Channing Tatum Talks Die Hard, White House Down, And What He Has In Store For The Magic Mike Franchise

By Kristy Puchko 2013-04-08 11:33:30discussion comments
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Channing Tatum Talks Die Hard, White House Down, And What He Has In Store For The Magic Mike Franchise image
Last September, when I went to visit the set of the latest Channing Tatum vehicle, White House Down, I was very aware of the fact I'd be speaking to Hollywood's most buzzed about new star. Between the critically praised spy thriller Haywire, to the big romantic hit The Vow, the surprisingly wonderful 21 Jump Street, and the summer sensation that was Magic Mike, Tatum had proven himself to be so much more than a handsome hunk. His being deemed People's Sexiest Man of the Year was still weeks away, but already 2012 was undeniably the Year of Tatum.

I'd heard people talk about Tatum's star power, and how it is impactful in person. This is true, but not in the way I expected. Yes, he's sexy. But the charisma people who've met him speak of taps into something deeper. Tatum is a confident performer who deeply loves his craft and feels truly grateful for the chance to make movies. As we spoke about White House Down and working with director Roland Emmerich, I was struck by how present he was, even when asked questions he'd surely heard before. Nothing he said felt rehearsed, and he seemed freshly excited and sincere as we talked about his amazing year, his hopes for his biggest action role to date, and what he has in mind for 2013. Basically, it was easy to see why so many so many filmmakers are fighting for his attention.

When you thought about being the star of one of these big action movies, did you watch any of those movies or have you been a fan of those movies?

Yeah, of course, I was an 80ís/90ís baby so you went to the movie theater every weekend and there was one on, whether it was Stallone, Van Damme, Seagal or Schwarzenegger himself.

Did you ever think you were going to be in this type of movie? Because you started off in a small way and have been billowing up and up and up, and now youíre top lining an Independence Day-type action movie. Is that kind of trippy and fun?

I think every step of the way is trippy in this. You never think youíre going to be in a love story. You never think youíre going to be in a comedy. You never think anything. Iíve said it before, that movies are the highest stakes make believe game in the world, and this is truly the most highest stakes. Itís unreal how fast this project got going to begin with, and all the people that just jumped on immediately. This movie got its script sold like that [snaps fingers], and then it went into production like that [snaps fingers]. I met Roland two or three days after he decided to take the movie. He had a similar movie, I think, that he was writing and this just sort of came along and he took it over. But I donít think you can ever plan for anything like this; this is nuts. Iím getting to shoot Javelins (missile launchers)ónot shoot them, but stop people from shooting them. I get shot at the whole way. Itís cool.

Talk a little bit about what itís like for you after having so many successful projects this year, the scripts that are being offered to you now and the debate between, ďWhat do I take next to keep this sort of pace going?Ē

Thatís a good question because, ultimately, for the last two years Iíve been trying to get more behind the camera than I have in front of it. And it just seems like interesting movies and big movies like this (keep coming). Iíve always wanted to do a Die Hard. Die Hardís one of my favorite films. To do it with Roland, thereís only a few directors that can do what Roland does on an international scale and on an action scale. Then when I met him it was sort of just like, ďIím definitely in.Ē

Then the Wachowskis just came up (for Jupiter Ascending), Bennett Miller (with Foxcatcher), so I canít say no to those people, [laughs] and then a sequel to Jump Street. I canít let Jonah (Hill) down, but after that we (producing partner Reid Carolin and me) are calling it stop. Weíre not going to do anything until we write and direct something. But, yeah, youíre right, the things that do come by are getting more interesting. And itís great, but I donít want to forget about the things that are really on my dream list. It would take one of the titans to get me to get into another movie again.

You already know whatís going to happen though, because after you wrap on Jump Street 2 thereís going to be some sick project sitting on your lap.

Unless itís a sick director I probably will still say no, unless itís one of the top three directors that I like, you know, like Paul Thomas Anderson, (David) Fincher, somebody like that. Then Iíll jump for one of them. But other than that Iím going to stick to my guns. Because there are so many great stories and characters out there that you can just keep saying yes, but youíve got to eventually make the decision that if itís something you really want, then do it for yourself.

What was it about out the story of White House Down and this character that made you say ďI definitely want to play thisĒ?

