for these thieves when the owner of the house begins to violently retaliate and more terrifying secrets about him come to light.

Road To Perdition (2002)

Director Sam Mendes' adaptation of the acclaimed graphic novel, Road to Perdition, stars Tom Hanks as a mob enforcer who must protect his young son (played by Tyler Hoechlin) after he witnesses a murder in 1930s Illinois.

Ant-Man (2015)

Instead of the original Ant-Man, Dr. Hank Pym (Michael Douglas), the Marvel Cinematic Universe made formerly incarcerated felon Scott Lang (Paul Rudd) the star of its adaptation of the Marvel comic. After his criminal record costs him his Baskin-Robbins job, he is drawn back into crime and steals what turns out to be a special shrink suit, which is how he gets roped into the most important burglary of his life by Dr. Pym.

Sin City (2005)

I like to think of Det. John Hartigan (Bruce Willis) is the main hero of Robert Rodriguez and Frank Miller's Sin City, but Mickey Rourke nearly steals the show in a segment called "The Hard Goodbye." The story follows Marv, an ex-convict who returns to his violent ways to duke out some vigilante justice and avenge the murder of a woman who suddenly died after spending a night with him.

Dead Presidents (1995)

Dead Presidents is a must-watch '90s movie centered on a Black character, namely Larenz Tate as Anthony Curtis, who is a Vietnam vet forced to turn to crime to support his family.

Public Enemies (2010)

Casting Johnny Depp, who was one of the most bankable and beloved movie stars in Hollywood in the late 2000s, as John Dillinger in Michael Mann's Public Enemies was a stroke of genius to get the audience immediately on the side of the notorious bank robber.

Hard Candy (2005)

In Hard Candy, Elliot Page plays a teenager named Hayley who is seemingly lured into a trap by a child predator named Jeff (Patrick Wilson). However, we, and Jeff, come to discover that he is really Hayley's prey when he is subjected to the teenager's torturous acts.

Dom Hemingway (2013)

Jude Law stars in writer and director Richard Shepard's Dom Hemingway in the title role of a former safecracker who is released from a years-long prison sentence and returns to London looking to collect what he believes he is owed.

Cruella (2021)

Who knew that Disney could make audiences empathize with an attempted puppy murderer? Indeed, they achieve this with Cruella by casting Academy Award winner Emma Stone in the title role, who is portrayed as a tragic figure forced to become a pickpocket as a child after her mother's sudden murder.

Take The Money And Run (1969)

Co-writer and director Woody Allen stars in the mockumentary Take the Money and Run as Virgil Starkwell, who is so inept, yet so affable, that you cannot help but hope to see him make a killing as a bank robber.

Trap (2024)

Josh Hartnett leads M. Night Shyamalan's Trap as Cooper, a father who takes his teenage daughter to a concert, which he discovers is being used as an elaborate plan to catch a notorious serial killer. This turns out to be a great concern for Cooper because this criminal, known as "The Butcher," is none other than him.

Burglar (1987)

Whoopi Goldberg stars in Burglar as Bernice, a non-violent thief who wrongfully becomes the prime suspect in a murder investigation when her latest target, the ex-husband of a dentist who just wants her jewelry back, suddenly turns up dead.

Now You See Me (2013)

The main characters of Now You See Me (played by Jesse Eisenberg, Woody Harrelson, Isla Fisher, and Dave Franco) are a team of magicians who use their skills in illusion to pull off heists and pass off their loot to people in need, like Robin Hood with a few extra tricks up their sleeves.

Movie stars are usually the biggest draw to movies for fans. They are usually who get the most credit for the popularity of a movie (as well as the blame when a movie bombs). On rare occasions, there are objects or props in movies that become just as iconic as anything else in a film. These are necessarily the best MacGuffins, sometimes they are just famous props or pieces of wardrobe. Let's get into it!

All The Dude wanted was his rug back. That simple rug, micturated upon by Woo, drives all the action in the movie, and while the audience doesn't see much of the rug that The Dude (Jeff Bridges) is trying to replace, we do see the one that he (briefly) gets from the millionaire Lebowski in the Big Lebowski.

The DeLorean Time Machine

Admit it, you wanted a DeLorean time machine. We ALL wanted one. Heck, most of us would settle for a regular DeLorean. Ever since we all went back in time with Marty and Doc in Back To The Future, we've longed for the same ability, in the same machine. Now those cars are as lost to time as Biff's Sports Almanac.

Wilson

When the only star who appears in most of a movie only has one friend and that friend is a volleyball, it's bound to be a famous prop. Wilson the Volleyball is the only companion Chuck (Tom Hanks) has in Cast Away, and just like Chuck, the audience gets pretty attached to that silly ball with a face made of Chuck's blood.

The Briefcase In Pulp Fiction

Another cool MacGuffin on this list is the briefcase from Pulp Fiction. We never actually see what's inside, just that it is glowing gold. Maybe that's why the prop has become so famous. If we knew it was just like a stolen Oscar statuette or something, we'd feel differently.

The Red And Blue Pills

While the Blue Pill and the Red Pill in The Matrix have since taken political connotations in recent years, they were famous way before that. One will wake Neo (Keanu Reeves) up, and one will put him back to sleep. Honestly, I don't care which is which, and any political connections are weird, so let's leave it at that.

One Ring To Rule Them All

Not only is The One Ring one of the most famous props in movie history, it's one of the most famous in literature these days. The Lord of the Rings trilogy is a masterpiece, and without this one ring to rule them all, it wouldn't exist.

Indy's Whip

You might say Indiana Jones' hat is the most famous prop in the Indiana Jones movies, but the whip that Harrison Ford's character is just as iconic and let's be honest, a little more interesting than a hat. So the whip gets the nod here.

The Giant Piano In Big

Any kid lucky enough to visit the FAO Schwartz in New York after Big was released, their first mission was to find the giant piano you could walk on and even play. It's one of the most iconic scenes in any movie from the era, and while I learned firsthand it was impossible for me to recreate the scene, I still dream about getting a big enough piano to make it work.

Thor's Hammer

There are a lot of famous props in the MCU, like ranking the MCU movies, we could almost do a list of props all its own. Things like the Infinity Gauntlet, or the stones that go into it, are iconic, but is there anything as iconic in the whole franchise as Thor's hammer? Heck, it's one of the famous objects in world mythology, much less Marvel's corner of it.

The Leg Lamp

After the dad in A Christmas Story wins a fragile, major award, it turns out to be a lamp in the shape of a woman's leg. He's so proud of it that he wants to display it in the window, much to the chagrin of his wife. It doesn't make it to the end of the movie, and there is another prop, the Red Ryder BB Gun, that is equally famous, but we just had to go with the leg. After all, it must be Italian.

Dorothy's Ruby Slippers

Of all the famous props and wardrobe pieces on this list, none, not a one, are as famous or as iconic as Dorothy's Ruby Slippers in The Wizard of Oz. It's a prop that is so famous that they are in the Smithsonian along with Fonzie's jacket and Archie Bunker's chair.

The Heart Of The Ocean

Sure, the boat in Titanic is probably the most famous non-character in the movie, but that would be a little on the nose. Instead, we went with the necklace that the crew led by Bill Paxton's character is searching for, The Heart of the Ocean. It ends up down with the boat, though.

The Batmobile

Pick your favorite Batmobile. Any Batmobile works here. You could go with the great one from the '60s TV show (my favorite), or the one from Tim Burton's Batman, and get even more tech with one of Christopher Nolan's versions. You can't go wrong.

Maverick's Jacket

Maverick (Tom Cruise) has one of the most iconic pieces of wardrobe ever. That bomber jacket, covered in patches, is legendary. It's such an important part of the character that when Top Gun: Maverick dropped its first teaser, it was simply a close-up of the jacket and Maverick putting it on.

Freddie's Glove

There are a lot of famous props in horror movies, many of them masks. Freddie's glove in the Nightmare on Elm Street is among the most famous, maybe the most famous. It's a terrifying weapon that has given fans nightmares for decades.

Lightsabers

Okay, so how much do we really need to say here? Of all the props in all the world, is there one more famous than the lightsabers in the Star Wars franchise? No matter what color, there is no weapon in any other franchise that has nearly the same cache as the elegant weapon of the Jedi knights.

Wonka's Golden Ticket

Without the Golden Ticket in Willie Wonka and the Chocolate Factory, none of the kids (or their parents) would get the tour of Willie's wild factory. They wouldn't have gotten in any trouble, either.

The Red Swingline Stapler

Stephen Root's character, Milton, in Office Space is one of the weirdest characters in any comedy of the era. Not only is his mumbling disturbing, but his love for his red stapler is downright scary.... and hilarious. It became so famous that Swingline made a special red version of their stapler based on the prop.

Proton Packs

According to Ray (Dan Aykroyd), each Ghostbuster is "carrying an unlicensed nuclear accelerator on his back." Those proton packs have since become a key part of every kid who dressed like our heroes in Ghostbusters for Halloween for decades. Hopefully, the ones the kids wear are a little safer.

The Maltese Falcon

This is a prop so famous, they named the movie after it! Or maybe the prop is named after the movie? I don't know. It could be either way, I suppose. It's one of the most famous MacGuffins ever, the statue in The Maltese Falcon.

Vote For Pedro Tee Shirt

Long after the hype for Napoleon Dynamite faded, we were still seeing people with "Vote For Pedro" shirts walking the streets. The shirts were so popular, it almost eclipsed the movie. Now, they still might be more popular.

The 2001 Obelisk

Obelisks are so cool that people are still randomly building them in the desert (look up Las Vegas Obelisk). That all stems from the Stanley Kubrick classic 2001: A Space Odyssey. Even people who have never seen the legendary film know the scene(s) with the obelisk.

Ghostface's Mask

There are a few very famous masks in horror history, so of course, a movie like Scream, which is essentially a love letter to the classic '70s and '80s slasher films, would end up with one of the most famous. The masks, like the franchise, have been incredibly enduring and probably will be for the next 100 years.

The Sorting Hat

In the world of Harry Potter, there are a few famous props, like the flying car and the various wands. Still, every fan of the franchise secretly has dreams about being sorted by the Sorting Hat into their favorite house at Hogwarts.

Mary Poppins' Umbrella

Every kid dreams of a flying nanny like Mary Poppins, if not having Poppins herself as their nanny. The umbrella has become one of the most recognizable props in the movie over the years. The scene where we first see Julie Andrews as Mary gently guiding herself down is one of the most famous scenes in Hollywood history.

Rita Hayworth Poster

CinemaBlend has called The Shawshank Redemption the best movie of the '90s. The Stephen King story on which it is based is called, Rita Hayworth and Shawshank Redemption. That's how important the poster is that Andy (Tim Robbins) hides his escape tunnel. The moment when the warden tears it down is one of the most fun moments in any movie, ever.

The New Bluesmobile

The Bluesmobile in The Blues Brothers is not, actually, the original Bluesmobile, according to Jake (John Belushi). The original was a Cadillac, not the former Police Car that Elwood (Dan Aykroyd) shows up in to pick Jake up from prison. Elwood explains that he had to trade it for a microphone, which Jake understands. No matter what, the car is one of the most famous cars of the 1980s.

Reese's Pieces

Oh, what a mistake Mars Candy made when they reportedly didn't want Steven Spielberg to use M&M's in E.T. That opened up an opportunity for the folks over at Reese's Pieces, who did license their product, and now they are one of the most famous food items in any movie, ever.

Jason's Hockey Mask

Of all the famous masks in slasher films from the '70s and '80s, there is none more iconic than Jason's mask in the Friday the 13th franchise. We're not going to get into who was actually wearing it in the original movie, because it doesn't matter. It's the mask that matters.

The Burn Book

Ahhhh, the "Burn Book" in Mean Girls. It's the ultimate downfall of the titular click in the classic comedy written by and starring Tina Fey. It's filled with all the evidence anyone would ever need to take those terrible people down, and eventually, they are dramatically brought down.

The Box In Seven

"What's in the box?" is one of the most disturbing questions ever uttered in any movie, ever. Brad Pitt's performance in the moment is some of the best acting work of his career. We certainly don't want to go into detail with the answer to that question, but if you know, you know.

The Red Balloon In IT

Some people are scared of clowns. Some people are scared of balloons. IT finds a way to freak both groups out and in the process creates one of the most iconic props of all time. No words are needed to scare people, either. Like so many props on this list, one quick glance is all it takes to know exactly what movie it comes from.

There are so many fun, fake products in movies and TV. Sometimes, they become so iconic that they become real products. There are a few examples of that on this list of fake products from movies and TV shows, but most of them are just things we fondly remember from our favorite films and shows. So here it is, our list of just some of the best products we could come up with.

Apollo Bars - Lost

One of the things Lost did really well was building a world beyond the island. Apollo Bars were part of that world. The chocolate bars were seen all throughout the season, including when Hurley raided the pantry in the hatch when it was first discovered.

Big Kahuna Burger - Pulp Fiction

Quentin Tarantino has done a really cool job over his career, not only inventing unique products for his movies, butalso using them in multiple films. Big Kahuna Burger from Pulp Fiction is a perfect example. We first find out about the "new Hawaiian burger joint" when Jules (Samuel L. Jackson) tries Brad's nutritious breakfast. It is a tasty burger! Eagle-eyed viewers may know that the brand was actually introduced in Reservoir Dogs when Mr. Blonde (Michael Madsen) is seen drinking from a cup from the fictional restaurant.

ACME - Looney Tunes

The ultimate example of fake products on TV has to be the ubiquitous ACME company from Looney Tunes. It's most often seen in Road Runner cartoons as the company where Wile E Coyote buys all the equipment he tries in vain to use to catch his nemesis. It seems it was the Amazon of the Looney Tunes world.

Sweetums - Parks & Recreation

Sweetums are the controversial candy seen a few times in Parks & Recreation. Loaded with high-fructose corn syrup, Leslie (Amy Poehler) is appalled by their popularity, while Ron (Nick Offerman) is predictably less worried about how unhealthy they are.

Wonka Candy - Willy Wonka And The Chocolate Factory

One of the examples on this list of a fictional food product that was eventually a real brand name is Wonka Chocolate (or candy in general). Obviously, it's been seen in all the movie versions of the classic novel by Roald Dahl.

Hoverboards - Back To The Future Part II

When Back To The Future Part II came out, it was filled with futuristic products, but by far the one kids most wanted to be real was the Hoverboards (from Mattel in the movie). We're still waiting, decades later–and no, the "hoverboards" with the one wheel don't count.

The Cornballer - Arrested Development

Perhaps the most dangerous product on this list is the Cornballer from Arrested Development. Invented by George Bluth (Jeffrey Tambor), the product was recalled because it basically burned anyone who ever tried to use one, including Michael (Jason Bateman) multiple times in one episode. Getting Richard Simmons to help sell it in an infomercial was a bad idea, too.

Kitten Mittons - It's Always Sunny In Philadelphia

Does your cat make too much noise? If so, Charlie (Charlie Day) from It's Always Sunny in Philadelphia has the solution for you. Kitten Mittons! Of course, your cat may not like them as much as you hope, so be careful!

Brawndo - Idiocracy

Brawndo has what plants crave! Actually, no... no it doesn't. It turns out water is still better for growing crops, but don't tell those corporate suits at Brawndo, they pay a lot of money to sponsor basically everything you would use water for... except the toilet.

Top Of The Muffin To You

Elaine (Julia Louis-Dreyfus) sure loves the tops of muffins. Personally, I like the whole muffin, but it seems enough people love the tops enough to make an entire bakery making only the tops of muffins in the world of Seinfeld. Just don't expect the local food pantry to accept only the stumps.

Dapper Dan - O Brother Where Art Thou?

Ulysses Everett McGill (George Clooney) is a Dapper Dan man. He's not interested in any other pomade to style his hair. If he can't get his Dapper Dan, he'll be sure to let you know. Accept no substitute.

Allied Biscuits - The Simpsons

Apparently, Springfield is big enough to have not one or two cracker brands, but no less than eight! Luann Van Houten's family's fortune comes from Southern Cracker, but poor Kirk is a terrible manager and leads the brand to a tie for the sixth most popular with Table Time and Allied Biscuits. Marge was so embarrassed that she emptied her plate back into the box.

Soul Glo - Coming To America

Soul Glo is quite the product in Coming To America. It's made a fortune for Darryl's family, and Akeem (Eddie Murphy) seems jealous of anyone wearing the hair product. Fun fact: the song in the fake commercial was written and performed by Rock and Roll Hall of Famer Nile Rodgers of Chic.

Stay Puft Marshmallows - Ghostbusters

Not only does Ray (Dan Aykroyd) manifest the giant Stay Puft Marshmallow Man at the end of Ghostbusters, eagle-eyed viewers will notice that there is a bag of the sugary treats on the counter as Dana (Sigourney Weaver) is unloading her groceries before Zuul takes over her refrigerator.

Rocket Fuel Malt Liquor - NewsRadio

The legendary newsman Bill McNeil (Phil Hartman) only endorses products he uses and enjoys. Or, it turns out, anyone willing to pay him enough money. The best example of the latter is Rocket Fuel Malt Liquor, which he records ridiculous commercials for in one episode of NewsRadio.

Tracy Jordan Meat Machine - 30 Rock

Tracy Jordan (Tracy Morgan) was always looking for ways to branch out, and that extended to endorsing a product called "Tracy Jordan Meat Machine" in the vein of the George Foreman Grill. It's not a bad strategy, as it clearly worked for the former heavyweight champion.

Los Pollos Hermanos - Breaking Bad

Los Pollos Hermanos, the fictional chicken chain in Breaking Bad, is another example of a brand on the TV show that has become real, with pop-up versions of the fictional restaurant taking over old storefronts on occasion.

Oceanic Airlines - Lost

Of the many different fictional brands in Lost, none were more prominent than Oceanic Airlines. The ill-fated flight that crashed onto "The Island" on the show was an Oceanic flight. There was even a fake website set up in the real world where fans could learn more about the airline and check out the "schedule." That flight from Sidney was on it, too... lost.

Duff Beer - The Simpsons

The Simpsons has been around a long, long time, and almost since the beginning, Homer (and everyone else in Springfield) has always been loyal to one brand of beer: Duff's. There are a lot of "flavors" of Duff, but they all come from the same vat, so it's really all about marketing. Duff Man agrees.

Cheesy Poofs - South Park

Eric Cartman loves his Cheesy Poofs. All the kids love them, but Cartman really loves them, as he's most often the one seen eating the fake snack food that seems to be off-brand Cheetos.

