BREAKING MOVIE NEWS
After eight seasons as the cranky, mercurial, endlessly fascinating Dr. Gregory House on House, Hugh Laurie is finally ready for his first big Hollywood starring role, and it's a doozy. According to Variety he's in talks to play the villain in RoboCop
Cornish is an odd choice, and I don’t mean that in a bad way. Most recently, she took over the modern angle of a period love story in Madonna’s directorial effort W.E. Prior to that, the beautiful Cornish carried additionally graceful period movies like Bright Star and Elizabeth: The Golden Age, though she did have a role in Zack Snyder’s Sucker Punch, and that was nothing but effects.
Being the fan that I am, I can't help but close this article out with another piece of Tarantino trivia. The last time that Oldman and Jackson appeared in a movie together was the 1993 Tony Scott movie True Romance, and who wrote the script for that movie? None other than Mr. Tarantino. In fact, that particular movie had Oldman dispatching Jackson with a high-powered shotgun - maybe it's time for some revenge?
Early in his career Gary Oldman was regularly cast as a madman, and we are forever thankful for that, but in recent years he has made a very interesting career shift. Now it's more likely that we see him in strong, hero type roles, rather than parts as the villain. This is best seen in Christopher Nolan's Batman trilogy, but he also served that purpose in the Harry Potter films and Tinker, Tailor, Solider, Spy. Now he's bringing that part of himself to theRoboCop franchise.
Will any of these people actually wind up in the cast? There's really no telling, since even if The Tracking Board has their story right, all of these actors seem so tentatively connected that anything could change. Penn, especially, tends to be incredibly picky in choosing his roles
Peter Weller had a pretty remarkable death scene in the beginning of RoboCop, but the truth is that for most of that movie he is pretty faceless. His cyborg helmet had the Batman effect of covering everything but his lower jaw, which, let's be honest, isn't even recognizable on your own best friends. It's not a bad thing, but apparently it is something that's going to change for the remake that is in the works over at MGM.
It's hard to think of anything that really connects the upcoming Robocop remake and the upcoming Anna Karenina adaptation, so let's just get down to facts. Recent schedule updates at Box Office Mojo have finally assigned release dates for both films;
A deal has been struck that will see Sony Pictures distribute the new remake of RoboCop. The film is being directed by Brazilian filmmaker Jose Padilha and, as confirmed this past weekend, the movie is set to star Joel Kinnaman in the title role. The sci-fi actioner, based on Paul Verhoeven's 1987 cult classic, is about a cop in a futuristic Detroit who is brought back to life as a cyborg to fight escalating crime in the city.
Remember a few weeks ago when we told you that The Killing and Snabba Cash star was being considered for the title role in MGM's Robocop movie? OK, now repeat that news to yourself, and make it sound a lot more confident
Kinnaman, for his part, does seem to have what it takes to become a Pine/Hemsworth-type breakout star. His brief scene in Safe House was a highlight of that muddled film, and while The Killing hasn't turned out as well as most people hoped, nobody seems to be blaming him for it
Gather 'round movie fans, and let me share with you the tale of screenwriter Josh Zetumer, and how he came to score a six against seven-figures deal from Universal despite never having had a script produced. You see, back when Universal was hot off of the box office splendor that was Paul Greengrass' The Bourne Ultimatum, they were earnest to reunite Greengrass and Matt Damon for a fourth Bourne movie. So, they hired Zetumer to quickly pen a draft
So… that settles that? Not necessarily-- for right now Crowe doesn't seem to be in any kind of talks for the Robocop role, but that doesn't mean his name won't come up again, or that somehow six months from now we'll hear he's been cast. I kind of doubt it
It hasn't actually been that long since Crowe headlined a big epic, but it's easy to forget that Ridley Scott's 2010 Robin Hood ever happened, so I don't blame you for not remembering Crowe all that well in action-hero mode. But even in his scruffy, middle-aged state, Crowe actually seems pretty perfect for Noah, especially if Aronofsky can get him to buckle down
Gran Torino screenwriter Nick Schenk has been brought on board to develop the screenplay, and Zetumer's name is entirely absent from the announcement. Does this mean Schenk is merely giving the script a polish? Or is this a total tear-down? It's hard to determine at this juncture, thought either way Schenk seems a smart choice for the material as Gran Torino was heralded for its unflinching and gritty, baroque exploration of vigilante justice.
The Robocop reboot has been waiting in the wings for someone to pick it up for quite a while now. Aronofsky was the first to show interest and he even finished a script, but along came the chance to make his passion project, Black Swan, and his involvement with the film slowly disintegrated as MGM’s finances crumbled. Slowly though the company got back on its feet and hired another director, Brazilian film maker Jose Padilha, and Robocop is well on its way to finding the big screen.
Michael Fassbender is having one hell of a 2011. In addition to being largely considered the best part of X-Men: First Class, one of the best summer blockbusters this year, he is also gaining tons of Oscar buzz for his performance in Steve McQueen's Shame and has David Cronenberg's A Dangerous Method coming out in November.
There are few things as pointless as a copy-and-paste remake. The perfect example, of course, is Gus Van Sant's shot-for-shot version of Alfred Hitchcock's Psycho, but even Samuel Bayer's remake of Nightmare on Elm Street kept so much from the original that the reason for it's existence was called into question.
As we are reaching a 2015 that is currently hopelessly devoid of hoverboards and flying cars, Tremulant Design's Michael Hobson has taken it upon himself to keep us informed about what else may or may not happen in our near to distant future according to movies.
The one thing to worry about though is that if they’re thinking of making this play to skew in the female audience, they may be planning on leaning towards a PG-13 release, and since the original was a hard R, this could be upsetting. Nothing is official on any of these, but we’ll have our ear to the ground so check beck frequently for updates.
It makes more sense for them to pick an up-and-comer, not just to put the focus on the franchise and not the star, but because most stars wouldn't want to be hidden behind a mask for the entire movie anyway. For now it's only worth considering these names as a rumor
A Robocop reboot has been rumored for years now, but nothing has ever really come of them. Now, however, it appears that MGM really means business. Just last week the studio hired Elite Squad director Jose Padiha to direct the project and now they've found someone to write it.
For years there was talk of Darren Aronofsky taking the reigns of the Robocop franchise and directing a reboot. These talks continued for years and years and anytime Aronofsky would make a movie that wasn't Robocop related, the press would ask him about it.
They've got five projects in the works, all of them based around previous films-- remakes of Robocop, Mr. Mom and the 1980 drama The Idolmaker, plus another film based around Hercules and a fourth Poltergeist film.
Earlier this month fanboys across the internet sighed when Detroit Mayor David Bing took to his Twitter account to announce that there were no plans to erect a statue of Robocop. A pop culture icon closely associated with the Michigan city, those same fans were not going to take no for an answer. An artist named Jerry Paffendorf decided to set up a website where anybody could donate money to get a statue made. Guess what? They succeeded.
With Black Swan now hitting the festival circuit Aronofsky is being asked again about Robocop, and he's taking the opportunity to set the record straight