The tree jokes are flying across social media after actress Scarlett Johansson's latest comments on casting backlash. Johansson has faced whitewashing accusations for Ghost in the Shell and most recently backed out of a role playing a transgender man, Dante "Tex" Gill, in the movie Rub & Tug.
She initially responded to the Rub & Tug casting controversy by directing critics to the trans roles recently played by Jeffrey Tambor in Transparent, Jared Leto in Dallas Buyers Club, and Felicity Huffman in Transamerica. However, that defense didn't go over well, so she dropped out of the Rub & Tug movie completely.
Now, in a new interview with As If magazine (via Daily Mail), Scarlett Johansson shared further frustration with the "political correctness" in modern casting.
UPDATE: Scarlett Johansson responded to how the Daily Mail published her As If magazine piece, saying her conversation was edited for clickbait and taken wildly out of context. Here's her statement:
Back to original story:
Scarlett Johansson is now being defended or criticized, depending on your point of view. Some people are joking about giving her tree or animal roles, while others agree with her larger point about the role of actors being to play people who are not themselves.
Many agree with the idea that art should be free of restrictions, but the interpretation seems to be in contention. To some, like Johansson, that means she should be able to play someone who is trans, for example, or traditionally Japanese in manga. Also, her star status helps projects actually get made and gives them a better chance of doing well (unless there's backlash and the movie suffers).
To others, art being free of restrictions means freeing casting away from mostly white, straight, cisgender stars like Scarlett Johansson. It means freeing your mind to give roles to other less represented people around the world, allowing them to get the kind of exposure that creates A-list stars like Scarlett Johansson. It also means supporting greater representation in media by allowing trans actors to play more roles, including (but not limited to) portraying a real-life trans person on the big screen.
Scarlett Johansson is not the only actor to defend the idea of actors being able to play anyone. Bryan Cranston recently talked about that when facing (very mild) backlash for playing a disabled man in The Upside. Here's part of what Cranston said about that:
That's not too different from what Scarlett Johansson has been trying to say. And his note about "a business decision" likely means Bryan Cranston already has star power and can help sell the movie alongside Kevin Hart. You could argue a disabled actor could've gotten a showcase to become a star alongside Kevin Hart, but that's part of the debate Cranston is encouraging.
Andy Serkis also passionately defended Scarlett Johansson against the Rub & Tug casting backlash:
Scarlett Johansson does seem to be singled out as the poster child for casting backlash, despite the other examples she herself initially mentioned for Rub & Tug. She's in a position of great influence as a Marvel Cinematic Universe star, as well as a respected dramatic actress, and the highest-paid actress in the world. So the Black Widow star is held to a higher standard than many others.
Plus, she's had this come up more than once. And instead of doing what, say, Ed Skrein did for Hellboy (boy did he make the right call to skip that movie), she doubles down on her initial positions ... but then, in the case of Rub & Tug, backs off anyway. The market for a Rub & Tug movie would probably need the support of the communities Johansson turned off with her comments, so dropping out was probably the only move there.
There's no single way to look at this, but one thing is clear: Scarlett Johansson has people thinking and talking about the current reality and future evolution of Hollywood casting.
Gina grew up in Massachusetts and California in her own version of The Parent Trap. She went to three different middle schools, four high schools, and three universities -- including half a year in Perth, Western Australia. She currently lives in a small town in Maine, the kind Stephen King regularly sets terrible things in, so this may be the last you hear from her.
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