How Other TV Networks Feel About Netflix's Recent Cancellations

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With its seemingly bottomless pockets and countless intentions to deliver engaging and obsession-worthy programming -- not to mention its behind-closed-doors approach to viewer statistics -- Netflix has become one of the biggest gamechangers ever to hit the small screen,with changes widely perceived as threatening to outside TV entities. But in the past month or so, the streaming giant has cancelled two of its marquee dramas while offering up intentions to do more of that. Optimism is rising for top execs elsewhere in the TV spectrum, and here's one frank view from FX's co-president of original programming Nick Grad.

I'm glad they're cancelling shows. They can't have 10,000 shows...I think it brings them back in the ecosystem of where we're all trying to make the best shows and the best decisions. They have a lot more shots and we just have to do better.

Netflix is currently pumping out multiple forms of new content on a weekly basis (many times across both Tuesdays and Fridays), and while some of that programming falls into the films and feature documentaries, the bulk of it is stand-up comedy and TV shows. Cable networks like FX are only able to put out around a dozen TV seasons a year, with upwards of half of generally coming as new series, while broadcast networks are able to produce a handful more scripted series, on top of the plethora of cost-friendly reality shows. Thinking comparatively like that, it's hard to think of a scenario where anyone else in the industry would actually want Netflix to avoid cancelling anything.

Except, Netflix's particular choices to cancel The Get Down and Sense8 could have a downside for other networks. (Beyond the downside that fans themselves were subject to, and not without making some noise about it.) Both of those shows were axed for being so expensive, and basically for not having audiences that justified the high costs. So with them gone, Netflix can probably create another 6 or 7 mid-to-low-finance comedies and dramas that don't need peak viewership in order to justify the budgets. And now that the company is even more dedicated to making riskier and offbeat content, the sky won't even be a limit.

FX's Nick Grad commented on Netflix's cancellations as part of the ATX Television Festival (via Deadline), and he was on stage with HBO's Casey Bloys, NBC's Jennifer Salke and Showtime's Gary Levine. And when Hulu's head of original content Craig Erwich brought up his thoughts on Netflix's cancellations, he had money on the mind as well.

They're capitalist so I assume that they are, at any given time, making the best decision that they think is in the interest of their business. If cancelling shows is the phase where they are, it makes sense.

Of course, Hulu is in the same position as Netflix, in that both companies are still attracting customers at a normal clip. On the flip side, TV networks across the board are having trouble retaining the same kinds of ratings and viewership models that were around before streaming took over. One thing is for certain, though, and it's that competition has never been more fierce between so many competitors. And that viewers always win in that scenario. Okay, so that's two things that are certain.

There are still a ton of shows hitting Netflix in the near future that no doubt have many network execs rubbing their temples, and you can find a full rundown with our 2017 Netflix schedule. And for everything else hitting the small screen soon, head to our summer TV premiere schedule.

Nick Venable
Assistant Managing Editor

Nick is a Cajun Country native and an Assistant Managing Editor with a focus on TV and features. His humble origin story with CinemaBlend began all the way back in the pre-streaming era, circa 2009, as a freelancing DVD reviewer and TV recapper.  Nick leapfrogged over to the small screen to cover more and more television news and interviews, eventually taking over the section for the current era and covering topics like Yellowstone, The Walking Dead and horror. Born in Louisiana and currently living in Texas — Who Dat Nation over America’s Team all day, all night — Nick spent several years in the hospitality industry, and also worked as a 911 operator. If you ever happened to hear his music or read his comics/short stories, you have his sympathy.