Oscar Eye: Box Office Matters, But The Avengers Still Won't Be Nominated For Best Picture

You don't always have to be a box office hit to get the Oscars to pay attention to you. In fact, in the last few years, it's almost been a hindrance-- The Hurt Locker (total domestic box office: $17 million) edged out Avatar (total domestic box office: $760 million) for Best Picture, while last year The Artist (total domestic box office: $44 million) ran away with the entire awards season, cruising past competition like The Help ($169 million) and Moneyball ($75 million).

But this year's Oscar race is already looking unusually favorable to major studio releases, and those films almost always benefit from big box office-- runaway, beloved audience hits with great reviews usually get Best Picture nominations, if not wins (unless they're superhero movies, of course). Argo, a Warner Bros. release, has made a healthy $43 million already, and coupled with exuberant reviews is now strongly positioned as a Best Picture nominee. This week sees the British release of Sony's Skyfall, a Bond movie that, as I mentioned last week, very much deserves Best Picture consideration-- and when it inevitably becomes a hit, that will only help it get there. And as the holiday season approaches, there are a whole ton of studio films-- Les Miserables, Life of Pi, Django Unchained, This is 40-- angling to both win the box office and Oscar buzz in one fell swoop.

This is the part where you probably want me to talk about The Avengers, the year's most successful movie and the one that, based on the comments I've been getting, you all think deserves more than an "Outside Chance" at Best Picture. But superhero movies remain the spot where the "box office success + critical raves = Oscars" formula falls apart. The Academy is still feeling some of the backlash from their snub of The Dark Knight in 2008, which many believe led them to open up the Best Picture category to 10 nominees (now a sliding scale of 5-10, depending on how many votes they get) and probably helped Inception get a nod two years later. The Avengers is in some ways this year's The Dark Knight, the runaway box office success that everybody saw, and the only summer movie that seemed to universally get people excited.

But even with all that success, The Academy will find it all too easy to ignore The Avengers, because it combines three things the Oscars have always been practically allergic to: superheroes, comedy and franchises. The superhero bias is pretty well-established at this point, but it's worth noting that nothing has actually changed since the Dark Knight snub-- there still hasn't been a superhero movie that came even close to the Best Picture roster. The comedy bias is well-established too, and goes back way longer than superhero movies have been around. The comedies nominated for Best Picture in the last dozen years or so-- The Descendants, The Kids Are All Right, Up in the Air, Juno-- are all dramedies at best, and all come with the indie-style stamp that makes them feel real, even if a bit light-hearted. The Avengers is far from all comedy, but it's best moments are often laugh lines; if the first time the Oscars seemed to be taking superheroes even remotely serious was when Batman went super-dark with The Dark Knight, a lighter take on the genre isn't likely to turn their heads.

And finally, the franchise question. Yes, all three Lord of the Rings films got Best Picture nominations, and Return of the King won. Yes, Toy Story 3 was nominated just two years ago. But it's not hard to see those as exceptions to the rule-- the last sequel to be nominated before the Lord of the Rings franchise was The Godfather Part III, back in 1990, and God only knows how that even happened. Sure, The Avengers isn't technically a sequel-- but even comic nerds know that's splitting hairs. The Avengers is a big bundle of familiar characters who happen to wear funny costumes to save the world, and it takes the whole genre with a lighthearted attitude. That's what made the movie such an enormous success, but it's also what will keep it away from Best Picture.

That said, I'll still keep The Avengers as an outside chance, because you seriously never know-- I've been blindsided by Best Picture nominations in the past, God knows. But The Avengers is unlikely to win awards from critic's group as Best Picture, and is unlikely to get attention from the guilds as well-- though the Writer's Guild could pull off a nomination for Joss Whedon's script, which could easily lead to the movie's most high-profile Oscar nod. Feel free to argue with me in the comments about The Avengers's secret strengths-- I'm glad to see its devoted fans keeping the torch alive.

