Whether you love them or you hate them, superhero movies are a major component of the modern movie landscape, with each top studio – from Disney to Warner Bros. and Fox – invested in multiple comic book franchises enveloping various comic book characters. The genre has grown and adapted over the years, allowing standalone films like Bryan Singer’s X-Men or Sam Raimi’s Spider-Man to pass the baton to massive, multi-movie cinematic universes at Marvel and DC.
But the mistakes made by previous superhero movies are being overlooked, and often repeated. For each X-Men: Days of Future Past or a Guardians of the Galaxy, there’s a Catwoman or an Amazing Spider-Man 2 -- films that tanked so hard, they drastically changed the course of a character or series. And it’s troubling that some of the biggest errors committed by failed comic book films of their ilk are being recycled by big-budget tentpoles in 2016. Why isn’t Hollywood learning its lesson?
I was lucky enough to interview director Gavin Hood recently when his fantastic new film, Eye in the Sky, opened the Gasparilla Film Festival in Tampa. Seeing as how Hood directed the notoriously flawed X-Men: Origins – Wolverine, a movie that introduced Deadpool (Ryan Reynolds) to the world – we started talking about the state of superhero films today, and how some of the mistakes he endured are being repeated today. His insights are incredibly valuable, and prove several points we have been making about mistakes current comic book movies continue to make. Such as:
Don’t Introduce Characters For the Sole Purpose Of Setting Up Future Movies
Because those movies might not happen, for reasons you can never predict. One complaint leveled at the recent Batman v Superman: Dawn of Justice is that the Dawn of Justice part of that formula was a little too underdeveloped, and tacked on. We’ve had readers complain that the Flash cameo in Dawn of Justice made no sense, and they don’t want to wait for a future Justice League movie for that scene to pay off. Same goes for the casting of Chris Cooper as Norman Osborn in Marc Webb’s The Amazing Spider-Man 2. Here we have an award-winning actor cast in a supporting role that’s supposedly going to develop down the road. Except… it didn’t.
This was an issue that plagued Gavin Hood’s X-Men: Origins – Wolverine, and studios who were paying attention might have learned that shoehorning characters in where they don’t belong, just to set up movies that might happen down the road, can damage the story a director is trying to tell in his ORIGINAL movie. As Hood recalls:
Fox, at the time, was thinking ahead. They wanted Gambit, Blob and Deadpool to be part of this cinematic world. And you can’t blame them. They are fantastic characters, all with huge cinematic potentials. Look how successful Deadpool turned out to be. But they didn’t fit into THIS Wolverine story, and they should have been left out. Will we be saying the same thing about Black Panther and Spider-Man after Civil War? Maybe they belong in that movie. Maybe, though, they’re being introduced to set up their upcoming films.
That’s not the only mistake being made by today’s superhero franchises. Read on.
Don’t Announce A Release Date Before You Have An Actual Film
The irony of this point is that, as I’m preparing this story to go to press, Warner Bros. adds two more release dates to its already jam-packed slate of DC Comics movies. This means DC/Warner Bros. have 11 movies on tap over the next five years. How many of those movies have scripts? Directors? A cast? Not enough, to be honest. Gavin Hood says this is what happened to him on X-Men: Origins: Wolverine, a movie that was given a May 1 release date while he was still in pre-production:
Gavin Hood’s point, and it’s extremely valuable, is that changes are going to occur – not just on a superhero movie, but on ANY movie. But when you are racing to meet a pre-determined release date, reacting to those changes becomes the equivalent of moving a mountain, or trying to make a sharp turn when piloting a massive cruise ship. No one could have predicted the writers strike when X-Men: Origins needed to make its changes to stay on track for its May 1 release date. What might be the problem when DC tries to deliver its Green Lantern Corps. movie in 2020? Or when Sony dated The Amazing Spider-Man 3 and 4? Planning ahead is fine. Planning too far ahead, and saddling a filmmaker with a set-in-stone date, can be detrimental to the comic book world you are trying to build.
Even Hood understands that, as he emphasized:
You know what else is a big problem studios could have learned from X-Men Origins: Wolverine? Read on.
You Have To Stay True To The Character
There’s a reason why we love these characters in the first place. When you drastically change who they are, as superheroes, to fit a new direction, you run the risk of alienating the fans to whom you are supposed to be catering.
Ask Batman fans how they feel about Ben Affleck’s Caped Crusader killing villains on screen. Ask Superman fans how they feel about Kal-El snapping Zod’s neck at the end of Man of Steel. And then, ask Daredevil fans if they like the current Netflix run that the character is enjoying. If you stay true to what makes the character who he or she really is, fans will reward you with rave reviews and, hopefully, box office returns.
Hood learned this when he altered the approach to Deadpool in X-Men: Origins. And he knows that he paid the price for it:
Staying true to the character has helped Iron Man, Captain America, and the NEW Deadpool. It might help Marvel and Sony’s Spider-Man, played by Tom Holland. It might help Gal Gadot’s Wonder Woman when she gets her solo movie. But it’s amazing how many lessons the modern superhero franchises still need to learn… and how many of them can be traced back to X-Men: Origins – Wolverine.
Your Daily Blend of Entertainment News
Thank you for signing up to CinemaBlend. You will receive a verification email shortly.
There was a problem. Please refresh the page and try again.