We see dimensions of [Brendan Fraser] we’ve never had the opportunity to see before in The Whale, and it’s the best he’s ever been...

Violent Night is a holiday action sugar rush that never forgets to be brutal, funny, and heartwarming; whatever the occasion calls for.

It’s no mystery, Glass Onion is a splendidly uproarious must see.

Strange World is part old school Jules Verne tale, part nostalgic Disney adventure and demonstrates the best of Disney Animation’s current strengths as a studio.

There’s love for the characters, and the Disney legacy felt from start to finish.

This new attempt at a Christmas tradition is borderline irredeemable.

It’s full of characters you love to hate, skewers pretention with smart class warfare satire, and has a striking, clean design that brilliantly bolsters the atmosphere and would earn an “A” grade from any health inspector.

Through the lens of these investigative journalists, a solemn topic is made into an engaging thriller and inspiring biopic that certainly makes it worthy to revisit this recent event in history.

[I]t’s a challenging and powerful cinematic expression of mourning that is utterly beautiful in its design.

The same sort of cavalier spirit that made a cult classic out of Weird Al’s previous movie, UHF, is alive, well, and ready to bust out in his long awaited cinematic follow-up.