Reid [Carolin] and I, my partner, we always try to figure out either for my character or the movie, what is it if you had to say it in one sentence? I think for me, I want to be a dad eventually, and we tried to sum it up like this: a guy that ends up saving the leader or the free world through the love of his daughter. I think that was sort of what we hopedónot in a hard handed or on-the-nose-way, but in a roundabout wayóthat was the reason that he ended up in this situation. It was all because of his daughter. And heís probably not the best husband or even dad, but heís more ofóI have friends that have dads that are better friends then they are dads, theyíre more like buddies than they are actual parental advisors. So I think thatís more what John Cale is, and this is the first time heís really been able to love his daughter through what heís good at, and thatís just dogged determination.

I thought that was interesting and also just to do a movie like this right now, during the whole political showdown thatís happening. The perception in the world thatís happening right now of us, the whole thing thatís going on in Libya, we have a black president. Thereís so much political stuff happening right now, itís interesting. This is not Hollywood getting on a soapbox whatsoever. I think that thereís definitely going to be points brought up in a movie that are political, but I donít think this movie preaches.

I donít really think Jamie Foxx is doing Obama, even though heís doing very politiciany type things, which are very staple to ever politician. He does little things every once and a while that are sort of very Obama, which is fun, but youíll never be like ďOh, heís trying to be ObamaĒ. He actually looks more like Denzel in the movie than he looks like Obama. Itís hilarious, Iíll be like, ďDenzel- sorry, Jamie!Ē

Reid and Brad were talking about your chemistry with Jamie being important in this, how did you guys work that out? Because obviously this is a super tight schedule, 14 months from script to release.

Jamie and I got along from jump. Oddly enough we had met for the first time at the spring/summer of Sony whatever thing that they have, I donít understand exactly, but itís awesome so Iím just like [laughs] ďYeah, Iím going.Ē I met him on that, he was there for Django (Unchained) and I was there to sell Jump Street.

I just met him and heís maybe one of the singlehandedly most talented people Iíve ever met in my entire life. The man can literally do anything. Thereís a piano in one of the hallways that leads to the residence in the White House, and in between takes he just over there playing jazz, and youíre just like, ďshitĒ. Then he stands up and heís Jamie Foxx, kid from Texas, you know, from maybe not the highest class part of town. Heís one of the boys. Then you get him into the scene, and heís the president. Itís incredible to watch him and heís such a good guy. Iím learning a lot from him as far as even how to just be in this industry. Itís cool, I love him to death.

When youíre shooting a scene like you did today and throughout the action stuff, how much do you rely completely on the choreography from the fight coordinators and how much do you go on instinct?

Thereís a dance that happens (in stunt work) and thatís why I really like doing it with stunt men, because they know how to dance generally better than actors do. It is choreography and if you arenít used to doing it things can go wrong. Weíre dealing with a big, huge pipe (the Javelin) that had hard edges on it, and if you move that thing even the slightest bit of the wrong direction while Iím going in it can shear off the side of your face. It is a lot of controlled violence. You go really hard up into a moment and then you stop. So Iíd say itís about 50/50. But you really do rely on the other person, that theyíre taking care of you and youíre trying to take care of them.

Then there are certain moments where itís just like ďWell, this is just going to suck for both of us.Ē Thereís one gag that weíre going to do today thatís going to suck, itís going to really suck. I go to knee him, he grabs my knee and basically picks me up over his head and we fall off a ledge onto a glass roof.

The stunt guys arenít going to do that?

The stunt guys to do the ďpreĒ, before the cameras go; I do generally all my stuff except for motorcycles and cars. That stuff I donít know how to do as well as certain people do.

So this movieís going to be as much of you as possible?

All me, theyíre still trying to talk me out of one stunt. Iím going to look at it and if I think I can do it; itís just a fall, a 25-foot fall, but the way you have to fall is bad because you have to fall on your side or on your back and thatís always dangerous.

So thatís the only one in this movie thatís questionable?

Yeah, thatís the only one questionable. Everything else will be me. I like doing this stuff though, itís kind of the whole reason that you want to do the movie. When youíre reading it youíre like, ďOh, I get to dive out a window? Cool! I get to jump off a building? Great!Ē So I love doing that stuff, itís like the stuff we used to do in high school to be stupid and fun.

Now you get paid to do it.

Yeah, now I get paid to do it and itís a lot safer, because you have people around that are watching out for you.
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