Darling Companion's Mark Duplass Talks Being A Workaholic
Mark Duplass is one of the most prolific people in Hollywood. In addition to writing, directing and producing his own films with his brother, he is the lead actor on the hit FX television series The League, regularly takes roles in films, and produces movies by independent filmmakers. Considering most people in the industry buckle under the pressure of half as many duties, how does the multi-hyphenate keep it together? According to Duplass, a big part of it has to do with the fact that he's a workaholic.
Prior to the release of Darling Companion I was given the opportunity to sit down with Mark Duplass to discuss not only his career juggling act, but how he came to be part of Lawrence Kasdanís stellar cast, the way that writing affects his acting, and doing a bit more writing for studios. Check it out!
How did you first become involved with the project?
Lawrence Kasdan called up my agent and asked about me Ė I know his son Jake a little bit, and he had seen my movie, The Puffy Chair, and kind of related, I work with my wife, he works with his wife, and this was his first independent film. Heís never told this to me, but I suspected that part of it was me as an actor, but part of it was also about someone whoís made cheap movies before, having them on set. So he called me and we talked about what it means to be a man for about an hour, different versions of manhood in 2012. It was really cool and then he said, ďI want you to do it.Ē And I was like, ďFar be it from me to turn down a movie directed and written by Lawrence KasdanĒ starring this cast. I was pretty thrilled.
Did you ever feel like a consultant?
No, I didnít, honestly. There were two or three moments, honestly, where we shooting a car scene and I was watching the overly complex rigs go on and the late was fading, and I just said, ďHey guys, I do know a way to shoot thisÖĒ I thought I could be helpful. But mostly it was me having a great time being with some of my heroes, getting to know them and hearing great stories. Also, I learned a lot about screenwriting and the process of the classic Hollywood screenwriter that Lawrence Kasdan is, and Iím different from that. But it was cool, man. It was really educational in a lot of ways.
Is it stuff that you can see applying to your own work?
To a certain degree. Larry knows what he wants and he goes in and gets it. As a filmmaker, I go in and find what I want. So itís two very different processes, I guess. But his ruthless efficiency with dialogue haunts me [laughs]. ďI know he can do this more quickly and succinctly than Iím doing it, how can I figure that out?Ē
Do you have to kind of watch yourself on set in that case, just to make sure youíre not stepping on anybodyís toes?
I certainly try to be mindful, but the good news is that Larry and Meg are two of the nicest people on the planet, so there was really nothing to be careful about and heís a great leader of ship. He knows what he wants, so itís not like there were a lot of opportunities for me to overstep even if I wanted to.
It does. It 100% does and it can mean a bunch of things. It can mean, ďIím so sick of doing dramatic comedies,Ē because I direct them and write them, that I want to do something completely fucking different, like The League. Or it can meanÖI really like working with first time directors a lot. Thereís a movie called Safety Not Guaranteed that I did and he was a first time director and it was great because heís a phenomenal writer and I got to be somewhat helpful at times with that movie. And when I work with my friend Lynn Shelton on our movies together, I guess we have a co-collaboration that goes on. So I am sometimes applying some of the writing directing skills, but sometimes Iím just an actor and it was more that case on Darling Companion.
It kind of brings me to a larger point, which is that you always hear about actors who star on television shows kind of struggling with their schedules and figuring out what movies to do. You not only star on a TV and act in many movies, but there are also the films you do with your brother. How do you keep all that scheduling in your head?
Well, The League only shoots three months out of the year Ė thirteen episodes, we shoot really quickly. And so thatís really good and thatís part of why Iím on the show. I could never be on a show like The Office or Parks and Rec, as much as I love them, their schedules would kill everything else I want to do. And I work with a partner, I work with my brother, so weíre efficient. And Iím just a workaholic. I love working, I love working fast. When I hear you say that, Iím objectively saying, ďYouíre right, I put out a lot of stuff in the course of an average year,Ē but it doesnít feel to me like Iím a maniac. I sleep eight hours a night, I play with my kid, I have a normal life. I just think that when itís nine to five I never stop.
But do you ever feel any kind of timing pressure
Yes. Iíve had to turn down things that I really want to do because Iím directing a movie or Iím on The League or whatever. And whatever, high class problems, but I have felt that a little bit. I know some people who are just actors and their schedules are open for the year and I get jealous sometimes. Like, ďOh fuck, you can take whatever you want!Ē The balance that I get lifestyle-wise out of doing all this stuff is healthy for me. So I guess itís a worthy price to pay.
Does that work for writing as well? What is your writing process with your brother?
We work very quickly and we try to structure our movies out together and then I bang away at those drafts very quickly. And weíre starting, in the last couple years, to do more writing work, traditional writing work inside the system as well. And we really enjoy that.
Like what kind of stuff?
Just either rewrite work for scripts going into production or adapting novels for people, or stuff like that. And so I guess itís just a process of knowing what Iím good at so that I donít end up on a project thatís going to take me three years to figure out how to do it. Iím usually jumping into something where I know Iím the right person for this job and I can do it in two months so Iíll take this one.
I know you and your brother have The Do-Deca-Pentathlon coming out later this year, but do you know what your next project is going to be?
You know, weíve made five movies in the last six years, so weíre going to do a lot of writing work this year, writing things on spec and writing things for studios, and Jay just had a baby and Iím having one in a couple weeks.
So weíre going to do some family time and then The League starts up pretty quickly for us. So I think weíre gonnaÖwe had a drawer full of scripts that allowed us to make those movies in six years, and that drawer is kind of empty now, so I think we need to restock it.
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