The Most Important Thing Thor: Ragnarok Borrows From Planet Hulk

Hulk Mark Ruffalo Thor Ragnarok

Taika Waititi's Thor: Ragnarok is not a direct adaptation of the comic storyline Planet Hulk, but it definitely borrows a number of elements. The planet Sakaar -- the setting of the bulk of the movie -- is taken straight from the arc, as is the idea of Hulk as a gladiator, and characters like Korg and Miek. Clearly it was a key source of inspiration for the filmmakers behind the blockbuster -- but screenwriter Eric Pearson recently told me that it was really the green monster's comfort level in Planet Hulk that was the most important adapted element. Said Pearson,

I think what we took from it is, or at least what I took from it, was the idea that Hulk has found a place that he thinks could make him happy. It was very important for me to have a moment where you saw, and I won't say what it is in the movie, but where you see Hulk relaxed but not turning back into Banner - to emphasize that he's in more control here right now, and he's happy. Hulk finds that in Planet Hulk as well when he kind of takes over, and thinks he's got a life there. So, that was a big part of it.

Similar to how Thor: Ragnarok showcases a different side of the titular God of Thunder, Hulk takes on a very different personality in the new blockbuster, and certainly a lot of that has to do with the alien environment in which he has been living for years. Last week, I had the opportunity to talk with Eric Pearson over the phone about his work on the film's script, and his response came after I asked him about the influence of Planet Hulk on his work.

Comfort for the Hulk is definitely a big thing in Thor: Ragnarok -- and part of that comes from the fact that he has a very different role in the movie than what we're used to seeing from him. Every previous time we've seen the character on the big screen the focus has always been on Bruce Banner and his struggle to keep the monster inside him contained. That isn't the case here, however. Instead, when we catch up with Hulk he has been out of his cage since the last act of Avengers: Age of Ultron, so he's had time to actually exist and develop a separate personality from his scientist alter ego. As far as the ratio of human and beast goes, his leads the latter to have a much larger role than any other previous feature.

Eric Pearson clearly had a lot of fun playing with Hulk in the Thor: Ragnarok screenplay, but he did drive home another point about the character's role in the movie during our Planet Hulk discussion. As great as it was to be able to utilize Marvel's angry green giant, he also had to always make sure that he didn't steal too much focus from the eponymous Asgardian. Pearson explained,

One of Taika's first sayings is that it's a Thor movie -- he always has to be the coolest guy. We got Hulk in it, and Hulk draws eyes, and is so interesting and fun to watch, but we didn't want it to just become Hulk 1.5 or whatever. I don't know what number it would be, but we really wanted to put all of that through Thor's perspective, and also make Hulk's existence there not only a relationship for our protagonist, but also an obstacle for our protagonist.

Both Thor and Hulk have been away from the big screen since the summer of 2015, but they return in a big way in just a few days. Thor: Ragnarok will be arriving in theaters in wide release on November 3rd, and you can pre-order your tickets for opening weekend here.

Eric Eisenberg
Assistant Managing Editor

Eric Eisenberg is the Assistant Managing Editor at CinemaBlend. After graduating Boston University and earning a bachelor’s degree in journalism, he took a part-time job as a staff writer for CinemaBlend, and after six months was offered the opportunity to move to Los Angeles and take on a newly created West Coast Editor position. Over a decade later, he's continuing to advance his interests and expertise. In addition to conducting filmmaker interviews and contributing to the news and feature content of the site, Eric also oversees the Movie Reviews section, writes the the weekend box office report (published Sundays), and is the site's resident Stephen King expert. He has two King-related columns.