Spike Jonze's Her Will Close The New York Film Festival

We should have seen it coming. In the last few weeks, every new film that has debuted a stunning trailer has, the next day, gone on to become part of the New York Film Festival lineup. First it was the Tom Hanks starring Captain Phillips, which will open the fest, then it was Ben Stiller's The Secret Life of Walter Mitty, which will be the centerpiece. Today it's Spike Jonze's Her, today announced by the Film Society of Lincoln Center as the closing night film of the festival, which kicks off on September 13. Her will conclude things on October 13. Here's that incredible trailer that debuted yesterday, in case you missed it:

In an interview at FilmLinc.com that accompanied the announcement, Jonze talked about the film in depth for the first time, describing it first and foremost as "a relationship movie," though imbued with high-concept ideas about technology and how we relate to it. Joaquin Phoenix plays a lonely city-dweller who downloads a software program that is a female voice (Scarlett Johansson), but also a personality that he slowly falls in love with. Set in the near-ish future and in Los Angeles, Jonze says the film required that he establish a specific vision of the future, in which Los Angeles is an even more comfortable place to live than it is now, but still isolating:

Los Angeles is seen in our future version of itself. Early on we decided not to consider all the aspects of what things will actually look like in the future, as much as what we wanted "our future" to look like. L.A. was important for us because we tried to make a future that is very comfortable and an easy place to live in, and that's exactly what L.A. is like.In our future we have an incredible subway system in L.A., so we suspended disbelief a bit. The weather is always nice and there's, of course, the ocean and the mountains and the food is always great. There's a comfort to our future and this movie plays so that everything reflects that [possibility].

His most fascinating comment, though, was about the look of the film from Danish cinematographer Hoyte van Hoytema, who Jonze says brought a "feminine" aesthetic to Her:

SJ: I showed it to someone recently and their response I took as a very high compliment. The person said that it felt very feminine—a woman's film made by a man. I was very excited about that. When I first met Hoyte, one of the first things I liked about him was that he has a very feminine sensibility about him in terms of the sensitivity that he brings to his work. And that's one of the reasons I hired him. I wanted the film to feel feminine. And then my friend said that it was feminine and that really was a high compliment.

I don't totally know that Jonze means by "feminine," but given that the supporting cast includes Rooney Mara, Amy Adams and Olivia Wilde, there's more than enough attention-getting female power to go around. A film like Her is in danger of falling into the "bland young man is transformed by a quirky young woman" trap-- even if that quirky young woman happens to be a computer. The notion that Jonze wants more emphasis on his female cast is a strong sign he's going somewhere different with it-- though given that he's the director of Being John Malkovich and Adaptation, we really shouldn't have expected anything different.

After its NYFF premiere, Her will open in theaters November 20. We'll have full coverage of the New York Film Festival starting in September, so get ready! Festival season isn't far away at all.

Katey Rich

Staff Writer at CinemaBlend