While most of what we remember about these characters is still intact, they’re each under different strains and nothing is quite as it was. After two episodes, it is foolishly too soon to say that we’re in for a spectacular season, but here are three ways this quasi-reboot brings Homeland back to the dramatic forefront. And the biggest change between Seasons 3 and 4 is the top of the heap.
We’re still almost a month away from the Season 4 premiere of Showtime’s Homeland, but I’m already a complete lack of all things Nicholas Brody. And this full-length trailer is gloriously absent of the series' past. Except for that kid, of course.
“Weird Al” Yankovic continued his no holds barred pop culture takeover with a silly and spirited performance at tonight’s Emmy Awards. His targets were a selection of this year’s nominees, as he added lyrics to some of TV’s most memorable instrumental theme songs.
What’s better than an hour-long premiere of a new season of Homeland? Why, back-to-back brand new episodes of Showtime’s hit drama, of course. That network is making some scheduling changes to its fall lineup, and if you are a fan of Homeland or anticipating the premiere of the network’s new drama The Affair, everything’s coming up roses for you this Monday.
This season will largely take place in those overseas settings, with Carrie back on the front lines that she’d been yearning to get back to for years. This presumably means we’ll get to spend less time with good ol' Saul (Mandy Patinkin), but it looks like Peter Quinn (Rupert Friend) will be in Carrie’s neck of the woods.
Planes, Trains and Automobiles star Laila Robins has signed on to be a series regular, while Corey Stoll, perhaps best known from Season 1 of Netflix's House of Cards, will officially serve as a “guest star.”
Showtime’s dramatic thriller Homeland was a mixed bag in its third season, mining extremely tense scenes from a storyline that treaded through unncessary waters. Thankfully, Fox 21 and Showtime are taking the series to an all-new location for Season 4, and production is set to commence this summer in Cape Town, South Africa, which will serve as the Middle East, despite all of its bottom southness.
A lot of people died on television in 2013. Maybe the number of small-screen fatalities are always this high but it sure seems like the past year went above and beyond in the death department. Big series offing two, three even four major characters was commonplace. No one is safe, especially on cable. Here are ten shows that featured some of the year's most memorable and/or shocking losses.
It happened. We don't even need to say what, do we? There's no need with explicits if you've been watching Homeland this season — you know what we're talking about. And now, because of it, there's plenty to look forward to, because literally anything can happen moving into season four. The third season finale of the Showtime series — the aptly-titled 'The Star' — was a sharply tailored affair, keeping things laser-focused on the three main players: Carrie, Brody, and Saul. And everybody had a case of the ends on this go-around.
There are way too many good TV shows available to us today. We live in a world of modern riches; an over-abundance of goodness so vibrant it’s terribly easy to miss the good stuff. There’s just so much TV to watch, you see! Especially when you take into consideration television's biggest innovator: the premium network. For-pay stars like HBO, Showtime, and even Cinemax have pushed the medium where it’s never gone before, and paved the way for the likes of AMC and others today.
With the stakes reflected literally and figuratively in the mirror (and just like that: baby’s got bump), Carrie and Brody’s motivations were murky going into Homeland's penultimate episode. What’s Carrie’s hang-up about her impending Brody-baby? Would our ginger-terrorist-that-could kill General Akbari? Were both willing to go the distance for one another? Would anybody actually just do what he or she was told for once? And what, good lord, would be Saul’s motivation this week?
Sunday night’s episode of ‘Homeland,’ the ominously-titled “Good Night” was another instance of the Showtime program leaving us with more questions than answers. And, frankly, we’re starting to think that they might just be playing us. After the credits rolled we couldn’t help but wonder: is Brody going to survive? Is this all a smokescreen of an entirely different color? We’ve decided to suss out our suspicions the only way we know how: by over-thinking word choice to death.
Brody may be back in the pocket of the CIA on Homeland, trying to right the wrongs he’s done over the past three seasons, but he’s still just a pawn. A junkie shell of his former self. If you ask me, Brody’s trajectory feels more in line with a modern-day pop star than a terrorist. In the immortal words of a one miss Britney Jean Spears (oh yes, we’re going there): Hit me baby, one more time. Or, if you're episode nine of the Showtime series, "One Last Time."
Sunday night's episode of Homeland may be easy to poo-poo after the explosive doings of "Still Positive." But it is in the nuanced language of episode seven, "Gerontion" (named after the T.S. Eliot poem, perhaps?) that Homeland shines as bright as it has before. Honestly, this might be my favorite episode of the season to date, because the drama is ALL in the words both said and unsaid. And it is Saul, and history, that take center stage in the increasingly murky waters of CIA drama.
I’m fairly convinced — thanks to Sunday night's episode of 'Homeland,' titled "Still Positive," — that Chris Brody is the real story on Showtime's CIA-frenzy drama. While some may argue that we're watching a story about a brilliant CIA agent and the American terrorist she loved, I'm more inclined to believe that we’re actually watching the origin story of a future terrorist/serial murderperson, Chris Brody, and how he came to be as such.