Remake Rights For 69 Akira Kurosawa Projects To Be Represented By Splendent Media

The Seven Samurai cast in Seven Samurai
(Image credit: Toho)

Because of the way modern Hollywood works eventually all of the great directors will have their best films remade, and in recent years Akira Kurosawa has been no exception. Though none of them have been reached the production stage yet, studios are developing remakes of Seven Samurai, High and Low, Drunken Angel and Ikiru as you read this. But if you thought that was going to be the end of it, I have some bad news.

Variety reports that a company called Splendent Media has made a deal to "represent worldwide rights" for 26 of Kurosawa's directed films, 24 he wrote but didn't direct and 19 of his unproduced screenplays. While this obviously doesn't include the titles mentioned above, which are all set up at other studios, movies like Ran, Rashomon, Yojimbo, and Dreams are all included in the deal. The company will largely be serving as a sales agent for the titles, but may also produce some. Said Sakiko Yamada, principal of Splendent Media, about the deal, "We are thrilled and deeply honored to have been entrusted to represent this spectacular treasure trove of films and screenplays, and to help contemporary filmmakers introduce a new generation of moviegoers to these unforgettable stories."

I'm going to do my best to look on the bright side of this situation. After all, The Hidden Fortress was key in inspiring George Lucas to create Star Wars, and both John Sturges' The Magnificent Seven (Seven Samurai) and Sergio Leone's A Fistful of Dollars (Yojimbo) are some of the best examples of westerns ever made. We should also remember that just because someone holds the remake rights doesn't mean that they'll actually do it. While I imagine we will see some modernized versions of Kurosawa films come out of this deal, we can hope that some will remain untouched.

Eric Eisenberg
Assistant Managing Editor

Eric Eisenberg is the Assistant Managing Editor at CinemaBlend. After graduating Boston University and earning a bachelor’s degree in journalism, he took a part-time job as a staff writer for CinemaBlend, and after six months was offered the opportunity to move to Los Angeles and take on a newly created West Coast Editor position. Over a decade later, he's continuing to advance his interests and expertise. In addition to conducting filmmaker interviews and contributing to the news and feature content of the site, Eric also oversees the Movie Reviews section, writes the the weekend box office report (published Sundays), and is the site's resident Stephen King expert. He has two King-related columns.