And one more note on box office-- keep an eye on Cloud Atlas as it opens in theaters this weekend. I recognize that not everyone loves the movie as much as I do, and i've kind of given up hope that it will be a major player for awards this year. But if it opens strong, Warner Bros. may feel inclined to push harder for Cloud Atlas among their other awards contenders. We'll see how that box office pans out in next week's column.

And now, on to the charts, where there's still not a lot of change, but there's a desperate plea for someone to finally make the Best Supporting Actress category interesting.

oscar winner prediction

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BEST PICTURE

No changes in the rankings here, though as mentioned above Argo continues to look strong with its box office success. Last night I also noticed the first TV spot for Life of Pi, airing nearly a month before its scheduled November 21 release. That's an interesting sign of how much faith Fox has in the movie, and could mean it's being positioned as that runaway box office + critical hit I talked about above. Or it could be this year's Hugo-- technically gorgeous and critically beloved, but not necessarily a huge hit. We've got more than a month to wait that one out, unfortunately.

MORTAL LOCKNONE

LIKELY CONTENDERArgoBeasts of the Southern WildLife of PiLincolnSilver Linings Playbook

STILL IN THE RUNNINGAmourAnna KareninaDjango UnchainedFlightHitchcockThe ImpossibleLes MiserablesThe MasterMoonrise KingdomPromised LandSkyfallZero Dark Thirty

OUTSIDE CHANCEArbitrageThe AvengersBest Exotic Marigold HotelCloud AtlasEnd of WatchThe Hobbit: An Unexpected JourneyKilling Them SoftlyNot Fade AwayQuartetRust and BoneThe SessionsThis Is 40

Steven Spielberg in West Side Story

(Image credit: 20th Century Studios)
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BEST DIRECTOR

As more people start seeing Lincoln and raving about it to other critics, the more the so-so New York Film Festival reaction doesn't seem to be sticking-- and the more Steven Spielberg looks like a very strong contender here. So I've bumped him up, while leaving a whole flock of previous Best Director winners and nominees-- plus Benh Zeitlin-- in the category below. Any one of them could potentially bump up into what's now a fifth slot.

MORTAL LOCKNONE

LIKELY CONTENDERBen Affleck, ArgoMichael Haneke, AmourDavid O. Russell, Silver Linings PlaybookSteven Spielberg, Lincoln

STILL IN THE RUNNINGPaul Thomas Anderson, The MasterKathryn Bigelow, Zero Dark ThirtyTom Hooper, Les MiserablesAng Lee, Life of PiQuentin Tarantino, Django UnchainedGus van Sant, Promised LandBenh Zeitlin, Beasts of the Southern Wild

OUTSIDE CHANCEWes Anderson, Moonrise KingdomJacques Audiard, Rust and BoneJuan Antonio Bayona, The ImpossibleSacha Gervasi, HitchcockPeter Jackson, The Hobbit: An Unexpected JourneySam Mendes, SkyfallAndy and Lana Wachowski and Tom Tykwer, Cloud AtlasJoe Wright, Anna KareninaRobert Zemeckis, Flight

oscar winner prediction

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BEST ACTOR

I caught up with Bernie last week and completely adored it, and now I understand why distributor Millennium Films is launching a Best Actor campaign for Jack Black, however unlikely they are to actually score that nomination. Sadly he's in a fiercely competitive category, which isn't showing any change this week.

MORTAL LOCKNONE

LIKELY CONTENDERBradley Cooper, Silver Linings PlaybookDaniel Day-Lewis, LincolnJohn Hawkes, The SessionsJoaquin Phoenix, The MasterDenzel Washington, Flight

STILL IN THE RUNNINGMatt Damon, Promised LandAnthony Hopkins, HitchcockHugh Jackman, Les MiserablesJean-Louis Trintignant, Amour

