Hollywood blockbusters are a tricky thing. With giant budgets and A-list actors attached, the pressure is on for directors to deliver a satisfying final product, specifically one that can turn a profit for the studio. And when a beloved franchise name is also included, things can get especially intense. Case in point: Gary Ross' Ocean's 8. The upcoming heist film has a stacked cast of A-listers, and the pressure of to delivering for the beloved Ocean's property. I recently spoke to Ross about directing the film's big ensemble scenes, and he revealed why he got nervous before shooting Ocean's 8.
You've got to hand it to Gary Ross, he seems to really value his actors' time on set. Given the intricate camerawork of the Ocean's franchise, Ross was sure to plan out each shot in order to optimize shooting time with the actors. But when you're balancing eight or so characters at once, there's a lot of coverage and angles to shoot.
The Ocean's 11 franchise is known for its long tracking shots, and signature editing style. All angles of the heist are explored at once, as well as the perspective of each member of the cast. If a director is unprepared, it's easy for these complicated sequences to be real time suckers. Luckily Gary Ross has plenty of experience with blockbusters like The Hunger Games, and he was ready to dive into Ocean's 8 as a director and writer.
In my same conversation with Gary Ross, he also explained how thrilling it was to actually shoot those scenes despite the early trepidation. Having the full cast together was energizing on set, as he tells it:
While Ocean's 8 was a complicated and expensive movie full of A-list extras, it seems like the set was still a fun place to be. So much so that Gary Ross knew when to let the likes of Sandra Bullock, Sarah Paulson, and Mindy Kaling ride the momentum of the scenes.
Your Daily Blend of Entertainment News
Corey was born and raised in New Jersey. Graduated with degrees theater and literature from Ramapo College of New Jersey. After working in administrative theater for a year in New York, he started as the Weekend Editor at CinemaBlend. He's since been able to work himself up to reviews, phoners, and press junkets-- and is now able to appear on camera with some of his favorite actors... just not as he would have predicted as a kid. He's particularly proud of covering horror franchises like Scream and Halloween, as well as movie musicals like West Side Story. Favorite interviews include Steven Spielberg, Spike Lee, Jamie Lee Curtis, and more.