Dwayne Johnson's next action opus takes place inside a massive building, but that building had to be placed someplace on Earth, and the decision was to build Skyscraper in Hong Kong. The choice to put the movie in China may feel like a calculated one to cash in on the lucrative Chinese box office and while writer/director Rawson Marshall Thurber and star Dwayne Johnson don't pretend those sorts of considerations aren't important, Thurber says that Hong Kong's verticality made it the perfect location for the massive skyscraper that is at the center of the story. According to Thurber...
While Rawson Marshall Thurber says that his decision to set the movie in Hong Kong wasn't motivated by financial considerations, both he and Dwayne Johnson are honest with the L.A. Times that the studio certainly was appreciative of the location choice, as there is at least the potential that Skyscraper could end up being better received in China because the movie is set there.
While North America is still the top box office market in the world, expectations have been that eventually, and sooner rather than later, China would overtake this continent and eventually become the key to a movie studios' financial future. We've already seen instances where China has made movies like Terminator: Genisys and Warcraft, that mostly flopped domestically, major hits globally. In the end, studios can't pretend this isn't happening, and one way to recognize this trend to set movies in places like Hong Kong as a way to appeal to that audience.
At the same time, China is well aware of this cultural shift themselves. In the past, the nation hasn't always embraced these sorts of decisions from Hollywood, as there can be a feeling that China is being pandered to that these choices are tokens designed only to reap financial gain. We'll have to see just how much of the movie is about Hong Kong and how much it makes the city important to the story rather than it simply being a decision made by a studio to try to increase the bottom line. Skyscraper hits Friday.
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CinemaBlend’s resident theme park junkie and amateur Disney historian, Dirk began writing for CinemaBlend as a freelancer in 2015 before joining the site full-time in 2018. He has previously held positions as a Staff Writer and Games Editor, but has more recently transformed his true passion into his job as the head of the site's Theme Park section. He has previously done freelance work for various gaming and technology sites. Prior to starting his second career as a writer he worked for 12 years in sales for various companies within the consumer electronics industry. He has a degree in political science from the University of California, Davis. Is an armchair Imagineer, Epcot Stan, Future Club 33 Member.