BREAKING MOVIE NEWS
Professor X has a signature look, and that look is cue ball ball. Up to this point, however, James McAvoy has played the part with a full head of hair. That is about to change, and here is your first look and the new, improved, bald as hell Charles Xavier.
James McAvoy as Victor Frankenstein and Daniel Radcliffe as Igor look quite convincing as Dr. Frankenstein and his assistant in the first pics from Victor Frankenstein due in theaters October 2.
Timur Bekmambetov is adamant that Wanted 2 will still happen, but he insists it's up to Universal when production can start.
X-Men writer/producer Simon Kinberg recently explained that he sees X-Men: Apocalypse as ending a trilogy that began with First Class, “complete the stories” of young Mystique, Beast, Magneto and Professor Xavier. These comments naturally had us worried, fearing that these four integral characters would be somehow walking off into the sunset, but fortunately Kinberg has now set the record straight.
Through X-Men: First Class and X-Men: Days of Future Past, the mutants known as Professor X (James McAvoy), Magneto (Michael Fassbender), Mystique (Jennifer Lawrence) and Beast (Nicholas Hoult) have gone through a hell of a lot. Beginning in the early 1960s, they wound up right smack dab in the middle of not only a massive societal change, but also the Cuban Missile Crisis.
James McAvoy has done a truly spectacular job establishing himself within the X-Men franchise as the younger version of Professor Charles Xavier – even under the pressure of living up to the performances of the great Patrick Stewart. But while the Scottish star has brought amazing emotional levels to the character in both X-Men: First Class and X-Men: Days of Future Past, one key aesthetic element that has been completely missing is the trademark chrome dome.
With X-Men: Days Of Future Past already in theaters, and already racking up some excellent reviews, it's time to relax and look forward to the next installment of Professor Xavier's gifted youngsters and their uncanny adventures. But before we leave behind the days of future past, there's some fun to be had with the cast. More specifically, we have a video where both James McAvoy and Michael Fassbender try to imitate their more mature selves, and the results make for quite a good laugh.
Magnolia isn’t exactly gambling. Filth currently ranks as the year’s second highest-grossing R-rated film in the UK, where it opened earlier in the year. It also has earned several British Independent Film Award nominations.
Downton Abbey’s Jessica Brown Findlay (Lady Sybil Branson nee Crawley) will join forces with X-Men: First Class’s James McAvoy (Professor Charles Xavier) and Harry Potter’s Daniel Radcliffe (The Boy Who Lived) for a Frankenstein reboot that is sure attract the attention of fanboys and fangirls from all over. Come for the stars; stay for the WTF-factor.
You know how there are all these rumors about how Tom Cruise hires co-stars who are willing to slouch or who are also vertically challenged so he doesn't look so short onscreen? Those are the kind of crazy lengths you have to go to when you're a very small A-lister, but James McAvoy and Daniel Radcliffe have come up on a much easier solution-- find short actors you like, team up, look totally tall in comparison to each other onscreen
In the film, McAvoy plays Bruce Robertson, a deviant and corrupt cop who spends his days binging on hard liquor and harder drugs, stuffing the hardest parts of his body into the loosest women around.
From the same author that brought us Trainspotting, Filth tells the story of Bruce Robertson (McAvoy), a racist, perverted, drug-addicted, foul-mouthed, corrupt, drunk, asshole police officer who wishes to rise in the ranks of his unit and will stop at nothing to do so. In order to make sure that none of his colleagues are able to get in front of him, he begins to spill secrets, steal wives and destroy their lives.
Based on the classic story arc in the comics, X-Men: Days of Future Past finds the X-Men from the original trilogy trying to survive during a horrific future plagued by giant mutant hunting robots called Sentinels.
Here McAvoy stars as Bruce Robertson, a bigoted, bipolar cop with a serious drug addiction. Despite all of the above Bruce is up for a promotion, and to win it, he'll do anything it takes to solve a gruesome murder case and ruin his rivals chances. But his lies and manipulations stack up to toppling, pitting his cop colleagues against each other and endangering his relationship with his wife and daughter.
Trance stars McAvoy as Simon, an art auctioneer who falls hard into the world of art theft. But when he forgets where he hid a highly valued work of art, the payday of his criminal partner (Vincent Cassel) is threatened. So in turn Simon's life is threatened. To help him recover the memory of painting's location, he rushes to a hypnotherapist (Rosario Dawson) for help before it's too late. But can she be trusted?
Empire drops a number of impressive directorial influences when it talks about Creevy’s approach to his follow-up to Shifty, from Heat to Infernal Affairs (which was remade as The Departed by Martin Scorsese). That’s obviously a high standard, and we can’t expect Punch to live up to such lofty expectations. But if it does …
McAvoy fronts this original crime drama as Detective Max Lewisky, a man dedicated to taking down Jacob Sternwood, the notorious criminal played by Strong. Typically, Sternwood is an elusive figure, but when his son (Game of Thrones' Elyes Gabel) finds in trouble in London, this dedicated dad rushes to his rescue…and into trouble of his own.
And that makes sense, if you know the original books on which this storyline is based. If Singer is going to hold fast to the original narrative (which is going to have to change slightly), Kitty Pryde is the character who travels through time to warn alternate versions of the X-Men of an impending doom that, hopefully, involves Sentinels.
Wigutow and Gutierrez are reportedly still attached to the project, but there's no guess as to when it might actually roll into production. As a fan of the original, I admit, never would be too soon for me.
Though he toiled for a while making films that few audiences saw or went massively misunderstood, Danny Boyle has hit the big time, an Oscar-winner whose three-year absence from films to produce the Olympics opening ceremony was felt hard by movie fans of all stripes