BREAKING MOVIE NEWS
Do you like films with strong female leads? Do you like to watch "the fairer sex" prove that they’re not as fair as society has often portrayed them? Then you’ll get a kick out of this supercut tribute to women in prominent action movie roles…literally.
February is nearly upon us and with it brings some exciting additions to Netflix's streaming lineup. Among the movies and TV shows set to stream on Netflix in February are RoboCop, Scary Movie 5 and Spartacus..
Here on Cinema Blend, we've spent a good chunk of the past month celebrating the best in cinema that 2014 had to offer, but now we're going to switch gears and talk about the opposite side of the quality scale. But rather than slamming these titles ourselves, the following video allows those less-than-great features to slam themselves.
Torrent use continues to be a buzzed-about topic in the industry, especially as studios and industry experts get a look at the numbers of the films that were illegally downloaded in 2014.
Product placement has become an unfortunately big part of modern studio filmmaking, but there are some ads in movies that we can still appreciate: the fake ones. Rather than actually trying to tell us something, they merely exist as a fun gag or even sometimes as a plot device. And now you can see a whole bunch of them mashed together in this fantastic new supercut.
Drafthouse Films and Magnet Releasing have come up with the greatest promotional tool ever for their anthology horror ABCs of Death 2. they asked all 26 directors to name their favorite cinematic death scenes, and then put them all together in one explosive, disturbing and mildly depressing supercut!
RoboCop has a lot going for it. The PG-13 remake of a 1987 hard R classic is a visually appealing narrative with plenty of glossy action sequences. It ranks up there with Gravity and Avatar as far as its VFX goes. Add in a few nice acting performances and a fine enough script and RoboCop becomes a decently entertaining movie. The only angle that it is really missing is fun.
Today sees the release of the RoboCop remake on Blu-ray and DVD, and to celebrate RoboCop himself will be making an appearance in Detroit to throw the first pitch a the Tigers game. However, plans to unveil the crowd-funded RoboCop memorial have been cancelled.
Starring The Killing’s Joel Kinnamon, Gary Oldman, Michael Keatman, Abbie Cornish and a whole host of other prominent names, the movie made for a pretty good watch in theaters, and soon the action flick is springing onto Blu-ray, DVD and Digital, thanks to a collaboration between MGM Studios and Twentieth Century Fox Home Entertainment.
A film blogger recently brought to everyone’s attention that the original Robocop film is a near perfect example of a symmetrical story. Known as a chiasmus, the story can use the same events twice, while employing diametric opposition to keep the story moving. In other words, Robocop is the ultimate story of payback in equal measure, thanks to everyone’s favorite “bad mothercrusher.”
The crowd-sourced film was created by a mix of 50 amateur and professional filmmakers from Los Angeles and New York who agreed to split the 1987 action classic into parts to be remade. Rather than being an exact shot-for-shot remake, it is instead the various interpretations of the movie in the hands of the different teams.
After this weekend, Padilha’s reboot has crossed the $51 million mark, domestically. Here’s a number, though, that will really turn your head. RoboCop has banked $136 million overseas. Which means, globally, the reboot is fast approaching the $200 million mark. That’s sequel money.
With a passable but not outstanding box office haul last weekend, RoboCop's chances of getting a sequel may hinge on how well the film does overseas. In the meantime, we're faced with the question of whether or not the film needs a sequel. Do we want one? Would we see it?
In other words, they tried following up Robocop before, and it just didn’t work. To think they might try again, with Sony’s latest upgrade of the source boggles the mind.
The new remake from Brazilian director José Padilha is rated PG-13, cutting down on the extremely graphic content that was so crucial to the first film. It was a controversial choice made by the filmmaker, but one that star Joel Kinnaman wholeheartedly defended when I had the chance to speak with him a couple weeks back at a RoboCop press event held in Los Angeles.
And it seems as if their fears have been confirmed. Last night, inclement weather pretty much made the public both robo-phobic and wind chill-phobic, according to Deadline. Fans stayed home and the actioner barely got by The Lego Movie for the day’s grosses, netting only $2.75 million.
Now that we have a radical new vision for the character in theaters, the $130 million remake, it’s time to look back and realize, hey: this is a really strange franchise. MGM and Sony want to restart the film series as an exciting cross-genre blockbuster, but the fact is Detroit’s metallic gunslinger has been pretty well-traveled.
In the film, directed by Brazilian filmmaker José Padilha based on the action classic from 1987, Oldman plays an original character named Dr. Dennett Norton, a world-leading expert in the field of robotic prosthetics. He is called upon by the company OmniCorp to help in their mission to create a cyborg who can be powerful enough to replace human police officers out in the line of fire on city streets and take crime investigation to a whole new level.
Not a great week of movies. This is for sure a quantity over quality thing happening. And except for a robotic police officer, there is plenty a cornball love-dovey stuff for the Valentine’s Day crowd with tales of winter, endless love and stories about last night.
Keaton goes on to say that Kinnaman has it so easy in this redesigned RoboCop suit, joking, “You can go out and play three sets of tennis! You can move, you can sit, it’s got air conditioning.”
The next generation of RoboCop trailer says that next generation fire can only be fought with a more violent iteration of that fire. Enter the neck-snapping red-eyelined hero who will save Detroit from itself. This preview gives us exactly what one wants from this kind of film: ass whippings, vehicles flying all over the place, and explosions.
I don’t want to say that January 2014 was a bad month for cinema, but the last time I saw something that rotten, I was arrested for desecrating 13 cemeteries. Luckily, I got out on good behavior just long enough to celebrate with readers how superlative February’s theatrical releases will be in comparison.
Yeah, that’s a funky poster, right? Look, some of you are never gonna come around on this RoboCop remake. Some of you are upset about the PG-13 rating. Some of you think it was a terrible idea right off the bat.
As February inches closer, we continue to get new looks at Robocop, including the above international TV spot, which emphasizes control. Is Alex Murphy's free will just an illusion? It sounds like OmniCorp has it set up that way, but then we hear the words, "He's undoing what we did to him," which suggests that control is shifting.
How do you put RoboCop through a field test? Drop him in a warehouse, tell him not to get shot in the face and then start firing, not necessarily in that order. This, according to the new clip from the upcoming Robocop remake. That description is probably a bit too vague to be accurate, technically.