Mockolate - Friends

Mockolate on Friends makes light of products like Olestra that were popular in the 1990s. Mockolate is a synthetic version of chocolate that tastes terrible and is dangerous to ingest. It was eventually banned by the FDA on the show, but not before Monica tried to get a job inventing new candies with the chemicals. Yikes.

Soylent Green - Soylent Green

By far the most terrifying fake product on this list, Soylent Green is people! Never forget. And never, ever eat anything called "Soylent Green." Just starve yourself, it's safer.

Dunder-Mifflin Paper - The Office

Does anyone actually think about what brand of paper they are using? Do you sit in your office or at an office supply store, and make your decision based on the brand? I worked in a paper warehouse (for real) when I was in high school, and I never gave it a second thought ever again. Still, Dunder-Mifflin endures. on the US version of The Office. In the British version, it's the Wernham Hogg Paper Company.

Pawtucket Brewery - Family Guy

Like The Simpsons, the guys on Family Guy have a preferred brand of local beer from Pawtucket Brewery. The big difference is that the brewery in Family Guy is owned by a Willy Wonka-like character, instead of being promoted by a Superhero-looking mascot.

Mooby's - Clerks II

In the original Clerks, Randall and Dante worked in a nondescript shopping center (which is a real location in New Jersey). In the sequel, they've both taken jobs at the fictional Mooby's. It has since become a regular brand in Kevin Smith's films.

Bubba Gump Shrimp - Forrest Gump

Another example on this list of a fictional brand that became all too real is the Bubba Gump Shrimp Company. Started by Forrest (Tom Hanks) in tribute to his friend who was killed in Vietnam, the name was eventually licensed out and became a popular fast-casual fish joint with locations all over the world.

Pizza Planet - Toy Story

Pizza Planet must be based on the real-life pizza places like Showbiz Pizza and Chuck E Cheese, right? Kids love it, parents probably hate it, but it does look pretty darn fun in the Toy Story universe.

Rekall - Total Recall

Rekall, where fake memories are implanted in your head to make it seem like you went on a fun vacation, is...messed up. Total Recall is a wild movie, and the whole idea of having memories implanted is about as disturbing an example of a messed-up future anyone could ever come up with. Even if it's a trip to Mars.

Shotz Beer - Laverne & Shirley

When bffs Laverne and Shirley move to Milwaukee, they get a job at that most Milwaukee of places–a brewery. Of course, it helps their dreams come true, so it seems like the kind of beer we'd all like to try.

Butterbeer - Harry Potter

Butterbeer is a brand and a way of life. It also seems to be the only thing anyone wants to drink in the world of Harry Potter. It's even become a real thing, I get to try it when I toured the Harry Potter studio outside London. I'm honest, it's way too sweet for Muggle consumption. At least this Muggle.

Opti-Grab - The Jerk

I've worn glasses for most of my life, but I've never had the need for anything like the Opti-Grab from The Jerk. Sure, it makes Nathan a very rich man (at least until it's sued out of existence), so some people might be interested, but glasses can be awkward enough without having that weird thing you can pinch.

Strictland Propane - King Of The Hill

Strictland propane and propane products! The best money can buy!

I know this might sound crazy, but there are people out there who actually think that Pulp Fiction isn't Quentin Tarantino's best movie.

Now, I'd consider myself a reasonable man, so I always like to listen to other people's opinions. These other people have said is that Inglourious Basterds is Tarantino's true masterpiece.

And, look, I get it. This an excellent film. In fact, when my colleague, Eric Eisenberg, ranked all of Tarantino's movies, he put Basterds at number two. Which makes sense…to me at least. That said, I really want to get to the bottom of this. So, could Inglourious Basterds actually be Tarantino’s best movie?

Short Answer, No

Look, I recently rewatched Basterds again just to give it another shot, and, while I was just as impressed this time as I was the first two times I watched it, I still can’t say that it’s better than Pulp Fiction, and it’s mostly because of the lopsided tone.

What do I mean by this? Well, Basterds almost seems like it’s trying to be two different movies. You have some of the greatest dramatic and tense moments Tarantino has ever put to screen with this film, with most of those scenes involving Christoph Waltz, who I’ll get into later.

But then, you have some of the more, I’ll call them, cartoony moments with characters like Brad Pitt as Lt. Aldo Raine, or Eli Roth as “The Bear Jew.” Now, don’t get me wrong. I LOVE these characters (which I’ll also get into later), but they kind of clash with the more dramatic moments in this film.

Some people don’t see this as a problem. I do. Yes, it makes the film very enjoyable (I mean, all of Tarantino movies are enjoyable – including Death Proof). But, it also kind of limits the film, too. Because, in a lot of ways, I feel like Tarantino’s style actually gets in the way with this movie – especially with the dramatic moments, whereas Pulp Fiction doesn’t have that problem. In fact, his style shines the brightest in that film, which is likely why it made him a household name (though, Reservoir Dogs could have just as easily done that over time).

While I really do like Inglourious Basterds, I think its shifting tone (Is it serious? Is it silly? Which is it?) holds it back from being Tarantino’s best movie. Pulp Fiction is just much more consistent throughout. Even so…

I Will Say That Tarantino's Best Character Is In This Movie With Hans Landa

I would argue that Pulp Fiction is easily Samuel L. Jackson’s best movie, and it’s not even close. That said, there are so many excellent characters and moments in that film that I really can’t say that any one character actually steals the show.

The same can’t be said for Inglourious Basterds, because even though it also has a lot of stand-out characters, Christoph Waltz handidly steals this movie. I mean, there’s a reason why he won an Oscar for his performance. It was certainly justified.

This movie has a lot of phenomenal moments, but I would say that the single best is the opening scene where SS-Standartenfuhrer Hans Landa (Waltz) interrogates a dairy farmer who has Jewish people hiding beneath the floorboards. Honestly, I would say that this is not only the best moment in the entire movie, but also the single best moment in any Tarantino film ever.

As somebody who loves HItchcock movies, I would say that this scene is almost Hitchcokian in nature, as the tension is through the roof. The fact that the audience knows (and that Landa likely knows) that there are Jewish people hiding beneath him immediately pulls you into this film, and you’re pretty much on the edge of your seat every time Waltz is on the screen.

Which again, I actually think works against this film, since the movie turns deadly serious (even though Landa is so charming) whenever he’s present, but then turns kind of silly again (in a good way) when most of the other characters are present. It’s almost a shame that Tarantino’s best character (in my opinion, anyway) happens to be in the same movie as Lt. Aldo Raine. But, like I said, I don’t hate Brad Pitt in this film. In fact…

All Of The Characters In This Film Stand Out

It might sound like I’m dogpiling on this film at times, but I’m really not. I wouldn’t say it’s my personal second favorite movie of Tarantino’s (that would be The Hateful Eight), I will say that I’m comfortable with calling it Tarantino’s second best film, and it’s mostly because of the assortment of characters, since they all stand out.

Landa is undisputedly the best character, but I really love the other characters, too, such as Raine, who survived a lynching, and has the scar to prove it. Or Shosanna Dreyfus (Melanie Laurent), who is the sole survivor from the scene at the beginning of the movie, and gets her revenge by the end of the film. She’s also wonderful.

This is also the movie that introduced me, and I’m sure plenty others, to Michael Fassbender. He plays a brief, but potent, role as a British soldier and former film critic helping the Basterds, and he’s in my second favorite scene in the film, which involves a tavern with several German soldiers.

And, who can forget Daniel Bruhl, who plays a German sniper who is getting a movie made about him? He’s both made to be admirable, but also a little goofy, which again, kind of shows that conflicting tone again that I mentioned earlier.

Honestly, Inglourious Basterds is a movie that I think has great scenes, but the parts don’t completely add up to the whole. Be that as it may…

It Has What Might Be Tarantino's Most Satisfying Third Act

From first scene to last, Pulp Fiction is satisfying. Its circular nature makes it feel like you’ve really gone on a journey, and there really isn’t a single thing I would change about that movie.

Basterds is different. Yes, I would say that it also feels like a journey, but not in the same, satisfying way that Fiction does. However, I will say that I think Basterds has the most satisfying third act in any Tarantino movie, and it’s mostly because it all culminates in some extreme revisionist history.

Now, the first time I saw this movie, I didn’t know what to think. The fact that both Hitler AND Goebbels die at the end really threw me for a loop. That didn’t happen in reality, so I didn’t see it coming.

Now that I know that this is how the film ends, though, it’s super satisfying. Much like with Django Unchained, which I also find super satisfying, and Once Upon a Time…in Hollywood, which I find much less satisfying (I should write about why someday), Basterds toys with history, which gives it a much more cathartic ending than the truth.

And, I think it works the best in this movie. The fact that the sole survivor from the beginning literally gets to have the last laugh as the movie theater burns down just feels SO GOOD, and that scene alone almost makes me want to say that this is his best movie, just because I’ve never felt so strongly about any other Tarantino conclusion. Be that as it may…

Inglourious Basterds Still Doesn't Have The Megaton Impact Or Storytelling Of Pulp Fiction

I know this whole article has been about the overall quality of both movies, but I think it would be foolish not to consider the overall impact both movies have had, as well, for Tarantino.

Let’s be clear. Pulp was a more important movie for the trajectory of Tarantino’s career than Basterds, and that means something. For example, let’s look at a director like Martin Scorsese. Yes, Scorsese had several great films in the ‘80s and ‘90s (Taxi Driver and The King of Comedy are actually my favorite Scorsese films).

However, when Scorsese’s career is finally over, I think it’s clear that most people, when ranking his films, would say that 1990’s Goodfellas was his greatest movie. It’s why a lot of people often associate him with gangster films in general, even though a lot of his movies don’t involve the mob at all.

I think the same could be said for Pulp Fiction. It’s the movie that all of Tarantino’s other films are compared to, and for good reason.

So, is Inglourious Basterds Tarantino’s best movie? No. But second ain’t bad. In fact, it’s pretty good!

When Bruce Willis retired from acting in 2022 for health reasons, he left behind a spectacular legacy of likable heroes, explosive action sequences, and quite a few brilliant quotes. Let’s look back on some of the most wonderful Bruce Willis movies and TV shows by revisiting some of the coolest things the actor ever said on screen.

"Come Out To The Coast. We'll Get Together, Have A Few Laughs" - Die Hard

Bruce Willis skyrocketed to stardom by leading arguably the greatest action movie of all time, 1988's Die Hard, as a New York cop who becomes the only hope to save a group of L.A. office workers in a violent hostage situation. At one point, his character, John McClane, is forced to evade detection by traveling via air duct, during which he reflects on the apparent fact that it was his estranged wife, Holly's (played by Bonnie Bedelia), idea to visit her corporate building, where this situation breaks out.

"Zed's Dead, Baby. Zed's Dead" - Pulp Fiction

Bruce Willis has the honor of not only starring in Quentin Tarantino's masterful 1994 hit but also speaking one of the coolest quotes from Pulp Fiction. After Butch (Willis), along with Marcellus Wallace (Ving Rhames), has survived a traumatic ordeal at the hands of Zed (Peter Greene), the boxer takes the crooked security guard's "chopper" to his girlfriend, Fabienne (Maria de Medeiros), and tells her that its owner is no longer around.

"I Don't Want To Talk About Time Travel Because If We Start Talking About It Then We're Going To Be Here All Day Talking About It, Making Diagrams With Straws" - Looper

One of the best time travel movies, Looper, stars Bruce Willis as an older version of a mob assassin named Joe (Joseph Gordon-Levitt), whom he meets after sending himself to the past. Writer and director Rian Johnson brilliantly dodges explaining how time travel works in the film with Older Joe's dismissive response to Younger Joe's questions.

"I Got Invited To The Christmas Party By Mistake. Who Knew?" - Die Hard

Many people refuse to see Die Hard as a Christmas movie classic, despite all the festive evidence right in front of their eyes. For instance, the movie would not exist without said holiday, as Hans Gruber (Alan Rickman) and his goons interrupt the Nakatomi corporate Christmas Eve party, which is also why John McClane was visiting Holly. His remark about a mistaken invitation, while speaking to Gruber pretending to be a hostage, references him crashing the German thieves' plans.

"So, Ross Was In College, And Decided To Jump At The Chance To Take A Young Girl To Her High School Prom?" - Friends

Bruce Willis made one of the most memorable guest appearances on Friends with a three-episode arc as Paul Stevens, the father of Ross' (David Schwimmer) college-age girlfriend, Elizabeth (Alexandra Holden), who immediately dislikes him due to their age difference. Rachel (Jennifer Aniston) attempts to vouch for her friend by recalling when Ross, then a college freshman, offered to take her to her senior prom when it seemed like her date had stood her up, but even that backfires.

"An Old Man Dies. A Young Woman Lives. A Fair Trade" - Sin City

Each segment of 2005's Sin City – Robert Rodriguez and Frank Miller's acclaimed film noir based on Miller's graphic novel series – is bookended by a defining quote. For Det. John Hartigan's (Bruce Willis) story, which revolves around his devotion to protecting Nancy Callahan as an adolescent and as a 19-year-old (Jessica Alba), the quote has two variations, the first being, "An old man dies. A little girl lives. A fair trade."

"Welcome To The Party, Pal!" - Die Hard

You could say that the real hero of the classic '80s movie, Die Hard, is the only one on the ground sticking up for John McClane, Sgt. Al Powell (Reginald VelJohnson). However, they have a bit of an awkward first meeting when McClane is forced to get his attention by dropping a goon's corpse onto his cruiser, at which point he utters one of the action film's most quotable lines.

"You've Been Back Enough. I'll Be Back" - The Expendables 2

In The Expendables 2, Arnold Schwarzenegger's Trench uses the actor's oft-quoted catchphrase, originating from The Terminator, which Bruce Willis' Church decides to try for once. Trench then replies with a sarcastic (and censored) variation of the most iconic line from Die Hard, "Yippee-ki-yay."

"United States Government Just Asked Us To Save The World. Anybody Wanna Say, 'No'?" - Armageddon

The plot of Armageddon, which star Ben Affleck even pointed out was a little ridiculous, involves a deep-sea drilling crew asked to help destroy an asteroid with a nuclear explosion before it hits Earth. We cannot help but respect leader Harry Stamper (Bruce Willis) for asking if his crew would rather abstain from participating in an incredibly dangerous mission like this.

"I Spend A Lot Of Time In Air Ducts. I Definitely Don't Live Up Here" - The LEGO Movie 2: The Second Part

Bruce Willis makes an awesome cameo in The LEGO Movie 2: The Second Part as himself, referencing his scene in Die Hard when McClane is forced to climb through an air duct. However, this LEGO figurine version of the actor, who crosses paths with Wildstorm (Elizabeth Banks) while she is looking for Bruce Wayne (Will Arnett), has, apparently, made himself at home in an air duct.

"Well, Maybe That Mime" - Die Hard With A Vengeance

The third (and arguably second-best) Die Hard movie, 1995's Die Hard with a Vengeance, is a buddy movie that partners McClane with Harlem shopkeeper Zeus Carver (Samuel L. Jackson), who ends up claiming many of the best lines. However, McClane does get in a classic one-liner after Zeus asks if he is intentionally trying to hit bystanders while recklessly driving a taxi through New York's Central Park.

“I'm Gonna Keep The Coke And The Fries, But I'm Gonna Send This Burger Back. If You Put Any Mayonnaise On It, I'm Gonna Come Over To Your House, Chop Your Legs Off, Set Your House On Fire, And Watch As You Drag Your Bloody Stumps Out Of Your House. OK, Pierre?" - The Whole Nine Yards

A role that effectively blends Bruce Willis' comedic skills with his action star intimidation is Jimmy "The Tulip" Tudeski from 2000's The Whole Nine Yards. The former mafia hitman in hiding does not hold back when letting a Canadian restaurant server know just how much he hates a certain food condiment.

"Now I Know What A TV Dinner Feels Like" - Die Hard

Like most air vents in movies and TV shows, the ones in Nakatomi Plaza are still larger than what you might see in reality. Still, they are narrow enough to inspire one of John McClane's funniest one-liners in Die Hard.

"Charlie Chaplin Once Entered A Charlie Chaplin Look-Alike Contest In Monte Carlo And Came In Third. That's A Story" - Lucky Number Slevin

Also one of the best Josh Hartnett movies, 2006's fun crime thriller Lucky Number Slevin stars Bruce Willis as a mysterious figure who, at one point, recalls this fun bit of trivia inspired by a true, but unproven, rumor, according to Snopes.

"I Promise I Will Never Even *Think* About Going Up In A Tall Building Again" - Die Hard

In Die Hard, as John McClane is about to leap from the Nakatomi Plaza roof before it explodes (a stunt that Bruce Willis actually performed from the top of a parking garage), he pleads to God that if he lets him survive this ridiculous idea, he will stay as close to the ground as possible for the rest of his life.

"Did I Happen To Mention, Did I Bother To Disclose, That This Man That We're Seeking With The Mole On His Nose? I'm Not Sure Of His Clothes Or Anything Else, Except He's Chinese, A Big Clue By Itself" - Moonlighting

Before Die Hard made him a movie star, Bruce Willis' biggest claim to fame was the hit TV show Moonlighting, in which he and Cybill Shepherd play mismatched private detectives who eventually fall for each other. However, this was no typical mystery series, but a cleverly self-aware parody of the genre that indulges in all kinds of unusual gags, such as this Dr. Seuss-inspired speech.

"Hunter S. Thompson Once Said To Me, 'Bruce, My Boy, The Movie Business Is A Cruel And Shallow Money Trench Where Thieves And Pimps Run Free And Good Men Die Like Dogs.' And Then He Added, 'There's Also A Negative Side'" - What Just Happened

Bruce Willis may appear as himself in What Just Happens, but you might assume he was playing a role based on his bushy beard. One scene from the 2008 Hollywood satire sees him eulogize a late, beloved talent agent, during which he sums up the film's more cynical themes with a probably fictional quote from legendary author Hunter S. Thompson.

"I Was Out Of Bullets" - Live Free Or Die Hard

The fourth Die Hard movie, 2007's Live Free or Die Hard, sees John McClane try his most elaborate, and kind of ridiculous, ways to retaliate against his enemies. For instance, his reluctant partner, Matt Farrell (Justin Long), points out that he managed to take down a helicopter using a speeding cop car, and this is his witty explanation for why.

"Get Senator Roark Behind Bars? Sure. And Maybe After I've Pulled Off That Miracle, I'll Go And Punch Out God" - Sin City

Sin City's John Hartigan is on a one-man war against corruption, a war that he knows he is doomed to lose. He reflects on this harsh truth at the end of his segment after assuring Nancy Callahan that he intends to bring Senator Roark (Powers Boothe) to justice, before revealing in his overhead narration that he lied, knowing full well that she will never be safe from him as long as he is alive.

