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TIFF Review: Submarine Is Much More Than Just The Welsh Rushmorepublished: 2010-09-18
TIFF Review: Submarine Is Much More Than Just The Welsh Rushmore

Using the bleak imagery of coastal Wales to great effect, Ayoade adapts Joe Dunthorne's novel with endless original touches, from Oliver's wry and funny voiceover to masterful shifts in tone
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TIFF Review: Rachel Weisz And A Powerful Story Bring Heart To The Whistleblowerpublished: 2010-09-17
TIFF Review: Rachel Weisz And A Powerful Story Bring Heart To The Whistleblower

It's not the best film I've seen at the festival, and will struggle to find an audience with its earnest politics and brutal depiction of violence
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TIFF Exclusive Interview: Max Winkler, Michael Angarano And Jake Johnson Of Ceremonypublished: 2010-09-17
TIFF Exclusive Interview: Max Winkler, Michael Angarano And Jake Johnson Of Ceremony

Film festivals are usually great places to catch searing dramas and documentaries, but good comedies are so rare that, when they arrive
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TIFF Exclusive Interview: John Cameron Mitchell Holds Back On Rabbit Holepublished: 2010-09-17
TIFF Exclusive Interview: John Cameron Mitchell Holds Back On Rabbit Hole

Maybe the most fascinating thing about it is Mitchell himself, making a significant transition from his first two films to this restrained, tender, sometimes surprisingly funny film
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TIFF Interview: Edward Norton Talks Screenwriting And Meeting Prisoners For Stonepublished: 2010-09-16
TIFF Interview: Edward Norton Talks Screenwriting And Meeting Prisoners For Stone

Read below as Norton talks about basing his character on real prisoners, working on the screenplay with director John Curran, and how he's seen
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TIFF Interview: Mark Romanek Becomes The Filmmaker He Wants To Be On Never Let Me Gopublished: 2010-09-16
TIFF Interview: Mark Romanek Becomes The Filmmaker He Wants To Be On Never Let Me Go

In person Romanek is as surprising as his career, bearing a thick black beard but a gentle, quiet speaking voice, talking frankly about the high
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TIFF Review: 127 Hours Is A Moving, Terrifying Cinematic Adventurepublished: 2010-09-16
TIFF Review: 127 Hours Is A Moving, Terrifying Cinematic Adventure

Without ever leaning too hard on the emotional buttons or cheapening Ralston's personal story with too general a message, 127 Hours combines the power of cinema with a great story to terrify us and move us in equal
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Lionsgate Picks Up Rabbit Hole At TIFF, Just In Time For The Oscar Racepublished: 2010-09-16
Lionsgate Picks Up Rabbit Hole At TIFF, Just In Time For The Oscar Race

The studio has acquired the film's North American rights with plans to release it this fall, tossing it right into the Oscar race and, if all goes well, snagging another well-deserved nomination for Kidman
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TIFF Review: Meek's Cutoff Reinvents The Western With A Quiet Forcepublished: 2010-09-15
TIFF Review: Meek's Cutoff Reinvents The Western With A Quiet Force

Brings Reichardt's filmmaking to a larger scale without ever compromising the fierce intimacy of her story
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The Weinstein Company Picks Up Toronto Comedy Hit Submarinepublished: 2010-09-15
The Weinstein Company Picks Up Toronto Comedy Hit Submarine

With great performances from the kids in the lead roles and a nice supporting turn from Sally Hawkins as a mom, it's the kind of thing that critics could definitely embrace and send along to a large indie-friendly
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TIFF Review: Alex Gibney Finds Even Dirtier Political Scandal In Client 9published: 2010-09-14
TIFF Review: Alex Gibney Finds Even Dirtier Political Scandal In Client 9

Gibney clearly likes Spitzer, who is as smart and well-spoken as the filmmaker himself, and while you can argue that Client 9 may go a little easy on its subject, it's also a fascinating look at the hypocrisies of political
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TIFF Review: It's Kind Of A Funny Story Disappoints, Except Galifianakispublished: 2010-09-14
TIFF Review: It's Kind Of A Funny Story Disappoints, Except Galifianakis

While Boden and Fleck bring some of their trademark gifts for observing humanity and accepting the more complicated twists of human nature, the story sticks firmly to the indie playbook
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