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MOVIE NEWS
Oscar Eye: Final Nominee Predictions![]()
My apologies for Oscar Eye going MIA for a week there-- as you may have noticed, I was on the ground at the Sundance Film Festival providing all the coverage you could possibly want from our nation's snowiest film festival. But now I'm back in New York, and holy shit, the Oscar nominations are tomorrow! Believe me when I tell you this year's Sundance was so good that I forgot about the Oscars entirely.
We're so close to the nominations announcement that it's almost not worth throwing out some last-minute predictions, but hey, I'm a completist even after spending 10 days completely out of the loop. Of course the big news that happened while I was away is that Kathryn Bigelow won the Director's Guild award for Best Director, cementing her status as the Best Director frontrunner and meaning the men in the category will basically be playing catchup. Bigelow's win was no surprise, but a slight shock came in at the SAG Awards, where Inglourious Basterds walked away with Best Ensemble over competition like Up in the Air and The Hurt Locker. That doesn't automatically make Basterds a Best Picture winner, but it does make you think a little. Anyway, tomorrow morning before I've even had my coffee, half these predictions will be proven wrong and everyone will be wondering how the conventional wisdom failed to predict this or that nominee. That's always the fun part, though, the surprises. I'll be up early to cover the nominees and figure out where all of mine went wrong... but in the meantime, here are my picks for nominees in the top categories, with whatever reasoning I can come up with. Forgive me. I'm still on mountain time. ![]() Now's the time to start getting insecure and making crazy predictions, and with the nominations so close, it's tempting to do just that. I've got with a top 10 that feels very shaky, and District 9 or A Serious Man could easily be replaced with anything in the second column. These predictions largely go with conventional wisdom, but I'd be happy to be surprised.
![]() Didn't the DGA lineup just feel right this year? Usually one of the directors get bumped out in favor of the others, but with Invictus slumping in the home stretch and Oscar's love of congratulating itself on its diversity, Lee Daniels just feels right. Bigelow, obviously, will be the winner, so in a way it doesn't even matter.
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![]() No one has shown up to challenge Helen Mirren's largely uncontested spot, so unless all the Academy voters miraculously saw Julia and fight hard for Tilda Swinton, the lineup that's been predicted for weeks is standing firm.
![]() I'm going a little crazy in this category, first predicting that the Invictus stumble will rob Matt Damon of his nomination-- not that he particularly deserved it-- and pass it on to Peter Sarsgaard instead. And then, a little crazier, I'm giving Stanley Tucci the nomination for Julie & Julia instead of The Lovely Bones. Playing it safe never really pays off that well, so why not go with my gut this time.
![]() God only knows who will show up in here next to Mo'nique, because the category has been dominated so much by her this season. Cotillard is still there, because at this point I feel invested in it, and Moore sticks around because she's just such a frequent Oscar bridesmaid they probably feel obligated to include her.
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