"That's What My Captain Keeps Telling Me" - Die Hard

When John McClane pulls his piece on Tony (Andreas Wisniewski), he claims that the cop will not hurt him because he would have to follow police protocol. McClane's reply is his intimidatingly witty way of letting the Gruber goon know that he is not one to be messed with.

"I'll Call You Back In Two Hours" - The Fifth Element

The closest we will probably ever get to seeing John McClane in the future is seeing Bruce Willis play Korben Dallas in Luc Besson's 1997 sci-fi favorite, The Fifth Element. The special forces agent-turned-cabbie demonstrates a flavor of wit similar to the Die Hard hero when the United States President tells him that a giant fireball is estimated to hit Earth in one hour and 57 minutes.

"Well, Now That You Mention It, I Have Experienced A, You Know, Like A Burning Sensation Between My Toes. I Thought It Was Just Some Athlete's Foot Or Something" - Die Hard With A Vengeance

In Die Hard with a Vengeance, McClane is questioned by FBI agents over how he may be connected to the mysterious bomber known as Simon (Jeremy Irons), but he does not take it very seriously. That is, until he discovers that Simon's last name is Gruber, identifying him as the brother of Hans from the original Die Hard, revealing the "vengeance" in the title.

"One Of The Things We Liked To Remind Ourselves Before We Went Into Any Job Is 'Expect The Unexpected'. Alright? Alright? Always sounds Like Good Advice. Except, Of Course, If You Are Expecting The Unexpected, Then... Well Then It Really Isn't Unexpected Anymore, Is It? And That Leaves You Vulnerable To The Truly Unexpected, Because You're Not Expecting It" - Bandits

Bruce Willis and Billy Bob Thornton star in director Barry Levinson's Bandits as a pair of notorious thieves with the genius method of kidnapping bank managers at their homes the night before, earning the nickname "The Sleepover Bandits." Intercut between the main story are clips from their interview with a true crime host, during which Willis' character, Joe Blake, facetiously details his methodology.

"All Things Being Equal, I'd Rather Be In Philadelphia" - Die Hard

Fun fact about this John McClane one-liner: Bruce Willis actually did grow up in Philadelphia, as did Die Hard screenwriter Steven E. deSouza.

"You Wanna Take That Knife Out Of My Balls Now?" - RED

In RED, Bruce Willis stars as retired secret agent Frank Moses, who must call upon the help of his former colleague, Marvin Boggs (John Malkovich), when his life is threatened. However, their reunion is initially hostile, due to the paranoid Marvin's security measures.

"Thanks For The Advice" - Die Hard

When John McClane misses the chance to take out Marco (Lorenzo Caccialanza), the goon, sitting on top of a table that our hero is hiding under, tells him that he should not hesitate when he has the chance to kill somebody. McClane takes this to heart and promptly unloads his magazine through the table.

"I Remember When They Told Sylvia Plath, 'Hey, Syl, Cheer Up!' I Remember When They Told e. e. cummings, 'e, Baby; Use Caps!' But Did Ol' e Listen? No. Little n. Little o" - Moonlighting

In this line from Moonlighting, Bruce Willis' David Addison refers to the fact that poet e. e. cummings stylized his name in all lowercase letters. He did not, however, write entirely in lowercase letters.

"Death Is An Art Form In Russia" - RED 2

In Red 2, we meet Frank Moses' Russian former girlfriend, Katja (Catherine Zeta-Jones), who talks of taking a life like she is a painter in an art studio.

"Hey, You Guys Wouldn't Be Able To Tell Us Who Actually Killed Kennedy, Would Ya?" - Armageddon

If the U.S. Government asked me to help save the world, I think I would also try to see if they could reveal one of the most perplexing mysteries in American history as repayment.

"Oh, Wouldn't It Be Great If I *Was* Crazy? Then The World Would Be Okay" - 12 Monkeys

Bruce Willis stars in Terry Gilliam's 12 Monkeys as a man from a future ruined by a catastrophic virus who is sent back in time in hopes of preventing it. However, his attempts are thwarted by people trying to convince him that his warnings are a delusion, which is what he would prefer they be.

"DOD Says I Can't Come Out Of Retirement. They Didn't Say Anything About Reenlisting." - G.I. Joe: Retaliation

Bruce Willis shows up in G.I. Joe: Retaliation as retired General Joseph Colton, the original G.I. Joe, who decides to bend the rules to help save the world.

"Try This Salsa. Go On. It Makes You Feel Like You Got Shot In The Tongue" - That '70s Show

As a friend of Ashton Kutcher, Bruce Willis guest-starred on That '70s Show as Playboy Club security manager Vic. The sleazy dude offers Kelso (Kutcher) some of his personal salsa, which he insists is hot enough to feel like you are experiencing injury, before offering him a job.

Typically, audiences can rely on seeing a movie’s protagonist make it to the end unscathed. However, every so often, filmmakers like to defy expectations by having the character we have been following meet their maker, usually at the story’s conclusion, but sometimes even earlier. Beware of SPOILERS as we revisit some iconic movies that shocked the world by showing the main character’s demise.

Ghost (1990)

The acclaimed romantic “horror” movie Ghost is a prime example of a film in which the main character is dead for the majority of the story. Sam Wheat (Patrick Swayze) is murdered about 20 minutes in, but his spirit remains to solve the truth behind his death and reach out to his longtime girlfriend, Molly (Demi Moore), with the help of a medium named Oda Mae Brown (Whoopi Goldberg, in an Oscar-winning performance).

Titanic (1997)

The fictional romance at the center of James Cameron's Titanic comes to a tragic end when Jack (Leonardo DiCaprio) succumbs to the ocean's freezing temperatures – a death many believe could have been prevented if Rose (Kate Winslet) shared her makeshift liferaft. She is later reunited with her lover, however, when she succumbs to old age at the end of the Best Picture Oscar winner based on a true story.

Saving Private Ryan (1998)

Tom Hanks' Captain John H. Miller does, indeed, accomplish his eponymous mission in Steven Spielberg's harrowing war movie classic, Saving Private Ryan. Unfortunately, he does not survive the task, but not before urging Private John Francis Ryan (Matt Damon) to "earn" the life he has been given, thanks to this rescue.

Avengers: Endgame (2019)

Avengers: Endgame comes to a bittersweet conclusion when the team is forced to say goodbye to the hero who kicked off the Marvel Cinematic Universe in the first place, Tony "Iron Man" Stark (Robert Downey Jr.), after he saves the universe. Using nano-bot equipped armor to form a makeshift Infinity Gauntlet, he erases Thanos (Josh Brolin) and his army from existence with a finger snap that is, unfortunately, too much for his mortal body to handle.

Gladiator (2000)

Director Ridley Scott's Gladiator is the story of Roman general Maximus (Russell Crowe), who is sold into slavery by corrupt emperor Commodus (Joaquin Phoenix), who also murders his family. However, he does reunite with them in the afterlife after defeating Commodus in a duel that he does not survive, having been previously and unfairly wounded by his opponent.

Beetlejuice (1988)

The title character is not the main character in Tim Burton's ghoulish comedy, Beetlejuice, although Michael Keaton's mischievous bio-exorcist (whose name is actually spelled "Betelgeuse") is dead throughout. The plot kicks off when Adam (Alec Baldwin) and Barbara Maitland (Geena Davis) suffer a fatal accident and then try to rid their house of its new living tenants.

Alien (1979)

We all think of Scream Queen Sigourney Weaver's Ellen Ripley as the hero of the Alien movies, but that is not quite the case at the beginning of the saga. Ripley is promoted to the hero of the story and captain of the Nostromo after the Xenomorph attacks Dallas (Tom Skerritt) in a shocking twist.

Pulp Fiction (1994)

There is not exactly one true protagonist in Quentin Tarantino's Pulp Fiction, as each of its three non-linear stories ultimately has a different lead. However, John Travolta does get top billing for the Oscar-winning drama and his character, Vincent Vega, is mowed down with an uzi by Butch (Bruce Willis) in the second chapter, which is also the film's chronological finale.

No Country For Old Men (2007)

Technically, Tommy Lee Jones' Ed Tom Bell is the true central character of Joel and Ethan Coen's Oscar-winning adaptation of author Cormac McCarthy's No Country for Old Men. However, much of the modern Western movie classic follows Josh Brolin's Llewellyn Moss and his struggle to outrun and outwit the sadistic Anton Chigurh (Javier Bardem), up until his abrupt murder.

Psycho (1960)

It at least seems like Janet Leigh's Marion Crane is the central focus of Alfred Hitchcock's masterful horror movie, Psycho, until about halfway through the story. After the real estate secretary is brutally killed while taking a shower in her motel room, we realize the true "psycho" is Norman Bates (Anthony Perkins), who murders Marion and others while subconsciously taking on the identity of his dead mother.

Logan (2017)

Hugh Jackman's retirement from the role of Wolverine was confirmed by the end of Logan, in which the former X-Men member, whose healing ability had been diminishing, gives his life to protect Laura (Dafne Keen) and other young mutants. Of course, seven years later, a variant of the Adamantium-clawed mutant would star in Deadpool & Wolverine, but the emotional conclusion of James Mangold's Oscar-nominated film is no less effective for it.

Citizen Kane (1941)

The first scene of co-writer and director Orson Welles' revolutionary drama, Citizen Kane, depicts the death of the megalomaniacal title character, Charles Foster Kane (Welles). The succeeding story follows an investigation regarding the meaning of his final word, "Rosebud."

Hereditary (2018)

The marketing for first-time feature director Ari Aster's stunning A24 horror movie, Hereditary, made it seem as if the story would follow young Charlie (Milly Shapiro), making her demise all the more shocking. The unsettling twist confirmed that Charlie's mother, Annie (Toni Collette), was the film's true protagonist, but, of course, she would end up losing her head as well.

The Departed (2006)

Director Martin Scorsese's The Departed is the story of two men on opposite sides of the law, namely undercover cop Billy Costigan (Leonardo DiCaprio) and Sgt. Colin Sullivan (Matt Damon), who has ties to Boston's Irish Mob. Both lose their lives by the end, with Costigan getting killed by James Badge Dale's also corrupt Trooper Barrigan, and Sullivan getting killed by Staff Sergeant Sean Dignam (Mark Wahlberg).

The Sixth Sense (1999)

In The Sixth Sense, child psychologist Malcolm Crowe (Bruce Willis) tries to help a young boy (played by Haley Joel Osment) come to terms with his ability to see ghosts. At the end, in just about the best M. Night Shyamalan movie twist, it is revealed that Malcolm himself is a ghost, but neither he nor the audience knew the entire time.

Promising Young Woman (2020)

The Oscar-winning Promising Young Woman is a unique type of revenge movie, following Cassie (Carey Mulligan) and her bid to punish those involved with the assault that drove her friend, Nina, to take her own life. In the end, she achieves her goal, but by allowing herself to get murdered by the man who assaulted Nina, Al Monroe (Chris Lowell), which finally incriminates him.

The Place Beyond The Pines (2012)

The Place Beyond the Pines is widely considered one of the best Ryan Gosling movies, despite the fact that the actor is not actually in the film for very long. Roughly halfway through the story, his character, Luke, dies whilst struggling to get away from a bank robbery job gone wrong.

A Quiet Place (2018)

In the heartbreaking final act of the acclaimed post-apocalyptic sci-fi thriller, A Quiet Place, Lee Abbott (John Krasinski, who also co-writes and directs) lets out a loud scream to attract the vicious, sound-hunting aliens away from his children, ultimately sacrificing himself for them. In addition to returning to helm the sequel, A Quiet Place Part II, Krasinski reprises the role in a flashback to the day the Death Angels' invasion begins.

Uncut Gems (2019)

Josh and Benny Safdie's Uncut Gems sees self-destructive jeweler Howard Ratner (Adam Sandler) jump through hoops to pay off his insurmountable debt. At the shocking end of the intense, acclaimed A24 movie, just after finally landing the big win he needs, he is abruptly shot in the head by his brother-in-law's unstable goon, Phil (Kevin William Richards).

Train To Busan (2016)

An essential reason why South Korean import Train to Busan is regarded as one of the greatest zombie movies ever made is its heartbreaking conclusion in which Seok-woo (Gong Yoo) is bitten trying to protect his daughter, Su-an (Kim Su-an). The father is seen reminiscing about Su-an's birth right before he becomes one of the undead and, with all the humanity he has left, makes the decision to throw himself off the train and not bring harm to anyone else.

One Flew Over The Cuckoo's Nest (1975)

One Flew Over the Cuckoo's Nest is not only a film that gets real about mental health, but depicts one of the bleakest realities imaginable for an asylum patient, as seen in the eyes of criminal Randle Patrick McMurphy (Jack Nicholson), who only ended up in the institution by pleading insanity. After discovering that McMurphy has been lobotomized and that life has left his eyes, "Big Chief" Bromden (Will Sampson) mercifully suffocates his friend to death before escaping.

Soul (2020)

One of Pixar's best movies, Soul, tells the story of a jazz musician (voiced by Jamie Foxx) who dies in an accident just after landing the gig of his life. He then explores the afterlife, struggling to figure out a way to return to Earth.

Terrifier (2017)

Terrifier 2 introduces one of the most beloved horror movie Final Girls in Sienna Shaw (Lauren LaVera), but the woman you expect to make it out alive in its predecessor is not so lucky to be called a Final Girl. In fact, Tara Heyes (Jenna Kanell) even dies in a subversive way, as it seems she is about to put an end to Art the Clown (David Howard Thornton) before the sadistic harlequin pulls out a pistol and shoots her in the head.

300 (2007)

Zack Snyder's 300 is an intense, highly fictionalized account of events surrounding the Battle of Thermopylae. One detail that the film does get right is that the Spartan King Leonidas (Gerard Butler) was killed in battle.

To Live And Die In L.A. (1985)

Director William Friedkin's intense crime thriller, To Live and Die in L.A., follows Secret Service agent Richard Chance (William Petersen) and his determination to find Rick Masters (Willem Dafoe), a counterfeiter who killed his partner. Unfortunately, Masters manages to escape as Chance and Masters' associate, Jack, fatally shoot each other.

Deep Blue Sea (1999)

One of the most essential reasons why Deep Blue Sea is a classic shark movie is the moment when the film takes a literal bite out of its biggest star, Samuel L. Jackson. The actor's character, Russell Franklin, is in the middle of a heroic speech when a genetically engineered shark leaps out of the water, pulls him underneath the surface, and eats him alive.

Life Is Beautiful (1997)

A movie dad we would be proud to have is Guido Orefice, played by co-writer and director Roberto Benigni in the heartbreaking Holocaust-era drama, Life is Beautiful. The Jewish-American man remains committed to using humor to shield his young son from the unspeakable tragedy surrounding him up until the very moment he is shot by Nazi officers.

Carnival Of Souls (1962)

In the cult horror film Carnival of Souls, Candace Hilligoss stars as Mary Henry, who takes a job as an organ player for a traveling carnival after suffering a terrible car accident. However, as the final scene reveals, Mary never actually survived that accident.

The League Of Extraordinary Gentlemen (2003)

Sean Connery was open about how much he disliked one of his last movies, The League of Extraordinary Gentlemen, which is based on a comic book by Alan Moore that groups various iconic figures of literature together, including Captain Nemo and Tom Sawyer. At least, if there had been a sequel, the former James Bond actor would not have needed to show up for it as his character, legendary adventure hero Allan Quatermain, passes away at the end.

15 Minutes (2001)

15 Minutes is a buddy cop action flick in which veteran New York detective Eddie Flemming (Robert De Niro) teams up with fire marshal Jordy Warsaw (Edward Burns) to investigate the crimes of two Eastern European convicts seeking fame and fortune by selling off video recordings of their violent acts. One video they successfully sell to a popular news program is the murder of Flemming, who is suffocated to death roughly halfway through the film.

Alien 3 (1992)

Sigourney Weaver explained to the Chicago Tribune that she only agreed to star in Alien 3 if Ellen Ripley is killed off, which does occur when she jumps into a burning furnace as a baby Xenomorph bursts from her chest. Of course, the actor would come back just once more for Alien: Resurrection, but as a clone of Ripley.

The Lovely Bones (2010)

Many critics and audiences agree that director Peter Jackson's The Lovely Bones is not a great movie despite its interesting plot. Based on author Alice Sebold’s novel, it stars Saoirse Ronan as a teenage girl watching over her family, and the man who murdered her, from the afterlife.

Quentin Tarantino is a master at using old TV shows and movies as references to get his point across in his dialog. Sometimes, it's wildly obscure (that's what years watching movies in a video shop will get you), but often they are unique and fun ways to refer to the things that people grew up with, especially Gen Xers. This a list of some of those references, both the obscure and the obvious, that Tarantino peppers into so many of his movies.

Green Acres - Pulp Fiction

The diner scene in Pulp Fiction has a bunch of fun references and maybe the best comes from Jules (Samuel L. Jackson) when he is explaining why he doesn't eat pork to Vincent (John Travolta). Jules calls pigs "filthy animals" and to not be, they'd have to be "ten times more charmin' than that Arnold on Green Acres," referring to the old TV show.

The Lost Boys - Reservoir Dogs

While Mr. Orange (Tim Roth) is rehearsing the story he's going to tell while he's undercover - to sell his character, he explains at one point that he is just trying to watch one of the best vampire movies of all time, The Lost Boys, at home.

Dirty Mary Crazy Larry - Jackie Brown

Tarantino loves to throw in obscure movies that many of us might have missed, Such is the case with Dirty Mary, Crazy Larry, a heist movie from 1974 starring Peter Fonda. It's shown briefly on TV as Bridget Fonda (Peter's daughter) and Robert De Niro blankly watch TV. Sneaky Quentin!

The Street Fighter - True Romance

Obviously Tarantino loves Kung Fu movies. Kill Bill is a tribute to genre, but he peppered in references to it much earlier in his career. True Romance was directed by Tarantino, but he wrote it, and he managed to get a reference to not one, but three Kung Fu movies, The Street Fighter series. In the movie, Clarence (Christian Slater) meets Alabama (Patricia Arquette) at a triple feature of the movies.

Twins - Pulp Fiction

This one is great. The legend goes that in a nod to Danny DeVito, who was a producer on Pulp Fiction, Tarantino named Travolta and Jackson's characters Vincent and Jules, respectively, as a tip of the hat to DeVito's movie Twins, where the titular twins played by DeVito and Arnold Schwarzenegger were named Vincent and Julius. It may or may not be true, but the possibility is too good not to include here.

