In Guillermo del Toro’s Pacific Rim, Idris Elba stars as Stacker Pentecost, the commanding officer at the head of the world’s Jaeger program – the operation in place to construct and train the skyscraper-sized mechs that defend our world from the otherworldly monsters known as the Kaiju. The every decision that Pentecost makes affect the lives of millions, making calls not just on strategy but also in assigning pilots. Despite that enormous pressure, it is his responsibility to maintain a level head at all time and keep a sense of calm – something Elba had to bring out of himself when approaching the role.

With Pacific Rim in theaters on Friday, earlier this week I had the great opportunity to speak with the star on the phone about his latest film. Read on to find out how he made sure to make his character standout amongst all of the CGI, balancing his career between film and television, and how it was del Toro that really attracted him to the project in the first place.

You’ve actually been doing quite a lot of genre films in the past couple years, between this and Thor, Prometheus, Ghost Rider. I’m curious are these the kinds of films you’re especially drawn to?

No, it’s a combination of, you know, the last three films, Thor, Prometheus, and Pac Rim, are all because of the directors, you know, Kenneth Branagh, Ridley Scott and Guillermo were on my bucket list of directors I wanted to work with and Ghost Rider was really cause I wanted to work with Nic Cage. I love Nic Cage, so that was the reasoning, but I’m not really drawn to the genre. You have to understand, actors really don’t get drawn to a genre. They want to work and they want to calculate themselves into what kind of films, you know, what kinds of films they want to do. For me, each genre film was very much the genre, but they’re all very different characters. That’s more exciting to me.

With so much going on action-wise, especially in this film, is there an extra challenge to kind of make your character stand out?

Is it a challenge to make my character stand out? I mean, you know, with any genre film, the hardest part is the make the human element story really stand out, to be honest. And I definitely try my hardest to bring that, every time, to life, you know? Who is he? What is he saying? What is he really saying? Oh yeah, there’s this fifty foot robot, but what is he really saying? And that’s important. It’s important to these types of films. It’s important to my career.

You mentioned that what attracted to this project was the chance to work with Guillermo del Toro, but when you were first looking at the script, and first taking in the character of Stacker Pentecost, what was it that really connected you to him?

You know, I tend to play characters that I’m emotionally sort of like one way or the other, you know. Stacker was super, super calm all the way and then when he lost his shit, he really lost his shit. He was so calm and zen-like and I wanted that to be my next challenge as an actor, to bring a real character in a massive film, that has poise.

How much did you collaborate with Guillermo del Toro on the character?

It was a full collaboration. It was conversation after conversation and there was a huge amount of, you know, material he’d already written and put forward, and so, we sat down as a team and just we rehearsed it, we spoke about it, we spoke about the connections. In a movie like this, where all you can talk about is robots and stuff, all you can see if robots and stuff, you really need to really hammer out the human stories. So, he spent a lot of time doing that with us.

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