The Big Ways The Price Is Right Is Changing To Film New Episodes During COVID
TV shows have had to make significant changes to adapt to COVID-19, with the new measures aimed at ensuring the well-being of casts and crews. Game shows have a particularly difficult challenge due to the inclusion of contestants as well as a live audience. CBS’ The Price is Right has been out of production for months, like so many other shows, but it’s finally getting back to filming, with some alterations of its own.
The Price is Right returned to the studio this week to restart shooting, though the show will now be without a live audience, which will be a first in the nearly 50 years it’s been on the air. Deadline also reports that the show’s set at Television City in LA has been redesigned to be more COVID-friendly.
The rebuilt set includes decking, which now sits in the area that the audience used to occupy. In addition, contestants on Bidder’s Row will now be spaced six feet apart. New protocols will also include regular testing and production zones and, as you would expect, masks and shields will be used as well.
While all of these changes represent a major shift for the veteran series, the lack of an audience could be the biggest adjustment but, as showrunner Evelyn Warfel tells the trade, it was the best way to maintain safety on the Drew Carey-hosted program:
Unfortunately, The Price is Right is unable to utilize a virtual audience since that would allow people to look up prices with the help of the internet. Warfel does believe, though, that any disappoint that viewers have about this will be soothed by the fact that all of the show’s signature games are back:
It may honestly take a while for audiences to get used to seeing The Price is Right without an excited studio audience. Yet it’s clear that Evelyn Warfel and her team at CBS have put a lot of thought into moving the beloved show forward during these uncertain times.
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Erik Swann is a Senior Content Producer at CinemaBlend. He began working with the publication in 2020 when he was hired as Weekend Editor. Today, he continues to write, edit and handle social media responsibilities over the weekend. On weekdays, he also writes TV and movie-related news and helps out with editing and social media as needed. He graduated from the University of Maryland, where he received a degree in Broadcast Journalism. After shifting into multi-platform journalism, he started working as a freelance writer and editor before joining CB. Covers superheroes, sci-fi, comedy, and almost anything else in film and TV. He eats more pizza than the Teenage Mutant Ninja Turtles.