Alfred Hitchcock Presents - Four Rooms

The film Four Rooms was a unique moment in '90s cinema when four hot directors joined forces to tell four stories over one night in a hotel. Tarantino based his story directly on an old Alfred Hitchcock Presents episode called "The Bellboy." Taratino's version gets messier, of course.

Convoy - Death Proof

Death Proof ranks pretty low on a list Tarantino's movies, though it has it's moments, and if you love old road movies from the '70s, there are lots of fun inside jokes, like referring to the classic Convoy, a movie created from a hit song that isn't the best movie, but is very memorable.

Top Of The Pops - Reservoir Dogs

In Reservoir Dogs, Nice Guy Eddie (Chris Penn) makes a strange reference. Instead of referring to a show like Dick Clark's American Bandstand when deriding pop music, he chooses to make mention of Top Of The Pops, a British show of the same ilk as Bandstand. It makes it clear he doesn't like pop music, however.

The Great Escape - Reservoir Dogs, Inglourious Basterds, and Once Upon A Time In Hollywood

It's pretty obvious that Tarantino loves the 1963 classic The Great Escape. He's made reference three times. First, in his own monologue about Madonna in Reservoir Dogs, then, in Inglourious Barterds, he cribs a famous line from The Great Escape ("We have all our rotten eggs in one basket," and finally in Once Upon A Time In Hollywood when we see Rick as starring in the Steve McQueen role.

Tora! Tora! Tora! - Once Upon A Time In Hollywood

Unsurprisingly, Once Upon a Time has many references, both directly and in the background. For example, the billboard for the World War II film Tora! Tora! Tora!

Kung Fu - Pulp Fiction

Many years after Pulp Fiction, Quentin Tarantino cast David Carradine as Bill in Kill Bill. In Pulp Fiction, he made reference to Carradine's most famous role, as Caine in the '70s TV show Kung Fu when Jules takes about giving up his criminal life. It's so great that it comes around full circle.

The Green Hornet - Once Upon A Time In Hollywood and Kill Bill

Bruce Lee's first role that brought him prominence in the US was in The Green Hornet. Tarantino first referenced this in Kill Bill, but it made a much bigger appearance in Once Upon A Time In Hollywood when Cliff (Brad Pitt) fights Bruce Lee (Mike Moh) on the set of the '60s TV show.

Get Christie Love! - Reservoir Dogs

Get Christie Love! is a classic deep cut from Tarantino. It's mentioned a few times in Reservoir Dogs. Get Christie Love! started as an ABC movie of the week, capitalizing on the popularity of the Blaxploitation genre. It was turned into a short-lived TV show in the mid-'70s. Though it's an obscure reference, the show was notable for starring Teresa Graves as one of the first Black female leads in a network show.

BJ And The Bear - Death Proof

BJ And The Bear is one of the most ridiculous TV shows of all time since it co-stars an actual monkey as part of a truck-driving team. Its reference in Death Proof is perfect, however.

Speed Racer - Pulp Fiction

Sometimes, Tarantino's references are really subtle. In Pulp Fiction, Eric Stoltz's character wears a very cool vintage Speed Racer t-shirt. Honestly, it's a super cool shirt, and at the time, before The Wachowskis made the 2008 movie, Speed Racer was more obscure than it is today.

The Killer - Jackie Brown

There are multiple scenes in Jackie Brown where characters are watching movies, and apparently, one movie that De Niro and Samuel L. Jackson's characters watch too much is The Killer, a relatively recent movie (by Tarantino standards) released in 1989 by director John Woo.

The Mack - True Romance

Gary Oldman in True Romance is one of the greatest examples of an actor looking completely unrecognizable in a role. In that famous scene, his character is watching The Mack and Clarence makes sure that Oldman knows he'd seen it years before.

The Wizard of Oz - Reservoir Dogs

You wouldn't expect a reference to The Wizard of Oz in Res Dogs, but in the most infamous scene in the movie, when Mr. Blonde is torturing the cop, he asks, "How 'bout some fire, scarecrow?" It's a clear reference to the famous movie, and it adds a brilliant, twisted dimension to an already messed-up scene.

Rebel Without A Cause - Pulp Fiction

The restaurant scene in Pulp Fiction is full of pop culture references. Steve Buscemi makes an appearance as a waiter dressed like Buddy Holly and the emcee is an Ed Sullivan impersonator. Another waiter in the scene is clearly dressed like James Dean in Rebel Without A Cause.

TJ Hooker - True Romance

It's TJ Hooker, but it's the new TJ Hooker. Such is the show that Clarence's friend Dick Richie (Michael Rapaport) is auditioning for in True Romance. Classic Tarantino, laying in the other show William Shatner starred in.

The Bellboy - Four Rooms

1960's The Bellboy starring Jerry Lewis is a classic slapstick comedy that also marked Lewis' debut as a director. In a number of homages to the movie, Tarantino references in his part of Four Rooms, which, of course, makes perfect sense.

Hullabaloo - Once Upon A Time In Hollywood

In the mid-1960s, pop music variety shows were all the rage. ABC's American Bandstand was the most popular and still the best remembered, but NBC tried to get into the game with Hullabaloo. It didn't last long, however, only airing 2 seasons as opposed to the 30 Bandstand aired on ABC. The show is referenced in Once Upon A Time In Hollywood.

Force Five - Pulp Fiction

"Fox Force Five" is the name of the fictional TV show that Mia Wallace starred in the pilot of in Pulp Fiction. The name of the show is a reference to a very short-lived syndicated show called Force Five that, unless you grew up in New England, you've probably never heard of. Who knows how Tarantino even knew it, it was hardly on anywhere,

Bullitt - Death Proof

Bullitt is one of the best car movies ever, so referencing it in Death Proof is a no-brainer. It also features some of the best car chases in any movie, ever. That was the goal of Death Proof, too, and while it's not Tarantino's best movie, you can't say the car chases aren't great.

3:10 to Yuma (1957) - The Hateful Eight

It's hard to slip references and easter eggs of films into a movie set in the 19th Century, like The Hateful Eight. Still, Tarantino manages to slip in some, including the classic western 3:10 to Yuma from 1957. In both movies, the stagecoach is named the "Butterfield Overland Stage."

The Kid - Inglourious Basterds

There are a lot of connections between Charlie Chaplin and Hitler (that's weird to type), but not only did they share the same style in facial hair, but Chaplin also starred in The Dictator, which was a contemporary satire that took shots at Hitler before most were willing to do so. Referencing one of Chaplin's most famous movies, The Kid, in Inglourious Basterds is perfect.

Natural Born Killers - Kill Bill

Oliver Stone's Natural Born Killers was originally based on a script by Quentin Tarantino. Though Tarantino was reportedly unhappy with the end product and even chose to only go with a partial credit, he made reference to the movie later in his career. In Kill Bill, Bill tells Beatrix that she's a "natural-born killer," and there's no way that's a coincidence.

Wanted: Dead Or Alive - Once Upon A Time In Hollywood

In the 1950s, Hollywood loved making Western TV shows. One show, which happened to be an early role for Steve McQueen, was Wanted: Dead Or Alive. Though it's not directly mentioned, it's clear that the show within the movie that Rick is the star of, Bounty Law, is based on the McQueen hit.

Baretta - Reservoir Dogs

The 1970s show Baretta is an old network show that no one talks about much these days, but Tarantino was talking about it decades ago in Reservoir Dogs. That was before the show's star, Robert Blake, was charged with murder.

Stroker Ace - Death Proof

One of the most obscure references in Death Proof has to be Stroker Ace. It's a movie from the early '80s starring Burt Reynolds as a NASCAR driver. It was a huge bomb, but it was a staple on cable TV in the early '80s. It has its charms, but maybe the best thing about it is getting references in this Tarantino movie.

Happy Days - Pulp Fiction

The reference to Happy Days in Pulp Fiction is one of the most quoted lines in the movie. In the diner robbery at the end, Jules wants everyone to settle down and tells them that they are all going to "cool like Fonzie." Fonzie, of course, is one of the coolest characters in TV history.

A Fistful of Dollars - Kill Bill

This is one of the most subtle - just a reference to the iconic music in honor of The Bride going after her revenge.

Genres are helpful—until a movie comes along that throws the rulebook into the fire. Some films are so inventive and wildly ambitious that slapping a single label on them feels like an insult. These movies blend tones, mix storytelling traditions, and challenge expectations at every turn. Whether mashup horror and comedy, sci-fi and romance, or animation and noir, these 32 films break free from traditional classification, proving that the best stories often refuse to fit into a box.

Everything Everywhere All at Once (2022)

The plot of Everything Everywhere All at Once sounds absurd when you hear it out loud. It’s sci-fi, but it’s also a family drama. It’s one of the best action movies in recent memory. It also happens to be an absurdist comedy with a scene that breaks my heart every time I see it–I still can’t look at rocks or googly eyes the same. It’s a meditation on existential dread wrapped in kung-fu spectacle. The Daniels crafted something that shouldn’t work but does—an emotional, high-energy, genre-blending rollercoaster where nihilism and love collide in the best way possible.

Donnie Darko (2001)

A suburban teen, time travel, existential horror, and a man in a creepy rabbit suit—Donnie Darko refuses to be pinned down. Is it a psychological thriller? A coming-of-age story? A horror film with sci-fi elements? Richard Kelly’s cult classic is all of these things, a moody, enigmatic puzzle box that continues to haunt viewers decades later, an easily one of Jake Gyllenhal’s best movie performances.

The Princess Bride (1987)

What other film can balance fairy tale fantasy, satirical comedy, swashbuckling action, and heart-melting romance without breaking a sweat? The Princess Bride is a book-to-screen adaptation that is as good, if not better than the novel it's based on. It’s a love letter to classic storytelling while also poking fun at its conventions. It’s pure magic—a film that can make you laugh, cheer, and cry, often within the same scene.

Pan’s Labyrinth (2006)

Guillermo del Toro’s Pan’s Labyrinth, one of his best movies, refuses to let fantasy be an escape. Instead, it interweaves a fairy tale with the brutal realities of war-torn Spain. Part fantasy film, dripping in historical drama and a dash of horror. Del Toro blends all three into something chillingly beautiful, proving that sometimes the scariest monsters are human.

Who Framed Roger Rabbit (1988)

A hard-boiled noir detective film… with animated cartoon characters running wild? Who Framed Roger Rabbit defies expectations by fusing classic film noir aesthetics with Looney Tunes madness. It’s part mystery, part slapstick comedy, part technical marvel, entirely unclassifiable, and, in retrospect, not very appropriate for children.

Swiss Army Man (2016)

Since finishing up his tenure as Harry Potter, Daniel Radcliff has made some weird movies, and none are as odd as Swiss Army Man. Think Cast Away with a farting corpse–as a stranded man befriends a farting, talking corpse with Swiss Army knife-like powers—if that sounds like nonsense, that’s because it is pure absurdist genius. It’s an iconic buddy comedy, an existential drama, and a surprisingly heartfelt film about loneliness, self-worth, and the strangeness of human connection.

The Fifth Element (1997)

Luc Besson’s The Fifth Element is one of the best science fiction movies of the 90s, sure, but it’s also a campy, over-the-top, French space opera that veers into comedy, action, and cartoon levels of insanity. It’s a spectacle of pure creative energy, filled with outlandish characters and visual madness that make it impossible to categorize.

The Rocky Horror Picture Show (1975)

The Rocky Horror Picture Show is an unholy blend of campy B-movie horror and glam rock musicals. It embraces its genre-defying weirdness with open arms. It’s more than a film—it's an experience with some of the catchiest songs committed to screen.

Being John Malkovich (1999)

A movie about a portal into John Malkovich’s mind that turns into a psychological drama about identity, obsession, and control? Spike Jonze, in his directorial debut, and Charlie Kaufman turn an absurd premise into something deeply unsettling yet darkly funny, making Being John Malkovich one of the strangest films ever made and one of the best flicks of the 1990s.

The Shape of Water (2017)

If you mix a Cold War espionage thriller with a creature feature and, of course, a fairy tale romance, you’ll get an idea of what The Shape of Water is. Guillermo del Toro masterfully stitches these elements together into a haunting, poetic, and profoundly weird film. A love story between a woman and an amphibious creature shouldn't work, but in del Toro’s capable hands, the movie becomes unforgettable and deserves all its Oscar wins.

Hook (1991)

Though much maligned since its release, Hook is easily one of Robin Williams's best performances. It tells a compelling father-son story mixed with whimsy and is a family-friendly swashbuckler. However, at its heart, it’s a deeply melancholic story about rediscovering lost youth.

Spirited Away (2001)

Hayao Miyazaki’s Spirited Away is an intoxicating blend of myth, folklore, and childhood wonder, defying any easy categorization. The film operates on dream logic, shifting between the whimsical and the nightmarish, crafting a world that feels both hauntingly strange and intimately familiar. It’s one of the very best adventure family movies out there.

Fargo (1996)

The Coen Brothers have a habit of making films that exist in the gray area between genres, and Fargo might be their greatest balancing act. It’s a crime thriller, a dark comedy with some of their funniest quotes, and a bleak meditation on human nature. The film is full of violence and tension, yet it never loses its absurd sense of humor—often in the same breath.

The Cabin in the Woods (2012)

At first glance, The Cabin in the Woods is one of the best horror movies of the 2010s, but the deeper you go, the more it mutates into something else entirely. It works as a love letter to and a brutal deconstruction of the horror genre, blending meta-comedy with genuine scares. It starts like a standard slasher film, but by the end, it’s an apocalyptic fever dream that leaves you questioning everything you know about horror storytelling.

Gremlins (1984)

Is Gremlins a horror movie? A dark comedy? Is it a Christmas film or just Christmas-themed? The answer is all of the above. Joe Dante’s chaotic creature feature shifts wildly between tones, sometimes feeling like a heartwarming holiday classic and other times diving headfirst into gruesome horror. It manages to be both gleefully silly and genuinely unsettling—making it impossible to fit neatly into one category.

The Pagemaster (1994)

The Pagemaster refuses to commit to a single identity. Though it loomed large in my childhood, its unwillingness to commit to a single genre could be why it has such an abysmal Rotten Tomatoes score. While it’s positioned as a children’s film about the power of books, it blends so many visual and storytelling styles that it becomes something else entirely. This surreal, hybrid experience feels both nostalgic and oddly experimental.

Big Trouble in Little China (1986)

John Carpenter’s Big Trouble in Little China is an action movie that plays like a comedy, a kung-fu film that satirizes kung-fu films, and a supernatural adventure that revels in its own ridiculousness. It gleefully subverts action hero tropes, making its protagonist more of a bumbling sidekick–with some of the greatest Kurt Russel quotes–than a traditional lead. Its genre-bending nature has made it an enduring cult classic.

Her (2013)

Her straddles multiple genres while remaining profoundly intimate and personal. Yet again, Spike Jonze takes a premise that could have been used for satire—a man falling in love with his AI assistant—and turns it into a heartbreakingly sincere exploration of modern relationships. It’s futuristic but deeply human, making it impossible to categorize.

Last Action Hero (1993)

On the surface, it’s an action movie but also a deconstruction of action movies. Last Action Hero arguably came out at the wrong time, as it revels in Hollywood excess while poking fun at its clichés, blending over-the-top action with meta-commentary way ahead of its time. It’s self-aware, chaotic, and often refusing to be boxed into a single category.

Burn After Reading (2008)

Burn After Reading is classic Coen Brothers chaos—a film where every character thinks they’re in control, yet none of them have any idea what’s actually happening. It plays with the tropes of espionage thrillers, only to reveal that the stakes are laughably low, making it a darkly hilarious puzzle box of a movie. Also, it has one of the best Francis McDormand performances ever.

Men in Black (1997)

It’s a sci-fi film, but it’s also a buddy-cop comedy. It’s a blockbuster, but it has the sharp humor of a satire. Men in Black blends alien conspiracies, action-packed spectacle, laugh-out-loud comedy, and one of the scariest aliens committed to celluloid into something effortlessly entertaining. It thrives in its refusal to take itself too seriously, making it one of its era's most unique sci-fi films.

Edward Scissorhands (1990)

Edward Scissorhands is unapologetically Tim Burton at his best. An oddity that defies easy classification. It’s equal parts whimsical and tragic, blending a monster movie's aesthetics with the romance's tenderness. The film’s visual style is pure fantasy, yet its emotional core is deeply human, making it one of Burton’s most enduring works.

A Ghost Story (2017)

A Ghost Story is a slow, meditative exploration of time, grief, and existential loneliness. It also tells the story of a spiritual being who walks the earth in a bed sheet. This story challenges everything you expect from a ghost story, stripping away jump scares and supernatural lore in favor of long, lingering shots and quiet, contemplative storytelling. It’s haunting, but not in the traditional sense—more of a melancholy whisper than a scream in the dark.

La La Land (2016)

A musical, but one that subverts the tropes of the genre. La La Land embraces old Hollywood spectacle while refusing to follow the standard “happily ever after” formula. It’s nostalgic yet modern, blending reality and fantasy in a way that feels both dreamlike and achingly real.

The Lobster (2015)

The Lobster is so uniquely bizarre that it exists in a separate genre–the genre of Yorgos Lanthimos. Lanthimos takes an inherently ridiculous premise—that single people must find a partner or be turned into animals—and turns it into something deeply unsettling, bleakly funny, and weirdly moving.

The Fantastic Mr. Fox (2009)

The Fantastic Mr. Fox is a movie far better than its bombing at the box office would lead one to believe. It is a wonderful stop-motion movie, but it's also unmistakably Wes Anderson, as the filmmaker blends the time-consuming animation with his signature aesthetic. It feels like a classic children’s storybook brought to life, yet it carries an undercurrent of existential angst that makes it resonate just as strongly with adults.

Pulp Fiction (1994)

No movie influenced 90s cinema quite like Quentin Tarantino’s Pulp Fiction. This unpredictable film intertwines multiple narratives, with Samuel L. Jackson as the standout performer. The movie redefined nonlinear storytelling by skillfully blending brutal violence, humor, and unexpected poignancy.

Eternal Sunshine of the Spotless Mind (2004)

Another Charlie Kaufman brainchild, Eternal Sunshine, takes a high-concept premise—erasing painful memories of lost love and toxic relationships—and turns it into an achingly beautiful meditation on heartbreak, fate, and human connection. It’s as cerebral as it is emotional, making it one of the most uniquely structured love stories ever told.