OUTSIDE CHANCEBen Affleck, ArgoJack Black, BernieJamie Foxx, Django UnchainedRichard Gere, ArbitrageJake Gyllenhaal, End of WatchTommy Lee Jones, Hope SpringsTom Holland, The ImpossibleBill Murray, Hyde Park on HudsonLiam Neeson, The GreyBrad Pitt, Killing Them SoftlySuraj Sharma, Life of Pi

oscar winner prediction

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BEST ACTRESS

I received a screener copy of The Deep Blue Sea last week, which means that there's at least some kind of campaign in place for Rachel Weisz's fragile, heartbreaking performance in that movie. I'd love to bump her up from Outside Chance, but she-- like Mary Elizabeth Winstead and Michelle Williams-- is reaping a performance from a film that just seems too small to get in on the competition. That said, the only change in this week's chart is the addition of Jessica Chastain for Zero Dark Thirty, whose role has been confirmed as a lead-- though, since nobody's seen the movie, I have no idea how important that will wind up being.

MORTAL LOCKNONE

LIKELY CONTENDERMarion Cotillard, Rust and BoneHelen Hunt, The SessionsJennifer Lawrence, Silver Linings PlaybookEmmanuelle Riva, AmourQuvenzhane Wallis, Beasts of the Southern Wild

STILL IN THE RUNNINGJessica Chastain, Zero Dark ThirtyJudi Dench, The Best Exotic Marigold HotelKeira Knightley, Anna KareninaNaomi Watts, The Impossible

OUTSIDE CHANCEHalle Berry, Cloud AtlasMelanie Lynskey, Hello I Must Be GoingHelen Mirren, HitchcockMeryl Streep, Hope SpringsBarbra Streisand, The Guilt TripRachel Weisz, The Deep Blue SeaMichelle Williams, Take This WaltzMary Elizabeth Winstead, Smashed

oscar winner prediction

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BEST SUPPORTING ACTOR

Back to Bernie for a second, Matthew McConaughey also turns in a strong performance there, but I think that will only augment his chances for Magic Mike (yet another box office smash with critical raves to back it up). And as more praise pours in for Javier Bardem in Skyfall, his chances at a nomination start seeming all the great-- but it's hard to know who he'd bump out just yet. If I had to pick, it would be De Niro, who is quite strong in Silver Linings Playbook, but doesn't have quite as beefy a part as you might want.

MORTAL LOCKNONE

LIKELY CONTENDERAlan Arkin, ArgoRobert De Niro, Silver Linings PlaybookTommy Lee Jones, LincolnMatthew McConaughey, Magic MikePhilip Seymour Hoffman, The Master

STILL IN THE RUNNINGJavier Bardem, SkyfallRussell Crowe, Les MiserablesLeonardo DiCaprio, Django UnchainedJude Law, Anna KareninaEwan McGregor, The ImpossibleEzra Miller, The Perks of Being A WallflowerMichael Pena, End of WatchDavid Strathairn, Lincoln

OUTSIDE CHANCEJim Broadbent, Cloud AtlasBryan Cranston, ArgoTom Hanks, Cloud AtlasGarrett Hedlund, On the RoadDwight Henry, Beasts of the Southern WildJohn Krasinski, Promised LandWilliam H. Macy, The SessionsEddie Redmayne, Les MiserablesJim Sturgess, Cloud Atlas

oscar winner prediction

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BEST SUPPORTING ACTRESS

This category continues to drive me bonkers. I'm officially soliciting suggestions for some totally out-there surprises who might show up and really shake this category. Kerry Washington? Amanda Seryfried? Can this be an all-Les Mis category? I'm desperate for anything here.

MORTAL LOCKNONE

LIKELY CONTENDERAmy Adams, The MasterSally Field, LincolnAnne Hathaway, Les Miserables

STILL IN THE RUNNINGSamantha Barks, Les MiserablesJudi Dench, SkyfallAmanda Seyfried, Les MiserablesMaggie Smith, The Best Exotic Marigold HotelKerry Washington, Django Unchained

OUTSIDE CHANCEJessica Chastain, Zero Dark ThirtyPauline Collins, QuartetSalma Hayek, SavagesFrances McDormand, Promised LandJacki Weaver, SIlver Linings Playbook

Katey Rich

Staff Writer at CinemaBlend