FX has lined up their Comic-Con plans, announcing panels and signing booths for some of their popular series. Archer, American Horror Story, Sons of Anarchy and their upcoming new drama The Strain will all be featured with panels at the San Diego convention set to take place later this month.
Chiklis is best known for playing lawmen facing corruption in acclaimed series such as The Commish and The Shield. How amazing would it be if he was somehow playing Vic Mackey’s sunglasses-donning father in this role?
Sometimes Twitter can feel like a curse, and other times it allows for an actress to say 16 of the most exciting words that an American Horror Story fanatic could possibly hear.
When we first heard that American Horror Story Season 4 would have a carnival theme, our first guess -- or fear -- was that a scary clown would be included. Because in a drama series this creepy, with a planned carnival theme in the works, a scary clown seems not only inevitable, but also kind of required, right?
American Horror Story will bring Michael Chiklis back to FX next season. This news seems to be the first bit of new casting this year for the FX drama, which is poised to return for Season 4 this fall, under the title American Horror Story: Freak Show.
for a series like American Horror Story all it takes is a title announcement to get fans excited about a new season. Luckily, on Monday, the Season 4 title has arrived, and it’s pretty freaky. Ladies and gentlemen, American Horror Story Season 4 will be subtitled...
American Horror Story Season 4 setting has been revealed, admittedly a bit unofficially. Writer Douglas Petrie confirmed that the setting for the fourth season of the creepy FX drama will take place at a carnival. That is apparently "very roughly" the idea. He did not elaborate on that, but given what little we know about the next season of the anthology series, it's a start! Let the clown nightmares ensue.
es, it was the final episode in this performance-heavy season of American Horror Story, with its permeable storyline and unpolished characters. “The Seven Wonders” was by no means a perfect hour of television…and that’s it. All the ins are out now, and the Supreme has been crowned. After two previous seasons of rampant mysteries that went unanswered, I’m a little disappointed by the little black bow used to wrap this season up. It’s like I want to dig through the tissue paper to make sure I’m not missing anything.
After going through the motions of highlighting everything that was good, bad, amazing, or generally confounding about the year prior we felt it was time to look ahead. So we’ve decided to highlight these perfect TV storms to let you know who’s on the cusp of making it big in 2014. This week it's all about Alfonso Gomez-Rejon, the director and visual voice behind television’s creepiest companion, American Horror Story: Coven.
American Horror Story: Coven ends tonight! Over all, it was an enjoyable season, but after getting an early screening of tonight's finale, "The Seven Wonders," I've come to the realization that there's one thing that's holding American Horror Story back from reaching its full potential, and it's actually proven to be a pretty consistent issue with this series over the last three seasons.
Of the two things American Horror Story knows how to do really well, blowing my mind is always the better option. On the flip side, it can also take everything that fans hold dear and toss it all into the garbage without a second thought. For people like me who spend three, four or even ten thoughts on AHS, it’s an insult when seemingly complex storylines and characters are written into oblivion...
The current season has played so much emphasis on who the next Supreme is that the series’ conclusion seems to hinge on that reveal. One by one, we’ve seen almost every female character pondering their own supremeness at one point or another. The above video seems to suggest that it’s Zoe’s turn, judging by what Fiona’s saying. She seems like a likely candidate, but the truth is, it’s really anyone’s game. And there are two episodes left for this mystery to be solved.
There has always been something a little old fashioned about American Horror Story, even when its scenes are taking place during the modern day. Tonight’s “Protect the Coven” felt a little like a serial drama or comedic performance from nearly a century ago, with parceled off non sequitur scenes of differing genres, all interconnected but never meshing together to creating anything whole. For some shows, that’s akin to a death knell, but for AHS, it just means we get to see around three different levels of gore, more theremin music and a cross-dressing ghost with a beard.
But that doesn’t mean we can’t already start thinking about the series’ fourth season and what kind of a horrific mash-up creators Ryan Murphy and Brad Falchuk have coming. After a recent rumor surfaced that it would be another period piece, Murphy himself has come out saying the fourth season will be “set in 1950.” Can we assume that it will focus on Charles Schulz and the crafting of his classic Peanuts comic strip? Probably not.
Let’s just get right into talking about the elephant in the room. Watching Stevie Nicks perform “Rhiannon” on the piano in front of Misty in the middle of Miss Robichaux’s Academy was one of the most perfect scenes I’ve ever seen on a TV series, and I say that completely subjectively. But it’s not just that I love the song and the throaty, subdued rendition Nicks gave it, but it’s the rare bit in a series where a character gets to meet the person they idolize and imbibe on their glee.