At this point, movie-goers are extremely well-versed when it comes to superhero origin stories – and while their importance is obvious, they’ve also become problematic to a certain degree. After all, while each one has its own story to tell following a specific character with specific abilities, many of them also follow a very familiar narrative structure. We’ve seen it time and time again on the big screen – but that’s also exactly why Anna Boden and Ryan Fleck’s Captain Marvel decided to try something different.
In the making of the movie, Marvel Studios realized that telling the same kind of three act arc again just wasn’t going to work, which is why the story of Carol Danvers stands out – with her first solo film opening with her already having powers, and audiences only learning about her pre-powered life in the film’s second act. It was something I personally very much appreciated about Captain Marvel, and when I sat down with producers Victoria Alonso and Jonathan Schwartz earlier this week, they explained why they felt the story shake-up was necessary. Said Alonso,
Following its billion dollar theatrical run earlier this year, Captain Marvel is now getting ready to launch on Blu-ray, and it was during the movie’s Los Angeles home video press day that I had the chance to interview the Marvel Studios veterans about their work on the blockbuster. I brought up my appreciation of the subverted origin structure, and asked if it was something specific to which the franchise was paying attention, and they made it clear that Marvel knows it can’t just be using a familiar formula over and over again.
Specifically referencing Captain Marvel, which is his third Marvel Studios feature as a producer after the first two Guardians of the Galaxy movies, Jonathan Schwartz noted that the discussion about changing up the origin story approach happened early in the development process. There was internal recognition that worldwide audiences know these kinds of movies backwards and forwards at this point – not only from the Marvel Cinematic Universe, but other franchises as well – so the filmmakers knew that they had to try something different when introducing audiences to Carol Danvers. Schwartz explained,
This is a particularly interesting development for Marvel Studios now given that we are in a post-Avengers: Endgame world. The first generation of the franchise has come to an end, and with Phase Four we will start to see a whole lot of new stories being told in the continuity. If these releases don’t want to get stale, particularly given the plans to regularly release three titles per year, changes need to be made.
Victoria Alonso, who has been with Marvel Studios from the very beginning, made this very clear as she addressed how the company is looking at origin stories in the future of the MCU. Responding to the second half of my question about how these kinds of narratives are being approached looking into Phase Four and beyond, she noted,
Needless to say, our anticipation for projects like The Eternals and Shang-Chi is only increased with this shared sentiment, as excitement grows wondering how Marvel Studios will change things up while telling those specific stories. And, of course, we continue to wonder about all of the other fascinating characters from the pages of the comics that might eventually make their way to the big screen.
Audiences now have the opportunity to experience the start of Marvel’s second generation of origin stories, as Captain Marvel is not only now available for digital download, but will be available for purchase on Blu-ray next Tuesday, June 11th. Between now and then, be sure to stay tuned here on CinemaBlend for more from my interview with Victoria Alonso and Jonathan Schwartz, as well as all of our Marvel coverage.
NJ native who calls LA home; lives in a Dreamatorium. A decade-plus CinemaBlend veteran; endlessly enthusiastic about the career he’s dreamt of since seventh grade.
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