BREAKING MOVIE NEWS
In the film, Rudd and Fey share such a dynamic comedic chemistry that it's shocking they haven't been teamed up before! And the witty back-and-forth I witnessed on screen played out in real life when the two participated in a round table interview, stuffed with eager interviewers, a few weeks back.
It was murky day in New York City when Wolff walked into a roundtable interview packed to the gills with reporters, and he was all sunshine and easy charm. He chatted with the lot of us about playing a character far smarter than himself (or most people for that matter), working with a director he admired, a comedienne he idolized, and how his work on the movie has impacted his own college admissions process and eating habits.
It seems insane that Tina Fey and Paul Rudd have never worked together on a film before, given how important each of them has been to pretty much all the good comedy that's come along in the last decade. At long last, in this Friday's Admission, Fey and Rudd team up in a classic rom-com conflict-- Fey as a Princeton admissions officer struggling to hold on to her controlled life in this rarefied world, and Rudd as the crunchy do-gooder who's aiming to shake her up even more
Nobody depicts dudes the way Green does, and making his way up from the nadir that was 2011's The Sitter, Green is back in fine and funny form with Prince Avalanche, a story about-- you guessed it-- two guys stuck together. This time they're on the verge of becoming brothers
Paul Rudd and Apatow's real-life wife Leslie Mann reprise their roles as this fiercely funny and frequently feuding pair. The film's first trailer gave us a hint to the marital mayhem the movie has to offer, and a behind-the-scenes clip offered a look at the return of Jason Segel's flirtatious physical trainer. Now the newly released clip delivers one of the couple's more intimate moments.
Judd Apatow's This is 40 could be one of the funniest commies of the holiday season-- or the most uncomfortably personal movie this side of, well, Apatow's last movie Funny People. The writer-director has always been known for drawing from his real life for his movies, but This is 40 probably crosses a new line
Judd Apatow is calling it the "sort-of-sequel to Knocked Up," but we're just calling it one of the easiest movies to look forward to at the end of this year. This Is 40, Apatow's first film since Funny People, is coming to theaters December 21, and now a new trailer has dropped over at Yahoo! Movies
After going big on his last few projects, director David Gordon Green recently, and secretly, shot a small comedy called Prince Avalanche. It was just last week we were discussing directors who should return to their pasts and with Green remaking Either Way, with Explosions in the Sky scoring, it sounds like he may have heeded our advice.
When talking about the best comedic stars of today, it's hard to find one that isn't in some way connected to David Wain. Thanks to his work on The State, Wet Hot American Summer, Role Models, The Ten and Wainey Days, the writer/director has worked with almost every single comedy star today, including Amy Poehler and Paul Rudd.
Described as the “sort-of sequel to Knocked Up,” the movie features the sort-of happily married couple Paul Rudd and Leslie Mann played in that comedy, only they are approaching the Big 4-0 and re-evaluating all of the decisions they made over the course of their relationship.
Grab your dog and a glass of Scotch, and toast to this classy bit of news. Nearly eight years after Anchorman: The Legend of Ron Burgundy hit theaters comes word that anchorman Ron Burgundy will return to the big screen for a sequel.
The plot description as provided by the Times reads a little differently, revealing that Rudd's character would be someone Fey knew in high school but never got to know, and that Rudd has been thinking about her all this time. That sounds even more complicated than the initial love triangle we learned about, but also way more fun to watch
This will mark the first time this pair of Pauls have shared the screen, and it's sure to be dynamic as each has shown to be a great comedic curmudgeon, Giamatti in Cold Souls and Rudd in Role Models. With Hawkins and her inherently charming personality on board, I can't help but wonder if the plot might spin in romantic direction not unlike the gigolo comedy Dirty Rotten Scoundrels, wherein the two con artists fall for the same woman, and a hilarious rivalry ensues.
This all went down last night on Bravo’s Watch What Happens Live, where Wet Hot writer Michael Showalter, responding to a Twitter inquiry about a sequel, answered in the positive. “Absolutely, yes,” he said. “One hundred percent yes. The whole gang — everyone is back. We’re doing it.”
The spin-off of Judd Apatow's smash hit Knocked Up has not only secured an awards friendly December 21, 2012 release date but also has us eagerly anticipating the chance to catch up with the lovable characters a few years down the line. Here's our first look at Paul Rudd, Leslie Mann and the Apatow offspring in This is Forty.
Freezing People is Easy is based on two sources: a memoir by Robert Nelson called We Froze the First Man and an episode of Ira Glass' popular radio show This American Life (Glass is also a producer on the movie). Both center on Nelson, a TV repairman who, back in the '60s, managed to stumble his way into being one of the preeminent people in the field of cryogenics/cryonics.
Sometimes I'll write up a trailer and say that it seems funny, despite the fact that it never actually made me laugh. That's just what happens when you're working home alone-- it's hard for something to be so funny that it actually makes you laugh out loud. But Wanderlust, the trailer for David Wain's new comedy that debuted today at Yahoo! Movies, actually got a solid guffaw out of me more than once
When we first meet Peter he’s with his girlfriend, Zooey, played by the lovely Rashida Jones, and talking about all of his very specific future plans, which ends in him getting on one knee and proposing. All of this seems to set him up as the straight man that Jason Segel’s wild Sydney Fife can play off of, but what makes Rudd’s turn so excellent is how his character develops
As for the banned commercial thing, this seems more like a Weinstein Company publicity stunt than any kind of free speech issue, though it's always annoying to see the major networks constantly living in fear of the angry people who will call them and say they're bringing down society's morals
There are so many great lines and moments packed into the relatively small number of scenes that Rudd's Pete actually has in the film-- which, unbelievably, is like ten, tops. From asking a constipated Debbie if she wants to have sex or the hilariously defeated and deadpan way he admits that he'll never care as much about anything as his girls care about bubbles
As an audience, we actually root for David to get his shit together. Whether he’s playing “You Know How I Know You’re Gay” or wearing t-shirts emblazoned with his own face, he comes off like a guy we’d all like to hang out with eighty percent of the time. No one who saw 40 Year Old Virgin wondered why his buddies put up with his melodrama because the evidence is right there
In the early 00s Paul Rudd was perched somewhere between absurdist comedy and bland rom-com lead. Clueless put him on the map, and he slowly stole scenes in films like 200 Cigarettes and Summer. But it was Neil LaBute’s 2003 adaptation of his own play The Shape of Things that made most people sit up and notice that Rudd wasn’t just made up of awkward pauses and affable shrugs
Fresh off a breakout role in Clueless and a turn playing Jennifer Aniston's crush in The Object of My Affection, in 1999 Paul Rudd had the option of cruising through a career as an easy-on-the-eyes rom-com star. And while plenty of those roles were yet to come, Paul Rudd the comedy superstar never would have existed without Wet Hot American Summer
He's obviously in some version of his titular idiot character from the movie, but some part of me wants to believe Rudd is this cheerful, and slightly clueless, in real life. At least we have no trouble that Harvey Weinstein is actually this cranky
One thing that makes Paul Rudd so much fun to watch is that he has the ability to play both the straight man and the funny man from project to project. He has the capacity to go from playing pot-smoking surf teacher Kunu/Chuck in Forgetting Sarah Marshall to straight-laced Peter Klaven in I Love You, Man and have nobody in the audience see a problem with it (on that note, Jason Segel is pretty talented in that department as well).