Interview: Motherhood Writer-Director Katherine Dieckmann
When you’ve got a movie called Motherhood, it’s naturally assumed the film is mom material only. The Motherhood PR team even made an extra effort to have a number of mom bloggers participate in the roundtables. Yes, Motherhood is about, well, motherhood, but there’s also a much deeper meaning behind the portrayal of a day in the life of mother of two, Eliza (Uma Thurman).
Much of the roundtable questions probed the film’s writer and director, Katherine Dieckmann, about her child raising philosophies and experiences, so I used my one-on-one time to investigate Dieckmann’s implementation of those elements to create an entertaining and meaningful movie.
The interview is fairly long, 18 minutes, so I chopped it up into two pieces. The first half primarily addresses Dieckmann’s inspiration and how Motherhood, contrary to popular belief, can be a movie for anybody. One particularly intriguing portion of this half of the interview is when Dieckmann tells me about the movie poster. As I said in my review of Motherhood, I’m not a fan of the poster. I still think a poster’s effectiveness can be assessed by a person’s initial reaction to the image, but Dieckmann enlightens me on the deeper meaning beyond its face value.
In the latter half Dieckmann goes into detail on the casting process. She tells me a little something about everyone from the film’s leading lady to the talented young actress who plays Eliza’s six-year-old daughter Clara (Daisy Tahan).
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