Prey (2022)

Prey is not just another Predator movie; it’s a historical survival thriller and an Indigenous-led action film that reinvents the franchise. By removing the excessive machismo of earlier movies and setting the story in 1719 around a young Comanche warrior, Prey transforms into a compelling tale of resilience and culture. Amber Midthunder emerges as a standout new face in the lineage of final girls in horror.

Aliens (1986)

James Cameron cranked Ridley Scott’s slow-burn terror into an all-out war film, proving that a sequel doesn’t have to repeat its predecessor. Aliens retains the dread of its predecessor while injecting explosive, military-driven spectacle, making it a rare hybrid that succeeds as both a nerve-wracking horror movie and a high-octane action thriller.

Coraline (2009)

It looks like a children’s fantasy film, but Coraline, while being one of Laika’s best movies, is pure nightmare fuel. A dark fairy tale with horror undertones, the film walks the tightrope between whimsy and dread. Its stop-motion animation is gorgeous yet eerie, and the story—about a young girl lured into a seemingly perfect world with sinister secrets—feels like something pulled from the pages of an old gothic ghost story.

Scott Pilgrim vs. The World (2010)

A coming-of-age story drenched in comic book and video-game aesthetics? Scott Pilgrim vs. The World should have been a hit, with its pure kinetic energy, blending pop culture, music, and self-aware humor into a hyper-stylized spectacle. Edgar Wright expanded his abilities as a filmmaker, creating a film that’s part arcade game, part indie rom-com, and wholly unique in its execution.

Is Quentin Tarantino a better writer than he is a director, or vice versa? Given his immense talent in both fields, it’s a tough question that will never yield a consistent answer from fans – but one key argument in favor of the former is his brilliant ear for dialogue. All of his movies feature sharp conversation-centric scenes full of wit and his special brand of pop culture philosophy, and there is no better example than his hit Pulp Fiction –one of the best films of the 1990s. More than 30 years after its theatrical release, the film is as cool as ever, and there is never a bad time to reflect on and celebrate its best quotes.

“I love you, Pumpkin.” “I love you, Honey Bunny.” “All right, everybody be cool, this is a robbery!”

There is something unquestionably special about Bonnie & Clyde-esque relationships, and Quentin Tarantino plays with that affection right from the outset in Pulp Fiction. In one moment, Ringo (Tim Roth) and Yolanda (Amanda Plummer) are lovers sharing an intimate, affectionate moment, and in the next, they are waving guns around and threatening murder.

“They call it a Royale with cheese.”

Of all the wonderful, idle conversation featured in Quentin Tarantino movies, I think this is the pinnacle: just two guys in a car talking about how the use of the metric system abroad has an impact on fast food menus.

“Yeah, but, you are aware that there's an invention called television, and on this invention they show shows, right?”

Regardless of context, it will forever sound pretentious when a person declares that they don’t have a television, and it’s for that reason that I have a particular affinity toward this line from Samuel L. Jackson’s Jules Winnfield. John Travolta’s Vincent Vega announces his lack of TV-watching habits without any real provocation, and I like that his partner mocks him for it.

“Have you ever given a foot massage?”

I love how a simple line of dialogue can tell us so much about the dynamic between Vincent and Jules. You can tell that the former knows that this question is going to provoke the latter, and it hilariously leads to him requesting that his partner rub his feet a bit.

“Come on, let's get into character.”

It’s the meta-awareness of this line that makes it so cool. In the minutes prior to this line, Jules and Vincent seem like affable guys talking about simple things like French fry condiments and foot rubs, but they need their game faces on for their confrontation with Brett (Frank Whaley) and his friends, and this quote marks an amazing tone transition in the film.

“I'm sorry, did I break your concentration? I didn't mean to do that. Please, continue, you were saying something about best intentions. What's the matter? Oh, you were finished!  Well, allow me to retort. What does Marsellus Wallace look like?”

Once Jules gets into Brett’s apartment, he knows what business he has to be done, but he’s like a cat with its prey: he wants to play a bit. He smiles and makes chit-chat… but this line is where the dynamic shifts. There’s no more hamburger talk; Flock Of Seagulls is dead on the couch, and the man with a recently fired pistol wants to know why somebody would try and steal from his boss.

“‘What’ ain't no country I've ever heard of. They speak English in What?”

If I were in Brett’s shoes with Jules Winnfield holding a gun to my head, I too would probably be challenged to fully wrap my head around him asking me what country I’m from, but that in no way undercuts my appreciation for the latter’s angry, clever articulation here.

“The path of the righteous man is beset on all sides by the inequities of the selfish and the tyranny of evil men. Blessed is he who, in the name of charity and good will, shepherds the weak through the valley of the darkness, for he is truly his brother's keeper and the finder of lost children...”

If one were to rank the best cinematic monologues of all time, there is no question that Jules’ recitation of Ezekiel 25:17 (albeit a heavily altered version) would deserve to be either near the top or at the top. This is fact and cannot be challenged.

“Pride only hurts; it never helps.”

This is quite a thing to say to a person! It’s basically a more elegant way of saying, “You should flush all of your self-respect down the toilet.” It’s quite a statement from Marsellus Wallace (Ving Rhames), but I have to wonder if it ends up specifically backfiring on him a bit because of how it clashes with the family legacy of Butch Coolidge (Bruce Willis).

“You can get a steak here, daddy-o. Don't be a... [draws a square in the air]”

I drew a line in the sand earlier between the director side of Quentin Tarantino and the writer side, but here is an example of the perfect merger. Not only does Mia Wallace (Uma Thurman) come across as extra slick, but the dotted-lined shape that is formed on-screen following her finger is a genius touch (and I don’t even care that it’s a rectangle and not a square).

“Don’t you hate that?” “What?” “Uncomfortable silences”

I love Pulp Fiction for many, many reasons, but one of them is that it provides the perfect thing to say if you ever are on a date/at a get-together and collide with an endless void in a conversation.

“I do believe Marsellus Wallace, my husband, your boss, told you to take me out and do whatever I wanted. Now I want to dance, I want to win. I want that trophy, so dance good.”

One of the best musical sequences in a non-musical starts with a demand. Mia knows that she has Vincent under her thumb because of the fear that her husband inspires, and it’s super fun to see her wield that power so that the couple can win a dance contest.

“You gotta stab her once, but it's gotta be hard enough to break through her breastplate into her heart, and then once you do that, you press down on the plunger.” “What happens after that?” “I'm kinda curious about that myself...”

Everything about the accidental overdose scene in Pulp Fiction is chaos, and this line wonderfully illustrates that Lance (Eric Stoltz) and Vincent are as in the dark about how the sequence is going to conclude as we are. Anything could happen, and this is a perfect table setter for that mood.

“If you're all right, then say something.” “Something.”

What makes this moment particularly perfect is the fact that Mia could be responding to the question, but it also sounds like she may be starting to say, “Something… is sticking out of my chest.”

“Now, if you'll excuse me, I'm going to go home and have a heart attack.”

While not all of us have had a stressful night quite on the level of Vincent Vega’s night out with Mia Wallace, I think we can all remember feeling like this after an evening caught up in a conflict hurricane.

“Three tomatoes are walking down the street- a poppa tomato, a momma tomato, and a little baby tomato. Baby tomato starts lagging behind. Poppa tomato gets angry, goes over to the baby tomato, and smooshes him... and says, ‘Catch up.’”

It’s a dumb joke for sure – but it’s also the ideal level of dumb joke to make Mia’s sendoff to Vincent absolutely perfect.

“Then, after seven years, I was sent home to my family. And now, little man, I give the watch to you.”

I already highlighted the Ezekiel 25:17 speech as one of the greatest monologues of all time, but Pulp Fiction is a rare film that has two scenes that qualify for that superlative. Christopher Walken makes the story of the watch iconic with his signature line delivery, but the story itself is both dramatic and funny, and it provides us necessary insight into the mind of Butch Coolidge.

“It's unfortunate what we find pleasing to the touch and pleasing to the eye is seldom the same.”

Quentin Tarantino movies don’t typically get highlighted for their beautiful sentiments, but this line has a loveliness to it in its removal of the physical in the understanding of pleasure.

“Zed? It's Maynard. Yeah, spider just caught a couple of flies.”

Pulp Fiction can’t be categorized as a horror movie, but I’d say this specific line of dialogue is as terrifying as any quote from the long history of the cinematic genre. It’s not clear what Maynard and Zed have planned for the two unconscious men, but you know it’s going to be bad.

“Zed's dead, baby. Zed's dead.”

There aren’t many ride-off-into-the-sunset lines that can top this one. Everyone can be happy that Zed is dead, and Butch and his girlfriend are free to head off into the world, collect their gambling winnings, and live happily ever after.

“That's all you had to say!”

It’s nice when you can give a friend/colleague assurances that ease them of any and all stresses, and that’s perfectly expressed in Jules Winnfield’s reaction to learning that the legendary Winston Wolf (Harvey Keitel) – one of the best Tarantino side characters – is being dispatched to help resolve his very messy problem.

“That's thirty minutes away. I'll be there in ten.”

Could Winston Wolf simply tell Marsellus Wallace that it will take 10 minutes to get to Jules and Vincent? Sure. But would it be as outrageously cool and tell us about the character’s propensity for driving fast? Nope!

“If I'm curt with you it's because time is a factor. I think fast, I talk fast and I need you guys to act fast if you wanna get out of this.”

This is the line that arguably explains Jules’ enthusiasm hearing that Winston Wolf was being dispatched to his aide. The guy is the dictionary definition of methodical, and this sums up his whole personality during a crisis.

“Every time my fingers touch brain, I'm Superfly T.N.T.; I'm The Guns of the Navarone!”

I love that there are moments in Quentin Tarantino movies where he can’t help but slide in different pop culture references, and this is a perfect example. He’s a guy who can take the titles of two totally unrelated films – Superfly T.N.T. and The Guns of the Navarone – and put them into the mouth of a character to express absolute rage. Genius.

“You guys look like... What do they look like, Jimmie?” “Dorks. They look like a couple of dorks.”

This is an amazing exchange just because of the tremendous contrast it presents. The main characters in Pulp Fiction are Rat Pack-level cool for the majority of the film’s runtime, but with a simple post-spray-down costume change, Jules and Vincent instantly become a couple of dorks.

“In your future... I see a cab ride. Move out of the sticks, fellas.”

I think this is a funny line of dialogue on paper, but what really sells it is Winston Wolf fully committing to the psychic bit, complete with bringing his hands up to pretend that he is actually having a vision.

“Just because you are a character doesn't mean that you have character.”

Winston Wolf has jokes! During a crisis, he is all business, but when the work is done and he feels everything is safe, the guy is a wisecracker.

“Ah, so by that rationale, if a pig had a better personality, he would cease to be a filthy animal. Is that true?”

This is another perfect example of the wonderful naturalism in Quentin Tarantino’s dialogue. If one were to hear this debate point raised while eavesdropping in a diner, one wouldn’t bat an eye.

“You know, walk the earth, meet people, get into adventures – like Caine from Kung Fu.”

As sad as I am that Quentin Tarantino never moved forward with his idea for a Vega Brothers movie, I’m perhaps even more upset that he didn’t ever attempt to tell the story of Jules Winnfield roaming the planet and having adventures.

“I hate to shatter your ego, but this is not the first time I've had a gun pointed at me.”

I like to think that Jules experiencing a miracle just prior to facing off with Ringo and Yolanda is at least part of why he is unperturbed having a gun waved in his face, but I’m pretty sure that he would be this relaxed on any random Tuesday getting caught up in a robbery.

“Nobody's gonna hurt anybody. We're gonna be like three little Fonzies here. And what's Fonzie like? Come on Yolanda what's Fonzie like?”

He’s cool – just like everything about Pulp Fiction.

“The truth is you're the weak. And I'm the tyranny of evil men. But I'm tryin', Ringo. I'm tryin' real hard to be the shepherd.”

Again, I ask: why is it that we never got to see the continuing adventures of Jules Winnfield trying to reclaim his soul on a globetrotting journey? Selfish as it may sound, it feels like Tarantino robbed us of something special by never pursuing the idea.

Enjoy this trip through the awesomeness that is Pulp Fiction? Should you care to now rewatch the film, you can pick up a physical media copy from pretty much any retailer (it’s available on both 4K UHD and Blu-ray), and the movie is available to rent or purchase digitally from all major retailers. Provided that you don’t abhor commercial interruptions, you can also enjoy as one of the best titles currently available to watch for free on Pluto TV.

The 1990s were a great time for film, no doubt — just look at the 100 best movies of the '90s for proof — but it was also an unforgettable decade for fashion. Iconic ‘90s movie characters from Cher Horowitz to Mia Wallace to The Dude strutted into cinema history with their enviable wardrobes packed with cropped plaid cords, chic button-downs, cozy knit sweaters, and more, changing not only how people looked onscreen but how we all dressed in real life. From great ‘90s sci-fi movies like The Matrix and The Fifth Element to hilarious '90s comedies like But I'm A Cheerleader and B.A.P.S., these 32 fashionable flicks served up the decade's most iconic movie outfits.

Cher's Plaid Set From Clueless

Alicia Silverstone's Cher has been sparking closet envy ever since we saw her computer whip up the perfect outfit combination in the first scenes of Clueless. And her sunshine-yellow plaid suit, paired with a Collie-esque faux-fur backpack and her best accessory of all — equally stylish BFF Dionne Davenport (Stacey Dash), of course — is as instantly iconic as her trademark rebuttal of "As if!"

Tyler Durden's Leather Jacket From Fight Club

We won't spoil that mind-blowing plot twist — though the film has been out for decades at this point — but we will say that Brad Pitt's Tyler Durden sure packs a punch in the style department. Throughout the 1999 David Fincher flick, the Fight Club character routinely sports a uniform comprised of a wide-lapeled red leather jacket, a patterned button-down and a pair of scarlet-lensed sunglasses. It's a fit so cool, it's almost too good to be true.

The Metallic Dresses From Romy and Michele's High School Reunion

If you're going to make an impression at your high school reunion, coordinating metallic mini-dresses is certainly the way to do it. After shedding their Post-it-inventing businesswomen blazers, besties Romy (Mira Sorvino) and Michele (Lisa Kudrow) make their grand reentrance in ensembles entirely their own: a set of super-shiny, dance-friendly frocks in bubblegum pink and baby blue. Just think of the style moments a Romy and Michele sequel could bring!

Vivian's Crimson Opera Dress From Pretty Woman

There are many memorable fashion moments in the Julia Roberts classic Pretty Woman, from the $20 white-and-blue call girl outfit we first meet Vivian Ward in, to the pretty, polka-dotted number she later wears to polo. (Heck, the movie pretty much perfected the shopping montage!) But no look was as significant as the stunning red carpet-worth gown the character wears to attend a performance of La Traviata at the San Francisco Opera alongside Richard Gere's Edward Lewis.

The Desert Denim From Thelma & Louise

If you're going to be on the run from the law — in self-defense or otherwise — you might as well look great doing it. And road-tripping pals Thelma Dickinson (Geena Davis) and Louise Sawyer (Susan Sarandon) certainly do in the boundary-breaking Ridley Scott drama Thelma & Louise, which sees the two Arkansas women dash and dart away from police in dusty dungarees, sleeveless tops, ripped neckerchiefs and cowgirl hats. If being stylish was a crime, consider these two guilty.

Neo’s Trench Coat From The Matrix

From Casablanca to Kill Bill, the trench coat is a cinematic fashion staple, but nowhere has it looked cooler than when worn by Keanu Reeves as computer hacker Neo in the sci-fi masterpiece The Matrix. Per Dazed, the iconic black trench the character sports throughout the futuristic franchise was crafted by costume designer Kym Barrett with traditional Chinese robes and clergy garb in mind. Whatever the sartorial inspiration, the outcome was truly otherworldly.

Mia's Bob and Button-Down From Pulp Fiction

Proof that simple doesn't mean snooze-worthy where style is concerned, mob wife Mia Wallace (Uma Thurman, in her breakthrough role) twisted her way into cultural iconography with her blunt brunette bob, crisp white button-down and perpetually lit cigarette in Quentin Tarantino's best movie, Pulp Fiction. Costume designer Betsy Heimann reportedly modeled Mia's signature look after silent film stars and French New Wave figures.

The Cheer Squad Uniforms From Bring It On

The Rancho Carne Toros in San Diego and the East Compton Clovers in Los Angeles may have been rivals on the cheer mat, but they were equals where fashion is concerned. In their peppy, contrasting red and green uniforms, the cheerleading squads led by captains Torrance (Kirsten Dunst) and Isis (Gabrielle Union) looked surprisingly sophisticated while performing their high-flying routines. And the looks are still relevant these decades later — Union even sweetly broke out her old Clovers uniform as a fun movie-themed Halloween costume alongside her daughter.

The Orange and Blue Tuxes From Dumb and Dumber

Talk about not adhering to a black-tie dress code! Lloyd Christmas (Jim Carrey) and Harry Dunne (Jeff Daniels) made quite a bold fashion statement when they showed up to a formal fundraising event in a bright-orange and powder-blue tuxedo, respectively, in the classic Farrelly Brothers comedy Dumb and Dumber. They're simultaneously some of the best (in terms of funniness) and worst (in terms of fashion) suits ever put to celluloid.

The Goth Schoolgirl Garb From The Craft

The Power of Four, indeed. Each of the witchy teens at the center of the '90s cult hit The Craft — played by Robin Tunney, Fairuza Balk, Neve Campbell and Rachel True — was a style goddess in her own right. But together they made quite a mystical impression with their schoolgirl style edged up with a touch of the occult, from their gothic choker necklaces to their lace-up black boots. Our wardrobes invoke thee!

Catherine's White Turtleneck Dress From Basic Instinct

Funnily enough, Basic Instinct star Sharon Stone believed that nobody would care about what femme fatale Catherine Tramell was wearing during an otherwise straightforward interrogation scene. “The movie was a thriller and we were stopping the action to watch me sit still in a chair, so I thought the possibility of anybody giving two s—ts about it was zero," the actress revealed to InStyle. How wrong she was — that leggy white dress and cashmere Hermès throw helped create one of the most infamous and controversial scenes in movie history, thanks to yet another style choice: her lack of undergarments.

Janet Jackson's Hat and Hoops From Poetic Justice

On stage, on screen, on the street — Janet Jackson is a veritable style icon wherever she goes. And the music legend certainly lived up to that sartorial greatness in the 1993 romantic drama Poetic Justice as the Los Angeles-based poet-hairdresser Justice, memorably accessorized with hoop earrings and a pageboy cap to go with her still-en-vogue ensemble of baggy high-waisted jeans and a black crop top.

