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Sundance Review: Night Catches Uspublished: 2010-01-30
Sundance Review: Night Catches Us

hanks to its historical bent and name-brand actors doing excellent work, Night Catches Us will likely show up in theaters at some point, but won't act as the kind of defining moment that both Mackie and Washington have deserved as actors for years
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Sundance Review: HIGH Schoolpublished: 2010-01-30
Sundance Review: HIGH School

What's really a shame about HIGH School is that it's such a crowdpleaser for a large crowd, but is probably best enjoyed with some sort of illegal substance in every audience member's hand
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Sundance Review: Lovers Of Hatepublished: 2010-01-30
Sundance Review: Lovers Of Hate

The slapstick and closing-doors farce elements of Lovers of Hate make it ripe for a mainstream Hollywood remake, which would inevitably iron out all the film's nuances, but might also inspire more people to track down this tiny and clever movie
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Exclusive Sundance Interview: Alex Gibneypublished: 2010-01-29
Exclusive Sundance Interview: Alex Gibney

Casino Jack comes out in theaters later this year, so I'll run our full 20-minute conversation then; in the meantime watch a 5-minute excerpt in which Gibney explains why Abramoff is still relevant and his role as a different kind of criminal
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Blue Valentine Picked Up For Release By Weinstein Co. published: 2010-01-29
Blue Valentine Picked Up For Release By Weinstein Co.

Apparently the Weinsteins believe they can launch an Oscar campaign for Michelle Williams' performance, which is a dead-on strategy-- she's amazing in the film, overcoming a weakly drawn character
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Drunk History Takes Top Sundance Shorts Prizepublished: 2010-01-29
Drunk History Takes Top Sundance Shorts Prize

Short films don't really get a lot of buzz at Sundance-- there's a lot of other stuff to drown it out, of course-- but the one short I've consistently been hearing about is "Drunk History," in which Will Ferrell and Don Cheadle re-enact history after a few bottles of wine
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Sundance Review: Mother And Childpublished: 2010-01-28
Sundance Review: Mother And Child

As the movie pulled hard on the reins to jerk the tears out of its audience in the last half hour, I was definitely one of few people with dry eyes in the house, but I can't have been the only one who felt thoroughly manipulated
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Sundance's Hesher Picked Up For Distribution By Newmarketpublished: 2010-01-28
Sundance's Hesher Picked Up For Distribution By Newmarket

The lucky buyer is Newmarket FIlms, a small indie company that usually distributes movies you don't hear about, but also has Passion of the Christ and Donnie Darko to its name
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Exclusive Sundance Interview: Night Catches Us Director Tanya Hamiltonpublished: 2010-01-28
Exclusive Sundance Interview: Night Catches Us Director Tanya Hamilton

I talked to Hamilton earlier this week at Main Street art gallery, and asked her about the way she fused the historical record with the characters she had created, and what inspired her about the Black Panthers story to begin with
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Sundance Review: Animal Kingdompublished: 2010-01-28
Sundance Review: Animal Kingdom

Americans may have created the perfect examples of the crime saga with The Godfather and The Sopranos, but Animal Kingdom proves that we don't have a lockdown on compelling gangsters
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Sundance Review: The Kids Are All Rightpublished: 2010-01-27
Sundance Review: The Kids Are All Right

Lisa Cholodenko's film is sure-handed, warm and funny, a crowdpleaser that isn't too pleased with itself, despite the presence of organic farmers and smart teenagers and all the other tropes of smug liberal filmmaking that might normally make me cringe
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Sundance Review: Blue Valentinepublished: 2010-01-27
Sundance Review: Blue Valentine

The complex, arty version of this film knows that there are no simple answers, that people don’t have easily understandable motivations, especially in matters of love. But in a film that goes to great lengths to bring us close
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