He got plenty toasty in the aftermath of Hydra's failed plot to take over the world, but it seems certain he'll be back, as Rumlow in the comics becomes the evil Crossbones.
It doesn't really take that much thought to come to the realization that a remake of Gareth Evans' Indonesian action film The Raid is a pretty bad idea. The real attraction of the original isn't the story, but rather the absolutely stunning stunt work and fight choreography performed by the cast.
We’re two days away from getting smashed in the face/hands/back/chest with the theatrical release of Gareth Evans’ action-deluged sequel The Raid 2, and Sony Pictures Classics has unleashed a clip from the film that is certain to drive you up the wall and back with vehicular fisticuffs. And if that’s not enough, we also have a five-minute long deleted scene that features just as much action (if not more) than everything in theaters right now. Suck it, 300: Rise of an Empire.
The Australian filmmaker's history is filled with a few popular shorts, including the clever paper-based office romance Signs, but he moved into the feature world with 2010’s enjoyable western thriller Red Hill. Not a perfect debut, but one that remained exciting and was a good indicator of Hughes’ potential.
The Raid: Redemption is one of those movies that’s so bare bones that one could remake it for America and no one would even realize it. The first wasn’t exactly a crossover smash, pulling in $4.1 million domestically. And the whole highrise fighting element is basically a sidescrolling beat-‘em-up video game.
One element that I really love about writer/director Gareth Evans' The Raid: Redemption is the way that it completely ignores human biology. Characters in that movie are shot, stabbed, kicked, punched and slammed into walls, yet the heroes would just dust themselves off and move on to the next fight. It's not hard to imagine that every surviving character was rushed to a hospital immediately after the events of the film...
This year, the industry’s top action directors choreographed breathless scenes in dingy Indonesian tenements, in the middle of the Atlantic Ocean, in cramped European hotel rooms and beneath the streets of Gotham City. Here are the 10 Best Action Scenes from 2012.
IMDB lists Taslim’s character as Jah, while Deadline describes the enemy as “a cold-blooded killer who uses martial arts and parkour skills to fight against the Fast crew.” The site makes the inevitable connection to Jet Li transitioning from Asian cinema to a villain’s role in Lethal Weapon 4
OK, so I get that in the original Judge Dredd movie the character wears a helmet, and in the comics he never takes it off-- but even though they've compromised by showing the lower half of Urban's face, it still takes a lot away from his charisma and from any attachment you can develop for the character.
In America, we don't really make straightforward action movies anymore, preferring our heroes who beat up the bad guys to be wearing superhero costumes or driving fast cars. But all of a sudden, in Indonesia, the action movie is getting an amazing revival,
Moviehole columnist Adam Frazier and I continue to weigh in on the South By Southwest film festival, jumping on camera whenever time allows to record quick video reactions to the various films programmed at this amazing Austin event
Here are quick hits on what I’ve seen since. I’ll start at the bottom and work my way up to the top, which means we begin with Frankie Goes Boom, my first -- and so far only -- bust of this year’s fest.
This year is backed with big Hollywood blockbuster action films, from the superhero adventures of The Amazing Spider-Man, The Avengers and The Dark Knight Rises, to thrillers like The Bourne Legacy and Skyfall. But even the biggest action fans might be overlooking one title: Gareth Evans' The Raid.
The sequel, which producers hope to begin filming toward the end of 2012, will return action star Iko Uwais and his director, Gareth Huw Evans, for a feature tentatively titled Berendal. As is the case with most sequels, this one will have a larger budget than its predecessor, though details are being kept in the dark about where the story might go from here
Those paying attention to films that played past festivals – and left with great acclaim – will be thrilled to see that SXSW 2012 has programmed Gareth Evans’ The Raid, Bobcat Goldthwait’s pitch-black God Bless America, and William Friedkin’s Killer Joe