Spoilers below for the most recent episode of Preacher, so put on a jazz record and check out some of our other stories if you still haven't watched yet.
After a season and change of knuckle-busting road trips across the dusty countrysides of TV Texas (which is actually New Mexico), AMC's Preacher gave Season 2 a change of scenery by heading down to New Orleans to introduce some excellent new characters and storylines. CinemaBlend recently spoke with Julie Ann Emery, who stars as the villainous part-time crooner Lara Featherstone, and when we weren't talking about comic comparisons, she gave me several reasons why the big move to New Orleans is great for Preacher.
As a Louisiana native who's spent quite a few nights walking the city's streets, usually with a bit of no good in mind, I firmly agree with everything Julie Ann Emery said there. Even during the winter, New Orleans might feel chilly, but it'll still look like a humid den of sin if you're watching from behind a camera lens. (Especially on wet, neon-lit street corners.) And is there a trio currently on TV more equipped to take on a den of sin than Jesse, Tulip and Cassidy? I think not. (Well, maybe Noah Taylor's Hitler, also introduced in the episode, but he's currently busy down in Hell.)
In the same way that other metros like New York City or L.A. are characterized in movies and TV shows, New Orleans carries a signature flair that sets an immediate tone on screen. And from how Julie Ann Emery talked about it, it sounds like Preacher will continue to let The Big Easy's energetic spirit guide the mayhem.
Just in case you've ever wanted to see someone in an alley peeing on their own feet on TV, Preacher might accidentally be giving you that chance. Hell, we might get to see any number of things now that Tulip's past is coming back to haunt her while Jesse is off trying to touch base with the jazz club-loving God. Which, not coincidentally I'm sure, is precisely where we first got to see Featherstone in live-action.
If a TV show is going to showcase the music scene in New Orleans, particularly the jazz side of things, it wouldn't do anyone any good to have a newbie blindly picking tracks and mentoring the score. Julie Ann Emery put all fears to rest there by confirming Preacher did its homework.
In Episode 3, viewers got to watch a selection of musicians popping up in the different bars and clubs that characters were in and out of, and it's awesome to hear that Jay Weigel has been involved with putting some of that together. (Especially since it's not even on his IMDb page.) A New Orleans native, Weigel has basically spent his entire life engulfed in music, with jazz taking up a good chunk of that time, and he notably spent some years working with jazz icon Terence Blanchard. Not to mention all the operas he's produced, all the symphonies he's lead across the globe, or all the movies and TV shows that featured his work on soundtracks. Or the ones he's worked on in official capacities, such as Midnight Special, Our Brand Is Crisis andGet Hard, along with many Madea films.
So even though comic fans and casual viewers probably have bigger anticipations for seeing Herr Starr and the Saint of Killers wrecking shop in any location, at least we can all take comfort in knowing that adding New Orleans to the elixir is only going to make things better. She also talked about how much Preacher creator Garth Ennis was down with flipping things up from the source material and advising things, so his blessing is on all of it.
With a lot more fist fights, explosions and fibbing yet to come in Season 2, Preacher airs on AMC on Monday nights at 9:00 p.m. ET. To see when everything else is hitting the small screen soon, head to our summer TV premiere schedule.
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Nick is a Cajun Country native, and is often asked why he doesn't sound like that's the case. His love for his wife and daughters is almost equaled by his love of gasp-for-breath laughter and gasp-for-breath horror. A lifetime spent in the vicinity of a television screen led to his current dream job, as well as his knowledge of too many TV themes and ad jingles.
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