Leeloo's Orange Suspenders From The Fifth Element

As a famous model-turned-actress, Milla Jovovich could pull off any costume, even ridiculous outfits from movies set in the future. Her iconic role as Leeloo in the 1997 sci-fi favorite The Fifth Element is certainly proof: the character famously wears rubber neon-orange suspenders — as citrus-bright as her dyed hair — with a ribbed crop top and gold disco pants, all designed by the one and only Jean-Paul Gaultier.

The Dude’s Sweater From The Big Lebowski

The original Westerly men's cardigan by Pendleton Woolen Mills debuted all the way back in 1974, but it become immortalized when the lambswool sweater was worn by Jeff Lebowski. a.k.a. The Dude, in The Coen Brothers' classic The Big Lebowski. The garment became so popular thanks to the groovy Jeff Bridges character that the brand permanently brought the cardigan back in stock. Style abides!

Juliet’s Angel Wings From Romeo + Juliet

Baz Luhrmann's magnetic, modernized Romeo + Juliet adaptation was packed with flamboyant reimaginings of the Shakespearean classic, particularly in the costume department. The most famous example, no doubt, is the ballroom scene that brings together our titular star-crossed lovers (played by Leonardo DiCaprio and Claire Danes), with Danes' Juliet looking positively ethereal in a chaste white dress and angel's wings. Nineties-era DiCaprio dressed as a literal knight in shining armor isn't too shabby, either.

Ellie Sattler's Safari Styles From Jurassic Park

Few people could make digging through dinosaur poop look fashionable, and Laura Dern is one of them. For much of the 1993 Steven Spielberg-helmed action flick, Dern's beloved Jurassic Park heroine Dr. Ellie Sattler is durably decked out in a salmon-colored shirt tied in a knot over a blue tank, a pair of khaki shorts and some jungle-ready work boots. Dern paid homage to that very outfit when she reprised the iconic character three decades later in Jurassic World Dominion.

Kathryn's Power Suit From Cruel Intentions

Any other high schooler parading around uptown Manhattan in a power suit would look foolish, but not Cruel Intentions' Kathryn Merteuil. Formidably played by Sarah Michelle Gellar, the merciless mean girl made being bad look good in a sleek Dolce & Gabbana suit, with a custom skintight corset hidden underneath and a rosary necklace filled with, well, not holy water. The only thing sharper than that tailoring? Kathryn's manipulative edge.

Josie's First Day-Of-School Feathers From Never Been Kissed

If you're a 20-something newspaper reporter trying to go undercover as a high school student to research for a story, maybe wearing a feather boa to homeroom isn't the best move. Sure, Josie Geller's all-white get-up — worn in one of the best Drew Barrymore romantic comedies, Never Been Kissed — was nonsensical, especially paired with a giant lemon-printed tot in place of a traditional backpack, but overall, it was definitely rufus!

Wooderson's White Tee and 'Stache From Dazed & Confused

Few film breakthroughs have been as indelible as Matthew McConaughey in the Richard Linklater-directed coming-of-age comedy Dazed and Confused. One of McConaughey's best roles, his Texan townie David Wooderson wasn't just iconic because of his one-liners (including that infamous "Alright, alright, alright" drawl) but also because of his authentic '70s digs: a tight Ted Nugent T-shirt tucked into salmon-pink pants, capped off with a groovy mustache and that easy McConaughey smile.

Nisi and Mickey's Super-Shiny Coats From B.A.P.S.

Nisi (Halle Berry) and Mickey (the late Natalie Desselle) — a.k.a. the "Black American Princesses" at the focus of the cultish 1997 buddy comedy B.A.P.S. —know that a good outfit means serving looks from head to toe. Put together by Oscar-winning costume director Ruth E. Carter, those incredible sky-high hairdos are matched with heavily lacquered outerwear in tropical tangerine and animal print, plus heaps of gold jewelry and a fresh set of acrylic nails.

Corey's Rex Manning Day Outfit From Empire Records

The '90s cult favorite Empire Records takes place over the course of one day in the lives of a plucky group of record store employees. But it's no ordinary day: it's Rex Manning Day when the childhood crush of staffer Corey Mason (played by Liv Tyler) — washed-up pop star Rex Manning (Maxwell Caulfield) — comes in for an album-signing event. Of course, that means Corey wants to look her best and she sure does, in a soft blue mohair sweater, plaid skirt and combat boots that, per Elle, were the actress's own.

The Pink Camp Uniforms From But I'm a Cheerleader

One of the best and most satirical teen rom-coms out there, But I'm a Cheerleader stars Natasha Lyonne as Megan Bloomfield, a high school cheerleader whose parents send her to a conversion therapy camp to "cure" her lesbianism. All attendees of True Directions are made to wear campy color-coded uniforms — pale pink for the girls, bright blue for the boys — a hilariously subversive sendup of absurd gender stereotypes. That candy-colored clothing is made sweeter when Megan falls for another queer girl (played by Clea DuVall) in the program.

Tupac's Layered Outerwear From Juice

The 1992 crime thriller Juice was the feature film debut of rap icon Tupac Shakur, and the rapper made a great big-screen first impression. As Roland Bishop, an aimless Harlem youth walking the chilly, dangerous streets of early-nineties New York City with his friends, Tupac wears a top-notch outerwear uniform — we're talking sporty crewnecks layered over hoodies and topped with an oversized jean jacket. It may be cold, but Pac always looks cool.

Michelle Pfeiffer's Catwoman Suit From Batman Returns

Superheroes usually have pretty cool costumes, tricked out with gadgets and gizmos, but for Michelle Pfeiffer, all her Catwoman needed was a skintight latex suit and a simple whip to create a seminal cinematic villain. Beyond being "black and sexy and tight and shiny," costume designer Mary Vogt revealed to AnOther, the infamous suit shrewdly incorporated silicon stitching to mimic a calico cat. "Since she was moving around at night, it looked really fluid. That costume is all about the light – and of course, all about Michelle.”

Selena's Purple Performing Jumpsuit From Selena

Jennifer Lopez is a fashion legend in her own right — her famous green Grammy dress literally inspired the invention of Google Images — but in 1997, she had her Golden Globe-nominated breakthrough for portraying another style icon, the late Tejano superstar Selena Quintanilla-Pérez, in the music biopic Selena. The titular star had many notable performing outfits throughout her short-lived career, many of which were recreated for the film, but the glittering purple jumpsuit Selena wore while performing at the Houston Astrodome might just be her most unforgettable look.

The Spice Force Five Looks From Spice World

World-famous pop group, The Spice Girls are known for their individual personas and signature styles, from Victoria Beckham's "posh" little black dresses to Geri Halliwell's Union Jack frocks. But in their 1997 musical comedy film Spice World, the gals come together for a true joint slay as the "Spice Force Five," hamming it up as seriously stylish espionage agents in matching silver fits and, of course, massive platform shoes.

Laney's Little Red Dress From She's All That

Some outfits deserve their own slow-mo moment, and the post-makeover red dress that artsy nerd Laney Boggs (played by Rachael Leigh Cook) wears in the classic '90s teen flick She's All That is certainly one of them. "Up until that point her palette was very drab," costume designer Denise Wingate told Interview Magazine. "That’s why when she comes down the stairs to meet Zach that moment was more about the color than the dress itself." (Cue the "Kiss Me"!) Not that we don't love her paint-splattered overalls and bookish eyeglasses, too!

The Beach Hats From How Stella Got Her Groove Back

Angela Bassett always looks incredible, but especially while on vacation — the tropical costuming in one of the actress's best movies, How Stella Got Her Groove Back, certainly proves that point. The island-ready looks worn by Bassett's character Stella Payne and her best friend Delilah (Whoopi Goldberg), complete with fabulous, wide-brimmed beach hats, will make you want to book a trip ASAP.

Madeline's Silver Ensemble From Death Becomes Her

When Hollywood icons like Meryl Streep, Goldie Hawn and Isabella Rossellini come together, you know the fashion moments will be aplenty. The '90s dark comedy Death Becomes Her is packed with them, like the silky silver jacket that Meryl's Madeline Ashton character wears while she blasts a hole straight through the stomach of her former friend Helen Sharp (Hawn). The outfit was so iconic that Adele herself wore it while crooning to Streep at one of her Vegas shows.

Rose's Dinner Dress From Titanic

It's no surprise that, out of its whopping 11 wins, Titanic took home the Oscar for Best Costume Design at the 70th Academy Awards. The ornate lace gown that Rose DeWitt Bukater (Kate Winslet) wears in that romantic scene as she glides down the grand staircase to meet Jack Dawson (Leonardo DiCaprio) alone was worth the award!

The Wonders' Matching Suits From That Thing You Do!

"You guys look great in red, have I told you that?" It's the go-to compliment from The Wonders' band manager Mr. White (played by Tom Hanks, who also wrote and directed the movie) in the 1996 musical comedy That Thing You Do! And honestly, he's right: the matching suits he makes bandmates Jimmy (Johnathon Schaech), Lenny (Steve Zahn), Guy (Tom Everett Scott) and the bass player (Ethan Embry) wear on tour do look great, especially when finished off with some cool sunnies for "Shades" to wear.

Dickie's Italian Wardrobe From The Talented Mr. Ripley

It would be near-impossible to make film heartthrob Jude Law ever look bad, but the classic Riviera-chic stylings that the actor wears as Dickie Greenleaf in The Talented Mr. Ripley —think striped polo, breezy white trousers, boat-ready loafers and stretches of tanned skin — arguably might be the best he's ever looked onscreen.

Even the best movies have scenes in them that completely take you out movie and ruin at least a small of it for the viewer. Films like Saving Private Ryan, The Departed, and even The Godfather all have scenes that almost completely ruin them. Well, that might be a little harsh, they are all still stone-cold classics, but they all have questionable moments that make you wonder how they remained in the movie.

The Baby In American Sniper

American Sniper is a tension-filled masterpiece with a fantastic performance by Bradley Cooper as Navy SEAL Chris Kyle. The movie works on almost every level and yet there is that one scene, when Kyle is holding his newborn baby and it is clear to anyone watching that the baby is a prop. It's hard to believe the makers of the movie let that scene go like they did.

The Rat In The Departed

As if the lesson in The Departed wasn't clear enough, Martin Scorsese hits viewers across the face with a frying pan when the CGI rat walks across the balcony railing in the last shot of the movie. Why a genius like Scorsese felt the need to drive the point home in such a hacky way, we'll never understand.

The Bad Audio Sync In The Big Lebowski

Fans of The Big Lebowski know what we're talking about here. After Walter (John Goodman) fails to get Larry Sellers to crack, he decides to take to the streets and destroy what he thinks is Larry's new car. It's not Larry's, it's the neighbor's car and when the neighbor comes out, there is a really bad audio sync, and all of a sudden it feels like a bad Hong Kong action movie from the '70s. It may be the only flaw in an almost perfect movie.

Superman Turning Back Time In Superman

The Christopher Reeve Superman is still beloved to this day, and with good reason. It's among the best superhero movies ever made and it always will be. But let's be honest about the ending. The scene after Lois dies in her car and Superman is forced to fly around the world and actually turn back time is... awful. It's just so dumb and there are a million better ways that could have been handled.

The Laptop In Skyfall

Skyfall is a great Craig-era James Bond movie. There is no way around the fatal flaw that Q (Ben Whishaw) makes when he plugs a laptop recovered by Bond into MI-5's computer system. Of course, it's a booby-trapped computer that takes down the whole system. Who trained Q? his technology-challenged uncle? Come on, no one in his position would make that kind of mistake, It may sound pedantic, but it's just not reasonable.

Questionable Fight Blocking In The Godfather

Even a masterpiece like The Godfather has a moment that completely takes viewers out of the moment. When Sonny (James Caan) goes to confront Carlo, it's one of the most intense moments of the movie. Unfortunately, the fight blocking is, frankly, terrible and it looks really bad. Even the best can have flaws.

The Off-Color Joke At The End Of Kingsman: The Secret Service

Kingsman: The Secret Service is a really fun movie with some completely ridiculous moments that somehow work, like Samuel L. Jackson eating McDonalds. One insanely stupid moment that doesn't work is the off-color joke at the end of the movie by the damsel in distress. It just doesn't work at all.

Greedo Shooting First In The Re-Edited Star Wars

There are a lot of reasons to complain about George Lucas tinkering with perfection when he re-edited Star Wars in the '90s. Most of it is stuff people can live with, but reworking the scene in the cantina to make Greedo shot at Han Solo first really changes too much about the character and the movie. It should have never been done.

Tell Me I'm A Good Man In Saving Private Ryan

Saving Private Ryan is among the best war movies ever made. It doesn't need that final scene of Ryan asking his wife to "tell him he's been a good man." Even if director Steven Spielberg felt that the final scene at the cemetery in Normandy was needed, the shot of the elder Ryan walking with his family is all that the audience would need to understand who he was. The cheesy line just ruins it.

Mom's Named Martha In Batman Vs. Superman: Dawn Of Justice

People can argue all day long if Batman Vs. Superman: Dawn Of Justice is a good movie. It's certainly a lot better than many critics believe. But there is still that incredibly stupid and silly moment when the two titular superheroes almost bond over the shared name of their mothers. Cheesy!

Darth Vadar's "NOOOOO" In Star Wars: Episode III — Revenge of the Sith

Whether you love the Star Wars prequels or not, most people agree that Star Wars: Episode III — Revenge of the Sith is the best of the three. That's even taking into account the oh-so-silly "NOOOOOO" when the newly formed Vader realized his love was gone. You know the others are rough movies when this is including in the best one.

Deadpool In X-Men Origins: Wolverine

X-Men Origins: Wolverine is a movie that some love and some despise. It can really go either way. But what can't be disputed is how terrible Deadpool is in it. Enough said. Even Deadpool though Deadpool was terrible as we learn in the post-credits scene of Deadpool 2.

The CGI Of Old Characters In Rogue One: A Star Wars Story

Rogue One: A Star Wars Story is arguably the best Star Wars movie since Return of the Jedi. It takes a classic bit of Star Wars lore and makes it real. What isn't real, and almost takes the audience completely out of the movie is the CGI versions of Princess Leia and Grand Moff Tarkin. It's so disconcerting it can't help but distract from what is otherwise a really great movie.

Flying Through Space In The Martian

For a movie that spends so much time and effort on the scientific details of surviving on Mars, The Martian completely throws it all out of the window at the end with the flying through space bit at the end as Matt Damon's character attempts to reconnect with his crew. It's such a shame such a fantastic movie ends with such a silly scene.

John Michael Higgins' Questionable Accent In Licorice Pizza

It's hard to say if John Michael Higgins' questionable Japanese accent when he is mocking his wife is supposed to play for laughs or what in Licorice Pizza, but the scene really doesn't work no matter what the intention was. It is a rare example of a scene in a Paul Thomas Anderson movie that should have been left on the cutting room floor.

Singing Elton John In Almost Famous

There is just something about a '70s rock band that is sort of loosely based on Led Zeppelin bonding over an Elton John song. It just seems so unlikely that Led Zeppelin or a band of their ilk would ever do something like that. It's so out of place in an otherwise fantastic movie.

Midi-chlorians - The Entire Star Wars Franchise

Midi-chlorians. There is probably no Star Wars fan on Earth who understands why the decision was made to make up these stupid things. They are so unpopular with the fanbase that they have essentially been reconned out of the whole universe and we're all grateful for it.

The Makeover In The Breakfast Club

Like a lot of comedies from the 1980s, The Breakfast Club has some problematic moments. Though not as extreme as a movie like Revenge of the Nerds and its very problematic content, the scene that sticks out like a sore thumb is when Claire (Molly Ringwald) does a makeover on Allison (Ally Sheedy) and she gets the attention of Andrew (Emilio Estevez) because all of a sudden she's pretty. Yikes.

The Plane Chase In Argo

Argo is a fantastic movie based on an even more fantastic true story. One thing that isn't true to the real-life escape portrayed in the film is the chase by the Iranian police of the plane on the runway as the embassy workers escape to freedom. It's a totally unnecessary addition to "Hollywood up" the ending. Just tell the remarkable story! It doesn't need more action!

Miranda Tate's Death In The Dark Knight Rises

Miranda Tate's death in The Dark Knight Rises has been derided by many as not worthy of the character. And that is totally true. It's just so...anti-climatic. She just... dies.

Every Scene With Mickey Rooney In Breakfast At Tiffany's

Breakfast At Tiffany's is one of the best rom-coms of all time. Still, modern audiences cannot get through the movie without wincing every time Mickey Rooney's incredibly racist portrayal of an Asian man is on the screen. Even in 1961 this should have been called out and left out of the movie. It's not just a bad accent, it's a very offensive one,

Surfing The Tidal Wave In Die Another Day

There are a lot of ridiculous moments in the James Bond franchise. Most of them are excusable, especially from the Roger Moore-era movies. The one scene that really isn't is when the Pierce Brosnan version of Bond para-surfs on a giant tidal wave. The CGI alone is offensive, even if we can suspend reality long enough for the ride.

The Hookup In Big

The Tom Hanks' classic Big plays out like a weird rom-com at times. It's unsettling at the least when you think about the real age difference between the characters. That's all we really need to say here.

Quentin's Cameo In Pulp Fiction

Quentin Tarantino is one of the best filmmakers of his generation and Pulp Fiction is his masterpiece. Still, the scene that he is in, when he repeatedly uses a racial slur as he sips coffee is extremely obnoxious and completely unneeded. The bit about his wife and the coffee is fantastic, but everything after that should have just been cut.

Regina George's Death In Mean Girls

Why does Regina George need to die at the end of Mean Girls? It's such a weird exclamation point at the end of the movie that feels very unnecessary. She's been disgraced and disregarded, with good reason, does she really deserve to die? It really takes away from one of the best movies 2000s.

The God Of War In Wonder Woman

There is no question that the DCEU had a lot of problems really coming together and a great example of everything that was wrong with the now-rebooted franchise is adding scenes like Wonder Woman's battle with the God Of War at the end of the first Wonder Woman movie. It's just not needed. The movie could have ended before it and been an almost perfect superhero movie, instead, it just goes one step too far and almost gets ruined because of it.

The Rocket Launcher In Falling Down

Micheal Douglas' performance in Falling Down is amazing. The movie, for the most part, is fantastic. Sadly, what starts out as a very grounded yet terrifying look into one man's breakdown reaches the point of absurdity when he suddenly decides he needs to use a rocket launcher to get his point across. From a realistic movie to a cartoon in moments.

