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Straight from Cinema Blend's fiercely independent entertainment reporters.
 published: 2010-01-27Exclusive Sundance Interview: Cyrus Co-Director Mark Duplass Given how many of his films have premiered here, and what a crucial role he's playing in low-budget independent cinema right now, Mark Duplass may be more of a human personification of Sundance than Harvey Weinstein  filed under: sundance 2010
 published: 2010-01-27Sundance Review: It's A Wonderful Afterlife Don't ask how four ghosts who Roopi can't see are helping with the matchmaking, and definitely don't ask about the potential heartbreaking ramifications of a mother planning her own death. This is a movie that's too committed to being silly to stop for breath filed under: sundance 2010
 published: 2010-01-27Sundance Review: Twelve When the movie ends without a single one of the annoying characters getting sliced in half with a blade, it's almost unbelievably disappointing. We've earned the right to see these characters dispatched with in the most violent way possible filed under: sundance 2010
 published: 2010-01-27Sundance Review: Animal Collective's ODDSAC I'm not really sure if the Animal Collective and Danny Perez collaboration ODDSAC is genius or insane or some combination of the two, or the if the low-fi hallucinatory visuals here represent some great leap for music movies-- I'll leave that to Pitchfork to sort out filed under: sundance 2010
 published: 2010-01-26Exclusive Sundance Interview: The Runaways Director Floria Sigismondi When she started work on The Runaways, Floria Sigismondi was just making a small biopic about a 70s punk girl group, early feminist icons in the male-dominated world of rock and roll. Then the day that they signed a lead actress filed under: sundance 2010
 published: 2010-01-26Sundance Interview: Joan Jett Just a few hours before The Runaways premiered on Sunday, Jett talked to me and a few other journalists about how she decided to throw her support behind the film, the similarities between her and Stewart filed under: sundance 2010
 published: 2010-01-26Sundance Review: The Extra Man The third film from American Splendor directors Shari Springer Berman and Robert Pulcini is so interested in its own oddball delights that is veers very, very close to disaster filed under: sundance 2010
 published: 2010-01-26Exclusive Sundance Interview: Taika Waititi And James Rolleston Taika Waititi's Boy hasn't been one of those Sundance movies that ignites an instant bidding war, but it's been a well-liked favorite among those I know who have seen the tender and hilarious coming-of-age story filed under: sundance 2010
 published: 2010-01-25Sundance Review: 12th And Delaware Anyone particularly invested in the debate can see 12th and Delaware as a concise explanation of what the enemy has in store. The rest of us can enjoy a small-scale human drama that says so much in microcosm about our country as a whole filed under: sundance 2010
 published: 2010-01-25Sundance Review: The Killer Inside Me Despite Affleck's efforts in the central role, Lou is a completely unbearable figure, snide and rude in public and unspeakably, horribly violent at home. The film's violence is what's got everyone talking filed under: sundance 2010
 published: 2010-01-25Sundance Review: Exit Through The Gift Shop Exit Through the Gift Shop works very, very well as a document of the street art scene, with footage from installations by dozens of artists and interviews with many of them, and both the presence of an enthusiastic fan filed under: sundance 2010
 published: 2010-01-24Exclusive Sundance Interview: Anthony Mackie Though Anthony Mackie isn't actually present at this year's Sundance Film Festival, the star of one of the latest indie success stories in Hollywood-- that would be guaranteed Oscar nominee The Hurt Locker-- is part of the festivities anyway filed under: sundance 2010
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