Lincoln Off Life Support

You would think, if there was ever such a thing as a sure bet in this world, gambling men could safely put their money on Steven Spielberg making a biopic about the most beloved president of all-time. But it’s two steps forward and one step back for Lincoln as studios have been balking at the fifty million dollar price tag. And honestly, they have reason to beyond just the economic instability currently shaking this country’s foundation.

A biopic about Abraham Lincoln isn’t going to make five hundred million dollars. Mary Todd didn’t have a sweet rack and Abe just wasn’t as gunslingly crazy as Andrew Jackson. Plus, he’s arguably too famous. Remember Ali? It was a nice little movie which got a few nominations and made money for the studio, but when is the last time someone brought up Ali in casual conversation? It’s just not relevant when there are thousands of specials on the man’s life. Same thing with Gandhi. No offense to Ben Kingsley’s performance, but why would I ever choose that over the dozens of History Channel Specials? So, if the studio isn’t going to make a truckload and the film is unlikely to be classically remembered in even fifteen or twenty years, why is it worth a 50 million dollar gamble?

But let’s be honest here, even with all its woes and all its setbacks, Lincoln will still get made because Steven Spielberg is Steven Spielberg. His publicist hinted at just as much in an interview with Hollywood Insider, saying, “Lincoln is alive and well and continues in active development. Everyone is proceeding with great enthusiasm.” In case you don’t speak Hollywood, that means we have no real financing but we’re just rolling ahead with assumptions it’ll get worked out in the end. It will.

Editor In Chief

Mack Rawden is the Editor-In-Chief of CinemaBlend. He first started working at the publication as a writer back in 2007 and has held various jobs at the site in the time since including Managing Editor, Pop Culture Editor and Staff Writer. He now splits his time between working on CinemaBlend’s user experience, helping to plan the site’s editorial direction and writing passionate articles about niche entertainment topics he’s into. He graduated from Indiana University with a degree in English (go Hoosiers!) and has been interviewed and quoted in a variety of publications including Digiday. Enthusiastic about Clue, case-of-the-week mysteries, a great wrestling promo and cookies at Disney World. Less enthusiastic about the pricing structure of cable, loud noises and Tuesdays.