This Rotten Week: Predicting Lawless and The Possession Reviews

By Doug Norrie 2012-08-26 09:01:46discussion comments
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This Rotten Week: Predicting Lawless and The Possession Reviews image
The summer is winding down toward a total stop, what with Labor Day right around the corner and Corona production about to be discontinued until Memorial Day. The summer movie season is also nearing a close, but not before one more cool flick and another horror retread hit the theaters. This week weíve got Prohibition and Possession.

Just remember, I'm not reviewing these movies, but rather predicting where they'll end up on the Tomatometer. Let's take a look at what This Rotten Week has to offer.

Lawless
Was there any darker period in our nationís history that the Prohibition era? Booze illegal? How did folks even survive? I canít even roll out of bed in the morning without a little snort of Glenfiddich 1937. And dinner without a glass of my Petrus Pomerol 99? Um, no f@#$ing thank you. So I think we can all agree Prohibition is the one blemish on our countryís otherwise spotless historical record concerning superfluous laws and and nanny state suppression.

And when it came to low-end, moonshine bootlegging in the 1920s, Franklin County, Virginia was your one-stop shop, Costco-style booze distribution center. A Garden of Eden for those looking to burn the crap out of their insides in the name of getting drunk as skunks.

Lawless, directed by John Hillcoat (The Road-75%, The Proposition-87%), tells the story of the Bondurant Brothers (played by Shia LaBeouf and Tom Hardy) as they navigate their moonshine empire in the hills of Virginia. The movie is based on Matt Bondurantís book The Wettest County in the World. Thereís a great deal to like about this flick going in. Hillcoatís resume is tight and, judging by the trailer, cinematically it appears a sweeping and intense ride through the period. And while I donít typically mention actors as a cause for or against a movieís critical chances, Tom Hardy (Warrior-83%, The Dark Knight Rises-87%) is about as good as it gets in Hollywood right now.* LaBeouf? Well, count me among the people who think his talent outpaces his recent critical resume.

*Read this piece about why we can forgive Hardy for This Means War.

Early reviews have this flick finishing strong with critics. With more than twenty-five reviews already posted on the Tomatometer I canít count it on the old resume, just wouldnít be prudent. But I think as the next seventy-five or so reviews come in weíll see an uptick in the score. Now Iím off for a little tickle of some Cristal Brut 1900. The Rotten Watch for Lawless is 78%


The Possession
Ahh, the old ďBased on a True StoryĒ title. Arenít these the best? Here, let me real quick outline a movie about myself thatís based on a true story. A writer (played by Brad Pitt) is content penning his world famous and award-winning internet movie column. Until one day his wife (Charlize Theron, obv) finds an amulet in the backyard of their Hollywood estate that turns them both into sex-crazed super heroes. From their, well I think you can just imagine where it goes. See what I mean? ďBased on a True StoryĒ flicks are the absolute best. You can do anything with that moniker.

The Possession takes it to even crazier heights than the ones I outlined above. The true parts? There is an old box from Jewish folklore that crazy people say contains a demon (it doesnít). A kid once bought something at a yard sale. Kids are evil. Thatís about it. From there, director Ole Bornedal (Just Another Love Story-72%) kind of um, embellishes the ďtrueĒ part of the story. Unless that is you think demons crawling out of throats, boxes flying across the room, mass deaths, groups of hysterically grim rabbis warding off evil, bedrooms full of tiny bats, creepy whispering and a lot of supernatural wind-blowing are all true to this tale.

Thankfully, screenplay writers Juliett Snowden and Stiles White know a thing or two about penning crappy movies with Knowing (33%) and Boogeyman (17%) on their resumes. And the only reason I give this a bump out of the horror basement is Sam Raimiís production tag, though, truth be told, his non-directorial credits arenít exactly inspiring with Priest (17%) and Messengers (12%) to name a few. This film doesnít look much better. Itís a tired gag rehashed a couple of times a year. Kid gets possessed, no one knows what to do about it, at the end evil is eradicated but will probably be back for the sequel. Itís all true though. The Rotten Watch for The Possession is 29%


Which Rotten movie will have the highest final Tomatometer score?

  Results



Recapping last week:

Well, this is a weird one and Iím tempted to say it was a positive week overall, though thereís room for debate on that sentiment. First of all, a complete win on Hit and Run (Predicted: 40% Actual: 46%). This looked like exactly the kind of movie that critics wouldnít love, but wouldnít hate either. A nice addition to the resume.

Next, The Apparition (Predicted: 21% Actual: 0%) was a miss, but my misgivings about it were founded. Itís near impossible to predict a zero, and even below ten percent is a rather rare Razzie feat. I knew it would stink, but just wasnít aware it would be an all-time s#$@ storm. Canít count it as within ten percent, but Iím not totally unhappy about my prediction.

Finally, Premium Rush (Predicted: 29% Actual: 74%) just completely pump-faked me. An action movie about bike messengers just seemed like such a lock to suck, but I probably should have factored in JGL crushing it on picking and choosing his spots lately. Never in a million years thought I would miss by this much here.

Next time around weíll go through some words. Itís going to be a Rotten Week!
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