[F]eels like a quick Cliff's Notes version of what really happened, with a blazing fast pace robbing the movie of any semblance of impact
Gyllenhaal successfully delivers a turn so exceptional that it successfully overshadows a somewhat predictable plot.
The Many Saints of Newark hits harder if you know and care about the family – and the “family” – at the heart of the story.
The lack of novelty is more than made up for by the energy that Max Harwood and Richard E. Grant bring to the movie,
The directionless plot in Cry Macho wouldn’t be a problem if one actually enjoyed spending time with the central characters, but that’s not something that is on the table...
A status quo is maintained for about half of Copshop's runtime, and it simply isn't filled with enough story to keep audiences interested.
[N]ot even a riveting performance from Oscar Isaac can stop this house of cards from burning straight to the ground.
With his 10th feature, [James Wan] has provided audiences with the message that he still knows how to let it rip...
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