The Pictures At The End Of Crazy, Stupid, Love

Crazy, Stupid, Love goes from super fun to disturbing in the very last moments of the movie when Jessica, played by Lio Tipton gives Cal racy photos of herself. She is Cal's babysitter! Who thought that was a good way to end the movie?

The Explanation At The End Of Unbreakable

There are times when people are blown away by writer and director M. Night Shyamalan and there are other times he leaves everyone shaking their heads. The explanation of how everything worked in Unbreakable is the latter. We got, man, you don't need to bang us on the end with what it all means.

9/11 In Remember Me

One of the weirdest endings to a movie has to be the final scene of Remember Me. Everything romantic that has happened in the movie is rendered moot when it is revealed that Tyler (Robert Pattison) dies in the World Trade Center attack on 9/11. What? Why would anyone think that added anything to the story? So weird.

Nuking The Fridge In Indiana Jones And The Kingdom Of The Crystal Skull

Okay fair enough, we can hear you saying Indiana Jones And The Kingdom Of The Crystal Skull isn't a good movie. And you're right, it's not. But we just had to include the famous "Nuke the Fridge" scene because it makes a bad movie even worse and other than the weird choice of an ending involving aliens the "Nuke the Fridge" moment came when the movie still held promise.

Explaining Love In Interstellar

Interstellar is an awesome that asks at least as many questions as it answers. Why then did director and writer Christopher Nolan include such a hacky scene explaining the meaning of love? The world may never know.

Samuel L. Jackson has enjoyed one of the most remarkable careers in Hollywood history. You can’t even begin to construct a list of the best Sam Jackson movie moments without touching on some of the biggest franchises ever. Jackson was in Steven Spielberg’s original Jurassic Park. He played Nick Fury in the Marvel Cinematic Universe, and was a Jedi master in Star Wars. For real, any list of the 10 best Samuel L. Jackson movies is going to be leaving off multiple stone-cold masterpieces. So when Sam speaks up about the different impacts Die Hard with a Vengeance had on his career versus Pulp Fiction, you have to listen and accept what he says.

The reason this conversation even comes up is because Sam Jackson appeared in both of these movies with Bruce Willis, and released them around the same time: Pulp Fiction in 1994, and the third Die Hard movie, Die Hard with a Vengeance, in 1995. Speaking with Masterclass, Jackson shared stories of Willis – a Die Hard veteran – explaining to the Coming to America co-star that involvement in With a Vengeance was going to change his life. Here, listen to Sam tell it:

Maybe too much time has passed, and people have forgotten what a massive success the Die Hard franchise was, particularly through the first three movies. I wrote a book about Bruce Willis that tries to capture the impact of that series on his career, and the industry, but the way that Samuel L. Jackson sums it up really hammers the point home. Pulp Fiction was a major movie for Jackson. It earned him an Oscar nomination, and turned his monologue structured around Ezekiel 25:17 into a pop-culture lightning strike that none of us were going to forget.

Because as impactful as that movie was, its effects were dwarfed by Die Hard with a Vengeance. As Jackson explained, crowds embraced his cantankerous character, Zeus. They’d shout Die Hard quotes back to him when they saw him in the streets. And, more importantly, the film industry suddenly recognized Jackson as someone who could carry a blockbuster. As he recalled:

After appearing in Die Hard with a Vengeance, Samuel L. Jackson started ramping up his film credits. He continued doing prestige pictures like Eve’s Bayou. He collaborated with Quentin Tarantino on Jackie Brown. But you’d also find him in bigger-ticket items such as The Long Kiss Goodnight, Sphere, The Negotiator and, in 1999, Star Wars: Episode 1 - The Phantom Menace. It makes me wonder if Zeus walked so that Mace Windu could run?

It makes me sad that we won’t get another Bruce Willis and Samuel L. Jackson collaboration, as the former retired in 2022 due to an aphasia diagnosis. But we’ll always have Pulp Fiction, Die Hard with a Vengeance, and a string of excellent M. Night Shyamalan movies including Unbreakable and Glass to remind us of their combustible chemistry together.

Since the 1980s Samuel L. Jackson has been providing some of the most memorable moments on screen. With hundreds of credits to his name, he is one of the most recognizable actors of all time. This list is dedicated to some of his best moments in some of his most famous movies. For the sake of the children, we've left off some of his more memorable moments using the colorful language he is good at. But no matter, these moments are all fantastic as well!

Jurassic Park

As the computer tech in Jurassic Park, way too much falls on Samuel L. Jackson's shoulders to save the park and possibly the world. Still, the chain-smoking character does all he can. That includes rebooting the whole system, which means everyone needs to "hold on your butts."

Django Unchained

Jackson's character in Django Unchained is, well, unhinged. The scene where he has Django strung up and explains what kind of slave he intends to make of Django is one of the most insane scenes in a movie full of craziness. It's scary... and fantastic.

Avengers: Infinity War

Throughout the history of the Marvel Cinematic Universe, Jackson's character Nick Fury has provided many amazing moments. One of the best is at the end of Avengers: Infinity War after Thanos snaps his fingers. Just as Fury is turning to dust along with half of the universe, he starts to utter the words that have made Samuel L. Jackson famous that involve a mother... only he disappears before he can get the words out.

Coming To America

Well, there isn't much you can quote from his short scene as a potential stick-up man in Coming To America and still keep this list rated PG, so we'll just have to hope that you know exactly what we're talking about here. If you know, you know. And if you don't, we might be forced to thrash you.

A Time to Kill

In a career filled with intense scenes, the one when Jackson's character is on the witness stand during his murder trial in A Time To Kill may be the most intense. When he can't help but burst out why he felt he had to murder the men accused of assaulting his daughter and where he hopes they are burning is just an incredible bit of acting.

Die Hard With A Vengeance

There are a lot of cool scenes in Die Hard With A Vengeance but one that shows exactly what kind of person Jackson's character is when he must answer a phone from the puppet master while facing down a cop who doesn't know what is going on. He HAS TO ANSWER THAT PHONE.

Thor

The post-credit scene in the first Thor movie is great. It's classic Nick Fury, one step ahead of every. Well, everyone but Loki. Still, his cool, calm, and collected demeanor is on full display here.

Star Wars: Revenge of the Sith

Throughout the prequel Star Wars movies, Mace Windu could have been a lot cooler. It's just one of the many things to criticize about those films. One thing you can criticize is how cool his death is and how close he came to changing the entire future when he takes on Palpatine in Star Wars: Revenge of the Sith. Had he not been betrayed by Anikin at the moment, there might not have been a need for the rebels, as the Empire would have been dead on arrival. So close, yet so far.

Shaft

Shaft isn't Samuel L. Jackson's best movie, but there are still only a handful of actors who could have ever pulled the role of the private...detective... that won't cop out when there is danger about. He's awesome in the role and while there are plenty of pretty great action scenes, it's the moments like the one in the coffee shop when he confronts the gang members and shows zero intimidation. It sums up all that is John Shaft.

Pulp Fiction

There really isn't a question here - not only is the Ezekiel 25:17 speech his coolest moment in Pulp Fiction, but it's one of the coolest moments in any movie, ever. He's got some other amazing moments in the movie, like his negotiation with the two robbers in the diner at the end, but come on, nothing touches that opening scene in the movie.

Captain America: Winter Soldier

Nick Fury is mostly the guy behind the guys in the MCU. He's the guy motivating and planning for the superheroes and rarely a superhero himself. That isn't the case in Captain America: Winter Soldier when he is attacked in his truck and audiences get to see why he is who he is and why he is trusted to run the whole shebang.

Kingsman: The Secret Service

In Kingsman: The Secret Service, Samuel L. Jackson plays a most unconventional villain. The weirdest moment of the movie has to be when he orders all the McDonalds to eat. It's weird, and yet somehow works in a hilarious way, only adding to his unconventional take on the role. Odd? yes? Memorable? Without question.

Snakes On A Plane

It's clear what scene we're talking about here. It's that scene where he's just had enough. He's sick of all the uh...annoying snakes on the... uh, plane. Snakes on a Plane shouldn't have been the hit that it was and that line, and his delivery of that line, is 100% made it a hit. Truly memorable.

The Great White Hype

Some people don't appreciate The Great White Hype. Many haven't even heard of it, but it's one of the more underrated comedies of the '90s and in it Jackson plays a boxing promoter loosely based on Don King. His negotiation with the #1 contender for a title shot is one of the funniest scenes in the movie, with Jamie Foxx matching Jackson line for line, but Jackson's character coming out on top, of course.

Menace II Society

The poker game in Menace II Society is scary. Though Samuel L. Jackson only has a supporting role as the gangster father of Caine, everything a viewer needs to know about him is shown in that one scene when he gets angry at another player for owing him money and shoots him dead right there at the table. In front of his young son.

Do The Right Thing

Samuel L. Jackson is the epitome of cool in Do The Right Thing as the DJ of the local station. The opening monologue sets up the movie beautifully and it's a voice you can listen to all day, just like the characters in the movie do.

Spider-Man: Far From Home

Nick Fury is not only known for being tough as nails, he also provides a lot of comic relief in the MCU. Take, for example, his exchange with Peter Parker in Spider-Man: Far From Home. Fury can't believe he's ended up in Parker's bedroom arguing with a teenager. We feel you, Nick.

The Banker

The best scene in The Banker isn't the golf course scene, but getting to see Samuel L. Jackson in 1960s golfing attire makes it the most memorable. It's just so great you want to spend the whole movie there, watching him in that getup.

Argylle

2024's Argylle was met with mostly mixed reviews and while some loved it, others found it just too meta and annoying. Like his role in another Matthew Vaughn film, Kingsman: The Secret Service, Jackson is really only seen a few times on screen and each time is memorable, like when has his eyes scratched out in what has to be a nod to the MCU, right?

Iron Man

At the time, no one could have known just how big the MCU would become, but Nick Fury seemed to know all along when, in the post-credit scene in Iron Man, Fury shows up at Tony Starks home and proposes the "Avenger Initiative." It's among the most memorable scenes in the whole franchise and we didn't even know it at the time.

The Hateful Eight

Director Quentin Tarantino clearly loves writing characters for Samuel L. Jackson as every time he's in one of Tarantino's movies, it leaves a lingering impression. Like the scene in The Hateful Eight when Jackson's character tells Bruce Dern's character that he knew the day Dern's character's son died, it was the day he met him. It's a line you'll never forget.

xXx

xXx is a way better movie than a lot of critics give it credit for. Sure it's completely ridiculous and "over-the-top" doesn't even begin to describe how off-the-wall it is. But it's got some amazing action sequences, like the one in the diner when Jackson's character recruits the titular "XXX" played by Vin Diesel.

The Avengers

Nick Fury has a lot of inspiring moments in the MCU and at the top of the list of his best is the speech he gives to the assembled Avengers after Phil Coulson is killed. There is no doubt you want to run through a wall for both Nick and Phil after that speech in The Avengers.

Patriot Games

Sometimes people forget that Samuel L. Jackson is even in Patriot Games, despite being in a scene that everyone remembers. After Jack Ryan returns to teaching after thwarting the attack on the Royals in London, he is presented the "Order of the Purple Target" by his fellow teachers at the Naval Academy, namely one played by Jackson.

Jackie Brown

Samuel L. Jackson's character in Jackie Brown has a wild look and an even crazier disposition. That attitude comes through most clearly in the scene Jackson shares with Chris Tucker where he convinces Tucker's character to get into the trunk of his car so he can murder him. Talk about unforgettable...

Captain Marvel

At the end of Captain Marvel, after we all learn how Nick Fury lost his eye, we learn something else - how he named The Avengers Initiative. It turns out, it comes from Carol Danvers' call sign etched on the side of her plane that he has a photo of. It's a pinnacle moment in the series, and we learn about how important Captain Marvel was from the very beginning.

Hard Eight

Samuel L. Jackson really makes the most out of a somewhat small, but very pivotal role in Paul Thomas Anderson's debut film Hard Eight. Though his character meets an unceremonious end, it's not until after he has an amazing scene with Sydney (Philip Baker Hall) after confronting him about some old business.

Black Snake Moan

Jackson's role in Black Snake Moan is... hard to take. The whole movie is pretty hard to watch and even if you understand his character's motivations, his actions don't really justify the means to the end. Still, that scene in the beginning when his character is rocking out on stage is at once very cool, but also a little bit scary as Jackson really shows the audience both sides of the character.

Sphere

Sphere really could have been a great movie. The film was adapted from the Michael Crichton novel of the same name, but it all felt a bit rushed like it was produced and filmed too quickly to cash in on the hype of Jurassic Park. Still, it has some cool scenes like when Jackson's character confronts the realization that they all may die down in the deep.

Long Kiss Goodnight

Long Kiss Goodnight is a decent action flick with some great comedic moments between the two co-stars, Geena Davis and Samuel L. Jackson. Jackson plays a detective hired by Davis' character to find out about her past, which she doesn't remember prior to being found washed ashore eight years early. It turns out that Davis' character is a former CIA assassin and like Jason Bourne has retained her training, if not her memory. In one scene she scolds Jackson to "take lessons" on fighting someone and he responds that he "took lessons!"

Rules of Engagement

There is something about Samuel L. Jackson on the stand in a court of law that really brings the best out of the actor. Just like in A Time To Kill, he's at his best in Rules of Engagement when he is being interrogated and it's a completely unforgettable scene, admitting he did what he was accused of doing but having good reason for it.

True Romance

Even if a movie is only written by Quentin Tarantino but not directed by him, like True Romance, it's like the words were only supposed to be delivered by Samuel L. Jackson. Jackson really only has one line in the movie and each word is dirtier than the last as he explains what he likes to do with the women he hooks up with. It's one of the most iconic moments in the movie, even if it's only a minute or so long.

Quentin Tarantino has garnered a reputation for a lot of standout elements in his work. Foul language and violence are always part of the equation, as are eclectic soundtracks and sharp, pop culture-centric dialogue. He’s also amazing at inventing characters – and not just lead protagonists and key supporting players, but characters who only appear in a limited number of scenes and/or find a home in the background. It’s to celebrate those particular and special creations that we have put together this feature.

From Reservoir Dogs to Once Upon A Time In Hollywood, who are the best Quentin Tarantino side characters? We’ve highlighted 32 of them for you below.

Lawrence Tierney As Joe Cabot In Reservoir Dogs

There’s a scene in Reservoir Dogs where Tim Roth’s Freddy Newandyke describes Lawrence Tierney’s Joe Cabot a la The Thing from The Fantastic Four, and it’s perfectly apt. Though Cabot only appears in a trio of scenes (the beginning, the end, and a mid-movie flashback), his projected energy is so imposing, massive and memorable that he might as well be made out of orange rock.

Steven Wright As K-Billy DJ In Reservoir Dogs

Quentin Tarantino helped change movie soundtracks forever with his jukebox approach to music in Reservoir Dogs, and the cherry on top is Steven Wright’s voice-only performance as the unnamed DJ for K-Billy’s Super Sounds Of The ‘70s. His unmistakable monotone is a strange flavor introducing tracks like “Little Green Bag” and “Stuck In The Middle With You,” but the casting choice is perfection.

Harvey Keitel As Winston Wolfe In Pulp Fiction

“That's thirty minutes away. I'll be there in ten.” In a crisis, you always want to be working with a person who knows how to both move fast and keep their cool, and that’s Pulp Fiction’s Winston Wolfe in a nutshell. The practically magical fixer character makes clean business out of dirty work, and his swagger is captivating.

Christopher Walken As Captain Koons In Pulp Fiction

Considering how incredible Christopher Walken’s career has been, it’s actually a bit wild that one of his greatest performances is what could practically be called a cameo in Pulp Fiction where he spends a single scene talking directly to the camera. Captain Koons’ commitment to delivering the Coolidge family watch showcases him instantly as an honorable man, but the way in which he tells young Butch the story of the timepiece makes him unforgettable.

Frank Whaley As Brett In Pulp Fiction

What were Brett and his friends planning on doing with the contents of Marcellus Wallace’s mysterious briefcase? We have no idea, but that ambition is a great layer of the character to chew on while also appreciating the guy’s futile attempt to stay cool while being interrogated by Samuel L. Jackson’s Jules Winnfield.

Eric Stoltz As Lance As Brett In Pulp Fiction

Eric Stoltz’s Lance may be a total skeeze, but he proves to be a perfect character to have in the mix when Uma Thurman’s Mia Wallace is experiencing a drug overdose. He’s the perfect blend of knowledgeable and incompetent to keep things interesting in the big panic sequence with John Travolta’s Vincent Vega.

Dennis Hopper As Clifford Worley In True Romance

In most movies, there is epic conflict when a cop discovers that his son has committed a crime, but I love that Dennis Hopper’s Clifford Worley in True Romance breaks from that trope and simply opts to help his boy (Christian Slater’s Clarence) and his new blushing bride (Patricia Arquette’s Alabama).

Brad Pitt As Floyd In True Romance

The fact that Dick Ritchie’s stoner roommate is played by future A-lister Brad Pitt in True Romance is fun to recognize, but Floyd is independently a great side character: so totally zonked that he doesn’t know he is putting his friend’s lives in danger.

Christopher Walken As Vincenzo Coccotti In True Romance

Dennis Hopper’s Clifford Worley is tough as nails and really loves his son, and that warmth is perfectly contrasted with the coldness of Christopher Walken’s Vincenzo Coccotti, who comes into True Romance for a single scene and raises the stakes of the movie through the roof with his icy demeanor and threatening presence.

Val Kilmer As Elvis In True Romance

It’s pretty wild that True Romance cast Val Kilmer to play a completely off-screen, imagined version of Elvis Presley, but it’s one of the bits of brilliance in the film, as it’s the King’s words that ultimately motivate Clarence toward the life of which he dreams.

Gary Oldman As Drexl Spivey In True Romance

In the context of the story in True Romance, Drexl Spivey is a terrible person and a bona fide stain on society, but boy, does he make an immortal impression during his limited scenes. It’s Gary Oldman at his character actor best.

Chris Tucker As Beaumont Livingston In Jackie Brown

Samuel L. Jackson’s Ordell Robbie in Jackie Brown is a wannabe kingpin who is unwilling to have anybody mess up his ambitions by talking to the police… and Chris Tucker’s Beaumont Livingston makes for a phenomenal conflict character in this respect. His motormouth clearly demonstrates him as a threat – and fortunately for Ordell, he can’t recognize the danger that the antagonist represents.

Tommy "Tiny" Lister Jr. As Winston In Jackie Brown

Tommy "Tiny" Lister Jr.’s Winston is principally a presence in Jackie Brown, but damn, what a presence. He is the hulking partner of Robert Forster’s Max Cherry and adds muscle to the bail bondsman operation.

