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It was the closest thing to a clean sweep as we have seen so far this awards season.
Over the weekend, several major regional critics groups revealed their choices for the "Best" films of 2015. Organizations from Los Angeles to Boston (and points in between) spread their love to a smattering of different films and performances, keeping the hopes of numerous Oscar contenders alive. But when it came down to naming a Best Picture, it was Tom McCarthy’s Spotlight that took the top prize again and again. Spotlight was named Best Picture by the Los Angeles Film Critics Association, the Boston Society of Film Critics, the Washington DC Area Film Critics, and the New York Film Critics Online. Earlier in the season, Spotlight picked up the top prize at the Gotham Awards. It leads the nominations for the 2016 Independent Spirit Awards. And it performed extremely well during its early run through the fall film festival circuit. What does this mean? Perhaps not much, but at this stage in the game, building up any sort of momentum can be crucial to establishing a film as a frontrunner, and Spotlight sure picked up a significant amount of critical adoration over the weekend. "Frontrunner" status can also lead to backlash, as those who might not believe in Tom McCarthy’s masterpiece can start to chip away at its credibility (though what they could possibly oppose is beyond me, at this point). For now, here’s where I think the Oscar contenders sit on December 7. What about you? 
The Frontrunners The Contenders The Dark Horses The Longshots
The more I think about Spotlight, the more I realize it doesn’t have an ounce of fat on it. It’s airtight, and its precision – from the script to the performances – can be traced back to Tom McCarthy. I need to see it one more time, but he might be running away with this category. Can Quentin Tarantino or David O. Russell disrupt his flow?
The Frontrunner The Contenders The Dark Horses The Longshots
Now that I’ve seen Leonardo DiCaprio in The Revenant, I can tell you that I think he gets in. Not only that, I think he’s the one to beat in this category. Not because he gives the year’s best performance. (In fact, Tom Hardy’s slightly better than DiCaprio in the SAME movie!) However, the narrative that it’s DiCaprio’s time is strong, and I’m not sure that there’s another powerful male performance ready to knock Leo out this year. Depp and Damon are possible. Outside of those three, I’m not seeing it.
The Frontrunners The Contenders The Dark Horses The Longshots
We are seeing a lot of the same names in the category, as if the candidates had been established for weeks, and now they are just jockeying for position. Carol boasts two spectacular performances. Saoirse Ronan is brilliant in Brooklyn, and Brie Larson is picking up early critics’ awards for Room. Having seen Joy, I predict Jennifer Lawrence stays firmly in the Best Actress conversation this year. And I’m pulling for Charlotte Rampling, who is devastating in 45 Years. What say you?
The Frontrunner The Contenders The Dark Horses The Longshots
Easily this year’s most competitive race, which means several worthy names will be left out when the nominations eventually are announced. How many actors from Spotlight can get in? You could almost give all five slots to members of the outstanding Spotlight ensemble, but in reality, I bet two make the cut. Mark Rylance still feels like a lock for Bridge of Spies. After that, though, there are SO MANY names that deserve consideration. This is the hardest race to narrow down, and I predict it will come down to the wire.
The Frontrunners The Contenders The Dark Horses The Longshots
Alicia Vikander long has been the frontrunner in this category, not just for her soul-baring work in The Danish Girl (which should earn her an Oscar win, not just a nomination), but in recognition of the exquisite year she had as a performer. I also finally caught Youth last week, though, and I understand why many believe Jane Fonda’s scant bit of screentime will earn her a nod. It’s a showy, vitriolic turn that drips with the resentment of an older actress – and a Hollywodo legend – leveling bitter (but accurate) criticisms at her industry. Biting the hand that has fed her for years? What better way to get Oscar’s attention? I bet it works in her favor come nomination morning.
The Frontrunners The Contenders The Dark Horses The Longshots |
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