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Jose Padilha is not remaking your father’s RoboCop. “That would be silly,” the director told us during a recent conversation. “I love the first movie. It’s amazing. It’s iconic.”
But times have changed – locally and internationally – and Padhila’s vision of a new RoboCop should transition along with them. (Ironically, the actual hometown in the bloody, blue-collar original film – Detroit – recently filed for bankruptcy and likely could use a legitimate hero, but that’s another story.) The director follows in the footsteps of Total Recall, taking a genre classic and applying a fresh coat of topical paint. What does he have planned? And will it work? Here’s more from our conversation with Padilha, where we discuss the use of drones in battle, the family RoboCop needs to protect, and the ways his film compares to Christopher Nolan’s Dark Knight trilogy. But first, check out the film's brand-new trailer, which just dropped yesterday:
When I mentioned I’d be doing RoboCop interviews, the only thing anyone reading us wanted to know is if you’re going for an R rating. The first RoboCop is so violent, in a fun way. Is that a mandate? Or is it not even a concern?
I’m not going for an R rating. I don’t buy into the idea that because the first movie was R rated, the second movie has to be R rated.
For starters, I am not trying to do the first movie again. That would be silly. I love the first movie. It’s amazing. It’s iconic. It’s characterized by its very bold, stylized decisions, and the use of violence has to do with that styling. The use of violence in the first RoboCop is not for fun. It’s a statement against fascism and against a certain state of affairs in the world at that time, and it was used that way.
The world is different now. It’s not the same as before, one, and I don’t know if that style decision applies anymore … at least, not to the kind of, to the way we are approaching this movie. So, basically, I am doing my own thing. I am doing a rendering of RoboCop the same way that, you know, we had another rendering of Batman as opposed to the old one. So, you know, the Michael Keaton Batman is very different from the current Batman. They are not the same. They are very different and so, it’s OK to make a different movie.
But like Batman, he’s very defined by the city he is choosing to protect or the situation he is dropped into.
So, tell me about your hero’s situation. Tell me about what you have planned.
Our RoboCop, I think … its an attempt to make a movie that’s going to be fun, but it’s also about something and it’s about something that’s happening, right now, which is the use of drones in war. We are seeing more and more wars being fought in which one side doesn’t face a risk. Think a little bit about, let’s say, Vietnam. Why did the Vietnam War end? It’s because American soldiers were dying. There was a lot of pressure home. Now, think about what’s about to happen, very quickly, [in the near future]. Countries will be fighting wars using only robots, so no one is going to be dying. Once that happens, there’s no pressure at home to stop certain things from happening. There’s a huge imbalance of power.
Furthermore, wars and edicts go out the window, because if you have a soldier pulling a trigger, you can ask yourself whether the soldier did the right decision or not, because the soldier is a conscious human being. He can make choices. If you have a robot pulling the trigger, and the robot makes a mistake, who are you going to blame? You’re going to blame the company that made the robot, the army that put the robot there. You’re going to blame the software manufacturer. Who’s to blame? So, you cannot even use edicts to evaluate actions anymore. This is happening right now.
If you read the regular press, you have a lot of stuff coming out about drones, but drones are different, because drones, you always have a guy who presses the button. If you read the philosophical community debates about autonomous machines, they are starting to discuss this kind of ethical issue. In 10 years, it’s going to be right there. We’re going to be in it. So, we’ve made about a movie about that. We’re in the future, and robots are being used in war, but because robots are not accountable, they cannot be used in America. It’s not legal to use them in America. So, this company that produces a lot of robots is losing money. How do I circumvent the law? I put a man inside the machine, and give the robot a conscience. Hence: RoboCop. So, we have a concept for the movie.
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