Sonny Chiba As Hattori Hanzō In Kill Bill Vol. 1

Kill Bill Vol. 1 features two sides of Sonny Chiba’s Hattori Hanzō during his brief role, and they are both amazing. One side is the restaurateur who has reached his limit with his disrespectful employee (Kenji Ohba), and the other is the exceptionally gifted swordsmith who elegantly crafts the weapon that The Bride employs in her roaring rampage of revenge.

Chiaki Kuriyama As Gogo Yubari In Kill Bill Vol. 1

Chiaki Kuriyama’s Gogo Yubari is a shocking and awesome study in contrast: her youth and schoolgirl uniform suggest innocence, but she is quite possibly the most craven character in all of Kill Bill and makes terrifying use of a custom flail.

Michael Parks As Ranger Earl Mcgraw In Kill Bill Vol. 1

Not only does Ranger Earl Mcgraw have a special veteran lawman swagger that makes him pop in the opening scene of Kill Bill Vol. 1, but the Michael Parks character also happens to be key connective tissue in the larger canon universe created by Quentin Tarantino – also appearing in the Tarantino-scripted From Dusk Til Dawn and both titles in the double-feature Grindhouse.

Daryl Hannah As Elle Driver In Kill Bill Vol. 1

Daryl Hannah’s Elle Driver graduates to a full-on supporting character in Kill Bill Vol. 2, but she is kept as a colorful side character in Kill Bill Vol. 1, and she is instantly cemented as one of Quentin Tarantino’s greatest stylistic touches. The eyepatch is a killer look by itself, but her nurse disguise is top-notch, and her proper introduction to the film via a Brian De Palma-esque split-screen sequence is unforgettable.

Gordon Liu As Pai Mei In Kill Bill Vol. 2

Quentin Tarantino properly unleashes Gordon Liu as the dangerous Johnny Mo in the bloody House of Blue Leaves sequence in Kill Bill Vol. 1, but it’s in Kill Bill Vol. 2 that the actor gets to truly shine playing Pai Mei: the whispy-haired, exceptionally strict kung fu master who teaches Um Thurman’s Beatrix Kiddo all of her most deadly skills.

Michael Parks As Esteban Vihaio In Kill Bill Vol. 2

Kill Bill Vol. 2 is a film with a much different, slower energy than its predecessor, but it’s because of characters like Michael Parks’ Esteban Vihaio that it works, as his scene provides unexpected depth for the world Tarantino has created and a terrific backstory for the movie’s titular antagonist (David Carradine).

Mary Elizabeth Winstead As Lee Montgomery In Death Proof

Is Mary Elizabeth Winstead’s Lee Montgomery meant to be pitied or seen as spared? She has a great introduction into Death Proof as a bit of a ditz (good for a few laughs), but when she is left behind as Zoë Bell, Abernathy Ross (Rosario Dawson), and Kim Mathis (Tracie Thoms) go out for their fateful ride, it’s unclear if she dodged a bullet or is left to experience her own special terror with Jonathan Loughran’s super creepy Jasper.

Michael Fassbender As Lieutenant Archie Hicox In Inglourious Basterds

I’m perhaps a bit biased here as a person who professionally writes about film, but it’s a spectacular thing to see a movie expert become enlisted as a military hero – and nothing is harmed by the fact that Michael Fassbender imbues Lieutenant Archie Hicox from Inglourious Basterds with classic cool that oozes off the screen.

Jacky Ido As Marcel In Inglourious Basterds

Jacky Ido’s Marcel is an underrated hero in Inglourious Basterds. Because there are so many moving pieces and perspectives in the epic war film’s grand finale, one can forget that Marcel has a key role in the revenge plot orchestrated by Shosanna Dreyfus (Mélanie Laurent), and his deep love for her is one of the most beautiful parts of the movie.

August Diehl As Sturmbannführer Dieter Hellstrom In Inglourious Basterds

We all love to hate Christoph Waltz’s Hans Landa in Inglourious Basterds, but August Diehl’s Sturmbannführer Dieter Hellstrom is able to inspire similar feelings in much more limited screen time. The fear he instills when he interrupts the clandestine meeting between Bridget von Hammersmark (Diane Kruger) and Archie Hicox is deliciously awful (thankfully, Til Schwiger’s Hugo Stiglitz delivers him the end he wholly deserves).

Mike Myers As General Ed Fenech In Inglourious Basterds

It’s a touch silly to have Mike “Austin Powers” Myers cast to play a British general in charge of recruiting talent for a top secret mission, but it’s a credit to Quentin Tarantino’s vision that it plays so well. Myers’ Ed Fenech brings a “classic British war movie” energy to what is a very exposition-heavy scene in Inglourious Basterds, making interesting what otherwise might be dry material.

Walton Goggins As Billy Crash In Django Unchained

There are a lot of sick and twisted characters in Django Unchained who end up meeting properly terrible fates, but Walton Goggins’ Billy Crash is a standout. Not only is he a hateful and violent monster, but the audience wants to see him punished for the audacity of his powerful swagger.

Zoë Bell As Six Horse Judy In The Hateful Eight

As an ensemble piece mostly set in a single location, The Hateful Eight isn’t a movie abundant with what I would define as side characters, but Zoë Bell’s Six Horse Judy does fit the bill. She ultimately meets a tragic end, but her verve is superb while she is alive in the film’s flashback sequence, as is her great confidence in her horse-wrangling skills.

Margaret Qualley As "Pussycat" In Once Upon A Time In Hollywood

Between Poor Things, Drive-Away Dolls, Kinds Of Kindness and The Substance in the last few years alone, Margaret Qualley has firmly established herself as one of the best young actresses currently working, but years before all of that, she successfully entranced audiences with her single-scene turn as Pussycat in Once Upon A Time In Hollywood – getting a ride from Brad Pitt’s Cliff Booth to Charles Manson’s encampment on Spahn Ranch.

Al Pacino As Marvin Schwarz In Once Upon A Time In Hollywood

“What a picture!” That line from Once Upon A Time In Hollywood has become a meme, but part of the reason why it pops is because Al Pacino’s Marvin Schwarz is such a terrific character: an old-school Hollywood casting agent with a passionate love of cinema.

Kurt Russell As Randy Miller/The Narrator In Once Upon A Time In Hollywood

After starring as the deadly Stuntman Mike in Death Proof, Kurt Russell plays a stuntman with a totally different kind of energy in Once Upon A Time In Hollywood, and it’s a delight. Randy Miller is infused with Russell’s veteran charm and charisma, and his voice carries over to be a terrific guide through the period epic when he is featured in the movie as the narrator.

Julia Butters As Trudi Frazer In Once Upon A Time In Hollywood

Quentin Tarantino’s movies don’t generally feature many child characters, but that’s just part of what makes Julia Butters’ Trudi Frazer stand out in Once Upon A Time In Hollywood. Primarily featured opposite Leonardo DiCaprio’s Rick Dalton, she not only demonstrates remarkable professionalism for such a young person, but totally blows Rick’s mind with her respect for his acting skills.

Damian Lewis As Steve McQueen In Once Upon A Time In Hollywood

It’s no secret that Quentin Tarantino has a great love of Steve McQueen movies, and the writer/director brings the legendary actor to life with a single great scene in Once Upon A Time In Hollywood where he smoothly provides the audience with everything we need to know about Margot Robbie’s Sharon Tate.

Austin Butler As "Tex" In Once Upon A Time In Hollywood

Before he became Elvis Presley or Feyd-Rautha, Austin Butler made an awesome impression as Tex in Once Upon A Time In Hollywood. His intense devotion to Charles Manson’s cause makes it all the better when he gets taken down during what ends up being a botched murder attempt.

The term "MacGuffin" was coined by Angus MacPhail, an English screenwriter who often worked with Alfred Hitchcock. Hitchcock himself is often associated with the term, as he used the term often and, indeed, employed MacGuffins often in his movies. The term refers to an object (usually) that is central to the motivation of the characters in a film and is used to move the plot along.

There is debate amongst film fans as to whether a MacGuffin can be a person, or if it has to be something that is otherwise pointless to the plot, but for this list's sake, we're not making any kind of distinction. It can be a person or a character. It can be crucial to the plot, or irrelevant. It is just something that carries the plot forward.

Pee-Wee's Bicycle In Pee-Wee's Big Adventure

One of the classic '80s MacGuffins is, of course, Pee-Wee Herman's bicycle in Pee-Wee's Big Adventure. After it is stolen, Pee-Wee embarks on a cross-country trip to the Alamo's basement to find it. Without the stolen bicycle, there is no movie, so it is, indeed, a true MacGuffin.

The Briefcase In Pulp Fiction

One of the coolest uses of a MacGuffin is by Quentin Tarantino in Pulp Fiction. We never even see what the MacGuffin really is, just the briefcase it's housed in. We know it radiates golden light and leaves everyone who sees it a little speechless, so it must be something either incredibly beautiful, incredibly valuable, or both.

Doug In The Hangover

Sometimes, the MacGuffin is a person. You can argue all you want about whether or not that counts, but we're not listening. The best example we can think of to prove it can be a character is Doug in The Hangover. The movie doesn't happen without the search for Doug, and the groom-to-be isn't really much of a character otherwise, with only a few scenes at the beginning and at the end. Without him though, there isn't even a bachelor party to create the hangovers in the movie.

Big Worm's Money In Friday

In Friday Craig (Ice Cube) gets sucked into Smokey's bad day after Smokey (Chris Tucker) gets himself into trouble with the local neighborhood dealer and must come up with the money he owes him or else. It doesn't motivate Smokey all the much, but hey, it finally does by the end.

The Death Star Plans In Star Wars

There is a lot of debate over what the MacGuffin is in the original Star Wars. Some say it's the plans for the Death Star that R2-D2 is tasked by Princess Leia to deliver, others say it's the droid itself. Let's quit splitting hairs here because they are both kind of the same thing, and they are both critical to the whole adventure.

The Letters Of Transit In Casablanca

In the very beginning of Casablanca, it's explained that everyone in Casablanca during World War II is trying to get out and on to their next place of safety, usually the U.S. via Portugal. That's what makes letters of transit so important, especially when you are wanted by the Germans for being a spy, as Victor Lazlo (Paul Henreid) is. His hunt for them, and Rick (Humphrey Bogart) hiding them is what drives the plot (along with Rick and Elsa's love story).

The Dude's Rug In The Big Lebowski

The Coen Brothers love to use MacGuffins in their movies, and for The Big Lebowski, they created the perfect one - The Dude's rug. It's a completely meaningless object in the grand scheme of things, but without The Dude's ire at the destruction of it and the hunt to replace it (because it really tied the room together), there would be no adventure at all.

The Ring In The Lord Of The Rings

One of the greatest MacGuffins in film and literature is the one ring to rule them all in the Lord of the Rings trilogy. There is no question it's a true MacGuffin, as literally everyone and everything in the franchise is motivated by it.

The Ark In Raiders Of The Lost Ark

All of the Indiana Jones movies have used MacGuffins to send our hero, played by Harrison Ford, on his adventures. In the first of the five movies, it is, of course, the Lost Ark of the Covenant. It's being chased by both Indy and the Germans, and whoever gets it first could change the fate of World War II and, indeed, the whole world.

The Fabergé Egg In Octopussy

A lot of James Bond movies employ MacGuffins to motivate the super spy into action. One of the most fun has to be the Fabergé Egg in Octopussy. Not only is it a really cool-looking MacGuffin, but it's not something you'd ever think a spy like Bond would need to be worried about, yet it also works perfectly within the story.

Rosebud In Citizen Kane

At the very beginning of Citizen Kane, we hear Kane say "Rosebud." For the rest of the movie, we are left wondering what that means. It turns out, as we discover in the final scene that Rosebud was Kane's childhood sled and that his entire motivation in life and through the movie was to find that lost bit of his youth. Without the sled, there is no Charles Foster Kane, tycoon.

The Plans For The Silent Plane In The 39 Steps

Of course, you have to include Hitchcock on this list, as he was the master of the MacGuffin. The most common one people point to comes from one of his earliest movies, The 39 Steps. You can argue over whether it's the secret plans for the plan themselves, or Mr. Memory, who has memorized those plans as the MacGuffin, but either way, the movie's plot relies on those plans to motivate all the characters in the film.

Ruby Slippers In The Wizard Of Oz

Two of the most famous props in history are Dorothy's ruby slippers in The Wizard Of Oz. The twist here is that it's not our hero Dorothy looking for the MacGuffin, it's the Wicked Witch of the West desperately seeking them out and trying to steal them. "Home" motivates Dorothy, while the shoes motivate her enemy.

The Grail In Monty Python And The Holy Grail

The Cup of Christ, or The Holy Grail, is a common MacGuffin in pop culture. Indiana Jones and his father search for it, and so does Robert Langdon in The Da Vinci Code. The most ridiculous (and hilarious) search for the mythical cup has to be Monty Python's quest for The Grail. Like so many others, they come close to grasping the holy relic, only to be thwarted by the police in the end. It's really a silly story.

Private Ryan In Saving Private Ryan

One great example of a person or a character being a solid MacGuffin is Private Ryan (Matt Damon) in Saving Private Ryan. Ryan is really only there to motivate Miller (Tom Hanks) and his chosen team to save him. He's otherwise irrelevant to the story. Sure, we care if Ryan's been a good man since getting saved, but mostly, we care about the other characters in their hunt for him.

The Maltese Falcon In The Maltese Falcon

The Maltese Falcon in The Maltese Falcon is a wonderful example of a MacGuffin being basically just a random object. The object could be anything, it just happens to be the little statue that is motivating everyone in the movie. It's maybe the most basic example of a successful MacGuffin in film history.

The Chimera Virus In Mission: Impossible 2

Every Mission: Impossible movie has a MacGuffin. Some are cooler than others and even though Mission: Impossible 2 is generally ranked as the worst in the franchise, the MacGuffin is kinda the coolest. A virus that could wipe out life on Earth. Now that we've all gone through a traumatizing pandemic, it feels even more motivating.

The Infinity Stones In The MCU

There is no more ubiquitous MacGuffin in movie history than the Infinity Stones in the MCU. They appear in one form or another in more than a dozen movies, culminating with the destruction of Thanos and his minions at the end of Avengers: Endgame when Iron Man (Robert Downey, Jr) sacrifices himself to save the world and prove he has a heart.

Colonel Kurtz In Apocalypse Now

Marlon Brando's wild performance as Colonel Kurtz in Apocalypse Now is part of what makes it such an incredible movie. Without it, it would unquestionably be less of a film. BUT, Willard (Martin Sheen) could have been searching for anything important to motivate him and the boat's crew up the river. It just happened to be a rogue psychopath.

The Necklace in Ocean's 8

Obviously all the best heist movies usually have a pretty motivating MacGuffin. In Ocean's 8 it is a pretty traditional one. It's simply a very valuable necklace around the neck of an actress played by Anne Hathaway. How Ocean's crew goes about stealing it is what makes the movie great, but it's still just a thing at the end of the day that could have been anything else.

The Declaration Of Independence In National Treasure

There is no bigger piece of American history than the actual Declaration Of Independence. As a MacGuffin in National Treasure, it makes for the perfect object worth stealing. For Benjamin (Nicholas Cage), the motivation is pathological, as he'll stop at nothing to acquire it.

The President In Escape From New York

There are arguments that the briefcase handcuffed to the President (Donald Pleasance) is the real MacGuffin in Escape From New York, but let's give those going after it a little credit and hope that they at least partly wanted to save the man himself.

The Heart Of The Ocean Necklace In Titanic

James Cameron needed to find a good reason for us to get invested in the love story in Titanic because, without it, it's just a disaster movie that would have been over too quickly. The way he brings us all into the hunt for the ship and the stories on it before it sinks is the fictional "Heart Of The Ocean" necklace owned by Rose and had been in her possession all that time.

Red Ryder BB Gun In A Christmas Story

Ralphie gets berated by Santa, dismissed by his mother, pens a wonderful composition for his teacher, and eventually shoots his eye out all in his desire to own a "Red Ryder BB gun with a compass in the stock, and this thing which tells time." It's the ultimate MacGuffin.

The Briefcase Full Of Money - No Country For Old Men

There is no bigger motivator in the world than money. For better or for worse, that's how it goes. Even someone like Llewelyn Moss (Josh Brolin) in No Country For Old Men, who seems only slightly motivated by money goes through a terrible ordeal to keep the briefcase full of money he found and everyone else is after.

The Buried Money/The Big W In It's A Mad, Mad, Mad, Mad, World

A MacGuffin doesn't get any plainer than cash at the end of an epic race like in It's A Mad, Mad, Mad, Mad, World. The price, $350,000 buried under "a big W" in a California state park motivates one of the greatest comedic casts ever assembled to race each other to find the buried money.

Genesis Device In Star Trek II: The Wrath Of Khan

Star Trek II: The Wrath Of Khan is often thought of as the best of all the Star Trek movies, and certainly the best that features the cast of the original series. In it, both the crew of the Enterprise and their arch-enemy, Khan, are in desperate search of The Genesis Device.

The Buried Treasure In O Brother Where Art Thou?

Yet another movie where the MacGuffin is buried treasure, but we couldn't leave the Coen Brothers' classic O Brother Where Art Thou? off the list. Though it's based on The Oddessy, where the motivation was to get home, this one is a little simpler. Three idiot prisoners trying to get rich quickly. In the end, it's more about the friends we met along the way.

The Diamonds In Diamonds Are Forever

James Bond often has some interesting MacGuffins and as the years have worn on, they've gotten increasingly complicated. It makes us yearn for the days when it was just a simple bag of diamonds, as it is in the aptly titled Diamonds Are Forever.

Turboman Doll In the Jingle All The Way

Every Christmas there is a hot toy that people occasionally come to blows over, like Frank in Seinfeld, for example. In Jingle All The Way, it's a Turbo Man doll and one father is willing to go to extreme lengths to get one for his son!

The Pink Panther Diamond In The Pink Panther

Peter Sellers' portrayal of Inspector Clouseau in The Pink Panther is one of the all-time great comedic performances. In it, he is searching for the stolen Pink Panther diamond. It's a classic MacGuffin, but worth mentioning because the hunter is such a goof.

Green Destiny Sword In Crouching Tiger, Hidden Dragon

Occasionally, a MacGuffin is a supernatural object or even a supernatural weapon like the Green Destiny Sword in Crouching Tiger, Hidden Dragon. The movie, though highly stylized and more of a visual work of art than a true quest, still has a fairly simple motivating device, just like all the best MacGuffins.