Now I Know Who To Thank For One Small, But Satisfying Detail In The Batman

Robert Pattinson's Batman looking down at crime scene as camera flash goes off in The Batman
(Image credit: Max)

I have spoken endlessly about why The Batman is my all-time favorite live-action Batman movie (or, so far, at least, since there are plenty of upcoming DC movies to look forward to). I love Robert Pattinson’s intense performance as Bruce Wayne, the astonishing action sequences, Gotham’s grim design, and the fact that the 2022 film finally puts the Dark Knight in a genuine detective story.

There is also one element from Matt Reeves’ comic book crime epic that is decidedly minor in the grand scheme of things, but proved to be a major relief for me and other BatFans. Now that I know who is responsible for this detail, I would like to show my appreciation.

Robert Pattinson wearing black eye shadow in The Batman

(Image credit: Warner Bros. / DC)

Robert Pattinson's Lingering Eye Makeup In The Batman Was Mattson Tomlin's Idea

Viewers may recall how, in The Batman, anytime Bruce Wayne returns from a night out lurking the streets of Gotham City, the black eye shadow he wears beneath his cowl remains on his face. Mattson Tomlin, who did some uncredited script revisions on the film, confirmed in an X post that he was the brains behind this visual detail. Check out the post here:

There may not be a more important detail contributing to The Batman’s reputation as one of the most grounded comic book films of its time than this, and it makes me proud to see Tomlin officially credited as Reeves’ co-writer on the Batman Part II screenplay, which was finished in June. Now, on the chance that you are confused over why I have such a high opinion of the film acknowledging eye makeup as part of Batman’s costume, allow me to explain.

Michael Keaton as Batman with and without eye shadow in the same scene from Batman Returns

(Image credit: Warner Bros. / DC)

Why It Matters That The Makeup Stays On In The Batman

There is no such cowl that could comfortably or practically fit perfectly to the contours of Batman’s eyes, which is why it has always been important that Bruce Wayne masks that recognizable area of his face with eye shadow. Yet, just about any time he is seen removing the cowl in a comic book or screen adaptation, the makeup is somehow absent.

One of the most widely scrutinized examples of this comes from 1992’s Batman Returns, in which Bruce (Michael Keaton, arguably the greatest live-action Batman actor), who is clearly wearing the eye shadow under his rubber cowl, rips it off to reveal the makeup has magically disappeared. Speaking as someone who loves the Tim Burton movies, this scene has always annoyed me. So, it should go without saying how much I appreciated that The Batman not only shows black circles around Pattinson’s eyes after he removes his cowl, but even shows a glimpse of him applying the makeup early on.

This past Halloween, my wife and I went dressed as Catwoman and Batman, and I made sure to include the eye shadow as part of my outfit. The number of compliments I received for my costume should provide enough evidence for why it is essential to Bruce’s after-hours ensemble and why Mattson Tomlin deserves the praise he has received for this addition to The Batman. I am looking forward to seeing what other contributions to the Dark Knight’s lore he may bring in The Batman Part II, which comes out in 2027, and, hopefully, in many more upcoming superhero movies.

Jason Wiese
Content Writer

Jason Wiese writes feature stories for CinemaBlend. His occupation results from years dreaming of a filmmaking career, settling on a "professional film fan" career, studying journalism at Lindenwood University in St. Charles, MO (where he served as Culture Editor for its student-run print and online publications), and a brief stint of reviewing movies for fun. He would later continue that side-hustle of film criticism on TikTok (@wiesewisdom), where he posts videos on a semi-weekly basis. Look for his name in almost any article about Batman.

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