Among the many great books in development for the inevitable feature adaptation is Donna Tartt's Pulitzer-winning novel The Goldfinch. While we continue to wait for news that the Goldfinch movie is moving forward toward production, we've collected what information we have about the movie.

The Goldfinch (The Book)

Published in 2013, Donna Tartt's The Goldfinch was received with mixed to positive reviews from critics and readers, a lengthy run on the New York Times best seller list, and the Pulitzer Prize for Fiction in 2014. A movie adaptation was inevitable, but the book clocks in at well over 700 pages, so this adaptation will be no easy task.

What The Goldfinch is About

The story begins with its lead character, Theo Decker, surviving an accident that takes the life of his mother. Not only does this horrific ordeal put him in the possession of a priceless work of art -- Carel Fabritius' The Goldfinch painting -- it also sends him down a very uncertain path. One that involves a wealthy New York family, a gambling father and his drug-using girlfriend, a Russian loner, and an antique furniture dealer. Without delving too far into spoiler territory, it's probably fair to describe The Goldfinch as a journey story, focusing on Theo's challenged life through adolescence and into early adulthood.

What We Know About The Film's Development

Warner Bros.' development of the film took a notable step forward this summer, when it was revealed that John Crowley would be directing The Goldfinch, based off a screenplay from Tinker, Tailor, Soldier Spy writer Peter Straughan. The Irish director made a name for himself with Brooklyn in 2015, which was nominated for three Oscars, including a nod for Best Picture. While Brooklyn is tonally very different than what we expect The Goldfinch to be, it's a comfort to know the film is in the capable hands of a talented director, who's familiar with working with adapted material. The Goldfinch also shares a (relatively) similar location, as much of the story takes place in another borough of New York City (Manhattan). New York's relevance in The Goldfinch borders on being another character in Theo's life, so the setting absolutely matters, much in the way Brooklyn did to the 2015 film.

Who should play Theo?

EW suggests Daniel Radcliffe for the part of Theo, which certainly makes sense when we take into account Boris' nickname for Theo ("Potter"), however I picture a different actor in this part. In truth, I almost never mentally cast an actor in the role of a character while I'm reading a book, but The Goldfinch was an odd exception. Right around the time Theo jumps from teenager to adulthood, Nicholas Hoult's face (in glasses) came to mind, and after that, he's who I pictured as adult-Theo for the rest of the book. So I wouldn't mind seeing him in this part.

Theo is a tricky role to cast, as he's such a complex character. One whose mother's positive influence never quite leaves him, but who also faces challenges and misfortunes that draw out a darker side. Substance abuse plays a pretty heavy factor there. And all the while, Theo is constantly trying to adapt and blend in among his peers. He's also not the most reliable of narrators, which certainly works for the story, but could prove to make the adaptation of this character to screen a challenging task. The Goldfinch may be better off casting a relative unknown for this part, but there are certainly known actors out there -- Hoult and Radcliffe included -- with the talent and range for a role like this. We'll have to wait and see who lands the part.

Other Casting

Casting of the film may give us an indication of how they're going to abridge the source material. Will the movie spend a significant amount of time focusing on Theo's teen years, including his stay with the Barbours and the time he spent living in Las Vegas? Or should we expect a bigger jump forward from early teens to later adolescence? The development of Theo's friendship with Boris seems too important to cut out, but in the interest of condensing this lengthy story into a feature-length movie, we may have to prepare ourselves for a significantly trimmed down version of Donna Tartt's novel.

With the director and screenwriter in place, we're left to await word on casting of Theo, along with other lead characters, including Boris, Hobie and Pippa. I wouldn't mind it at all if John Crowley mined the cast of Brooklyn for some of the roles. Emory Cohen might be a good contender for Theo, and perhaps Saoirse Ronan would make a good Kitsey, if not a perfect Pippa. And Domhnall Gleeson as Platt Barbour?

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