Freaky’s Misha Osherovich Talks About The Queer Representation In Horror

Mild spoilers ahead for Freaky.

If you've checked out Blumhouse’s Freaky, chances are you’ve bookmarked Misha Osherovich’s Josh in a tab in your brain already as one to watch. There’s a lot going on within Christopher Landon’s follow-up to the Happy Death Day films. It’s a body-swap movie along the lines of Freaky Friday, but with a high school student switching bodies with a serial killer. It’s a bloody slasher filled with memorable gory kills and it’s a high school comedy. In between all of this, Osherovich makes a big impression through their character’s charisma and ability to inspire sharp laughs during Freaky.

Josh is this rare self aware character who knows that he is in a horror movie. Throughout Freaky, Josh has opportunities to call out how privileged he is to make it through to the end of a horror movie (because as the odds go for the genre, it’s usually only up to the final girl). Not only is it refreshing to see the filmmakers discuss LGBTQ+ dialogue in the middle of fun tributes to slashers and hilarious sequences, but the movie also cast Misha Osherovich in a role that speaks to them on a personal level. In their words to CinemaBlend:

I play an openly and proudly gay character and I’m an openly proud queer person in real life. You know Celeste [O’Conner] actually talked a lot about this because her character is obviously proudly and openly very empowered by her blackness in the film and it’s amazing that Celeste and I play these characters. I even say it in the film ‘You’re Black, I’m gay, we are so dead’ because it’s commenting on that trope. That’s how society normally treats characters like us and often how the horror genre treats characters like us.

The movie centers on Kathryn Newton as Millie, a quiet high school girl with a couple of badass friends Nyla and Josh, played by Celeste O’Connor and Misha Osherovich. Her besties go through what the audience does during the body swap that leaves Millie in the body of Vince Vaughn’s Blissfield Butcher, thinking they're going to die. At first, they are well aware that characters such as themselves are usually the first to go in the horror genre, with the funny line Osherovich repeated during our interview, but the actor feels as though it’s something that often rings true on film. In Freaky, the gay and Black best friends are not casualties in a major studio film! Yay, finally!

Celeste O'Connor, Vince Vaughn and Misha Osherovich in Freaky

(Image credit: (Universal))

The Coming Out Scene In Freaky

Another standout moment in the film happens in the second half, when Josh’s mother walks in on her son with Newton’s Millie, who is tied up in a chair (since in this moment, she’s really the Butcher). In an attempt to cover up the awkward scene his mother has entered, Josh comes out to his mom as straight. She quickly brushes off the fake coming out and shows concern for what's going on around him, rather than placing any extra attention on his sexual identity. Misha Osherovich commented on the scene:

Filming that scene, I loved that it was about the relationship between me and my mother. It’s not about my queerness, it’s not about the gayness and they even make light of the fact ‘I’m straight’ and my mother goes ‘No, I know you, you’re my son, I love you, you’re queer. Let’s talk about the killer in the room. So I love that through comedy, our incredibly amazing queer filmmakers Chris Landon and Michael Kennedy were able to comment on some real tropes that often harm the LGBTQIA+ community and they were able to shed some light on it through horror comedy, which I think is a really fun lens to talk about societal issues that way.

The ‘coming out scene’ has become a popular element of movies with gay characters involved, but Freaky does something different with it that chooses to focus on the unspoken acceptance within a relationship instead of the rejection/approval aspect of the moment. Freaky touches on it in a really clever way that still gives Josh’s identity visibility, but also flips the typical dialogue by giving it some levity. Here’s what Osherovich said when asked about what they are most proud about playing the Freaky character:

So on paper Josh is outlandish, right? And there’s elements that are written into the script that suggest that Josh is outlandish not because he’s trying to prove a point, but because he doesn’t apologize for his queerness, and similarly as a proudly and newly out nonbinary human, I really strive not to apologize for my queerness. So when shooting the scenes for Josh, every time he’s incredibly outlandish for me it comes from, I’m not going to apologize for who I am. I love my best friend and I’m going to fight to the end to help her get back into her body, my queerness is a non-issue and I loved bringing that whateverness, ‘take me as I am’ to Josh.

The actor came out as nonbinary during quarantine this year after being out as gay for some time, per Variety. Misha Osherovich grew up in a conservative Russian household where they did not have a lot of exposure to television and pop culture at a time when more actors and characters were ‘out’ more than ever before. Also, they didn't get exposed to horror until recently.

Megan Fox in Jennifer's Body

(Image credit: (Fox))

Queer Representation In Horror Goes Way Back

The conversation linking the LGBTQ+ community to the horror genre outstretches Misha Osherovich's character in Freaky, which the actor has been given an education on since working with the filmmakers behind the new film. The Goldfinch actor also spoke about how their relationship with horror has changed since boarding the Blumhouse movie:

I wasn’t really a horror person and not only have I been introduced to the horror world through [the Freaky co-writers]... Michael Kennedy in particular and I have had a lot of talks about where queerness lives in horror. And my favorite horror film is Jennifer’s Body right? It’s so good, I think it’s arguably a perfect film, I’m saying this a lot, Diablo Cody I love you. Jennifer’s Body I think particularly talks about relationships between women and the male gaze and the straight male gaze.

2009’s Jennifer’s Body has long been an underdog in horror cinema, especially considering its tone deaf marketing rollout at the height of Megan Fox’s Transformers stardom. The cult hit was an entry point for Misha Osherovich’s newfound love of horror, since the movie discusses themes of toxic masculinity and the place of female sexuality in society. Horror has long been discussed for it’s subtext that has identified with LGBTQ+ community, dating back to the ‘30s with director James Whale, who was a openly gay filmmaker (even at the time despite how rare it was) who championed some of the most seminal horror films to this day including Frankenstein, The Invisible Man and Bride of Frankenstein.

Almost 100 years later, horror continues to explore queerness, recently with The Haunting of Bly Manor’s tragic love story. Freaky has a fun take on horror’s legacy on the side of its body swap antics with Osherovich, who hopes to see more of their character in a potential sequel. They continued to CinemaBlend with:

I think when horror taps into such a visceral, hard to deal with feelings and human nature, and horror tackles that in a lot of ways. My relationship to horror was pretty remedial before I started this film, but I’m realizing how much of the stuff that I care about – mental health, queerness, visibility in the queer community – it’s so baked into the horror genre and now I’m excited to learn more about horror and work more in horror for that reason, that it aligns so much with my human values.

Freaky is in theaters now and will be available on PVOD in December. Check out what other horror films are coming next through 2021 with CinemaBlend’s upcoming scary movies list.

Sarah El-Mahmoud
Staff Writer

Sarah El-Mahmoud has been with CinemaBlend since 2018 after graduating from Cal State Fullerton with a degree in Journalism. In college, she was the Managing Editor of the award-winning college paper, The Daily Titan, where she specialized in writing/editing long-form features, profiles and arts & entertainment coverage, including her first run-in with movie reporting, with a phone interview with Guillermo del Toro for Best Picture winner, The Shape of Water. Now she's into covering YA television and movies, and plenty of horror. Word webslinger. All her writing should be read in Sarah Connor’s Terminator 2 voice over.