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The first episode of HBO's music-filled drama Vinyl was a sensory overload that recalls all of the highs and lows of a good concert: loud music, a lot of flashing lights, and an decent rhythm mostly connecting disparate parts together.
The true crime genre has reached phenomenon-level hype in the past year across multiple platforms, and we’re at a point when “based on true events” is basically proof of fiction. Here to straddle both of those lines is FX’s The People v. O.J. Simpson: American Crime Story.
The Magicians gets off to a decent start, using its first episode to introduce the ensemble of magically inclined young adults, and delving further into the adventure, drama and danger that’s very evidently in store for these characters.
Fox’s new series Lucifer is as fun and flashy as its promotions have promised. Just don’t go into this one expecting anything more extraordinary.
The medium may have changed, but FX’s new series Baskets carries the torch of Pagliacci forward and expands upon its theme – with remarkably poignant results.
Rich and powerful are two words that are often used together, but the truth is the adjectives don’t always come in equal measures. Billions is a good reminder of that. Damn near every character on the show has far more money than the average person and far more influence too, but none of the central personalities found here are able to eclipse the others on both.
Steve and Nancy Carell's Angie Tribeca is a hilariously absurd parody of the modern police procedural that honors Hollywood's long tradition of spoof comedy, and star Rashida Jones carries the weight with a Leslie Niesen-like poise. This could easily be TBS' breakout comedy hit.
TV Land is going in a very different direction with its new comedy Teachers, a sometimes crude and unabashedly off-color look into the day-to-day lives of the titular female educators. Thankfully, it's great.
Later this month, characters from Arrow and The Flash will join a few new faces for the spinoff Legends of Tomorrow, and I have little trouble saying that while not perfect as a whole, it’s an absolutely perfect combination of its predecessors.
One series that has been perplexing us for months is Fox’s new sci fi drama Second Chance. Since being picked up for a series order last spring, the show has gone through three different names and had its episode count cut from 13 to 11.
Cop shows and crime-solving procedurals are now a dime a dozen in our television landscape. But, every now and then, a cop show tries to take a different tack and weed out those all too expected procedural notes. Here's how Shades of Blue does it.
Cooper Barrett's Guide To Surviving Life Review: Fox's New Comedy Will Appeal To Bros And Not Much Else
Have you ever been in a room full of people younger and more hectic than you, and while you sort of wanted to be on the same page with them, you were perfectly happy staying in your own lane?
The Seth Macfarlane animation empire is growing a little bigger, as the new comedy Bordertown will make its way to Fox in 2016. Here's what we thought of it.
Beginning with Chicago Fire in 2012, and continuing with Chicago P.D. in 2014, the Chi-town franchise has expanded even further with latest spinoff Chicago Med.
Moira Walley-Beckett has brought to life a big city story set in the cutthroat world of ballet, where many hopefuls scrape and claw to try to get to the top while others desperately hang on near the bottom of the barrel. It’s a world without villains or heroes and it works.